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*GleefulAndGrumpyPairing: Becky and Mike behind ''Daybreak'', Colleen and Mike in front of it. (the latter's case is even exploited, as the crew notices viewers like their bickering)
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%% * MisplacedNamesPoster
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Changed line(s) 51 (click to see context) from:
* JerkassHasAPoint: Mike is an old school television journalist who hates how modern news programs, including ''Daybreak'', rely on sensationalism and fluff at the expense of real informative news. He believes that there is still a large audience for such content and it could help make the show more successful. He winds up proven right when [[spoiler:Mike films the arrest of the corrupt governor live and ''Daybreak'''s ratings soar as a result.]]
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* JerkassHasAPoint: JerkassHasAPoint:
** Mike is an old school television journalist who hates how modern news programs, including ''Daybreak'', rely on sensationalism and fluff at the expense of real informative news. He believes that there is still a large audience for such content and it could help make the show more successful. He winds up proven right when [[spoiler:Mike films the arrest of the corrupt governor live and ''Daybreak'''s ratings soar as a result.]]
** Mike is an old school television journalist who hates how modern news programs, including ''Daybreak'', rely on sensationalism and fluff at the expense of real informative news. He believes that there is still a large audience for such content and it could help make the show more successful. He winds up proven right when [[spoiler:Mike films the arrest of the corrupt governor live and ''Daybreak'''s ratings soar as a result.]]
Changed line(s) 92 (click to see context) from:
* TooKinkyToTorture: Non-sexual variant: When Becky starts putting her colleague Arnie through more and more crazy stunts to boost the ratings (rollercoasters, parachutes etc.) he is surprised to find he enjoys it. (Colleen dismisses this by claiming he's a shameless hack).
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* TooKinkyToTorture: Non-sexual variant: When when Becky starts putting her colleague Arnie through more and more crazy stunts to boost the ratings (rollercoasters, parachutes etc.) he is surprised to find he enjoys it. it (Colleen dismisses this by claiming he's a shameless hack).
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Added DiffLines:
** Ironically, Becky herself believes this from the beginning but Miek seems to brush her off when she suggests it.
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Changed line(s) 55 (click to see context) from:
* MarriedToTheJob: Becky has difficulty talking about anything but work on a date and gets up in the middle of the night to check for news stories.
to:
* MarriedToTheJob: Becky has difficulty talking about anything but work on a date and gets up in the middle of the night to check for news stories. She eases up a bit after Mike warns her that he was the same way when he was younger and it wound up destroying his family and personal life.
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Added DiffLines:
* JerkassHasAPoint: Mike is an old school television journalist who hates how modern news programs, including ''Daybreak'', rely on sensationalism and fluff at the expense of real informative news. He believes that there is still a large audience for such content and it could help make the show more successful. He winds up proven right when [[spoiler:Mike films the arrest of the corrupt governor live and ''Daybreak'''s ratings soar as a result.]]
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Changed line(s) 25 (click to see context) from:
* TheCakeIsALie: Wily Mike dupes Becky into filming the Governor's arrest by pretending to cover the annual Sauerkraut Festival in upstate New York.
to:
* TheCakeIsALie: Wily Mike dupes Becky into filming the Governor's arrest by pretending to cover the annual Sauerkraut Festival in upstate New York.York ([[DownplayedTrope although she ultimately gets even more excited by what he's really up to]]).
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Changed line(s) 90 (click to see context) from:
* TooKinkyToTorture: Non-sexual variant: When Becky starts putting her colleague Anie through more and more crazy stunts to boost the ratings (rollercoasters, parachutes etc.) he is surprised to find he enjoys it. (Colleen dismisses this by claiming he's a shameless hack).
to:
* TooKinkyToTorture: Non-sexual variant: When Becky starts putting her colleague Anie Arnie through more and more crazy stunts to boost the ratings (rollercoasters, parachutes etc.) he is surprised to find he enjoys it. (Colleen dismisses this by claiming he's a shameless hack).
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Changed line(s) 53 (click to see context) from:
* LoopholeAbuse: While pouring over Mike's contract, Becky discovers that he ''cannot'' refuse an anchor position if the network (i.e. herself) offers to re-hire him.
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* LoopholeAbuse: While pouring over Mike's contract, which requires the network to continue to pay him even while he's not working, Becky discovers that he ''cannot'' refuse an anchor position if the network (i.e. herself) offers to re-hire him. If he does then ''he'' has broken the contract, and the network can cut him off.
