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''[Martin slowly backs away]''

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''[Martin ''(Martin slowly backs away]''away.)''
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->''"I am...Dracula."\\
"I bid you...welcome."\\

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->''"I am... Dracula."\\
"I bid you... welcome."\\



"[[IDoNotDrinkWine I never drink...wine.]]"''
-->-- Some of '''Dracula's''' quotable lines

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"[[IDoNotDrinkWine I never drink... wine.]]"''
-->-- Some of '''Dracula's''' '''Count Dracula's''' quotable lines



Being bored with Transylvania, Count Dracula (Lugosi) decides to move to London for some fresh blood. After making the preliminary arrangements with the English solicitor Renfield (Creator/DwightFrye), Dracula makes him his thrall and travels to England by sea, killing the crew of his ship in the process. When he finally arrives in London, he turns Carfax Abbey (the property he bought with Renfield's help) into his base of operations. He then takes special interest in Mina Seward (Creator/HelenChandler), who lives at the neighboring sanitarium owned by her father, Dr. Seward (Creator/HerbertBunston), and is engaged to John Harker (Creator/DavidManners). As victims turn up and Mina begins to act strangely, Professor Van Helsing (Creator/EdwardVanSloan) comes to help...

to:

Being bored with Transylvania, Count Dracula (Lugosi) decides to move to London for some fresh blood. After making the preliminary arrangements with the English solicitor Renfield (Creator/DwightFrye), Dracula makes him his thrall and travels to England by sea, killing the crew of his ship in the process. When he finally arrives in London, he turns Carfax Abbey (the property he bought with Renfield's help) into his base of operations. He then takes special interest in Mina Seward (Creator/HelenChandler), (Helen Chandler), who lives at the neighboring sanitarium owned by her father, Dr. Seward (Creator/HerbertBunston), (Herbert Bunston), and is engaged to John Harker (Creator/DavidManners). (David Manners). As victims turn up and Mina begins to act strangely, Professor Van Helsing (Creator/EdwardVanSloan) (Edward Van Sloan) comes to help...
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* AdaptationalWimp: Harker. His role in the film is limited to Mina's LoveInterest and [[AgentScully the skeptic]] to Van Helsing's advice.
** Mina even more severely, reduced to a complete DistressedDamsel as opposed to the TeamMom she was in the original book, among other things.

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* AdaptationalWimp: Harker. His role in the film is limited to Mina's LoveInterest {{Love Interest|s}} and [[AgentScully the skeptic]] to Van Helsing's advice.
** Mina even more severely, reduced to a complete DistressedDamsel DamselInDistress as opposed to the TeamMom she was in the original book, among other things.



* BadassCape: Dracula. His cape certainly looks badass when he's stretching his arms out right before getting to bloodsucking. Lugosi's badassery in his long cape is probably the TropeMaker.

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* BadassCape: Dracula. His cape certainly looks badass when he's stretching his arms out right before getting to bloodsucking. Lugosi's badassery in his long cape is probably the TropeMaker.{{Trope Maker|s}}.
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** This film's Dracula is a largely emotionless, bloodthirsty [[HumanoidAbomination abomination]] that passes itself off as human, and there are plenty of cracks in that [[TheMasquerade masquerade]] that make him seem more than merely eccentric to ordinary people; for example, Castle Dracula looks as though it's been abandoned for centuries, with Renfield surprised that anyone actually ''lives'' there; Carfax Abbey is in a similar state of disrepair, and he bluntly informs his bewildered neighbors that he has no intention of fixing it up. He also doesn't seem to like (or be able to) keep up his facade of normalcy for long periods of time, and he will either leave, enslave, or kill you within minutes of any meeting. In addition, his idiosyncratic speech patterns make it seem like he hasn't used his mouth for speaking in a long, long time. He's less like a cursed man than some kind of malevolent, primitive, pre-programmed robot that doesn't fully understand how it should interact with human beings. Quite creepy indeed.

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** This film's Dracula is a largely emotionless, bloodthirsty [[HumanoidAbomination abomination]] that passes itself off as human, and there are plenty of cracks in that [[TheMasquerade masquerade]] that make him the Count seem more than merely eccentric to ordinary people; for example, Castle Dracula looks as though it's it has been abandoned for centuries, with Renfield surprised that anyone actually ''lives'' there; Carfax Abbey is in a similar state of disrepair, and he bluntly informs his bewildered neighbors that he has no intention of fixing it up. He also doesn't seem to like (or be able to) keep capable of) keeping up his facade of normalcy for long periods of time, and he will either leave, enslave, or kill you within minutes of any meeting. In addition, his idiosyncratic speech patterns make it seem like he hasn't used his mouth for speaking in a long, long time. He's less like a cursed man human being than some kind of malevolent, primitive, pre-programmed robot that doesn't fully understand how it should interact with ''interact with'' human beings. Quite creepy indeed.
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** Dracula is a largely emotionless bloodthirsty [[HumanoidAbomination abomination]] that passes itself off as human, and there are plenty of cracks in that [[TheMasquerade masquerade]] that make him seem more than merely eccentric to ordinary people; for example, Castle Dracula looks as though it's been abandoned for centuries, with Renfield surprised that anyone actually ''lives'' there; Carfax Abbey is in a similar state of disrepair, and he bluntly informs his bewildered neighbors that he has no intention of fixing it up. He also doesn't seem to like or be able to keep up his facade of normalcy for long periods of time, and he will leave, enslave, or kill you within minutes of any meeting. In addition, his idiosyncratic speech patterns make it seem like he hasn't used his mouth for speaking in a long, long time. He's less like a cursed man than some kind of malevolent, primitive, pre-programmed robot that doesn't fully understand how it should interact with human beings. Quite creepy indeed.

