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* BaitAndSwitch: The ending [[spoiler: momentarily implies that Johnny and Teresa are dying by showing a closeup of Teresa's bloody and feebly twitching hand and head, and Johnny staggering toward a white light while clutching his neck wound. Then it turns out Johnny is only walking toward headlights, and once paramedics help Teresa out of the car, she isn't bleeding too badly and can stand with a little help]].


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* PoliticallyIncorrectVillain: MiddleManagementMook Giovanni is awful to Teresa because she has epilepsy.
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* CountryMatters: While Charlie is in bed with Teresa early in the movie, he calls her a cunt. [[BerserkButton She does not take it well]].
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* SpiritualSuccessor: To Scorsese's feature debut, ''Film/WhosThatKnockingAtMyDoor'', which also starred Harvey Keitel as a young Italian New Yorker with some mob ties and lots of Catholic guilt. In fact, Scorsese initially conceived it as a direct sequel.

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Poisonous Friend is no longer a trope


* PoisonousFriend: Johnny Boy is so much of this to Charlie that even Charlie's Mob superior--his uncle--warns him to stay away.
** Subverted in the end, it turns out that it's Charlie who's this to Johnny Boy, at least from Scorsese's perspective, who believes that Charlie was using Johnny Boy for his own selfish moral conflict.


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* ToxicFriendInfluence: Johnny Boy is so much of this to Charlie that even Charlie's Mob superior--his uncle--warns him to stay away. Subverted in the end, it turns out that it's Charlie who's this to Johnny Boy, at least from Scorsese's perspective, who believes that Charlie was using Johnny Boy for his own selfish moral conflict.
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* TheFriendNobodyLikes: Johnny Boy seems to be this in his circle. Charlie is the only one he has a close bond with.

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* TheFriendNobodyLikes: Johnny Boy seems to be this in his circle. this. Charlie is the only one he has a close bond with.with, everyone else regards him as a loose cannon, and it's implied that Charlie's Supervision of him is what's keeping Johnny Boy in their circle.
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* TwentyMinutesIntoThePast: Set in the latter part of TheSixties, with September 1968 likely being the specific time frame (since that's the month the San Gennaro festival takes place and it's also around the time [[Music/TheRollingStones "Jumpin' Jack Flash"]] was peaking on the charts).

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* TwentyMinutesIntoThePast: Set in the latter part of TheSixties, with September 1968 likely being the specific time frame (since that's the month the San Gennaro festival takes place and it's also around the time [[Music/TheRollingStones [[Music/TheRollingStonesBand "Jumpin' Jack Flash"]] was peaking on the charts).
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* SpiritualSuccessor: To Scorsese's feature debut, ''Film/WhosThatKnockingAtMyDoor'', which also starred Harvey Keitel as a young Italian New Yorker with some mob ties and lots of [[RaisedCatholic Catholic guilt]]. In fact, Scorsese initially conceived it as a direct sequel.

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* SpiritualSuccessor: To Scorsese's feature debut, ''Film/WhosThatKnockingAtMyDoor'', which also starred Harvey Keitel as a young Italian New Yorker with some mob ties and lots of [[RaisedCatholic Catholic guilt]].guilt. In fact, Scorsese initially conceived it as a direct sequel.
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-->--'''Charlie'''

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-->--'''Charlie'''
-->-- '''Charlie Cappa'''
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The film was Scorsese's BreakthroughHit, establishing him as a major talent and proved to be [=DeNiro=]'s StarMakingRole. It was seen as the counterpart to ''Film/TheGodfather'' taking a gritty, down to earth approach to the Italian American mob showing them without the AffablyEvil stylizations of that film. Much of what came to be Scorsese's SignatureStyle is visible in this film, stylized camera movements, sudden violence, troubling religious iconography and use of popular music as scores.