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Changed line(s) 90 (click to see context) from:
* TooKinkyToTorture: Non-sexual variant: When Becky starts putting her colleagues through more and more crazy stunts to boost the ratings (rollercoasters, parachutes etc.) one of them is surprised to find he enjoys it. (Colleen dismisses this by claiming he's a shameless hack).
to:
* TooKinkyToTorture: Non-sexual variant: When Becky starts putting her colleagues colleague Anie through more and more crazy stunts to boost the ratings (rollercoasters, parachutes etc.) one of them he is surprised to find he enjoys it. (Colleen dismisses this by claiming he's a shameless hack).
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* CorruptPolitician: The Governor who [[spoiler:Mike films the arrest of]].
Changed line(s) 49,50 (click to see context) from:
%% * IronicEcho: "Fluffy".
%% * JerkWithAHeartOfGold: Mike.
%% * JerkWithAHeartOfGold: Mike.
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%%
* JerkWithAHeartOfGold:
Changed line(s) 53 (click to see context) from:
%% * MarriedToTheJob: Becky.
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* TarAndFeathers: One ratings stunt Becky suggests is having Arnie tarred and feathered on the anniversary of the Boston Tea Party.
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Changed line(s) 2,3 (click to see context) from:
[[caption-width-right:300:[[TestosteroneBrigade For some reason]], guys like the film, too. (It's probably the {{Oasis}} ShoutOut.)]]
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[[caption-width-right:300:[[TestosteroneBrigade For some reason]], guys like the film, too. (It's probably the {{Oasis}} Music/{{Oasis}} ShoutOut.)]]
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Changed line(s) 4,5 (click to see context) from:
A 2010 comedy/romance film directed by Roger Michell, starring Creator/RachelMcAdams, Creator/HarrisonFord, Diane Keaton, Creator/JeffGoldblum, and Creator/PatrickWilson.
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A 2010 comedy/romance film directed by Roger Michell, starring Creator/RachelMcAdams, Creator/HarrisonFord, Diane Keaton, Creator/DianeKeaton, Creator/JeffGoldblum, and Creator/PatrickWilson.
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Changed line(s) 4,5 (click to see context) from:
A 2010 comedy/romance film directed by Roger Michell, starring Creator/RachelMcAdams, Creator/HarrisonFord, Creator/DianeKeaton, Creator/JeffGoldblum, and Creator/PatrickWilson.
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A 2010 comedy/romance film directed by Roger Michell, starring Creator/RachelMcAdams, Creator/HarrisonFord, Creator/DianeKeaton, Diane Keaton, Creator/JeffGoldblum, and Creator/PatrickWilson.
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Changed line(s) 4,5 (click to see context) from:
A 2010 comedy/romance film directed by Roger Michell, starring Creator/RachelMcAdams, Creator/HarrisonFord, Diane Keaton, Creator/JeffGoldblum, and Creator/PatrickWilson.
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A 2010 comedy/romance film directed by Roger Michell, starring Creator/RachelMcAdams, Creator/HarrisonFord, Diane Keaton, Creator/DianeKeaton, Creator/JeffGoldblum, and Creator/PatrickWilson.
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* EstablishingCharacterMoment: Becky is shown bumbilng around the studio like a classic clumsy romcom protagonist. Then she shows that she isn't fazed at all by the high-pressure work environment and deals with a half-dozen crises in short order before calmly and firmly firing the creepy anchor.
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* {{Deconstruction}}: The film is structured like a romantic comedy but the romcom tropes are played out through the development of the strictly platonic relationship between Becky and Mike (complete with a RaceForYourLove in the climax). The actual romance between Becky and Adam is a subplot that proceeds with minimal drama and is actually quite realistic in depicting how two professionals dedicated to their careers have to figure out how to make room for a relationship.
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%% * RealMenCook
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* RealMenCook: Mike is shown to be a skilled cook and waxes poetical about frittata.
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** The studio's door knobs constantly come apart in Becky's hands.
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** Curtis "[[FiftyCent 50 Cent]]" Jackson, Lloyd Banks and Tony Yayo.
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** Curtis "[[FiftyCent "[[Music/FiftyCent 50 Cent]]" Jackson, Lloyd Banks and Tony Yayo.
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A 2010 comedy/romance film directed by Roger Michell, starring Creator/RachelMcAdams, Creator/HarrisonFord, Diane Keaton, Creator/JeffGoldblum and Creator/PatrickWilson.
