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* WhamShot: While it doesn't exactly clear up the mystery of who The Stranger is, [[spoiler:the [[{{Dolly}} dolly shot]] and {{zoom}} in the final scene showing Marshal Jim Duncan's name on the gravestone Mordecai just finished engraving after The Stranger tells him that he does in fact know The Stranger's name establishes at the very least that The Stranger did indeed come to Lago to avenge Duncan's death.]]

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* WhamShot: While it doesn't exactly clear up the mystery of who The Stranger is, [[spoiler:the [[{{Dolly}} dolly shot]] and {{zoom}} zoom in the final scene showing Marshal Jim Duncan's name on the gravestone Mordecai just finished engraving after The Stranger tells him that he does in fact know The Stranger's name establishes at the very least that The Stranger did indeed come to Lago to avenge Duncan's death.]]
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Trope was cut/disambiguated due to cleanup


* KarmicDeath: [[spoiler:The three gunmen all get what they deserve, but the first one to die, Cole, is whipped to death just as the Marshal was. Flashbacks to Marshal Duncan's murder showed Cole wearing the biggest grin; he's definitely not smiling when he gets on the wrong end of the bullwhip, but [[KickTheSonOfABitch his pathetic pleas for mercy earn him no pity from either audience]].]]

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* KarmicDeath: [[spoiler:The three gunmen all get what they deserve, but the first one to die, Cole, is whipped to death just as the Marshal was. Flashbacks to Marshal Duncan's murder showed Cole wearing the biggest grin; he's definitely not smiling when he gets on the wrong end of the bullwhip, but [[KickTheSonOfABitch his pathetic pleas for mercy earn him no pity from either audience]].audience.]]
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* DidNotThinkThisThrough: Two examples:
** The Lago townspeople hire three outlaws to whip Marshal Jim Duncan to death for the "crime" of infringing on the mining company's profits, then frame these three brutal, sadistic mercenaries for an imaginary crime instead of just paying them. The town's apparent method to deal with the impending issue of the bandits' release was to hire three other bandits as protection: judging by the town leaders' dialogue, the three protectors were bullying brutes who'd been taking advantage of the town's predicament for almost a year. And one day before the bandits are scheduled to be released, the town's protectors needlessly pick a fight with The Stranger who easily dispatches all of them, leaving the town at the mercy of either the bandits who hate them, or The Stranger, whose opinion of Lago's residents is scarcely better.
** Mordecai is elevated to the dual role of Mayor and Sheriff because The Stranger likes him (and because doing so clearly annoys the other residents). Mordecai's response to this sudden and temporary promotion is to lord it over everyone and act positively gleeful over The Stranger's bullying of them, never realizing that The Stranger will be gone soon and Mordecai will likely not be going with him, leaving the dwarf to deal with a bunch of pissed-off townspeople, all of whom are bigger and stronger than he.


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* HumiliationConga: Lewis the innkeeper. By the end of the film, he's lost (in order) his barn, his customers, his hotel, his wife, and his life.

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* SlainInTheirSleep: Morgan tries to do this The Stranger, but he was one step ahead.



* WhiteMansBurden: Minor Example, the Native American family that shows up for a very brief scene exists only to look helpless so The Stranger can stand up for them. Though it probably helped they weren't a part of his real target.

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* WhiteMansBurden: Minor Example, example, the Native American family that shows up for a very brief scene exists only to look helpless so The Stranger can stand up for them. Though it probably helped FridgeBrilliance kicks in when you realize they weren't a part civilians of his real target.Lago, meaning he has no reason to do anything shitty to them.
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* UngratefulTownsfolk: This happens ''before'' the beginning of the movie and is the basis for everything that happens during it. Including the subversion that happens before we actually learn this; after seemingly teaching the townsfolk to fight back against the evil bandits threatening the town, the 'hero' betrays the ''townspeople'' by abandoning them, letting the bandits have the run of the town before he returns to take his own vengeance on them.

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* UngratefulTownsfolk: This happens ''before'' the beginning of the movie and is the basis for everything that happens during it. Including the subversion that happens before we actually learn this; after seemingly teaching the townsfolk to fight back against the evil bandits threatening the town, the 'hero' betrays the ''townspeople'' by abandoning them, letting the bandits have the run of the town before he returns to take his own vengeance on them.



