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Added example(s)
Changed line(s) 5,6 (click to see context) from:
Kumiko (Creator/RinkoKinkuchi) is lonely.
to:
Kumiko (Creator/RinkoKinkuchi) (Creator/RinkoKikuchi) is lonely.
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Added example(s)
Changed line(s) 5,6 (click to see context) from:
Kumiko is lonely.
to:
Kumiko (Creator/RinkoKinkuchi) is lonely.
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Tropeslashing isn't allowed.
Changed line(s) 17 (click to see context) from:
* BittersweetEnding[=/=]DownerEnding: [[spoiler:Kumiko finds Showalter's stash, and is happily reunited with her pet rabbit in a white field... but her pet rabbit is far and away, the road looked nothing like it did in ''Fargo'', and as anyone knows, the nights in Minnesota can get deadly. Anyone familiar with the original story knows the person Kumiko was based on died.]]
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* BittersweetEnding[=/=]DownerEnding: BittersweetEnding: [[spoiler:Kumiko finds Showalter's stash, and is happily reunited with her pet rabbit in a white field... but her pet rabbit is far and away, the road looked nothing like it did in ''Fargo'', and as anyone knows, the nights in Minnesota can get deadly. Anyone familiar with the original story knows the person Kumiko was based on died.]]
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None
Deleted line(s) 18 (click to see context) :
** [[spoiler:DyingDream: One interpretation of the film's final scenes. According to WordOfGod, it's supported with the ending song, which was a French interpretation of Japanese folk music - garbled, unrealistic, but dreamy, just like the plot itself.]]
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* DyingDream:[[spoiler:One interpretation of the film's final scenes. According to WordOfGod, it's supported with the ending song, which was a French interpretation of Japanese folk music - garbled, unrealistic, but dreamy, just like the plot itself.]]
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Merged trope
Changed line(s) 22 (click to see context) from:
* OfficeLady: Kumiko's profession. The high turnover rate for [=OLs=] is mentioned, as [[ChristmasCake Kumiko is 29 and well beyond the average age for such a job.]]
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* OfficeLady: Kumiko's profession. The high turnover rate for [=OLs=] is mentioned, as [[ChristmasCake [[OldMaid Kumiko is 29 and well beyond the average age for such a job.]]
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Ambiguous Disorder is not a trope anymore, but a redirect to a YMMV entry.
Deleted line(s) 16 (click to see context) :
* AmbiguousDisorder: Something is clearly off about Kumiko, from her inability to separate fact from fiction to the way she occasionally misreads social cues. The film never particularly feels like explaining what it is, but it could be everything from a form of autism to simply extreme isolation and depression.
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None
Changed line(s) 28 (click to see context) from:
** "This is a true story", as with Fargo... and as with Fargo, is fiction, albeit less so than Fargo was, taking Fargo's word on changing all the names and situations of the characters involved.
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** "This is a true story", as with Fargo... and as with Fargo, is fiction, albeit less so than Fargo was, taking Fargo's word on changing all the names and situations of the characters involved. The poster has the same color scheme and font as Fargo as well.
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Restoring this, because it really is ambiguously portrayed.
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* AmbiguousDisorder: Something is clearly off about Kumiko, from her inability to separate fact from fiction to the way she occasionally misreads social cues. The film never particularly feels like explaining what it is, but it could be everything from a form of autism to simply extreme isolation and depression.
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linked mention of her age to Christmas Cake. The attittude of other characters about her age seems to follow this trope.
Changed line(s) 22 (click to see context) from:
* OfficeLady: Kumiko's profession. The high turnover rate for [=OLs=] is mentioned, as Kumiko is 29 and well beyond the average age for such a job.
to:
* OfficeLady: Kumiko's profession. The high turnover rate for [=OLs=] is mentioned, as [[ChristmasCake Kumiko is 29 and well beyond the average age for such a job.]]
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None
Deleted line(s) 16 (click to see context) :
* AllAsiansAreAlike: Played with when the state trooper brings Kumiko to a Chinese restaurant, in the hopes that the owner can translate for her. The attempt goes as well as you'd expect.
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* InterchangeableAsianCultures: Played with when the state trooper brings Kumiko to a Chinese restaurant, in the hopes that the owner can translate for her. The attempt goes as well as you'd expect.
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It\'s really more depression and a massive language barrier - you don\'t have to have a disorder to be delusional, too.
Deleted line(s) 17 (click to see context) :
* AmbiguousDisorder: Something is clearly off about Kumiko, from her inability to separate fact from fiction to the way she occasionally misreads social cues. The film never particularly feels like explaining what it is, but it could be everything from a form of autism to simply extreme isolation and depression.
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None
Added DiffLines:
* AmbiguousDisorder: Something is clearly off about Kumiko, from her inability to separate fact from fiction to the way she occasionally misreads social cues. The film never particularly feels like explaining what it is, but it could be everything from a form of autism to simply extreme isolation and depression.