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A 2010 comedy/romance film directed by Roger Michell, starring Creator/RachelMcAdams, Creator/HarrisonFord, Diane Keaton, Creator/JeffGoldblum Creator/JeffGoldblum, and Creator/PatrickWilson.
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Changed line(s) 12,13 (click to see context) from:
Produced by Creator/JJAbrams, of all people. Not to be confused with the 1933 Creator/KatharineHepburn film of the same name.
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Changed line(s) 6,9 (click to see context) from:
At the start of the film, Becky Fuller ([=McAdams=]) is fired from her job as the producer of a morning television talk show in New Jersey. She takes a pay cut to work at the fictional IBS network on a different morning show called ''Daybreak''[[note]]Not to be confused with the similar British morning show of the same name and status at that time[[/note]], which has terrible ratings and is headed for cancellation unless she, and the oddball employees that work for her, can make the program a success. She also ends up in a relationship with another producer (Wilson), but her workaholic attitude is constantly preventing her from having any sort of a normal life.
The main focus of the movie is her relationship with one of her favorite news broadcasters (Ford) who has been forced to work on her cheery morning show even though he is accustomed to hard-hitting journalism. He begrudges the assignment and plays the part of the cranky old man who drives Becky up the wall with his antics and general grumpy attitude.
The main focus of the movie is her relationship with one of her favorite news broadcasters (Ford) who has been forced to work on her cheery morning show even though he is accustomed to hard-hitting journalism. He begrudges the assignment and plays the part of the cranky old man who drives Becky up the wall with his antics and general grumpy attitude.
to:
At the start of the film, Becky Fuller ([=McAdams=]) is fired from her job as the producer of a morning television talk show in New Jersey. She takes a pay cut to work at the fictional IBS network on for a different morning show called ''Daybreak''[[note]]Not to be confused with the similar British morning show of the same name and status at that time[[/note]], which time[[/note]] on the fictional IBS network in New York. ''Daybreak'' has terrible ratings and is headed for cancellation unless she, Becky, and the oddball employees that work for her, can make the program a success. She also ends up in a relationship with another producer (Wilson), but her workaholic attitude is constantly preventing her from having any sort of a normal life.
The main focus of the movie isher Becky's relationship with one of her favorite news broadcasters (Ford) (Ford), who has been forced to work on her cheery morning show even though he is accustomed to hard-hitting journalism. He begrudges the assignment and plays the part of the cranky old man who drives Becky up the wall with his antics and general grumpy attitude.
The main focus of the movie is
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Changed line(s) 6,7 (click to see context) from:
At the start of the film, Becky Fuller ([=McAdams=]) is fired from her job as the producer of a morning television talk show in New Jersey. She takes a pay cut to work at the fictional IBS network on a different morning show called ''Daybreak'' that has terrible ratings and is headed for cancellation[[note]]Not to be confused with the similar British morning show of the same name and status at that time[[/note]] unless she, and the oddball employees that work for her, can make the program a success. She also ends up in a relationship with another producer (Wilson), but her workaholic attitude is constantly preventing her from having any sort of a normal life.
to:
At the start of the film, Becky Fuller ([=McAdams=]) is fired from her job as the producer of a morning television talk show in New Jersey. She takes a pay cut to work at the fictional IBS network on a different morning show called ''Daybreak'' that has terrible ratings and is headed for cancellation[[note]]Not ''Daybreak''[[note]]Not to be confused with the similar British morning show of the same name and status at that time[[/note]] time[[/note]], which has terrible ratings and is headed for cancellation unless she, and the oddball employees that work for her, can make the program a success. She also ends up in a relationship with another producer (Wilson), but her workaholic attitude is constantly preventing her from having any sort of a normal life.
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Changed line(s) 6,7 (click to see context) from:
At the start of the film, Becky Fuller ([=McAdams=]) is fired from her beloved job as the producer of a morning television talk show. She takes a pay cut to work at a different morning show called ''Daybreak'' that has terrible ratings and is headed for cancellation[[note]]Not to be confused with the similar British morning show of the same name and status at that time[[/note]] unless she, and the oddball employees that work for her, can make the program a success. She also ends up in a relationship with another producer (Wilson), but her workaholic attitude is constantly preventing her from having any sort of a normal life.
to:
At the start of the film, Becky Fuller ([=McAdams=]) is fired from her beloved job as the producer of a morning television talk show. show in New Jersey. She takes a pay cut to work at the fictional IBS network on a different morning show called ''Daybreak'' that has terrible ratings and is headed for cancellation[[note]]Not to be confused with the similar British morning show of the same name and status at that time[[/note]] unless she, and the oddball employees that work for her, can make the program a success. She also ends up in a relationship with another producer (Wilson), but her workaholic attitude is constantly preventing her from having any sort of a normal life.