* WhiteMansBurden: The Native American family that shows up for a very brief scene exists only to look helpless so The Stranger can stand up for them.

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* WhiteMansBurden: The Minor Example, the Native American family that shows up for a very brief scene exists only to look helpless so The Stranger can stand up for them.them. Though it probably helped they weren't a part of his real target.




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* YourCheatingHeart: Stacey Bridges notes that Callie use to date him before betraying him to be with Morgan, with the implication that she was planning on doing the same with the Stranger till the rape incident.
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* AmbiguousInnocence: There's a sense that [[TownWithADarkSecret the whole town knows what happened to Marshal Duncan and why]], but Luttie the bartender and a couple of other credited townspeople aren't specifically seen [[spoiler:among the people watching him get whipped to death in the flashback.]], Granted, the discussion with the Hotelier and his wife implied that they were aware of it.

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* AmbiguousInnocence: There's a sense that [[TownWithADarkSecret the whole town knows what happened to Marshal Duncan and why]], but Luttie the bartender and a couple of other credited townspeople aren't specifically seen [[spoiler:among the people watching him get whipped to death in the flashback.]], Granted, the discussion with the Hotelier and his wife implied that they were at least aware of it.
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* AmbiguousInnocence: There's a sense that [[TownWithADarkSecret the whole town knows what happened to Marshal Duncan and why]], but Luttie the bartender and a couple of other credited townspeople aren't specifically seen [[spoiler:among the people watching him get whipped to death in the flashback.]]

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* AmbiguousInnocence: There's a sense that [[TownWithADarkSecret the whole town knows what happened to Marshal Duncan and why]], but Luttie the bartender and a couple of other credited townspeople aren't specifically seen [[spoiler:among the people watching him get whipped to death in the flashback.]]]], Granted, the discussion with the Hotelier and his wife implied that they were aware of it.
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* EstablishingCharacterMoment: In the first 10 minutes we saw the Stranger silently wander into Lago, order a drink, kill three men without hesitation when they started bothering him to find out who he is, and then rapes a woman for insulting him. This pretty much tells you that this man isn't [[Film/TheDollarsTrilogy the Man with No Name]].

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* EstablishingCharacterMoment: In the first 10 minutes we saw the Stranger silently wander into Lago, order a drink, kill three men without hesitation when they started bothering him to find out who he is, and then rapes a woman for insulting him. This pretty much tells you that this man isn't [[Film/TheDollarsTrilogy [[Film/DollarsTrilogy the Man with No Name]].
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* EstablishingCharacterMoment: In the first 10 minutes we saw the Stranger silently wander into Lago, order a drink, kill three men without hesitation when they started bothering him to find out who he is, and then rapes a woman for insulting him. This pretty much tells you that this man isn't [[Film/TheDollarsTrilogy the Man with No Name]].
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"Note that this trope applies only when a little person is shown or perceived to be notably different from the "normal" reality." - Mordecai does nothing out of character for the inhabitants of Lago.


* LittlePeopleAreSurreal: Mordecai not only enjoys spying on the Stranger having sex, but is eventually given the dual title of sheriff and mayor.
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It's not from slightly below, but from ground level, meaning it would be a better match for "Worms Eye View"


* HitlerCam: The Stranger from Callie's perspective after he rapes her.
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* WhamShot: While it doesn't exactly clear up the mystery of who The Stranger is, [[spoiler:the [[{{Dolly}} dolly shot]] and {{zoom}} in the final scene showing Marshal Jim Duncan's name on the gravestone Mordecai just finished engraving after The Stranger tells him that he does in fact know The Stranger's name establishes at the very least that he came to town to avenge Duncan's death.]]

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* WhamShot: While it doesn't exactly clear up the mystery of who The Stranger is, [[spoiler:the [[{{Dolly}} dolly shot]] and {{zoom}} in the final scene showing Marshal Jim Duncan's name on the gravestone Mordecai just finished engraving after The Stranger tells him that he does in fact know The Stranger's name establishes at the very least that he came The Stranger did indeed come to town Lago to avenge Duncan's death.]]
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* WhamShot: While it doesn't exactly clear up the mystery of who The Stranger is, [[spoiler:the dolly shot and zoom in the final scene showing Marshal Jim Duncan's name on the gravestone Mordecai just finished engraving after The Stranger tells him that he does in fact know The Stranger's name establishes at the very least that he came to town to avenge Duncan's death.]]