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The film was Scorsese's BreakthroughHit, establishing him as a major talent talent, and proved to be [=DeNiro=]'s StarMakingRole. It was seen as the counterpart [[SpiritualAntithesis counterpart]] to ''Film/TheGodfather'' taking as it took a gritty, down to earth down-to-earth approach to the Italian American mob mob, showing them without the AffablyEvil stylizations of that Coppola's film. Much of what came to be Scorsese's SignatureStyle is visible in this film, including stylized camera movements, sudden violence, troubling religious iconography and use of popular music as scores.



!! This Movie Contains Examples Of:

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!! This Movie Contains Examples Of:
movie contains examples of:
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Commented out ZC Es, removed ymmv pothole


* BullyingADragon: After Charlie has gone out of his way to rectify Johnny Boy's debt situation with a neighborhood mobster, Johnny Boy not only refuses to pay but also insults the mobster to his face and threatens him with a gun. [[WhatAnIdiot Not a wise move.]]

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* BullyingADragon: After Charlie has gone out of his way to rectify Johnny Boy's debt situation with a neighborhood mobster, Johnny Boy not only refuses to pay but also insults the mobster to his face and threatens him with a gun. [[WhatAnIdiot Not a wise move.]]



* InstantDeathBullet: Averted. See MadeOfIron below.

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* %%* InstantDeathBullet: Averted. See MadeOfIron below.
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* WithFriendsLikeThese: It's really hard to see why Charlie remains friends with Johnny Boy, [[spoiler:not even causing Teresa to have a seizure makes Charlie turn on him or Johnny throwing all his hard effort to make things right with Michael into his face.]]
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* KickTheDog: Johnny Boy coldly abandoning Charlie and Teresa [[spoiler:while she has an epileptic seizure due to their fight not caring if she'll make it. And just before that mock hers and Charlie's relationship by asking if she has seizures when she climaxes.]]
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* UngratefulBastard: Johnny Boy. Charlie manages to get his debt reduced by a thousand dollars and negotiates with Michael to lay off him until they can all negotiate a settlement, but not only does he do everything he can to not pay Michael back, by the time they meet face-to-face, he gives him a meager ten dollars (after spending most of his cash on drinks), then threatens Michael with a gun. All of this earns him a bullet to the neck, his survival unclear.
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* EnterStageWindow: Johnny Boy does this to get into Teresa's apartment, finds Teresa and Charlie embracing, and finds out about their affair.

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* EnterStageWindow: Johnny Boy does this to get into Teresa's Charlie’s apartment, finds Teresa and Charlie embracing, and finds out about their affair.



* GanglandDriveBy: [[spoiler:Michael and Jimmy Shorts spray Charlie's car full of lead at the end of the movie, after Johnny Boy goes way, way, way too far with antagonizing Michael. Apparently Charlie, Johnny Boy, and Teresa all survive, although it's not completely clear.]]

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* GanglandDriveBy: [[spoiler:Michael and Jimmy Shorts spray Charlie's the car that Johnny is in full of lead at the end of the movie, after Johnny Boy goes way, way, way too far with antagonizing Michael. Apparently Charlie, Johnny Boy, and Teresa all survive, although it's not completely clear.]]



* YouWouldntShootMe: "You don't have the guts" - followed by the target fleeing the premises sharpish, only to set up a drive-by in revenge.

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* YouWouldntShootMe: "You don't have the guts" - followed by the target fleeing the premises sharpish, only to set up a drive-by in revenge.
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* TheDogBitesBack: Pushed to the limits of his patience throughout the film, Michael eventually acts on his threats after Johnny not only refuses to cough up the money but threatens Michael with a gun.


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* ExtremeDoormat: Both Charlie and Michael are unusually patient and lenient by mobster standards, but it works against them. Charlie is too attached to Johnny and goes out of his way to help his situation despite the fact that Johnny does nothing to help himself, putting himself in danger by merely associating with a loser like him. Michael is lenient enough to lower Johnny's debt by a full $1000 but he can't intimidate Johnny enough to get him to pay even that.
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* NoEnding: [[spoiler:Michael, having been pushed way too far by Johnny Boy, stages a drive-by assault as Charlie is driving Johnny to Brooklyn with Teresa tagging along. After Jimmy Shorts pumps bullets into their car, Charlie crashes. Johnny is shot in the neck but apparently not fatally, as he stumbles away from the car. Charlie exits the car, shot in the hand. Teresa is also able to walk away, helped out by the =[EMTs]= after suffering a cut on the scalp. There's a quick montage of other characters from the film.]] Then the film ends.