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Changed line(s) 6,7 (click to see context) from:
At the start of the film, Becky Fuller ([=McAdams=]) is fired from her beloved job as the producer of a morning TV talk show. She takes a pay cut to work at a different morning show called ''Daybreak'' that has terrible ratings and is headed for cancellation[[note]]Not to be confused with the similar British morning show of the same name and status at that time[[/note]] unless she, and the oddball employees that work for her, can make the program a success. She also ends up in a relationship with another producer (Wilson), but her workaholic attitude is constantly preventing her from having any sort of a normal life.
to:
At the start of the film, Becky Fuller ([=McAdams=]) is fired from her beloved job as the producer of a morning TV television talk show. She takes a pay cut to work at a different morning show called ''Daybreak'' that has terrible ratings and is headed for cancellation[[note]]Not to be confused with the similar British morning show of the same name and status at that time[[/note]] unless she, and the oddball employees that work for her, can make the program a success. She also ends up in a relationship with another producer (Wilson), but her workaholic attitude is constantly preventing her from having any sort of a normal life.
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Changed line(s) 6,7 (click to see context) from:
At the start of the film, Becky Fuller ([=McAdams=]) is fired from her beloved job as the producer of a morning talk show. She takes a pay cut to work at a different morning show called ''Daybreak'' that has terrible ratings and is headed for cancellation[[note]]Not to be confused with the similar British morning show of the same name and status at that time[[/note]] unless she, and the oddball employees that work for her, can make the program a success. She also ends up in a relationship with another producer (Wilson), but her workaholic attitude is constantly preventing her from having any sort of a normal life.
to:
At the start of the film, Becky Fuller ([=McAdams=]) is fired from her beloved job as the producer of a morning TV talk show. She takes a pay cut to work at a different morning show called ''Daybreak'' that has terrible ratings and is headed for cancellation[[note]]Not to be confused with the similar British morning show of the same name and status at that time[[/note]] unless she, and the oddball employees that work for her, can make the program a success. She also ends up in a relationship with another producer (Wilson), but her workaholic attitude is constantly preventing her from having any sort of a normal life.
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Changed line(s) 12,14 (click to see context) from:
Not to be confused with the 1933 Creator/KatharineHepburn film.
Produced by Creator/JJAbrams, of all people.
Produced by Creator/JJAbrams, of all people.
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!!The film contains examples of:
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A 2010 comedy/romance film starring Creator/RachelMcAdams, Creator/HarrisonFord, Diane Keaton, Creator/JeffGoldblum and Patrick Wilson.
to:
A 2010 comedy/romance film directed by Roger Michell, starring Creator/RachelMcAdams, Creator/HarrisonFord, Diane Keaton, Creator/JeffGoldblum and Patrick Wilson.
Creator/PatrickWilson.
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Changed line(s) 6,9 (click to see context) from:
At the start of the film, Becky Fuller (Rachel [=McAdams=]) is fired from her beloved job as the producer of a morning talk show. She takes a pay cut to work at a different morning show called ''Daybreak'' that has terrible ratings and is headed for cancellation[[note]]Not to be confused with the similar British morning show of the same name and status at that time[[/note]] unless she, and the oddball employees that work for her, can make the program a success. She also ends up in a relationship with another producer (Patrick Wilson's character), but her workaholic attitude is constantly preventing her from having any sort of a normal life.
The main focus of the movie is her relationship with one of her favorite news broadcasters (played by Harrison Ford) who has been forced to work on her cheery morning show even though he is accustomed to hard-hitting journalism. He begrudges the assignment and plays the part of the cranky old man who drives Becky up the wall with his antics and general grumpy attitude.
The main focus of the movie is her relationship with one of her favorite news broadcasters (played by Harrison Ford) who has been forced to work on her cheery morning show even though he is accustomed to hard-hitting journalism. He begrudges the assignment and plays the part of the cranky old man who drives Becky up the wall with his antics and general grumpy attitude.
to:
At the start of the film, Becky Fuller (Rachel [=McAdams=]) ([=McAdams=]) is fired from her beloved job as the producer of a morning talk show. She takes a pay cut to work at a different morning show called ''Daybreak'' that has terrible ratings and is headed for cancellation[[note]]Not to be confused with the similar British morning show of the same name and status at that time[[/note]] unless she, and the oddball employees that work for her, can make the program a success. She also ends up in a relationship with another producer (Patrick Wilson's character), (Wilson), but her workaholic attitude is constantly preventing her from having any sort of a normal life.