Is there an issue? Send a MessageReason:
None
Changed line(s) 19 (click to see context) from:
** [[spoiler:DyingDream: One interpretation of the film's final scenes.]]
to:
** [[spoiler:DyingDream: One interpretation of the film's final scenes. According to WordOfGod, it's supported with the ending song, which was a French interpretation of Japanese folk music - garbled, unrealistic, but dreamy, just like the plot itself.]]
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* MaybeMagicMaybeMundane: Where did Kumiko get that map that lead to the Fargo tape in the first place? Was the Fargo VHS tape skipping to Showalter burying the money just from the damage of being somewhere wet and buried, or something else? [[spoiler:Did Kumiko survive the night and really find Showalter's stash?]]
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None
Added DiffLines:
* AllAsiansAreAlike: Played with when the state trooper brings Kumiko to a Chinese restaurant, in the hopes that the owner can translate for her. The attempt goes as well as you'd expect.
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* CringeComedy: Whatever comedic bits in the movie there are can possibly be classified as this, such as the moment when Kumiko is detained by security for attempting to steal an atlas from the library, or when [[spoiler:the state trooper fumbles with giving her napkins when she breaks down crying after calling her mother for the last time]].
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None
Changed line(s) 23 (click to see context) from:
** Many of the shots and set-ups seem to call to mind some Coen Brothers work, such as Film/NoCountryForOldMen and Film/InsideLlewynDavis - the latter especially about urban alienation.
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** Many of the shots and set-ups seem to call to mind some Coen Brothers work, such as Film/NoCountryForOldMen and Film/InsideLlewynDavis - the latter especially the later, about urban alienation.
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** The state trooper with Takako really did seek help with Chinese restaurants, albeit via calling them. Takako had a pocket translator with her, but it served to make things even more confusing.
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None
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* BadBoss: By Western standards, Kumiko's boss, who nags at her, has her do the most menial tasks, gets annoyed with her about not looking at him, and eventually threatens her with a replacement. By Japanese standards, however, he's going easy on her, and she ''has'' been late and is obviously lying to his face about being happy with her work.
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None
[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/fcafb6a2e811693890375fcc157b13bb.jpg]]
Changed line(s) 7,8 (click to see context) from:
One day, Kumiko, following a map, finds an old and buried VHS copy of Film/{{Fargo}} from a cave by the beach. It's her only solace from the humdrum of real life, focused on the scene where the character of Showalter buries a bag of hundreds. She's convinced it's real, and she's convinced it's her destiny to find it.
to:
One day, Kumiko, following a map, finds an old and buried VHS copy of Film/{{Fargo}} ''Film/{{Fargo}}'' from a cave by the beach. It's her only solace from the humdrum of real life, focused on the scene where the character of Showalter buries a bag of hundreds. She's convinced it's real, and she's convinced it's her destiny to find it.
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Compare [[https://vimeo.com/66512803 This is a True Story]], a similarly stylized film based on the same incident.
to:
Compare [[https://vimeo.''[[https://vimeo.com/66512803 This is a True Story]], Story]]'', a similarly stylized film based on the same incident.
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** [[spoiler:DyingDream: One interpretation of the film's final scenes.]]
* OfficeLady: Kumiko's profession. The high turnover rate for [=OLs=] is mentioned, as Kumiko is 29 and well beyond the average age for such a job.
* OfficeLady: Kumiko's profession. The high turnover rate for [=OLs=] is mentioned, as Kumiko is 29 and well beyond the average age for such a job.
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None
Added DiffLines:
Compare [[https://vimeo.com/66512803 This is a True Story]], a similarly stylized film based on the same incident.
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None
Added DiffLines:
This is based on a true story.
Kumiko is lonely.
Tokyo life is far and away, despite surrounding her. Her coworkers talk about banal things, like makeup and perms that she couldn't care less about, things she can't connect to. Her boss nags at her, her mother wants to know when she's moving back and nags her like her boss.
One day, Kumiko, following a map, finds an old and buried VHS copy of Film/{{Fargo}} from a cave by the beach. It's her only solace from the humdrum of real life, focused on the scene where the character of Showalter buries a bag of hundreds. She's convinced it's real, and she's convinced it's her destiny to find it.
So she leaves everything behind - her pet rabbit, her angry boss, her mother, Japan - and flies to Minnesota, a new world of snow and treasure...
!!Kumiko, the Treasure Hunter, searches for...
* BittersweetEnding[=/=]DownerEnding: [[spoiler:Kumiko finds Showalter's stash, and is happily reunited with her pet rabbit in a white field... but her pet rabbit is far and away, the road looked nothing like it did in ''Fargo'', and as anyone knows, the nights in Minnesota can get deadly. Anyone familiar with the original story knows the person Kumiko was based on died.]]
* ShoutOut: But of course.
** The grainy zoom-in of "This is a true story" may reference a fellow retelling of Takako Konishi's story, also named "This is a true story", which is a highly stylized and similarly lonely account.
** The deaf taxi driver has "Thanks a bunch" written on his board, a common saying of Marge from Fargo. It's common enough parlance in Minnesota, but for a film free of the usual Minnesota-isms, it sticks out a bit.