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* WhamShot: While it doesn't exactly clear up the mystery of who The Stranger is, [[spoiler:the [[{{Dolly}} dolly shot shot]] and zoom {{zoom}} in the final scene showing Marshal Jim Duncan's name on the gravestone Mordecai just finished engraving after The Stranger tells him that he does in fact know The Stranger's name establishes at the very least that he came to town to avenge Duncan's death.]]
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* DecoyBackstory: {{Implied}}. A mysterious drifter comes to a town ostensibly to help (but clearly seeking vengeance), and flashbacks show that the drifter looks like the town's previous Marshall, who was flogged to death by bandits while the townsfolk idly stood by. The original script had it that the drifter is the Marshall's brother, but in the finished film it is also possible that the drifter is the Marshall's ghost or else an avenging angel (or devil) taking the Marshall's form.
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linked Horsemen of the Apocalypse on "a pale horse" (Maybe Magic Maybe Mundane)


** On the maybe magic side of the argument, an often-overlooked detail is that the Stranger rides a pale horse...

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** On the maybe magic side of the argument, an often-overlooked detail is that the Stranger rides [[HorsemenOfTheApocalypse a pale horse...horse]]...
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Disambiguated.


** Or [[KickTheSonOfABitch Kick the Bitch]], depending on how you feel about Callie.

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** Or [[KickTheSonOfABitch Kick the Bitch]], depending Depending on how you feel about Callie.
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** Calling the town's attempt to fend off the gunmen a 'battle' is a hilarious understatement: none of the townsfolk even fire a shot as the trio just rampage through town, destroying everything and even killing a couple of people along the way, all while Mordecai tries in vain to get the people to return fire and stick to the plan.
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* MercyKill: Having murdered Tom Allen, Stacey Bridges tells The Stranger that he was already dying from his arm wound and he just put him out of his misery.

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* MercyKill: Having murdered Tom Morgan Allen, Stacey Bridges tells The Stranger that he was already dying from his arm wound and he just put him out of his misery.
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* AssShove: The Sheriff threatens a guy with this. Wisely, the dude backs off.

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* AssShove: The Sheriff Stranger threatens a guy with this. Wisely, the dude backs off.
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''High Plains Drifter'' is a 1973 {{Western}} directed by (and starring) Creator/ClintEastwood, with a screenplay by Ernest Tidyman (''Film/TheFrenchConnection'', ''Film/{{Shaft}}''). It was Eastwood's second film as director, and the first Western he directed.

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''High Plains Drifter'' is a 1973 {{Western}} film directed by (and starring) Creator/ClintEastwood, with a screenplay by Ernest Tidyman (''Film/TheFrenchConnection'', ''Film/{{Shaft}}''). It was Eastwood's second film as director, film, and the first Western he directed.
Western, as a director.
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[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/high_plains_drifter_4.jpg]]

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[[quoteright:300:https://static.[[quoteright:310:https://static.tvtropes.org/pmwiki/pub/images/high_plains_drifter_4.jpg]]



A [[TheDrifter mysterious drifter]] referred to only as "The Stranger" rides into the dismal mining town of Lago, which has a crisis on its hands: three ruthless gunmen are making their way to the town so they can settle scores over an old wrong done to them by the townspeople. After the Stranger kills a group of men hired by the cowardly townspeople to protect Lago, the town's elders decide to hire the Stranger as their protector. The Stranger only agrees to take up the role after the town meets his bizarre demands -- including painting the town's buildings red and rechristening the town itself as "Hell".

As the Stranger trains the townsfolk to take arms and the gunmen draw closer, the hidden secrets and corruptions of the town begin to unravel, and the truth behind Lago's feud with the outlaws -- and their culpability in the death of a federal marshal, with whom the Stranger has a connection -- soon comes to light...

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A [[TheDrifter mysterious drifter]] referred to only as "The Stranger" rides into the dismal mining town of Lago, which has a crisis on its hands: three ruthless gunmen are making their way to the town so they can settle scores over an old wrong done to them by the townspeople. After the Stranger kills a group of men hired by the cowardly townspeople to protect Lago, the town's elders decide to hire the Stranger as their protector. The Stranger only agrees to take up the role after the town meets townspeople meet his bizarre demands -- demands, including painting all of the town's buildings red and rechristening the town itself as "Hell".