The main focus of the movie is her relationship with one of her favorite news broadcasters(played by Harrison Ford) (Ford) who has been forced to work on her cheery morning show even though he is accustomed to hard-hitting journalism. He begrudges the assignment and plays the part of the cranky old man who drives Becky up the wall with his antics and general grumpy attitude.
The main focus of the movie is her relationship with one of her favorite news broadcasters
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Changed line(s) 1,3 (click to see context) from:
[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/morning_glory_poster_9045.jpg]]
[[caption-width-right:350:[[TestosteroneBrigade For some reason]], guys like the film, too. (It's probably the {{Oasis}} ShoutOut.)]]
[[caption-width-right:350:[[TestosteroneBrigade For some reason]], guys like the film, too. (It's probably the {{Oasis}} ShoutOut.)]]
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Deleted line(s) 45,48 (click to see context) :
* HeyItsThatGuy:
** IndianaJones is a newscaster!
** And he works for TheFly!
** And [[Film/SherlockHolmes Irene Adler]] is dating [[Film/{{Watchmen}} Night Owl]]!
** IndianaJones is a newscaster!
** And he works for TheFly!
** And [[Film/SherlockHolmes Irene Adler]] is dating [[Film/{{Watchmen}} Night Owl]]!
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General cleaning;
Changed line(s) 17 (click to see context) from:
* ArsonMurderAndJaywalking: Mike comes on the set and declares: "I've won eight Peabodies, a Pulitzer, sixteen Emmys, I was shot through the forearm in Bosnia, pulled Colin Powell from a burning jeep, laid a cool washcloth on Mother Teresa's forehead during a cholera epidemic, had lunch with Dick Cheney." Becky takes him down a peg by responding "You're here for the money."
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* ArsonMurderAndJaywalking: ArsonMurderAndJaywalking:
** Mike comes on the set and declares: "I've won eight Peabodies, a Pulitzer, sixteen Emmys, I was shot through the forearm in Bosnia, pulled Colin Powell from a burning jeep, laid a cool washcloth on Mother Teresa's forehead during a cholera epidemic, had lunch with Dick Cheney." Becky takes him down a peg by responding "You're here for the money."
** Mike comes on the set and declares: "I've won eight Peabodies, a Pulitzer, sixteen Emmys, I was shot through the forearm in Bosnia, pulled Colin Powell from a burning jeep, laid a cool washcloth on Mother Teresa's forehead during a cholera epidemic, had lunch with Dick Cheney." Becky takes him down a peg by responding "You're here for the money."
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* TheCameo: Curtis "[[FiftyCent 50 Cent]]" Jackson, Lloyd Banks and Tony Yayo.
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* TheCameo: TheCameo:
** Curtis "[[FiftyCent 50 Cent]]" Jackson, Lloyd Banks and Tony Yayo.
** Curtis "[[FiftyCent 50 Cent]]" Jackson, Lloyd Banks and Tony Yayo.
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* IronicEcho: "Fluffy".
* JerkWithAHeartOfGold: Mike.
* JerkWithAHeartOfGold: Mike.
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%% * IronicEcho: "Fluffy".
%% * JerkWithAHeartOfGold: Mike.
%% * JerkWithAHeartOfGold: Mike.
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* MarriedToTheJob: Becky.
* MeanBoss: Who knew Creator/JeffGoldblum could play such a prick?
* MeanBoss: Who knew Creator/JeffGoldblum could play such a prick?
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%% * MarriedToTheJob: Becky.
*MeanBoss: MeanBoss:
** Who knew Creator/JeffGoldblum could play such a prick?
*
** Who knew Creator/JeffGoldblum could play such a prick?
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* MisplacedNamesPoster
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%% * MisplacedNamesPoster
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* RealMenCook
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%% * RealMenCook
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* RunningGag: Becky isn't strong enough to open double doors, and has to put all of her weight into it every time.
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* RunningGag: RunningGag:
** Becky isn't strong enough to open double doors, and has to put all of her weight into it every time.
** Becky isn't strong enough to open double doors, and has to put all of her weight into it every time.