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* NoEnding: [[spoiler:Michael, having been pushed way too far by Johnny Boy, stages a drive-by assault as Charlie is driving Johnny to Brooklyn with Teresa tagging along. After Jimmy Shorts pumps bullets into their car, Charlie crashes. Johnny is shot in the neck but apparently not fatally, as he stumbles away from the car. Charlie exits the car, shot in the hand. Teresa is also able to walk away, helped out by the =[EMTs]= [=EMTs=] after suffering a cut on the scalp. There's a quick montage of other characters from the film.]] Then the film ends.
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* FanService: Even with pasties on, the topless dancers at the bar [[MaleGaze merit a lot of the camera’s attention.]] Later on, the bedroom scenes with Teresa show full frontal nudity ([[SubvertedTrope though not from]] [[FemaleGaze Harvey Keitel]]).
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I know it’s an old movie, but it’s plot isn’t common knowledge. Spoiler tags seemed apropos.


* GanglandDriveBy: Michael and Jimmy Shorts spray Charlie's car full of lead at the end of the movie, after Johnny Boy goes way, way, way too far with antagonizing Michael. Apparently Charlie, Johnny Boy, and Teresa all survive, although it's not completely clear (see NoEnding Below).

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* GanglandDriveBy: Michael [[spoiler:Michael and Jimmy Shorts spray Charlie's car full of lead at the end of the movie, after Johnny Boy goes way, way, way too far with antagonizing Michael. Apparently Charlie, Johnny Boy, and Teresa all survive, although it's not completely clear (see NoEnding Below).clear.]]



* NoEnding: Michael, having been pushed way too far by Johnny Boy, stages a drive-by assault as Charlie is driving Johnny to Brooklyn with Teresa tagging along. After Jimmy Shorts pumps bullets into their car, Charlie crashes. Johnny is shot in the neck but apparently not fatally, as he stumbles away from the car. Charlie exits the car, shot in the hand. Teresa is also able to walk away, helped out by the [=EMTs=] after suffering a cut on the scalp. There's a quick montage of other characters from the film. Then the film ends.

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* NoEnding: Michael, [[spoiler:Michael, having been pushed way too far by Johnny Boy, stages a drive-by assault as Charlie is driving Johnny to Brooklyn with Teresa tagging along. After Jimmy Shorts pumps bullets into their car, Charlie crashes. Johnny is shot in the neck but apparently not fatally, as he stumbles away from the car. Charlie exits the car, shot in the hand. Teresa is also able to walk away, helped out by the [=EMTs=] =[EMTs]= after suffering a cut on the scalp. There's a quick montage of other characters from the film. ]] Then the film ends.
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* InstantDeathBullet: Averted. See MadeOfIron below.
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* SpiritualSuccessor: To Scorsese's feature debut, ''Film/WhosThatKnockingOnMyDoor'', which also starred Harvey Keitel as a young Italian New Yorker with some mob ties and lots of [[RaisedCatholic Catholic guilt]]. In fact, Scorsese initially conceived it as a direct sequel.

to:

* SpiritualSuccessor: To Scorsese's feature debut, ''Film/WhosThatKnockingOnMyDoor'', ''Film/WhosThatKnockingAtMyDoor'', which also starred Harvey Keitel as a young Italian New Yorker with some mob ties and lots of [[RaisedCatholic Catholic guilt]]. In fact, Scorsese initially conceived it as a direct sequel.
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* SpiritualSuccessor: To Scorsese's feature debut, ''Who's That Knocking at My Door?'', which also starred Harvey Keitel as a young Italian New Yorker with some mob ties and lots of [[RaisedCatholic Catholic guilt]]. In fact, Scorsese initially conceived it as a direct sequel.