As the Stranger trains the townsfolk to take arms and the gunmen draw closer, all the hidden secrets and corruptions of the town begin to unravel, and the truth behind Lago's feud with the outlaws -- and their culpability in the death of a federal marshal, with whom the Stranger has a connection -- soon comes to light...
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* RedshirtArmy: The three gunmen hired to protect the town are all quickly dispatched by the Stranger.

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* MakeAnExampleOfThem: This was one of the motivations for having the marshal [[spoiler:whipped to death in full public view]], when they could have just given him an instant death with a gunshot.



* {{Tsundere}}: Horribly gone wrong. It appears Callie wanted to flirt with the Drifter by bumping into him and insulting him. This is a horrible mistake.


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* {{Tsundere}}: Horribly gone wrong. It appears Callie wanted to flirt with the Drifter by bumping into him and insulting him. This is a horrible mistake.
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** There are two headstones in the graveyard with the names of Don Siegel and Creator/SergioLeone on them -- a tribute from Eastwood to the two (then-living) directors who shaped his career.

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** There are two headstones in the graveyard with the names of Don Siegel Creator/DonSiegel and Creator/SergioLeone on them -- a tribute from Eastwood to the two (then-living) directors who shaped his career.
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* WhipItGood: Marshal Duncan was whipped to death in the street. Yes, you can be whipped to death. The Stranger then gets revenge on those who did it and he whips Cole to death in the flame-lit street and hangs Dan with a whip.
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* WhamShot: While it doesn't exactly clear up the mystery of who The Stranger is, [[spoiler:the dolly shot in the final scene showing Marshal Jim Duncan's name on the gravestone Mordecai just finished engraving after The Stranger tells him that he does in fact know The Stranger's name establishes at the very least that he came to town to avenge Duncan's death.]]

to:

* WhamShot: While it doesn't exactly clear up the mystery of who The Stranger is, [[spoiler:the dolly shot and zoom in the final scene showing Marshal Jim Duncan's name on the gravestone Mordecai just finished engraving after The Stranger tells him that he does in fact know The Stranger's name establishes at the very least that he came to town to avenge Duncan's death.]]
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* WhamShot: While it doesn't exactly clear up the mystery of who The Stranger is, [[spoiler:the dolly shot in the final scene showing Marshal Jim Duncan's name on the gravestone Mordecai just finished engraving after The Stranger tells him that he does in fact know The Stranger's name establishes at the very least that he came to town to avenge Duncan's death.]]
Is there an issue? Send a MessageReason:
None


''High Plains Drifter'' is a 1973 {{Western}} directed by (and starring) Creator/ClintEastwood, with a screenplay by Ernest Tidyman (''Film/TheFrenchConnection'', ''Film/{{Shaft}}'').

In the Old West, a [[TheDrifter mysterious drifter]] referred to only as "The Stranger" rides into the dismal mining town of Lago, which has a crisis on its hands: three ruthless gunmen are making their way to the town so they can settle scores over an old wrong done to them by the townspeople. After the Stranger kills a group of men hired by the cowardly townspeople to protect Lago, the town's elders decide to hire the Stranger as their protector. The Stranger only agrees to take up the role after the town meets his bizarre demands -- including painting the town's buildings red and rechristening the town itself as "Hell".

to:

''High Plains Drifter'' is a 1973 {{Western}} directed by (and starring) Creator/ClintEastwood, with a screenplay by Ernest Tidyman (''Film/TheFrenchConnection'', ''Film/{{Shaft}}'').

In
''Film/{{Shaft}}''). It was Eastwood's second film as director, and the Old West, a first Western he directed.

A
[[TheDrifter mysterious drifter]] referred to only as "The Stranger" rides into the dismal mining town of Lago, which has a crisis on its hands: three ruthless gunmen are making their way to the town so they can settle scores over an old wrong done to them by the townspeople. After the Stranger kills a group of men hired by the cowardly townspeople to protect Lago, the town's elders decide to hire the Stranger as their protector. The Stranger only agrees to take up the role after the town meets his bizarre demands -- including painting the town's buildings red and rechristening the town itself as "Hell".

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