** Many of the shots and set-ups seem to call to mind some Coen Brothers work, such as Film/NoCountryForOldMen and Film/InsideLlewynDavis - the latter especially about urban alienation.
** "This is a true story", as with Fargo... and as with Fargo, is fiction, albeit less so than Fargo was, taking Fargo's word on changing all the names and situations of the characters involved.
* VeryLooselyBasedOnATrueStory[=/=]HistoricalInJoke: As Fargo says, the names and events have been changed to protect all those involved - in this case, Takako Konishi.
** Both Takako and Kumiko were extremely lonely women, living by themselves in a dingy flat, stuck as office ladies with a mother who wanted them to come home. But from ''This is a True Story'''s account, the relationship with Takako and her mother was much better than Kumiko's, who nags at her to get married and calls her a liar and dishonorable. Kumiko and Takako did call their mothers before [[spoiler:dying]], however.
** Takako lost her job and grew depressed (or at least more so) as a result, while Kumiko absolutely hates hers and runs from it, all the way to Minnesota.
** Takako knew Fargo was fictional, and headed there to kill herself, as her ex-lover was from there.
** The state trooper who tried to help Takako, the man who picked her up as she was hitchhiking, and Takako's ex-lover are spread out into two roles, a confused state trooper who does his best to help Kumiko, and who Kumiko falls in love with, and a deaf taxi driver who brings Kumiko to [[spoiler:her point of death.]] Like Kumiko, Takako suddenly demanded the vehicle stop and leapt out.
** [[spoiler:Both women died in the night, but Takako sped it up by getting drunk with a bottle of vodka and some sedatives. In reference to this, Kumiko chugs from a bottle of the stuff as she checks into her hotel room.]]
Kumiko is lonely.
Tokyo life is far and away, despite surrounding her. Her coworkers talk about banal things, like makeup and perms that she couldn't care less about, things she can't connect to. Her boss nags at her, her mother wants to know when she's moving back and nags her like her boss.
One day, Kumiko, following a map, finds an old and buried VHS copy of Film/{{Fargo}} from a cave by the beach. It's her only solace from the humdrum of real life, focused on the scene where the character of Showalter buries a bag of hundreds. She's convinced it's real, and she's convinced it's her destiny to find it.
So she leaves everything behind - her pet rabbit, her angry boss, her mother, Japan - and flies to Minnesota, a new world of snow and treasure...
!!Kumiko, the Treasure Hunter, searches for...
* BittersweetEnding[=/=]DownerEnding: [[spoiler:Kumiko finds Showalter's stash, and is happily reunited with her pet rabbit in a white field... but her pet rabbit is far and away, the road looked nothing like it did in ''Fargo'', and as anyone knows, the nights in Minnesota can get deadly. Anyone familiar with the original story knows the person Kumiko was based on died.]]
* ShoutOut: But of course.
** The grainy zoom-in of "This is a true story" may reference a fellow retelling of Takako Konishi's story, also named "This is a true story", which is a highly stylized and similarly lonely account.
** The deaf taxi driver has "Thanks a bunch" written on his board, a common saying of Marge from Fargo. It's common enough parlance in Minnesota, but for a film free of the usual Minnesota-isms, it sticks out a bit.
** Many of the shots and set-ups seem to call to mind some Coen Brothers work, such as Film/NoCountryForOldMen and Film/InsideLlewynDavis - the latter especially about urban alienation.
** "This is a true story", as with Fargo... and as with Fargo, is fiction, albeit less so than Fargo was, taking Fargo's word on changing all the names and situations of the characters involved.
* VeryLooselyBasedOnATrueStory[=/=]HistoricalInJoke: As Fargo says, the names and events have been changed to protect all those involved - in this case, Takako Konishi.
** Both Takako and Kumiko were extremely lonely women, living by themselves in a dingy flat, stuck as office ladies with a mother who wanted them to come home. But from ''This is a True Story'''s account, the relationship with Takako and her mother was much better than Kumiko's, who nags at her to get married and calls her a liar and dishonorable. Kumiko and Takako did call their mothers before [[spoiler:dying]], however.
** Takako lost her job and grew depressed (or at least more so) as a result, while Kumiko absolutely hates hers and runs from it, all the way to Minnesota.
** Takako knew Fargo was fictional, and headed there to kill herself, as her ex-lover was from there.
** The state trooper who tried to help Takako, the man who picked her up as she was hitchhiking, and Takako's ex-lover are spread out into two roles, a confused state trooper who does his best to help Kumiko, and who Kumiko falls in love with, and a deaf taxi driver who brings Kumiko to [[spoiler:her point of death.]] Like Kumiko, Takako suddenly demanded the vehicle stop and leapt out.
** [[spoiler:Both women died in the night, but Takako sped it up by getting drunk with a bottle of vodka and some sedatives. In reference to this, Kumiko chugs from a bottle of the stuff as she checks into her hotel room.]]