to:

* SpiritualSuccessor: To Scorsese's feature debut, ''Who's That Knocking at My Door?'', ''Film/WhosThatKnockingOnMyDoor'', which also starred Harvey Keitel as a young Italian New Yorker with some mob ties and lots of [[RaisedCatholic Catholic guilt]]. In fact, Scorsese initially conceived it as a direct sequel.
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None


* GanglandDriveBy: Michael and Jimmy Shorts spray Charlie's car full of lead at the end of the movie, after Johnny Boy goes way, way, way too far with antagonizing Michael. Apparently Charlie, Johnny BOy, and Teresa all survive, although it's not completely clear (see NoEnding Below).

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* GanglandDriveBy: Michael and Jimmy Shorts spray Charlie's car full of lead at the end of the movie, after Johnny Boy goes way, way, way too far with antagonizing Michael. Apparently Charlie, Johnny BOy, Boy, and Teresa all survive, although it's not completely clear (see NoEnding Below).
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* MadeOfIron: The drunk played by David Carradine, who gets shot three times, turns and grabs his assailant and drags him out of the bathroom, gets shot a fourth time, grabs his assailant again, and appears to be winning the fight by the time they roll out into the street and he collapses. The gang marvels at this, and comparisons to [[RasputinianDeath Rasputin]] are made.

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* MadeOfIron: The drunk played by David Carradine, Creator/DavidCarradine, who gets shot three times, turns and grabs his assailant and drags him out of the bathroom, gets shot a fourth time, grabs his assailant again, and appears to be winning the fight by the time they roll out into the street and he collapses. The gang marvels at this, and comparisons to [[RasputinianDeath Rasputin]] are made.
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* GanglandDriveBy: Michael and Jimmy Shorts spray Charlie's car full of lead at the end of the movie, after Johnny Boy goes way, way, way too far with antagonizing Michael. Apparently Charlie, Johnny BOy, and Teresa all survive, although it's not completely clear (see NoEnding Below).
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Cut trope.


The film was Scorsese's BreakthroughHit, establishing him as a major talent and proved to be [=DeNiro=]'s StarMakingRole. It was seen as the [[CounterpartComparison counterpart]] to ''Film/TheGodfather'' taking a gritty, down to earth approach to the Italian American mob showing them without the AffablyEvil stylizations of that film. Much of what came to be Scorsese's SignatureStyle is visible in this film, stylized camera movements, sudden violence, troubling religious iconography and use of popular music as scores.

to:

The film was Scorsese's BreakthroughHit, establishing him as a major talent and proved to be [=DeNiro=]'s StarMakingRole. It was seen as the [[CounterpartComparison counterpart]] counterpart to ''Film/TheGodfather'' taking a gritty, down to earth approach to the Italian American mob showing them without the AffablyEvil stylizations of that film. Much of what came to be Scorsese's SignatureStyle is visible in this film, stylized camera movements, sudden violence, troubling religious iconography and use of popular music as scores.
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* TheMillstone: Johnny. Even when Charlie's trying to help him, Johnny spends the money Charlie loaned him to pay Michael just out of spite. He then insults Michael, threatens him, behaves like an idiot. In the end Charlie is probably going to get into trouble for disobeying his uncle and helping Johnny.

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* TheMillstone: Johnny. Even When they finally get to collect a debt after a pool hall brawl, Johnny re-ignites the brawl gratuitously. On another occasion, even when Charlie's trying to help him, Johnny spends the money Charlie loaned him to pay Michael just out of spite. He then insults Michael, threatens him, behaves like an idiot. In the end Charlie is probably going to get into trouble for disobeying his uncle and helping Johnny.
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* TheMillstone: Johnny. Even when Charlie's trying to help him, Johnny spends the money Charlie loaned him to pay Michael just out of spite. He then insults Michael, threatens him, behaves like an idiot. In the end Charlie is probably going to get into trouble for disobeying his uncle and helping Johnny.

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