to:

** This film's Dracula is a largely emotionless emotionless, bloodthirsty [[HumanoidAbomination abomination]] that passes itself off as human, and there are plenty of cracks in that [[TheMasquerade masquerade]] that make him seem more than merely eccentric to ordinary people; for example, Castle Dracula looks as though it's been abandoned for centuries, with Renfield surprised that anyone actually ''lives'' there; Carfax Abbey is in a similar state of disrepair, and he bluntly informs his bewildered neighbors that he has no intention of fixing it up. He also doesn't seem to like or (or be able to to) keep up his facade of normalcy for long periods of time, and he will either leave, enslave, or kill you within minutes of any meeting. In addition, his idiosyncratic speech patterns make it seem like he hasn't used his mouth for speaking in a long, long time. He's less like a cursed man than some kind of malevolent, primitive, pre-programmed robot that doesn't fully understand how it should interact with human beings. Quite creepy indeed.

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* AdaptationalAttractiveness: Apart from making the disgusting, murderous and old Dracula from the book into a sex symbol, the 60-year-old Renfield is played by the 31-year-old, [[StupidSexyFlanders stunningly handsome]] Creator/DwightFrye. (Admittedly, he's capable of some [[NightmareFace truly disturbing facial expressions]], but still.)
* AdaptationRelationshipOverhaul: In the novel Dr.Seward is one of Lucy Westenra's suitors. In the movie he is middle-aged man and the father of Mina.

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* AdaptationalAttractiveness: Apart from making the disgusting, murderous and old Dracula from the book into a sex symbol, the 60-year-old Renfield is played by the 31-year-old, [[StupidSexyFlanders stunningly handsome]] Creator/DwightFrye. (Admittedly, he's capable of some [[NightmareFace truly disturbing facial expressions]], but still.)
handsome 31-year-old Creator/DwightFrye.
* AdaptationRelationshipOverhaul: In the novel Dr. Seward is one of Lucy Westenra's suitors. In the movie film, he is middle-aged man and the father of Mina.


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* AnimalMotifs: When Dracula makes his entrance, there are shots of bats, opossums, and armadillos. The first two can be understood as vermin, with the opossums possibly standing in for rats. There is debate about what the armadillos represent, but the likely connection is that armadillos are known as gravediggers and that they are ecological peers of vampire bats, the only bats that subside on blood and which natural habitat stretches from South America to the south of the USA.
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The film was originally planned to be a high-budget adaptation of [[Literature/{{Dracula}} Bram Stoker's original novel]], but due to TheGreatDepression, it was instead adapted from [[Theatre/Dracula1924 a popular stage play of the time]] (written by Hamilton Deane and John L. Balderston, and starring Lugosi in its Broadway production) on a fairly low budget. However, the producers did manage to collect enough money to film some of the early Transylvania scenes. Tod Browning, known for his silent-film collaborations with Creator/LonChaney (and his cult classic ''Film/{{Freaks}}'', released the following year), directed the film.

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The film was originally planned to be a high-budget adaptation of [[Literature/{{Dracula}} Bram Stoker's original novel]], but due to TheGreatDepression, it was instead adapted from [[Theatre/Dracula1924 a popular stage play of the time]] (written by Hamilton Deane and John L. Balderston, and starring Lugosi in its Broadway production) on a fairly low budget. However, the producers did manage to collect enough money to film some of the early Transylvania scenes. Tod Browning, known for his silent-film collaborations who had proven himself in the vampire genre with Creator/LonChaney (and his cult classic ''Film/{{Freaks}}'', released the following year), ''Film/LondonAfterMidnight'' some years prior, directed the film.
film. Several elements of that film reappear in ''Dracula'', such as the armadillos and the look of the female vampires.

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* TokenEvilTeammate: In crossovers with other Universal monsters, Dracula alone has no good intentions
whatsoever.

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* TokenEvilTeammate: In crossovers with other Universal monsters, Dracula alone has no good intentions
intentions whatsoever.

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* DemotedToExtra: Jonathan Harker and Dr. Seward were viewpoint characters in the novel, but have significantly reduced roles here thanks to Renfield taking much of Harker's book role and Seward's involvement with Lucy getting cut.



* TokenEvilTeammate: In crossovers with other Universal monsters, Dracula alone has no good intentions whatsoever.

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* TokenEvilTeammate: In crossovers with other Universal monsters, Dracula alone has no good intentions whatsoever.intentions
whatsoever.
* TragicVillain: Renfield.


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** Likewise the Brides are never seen again after their first appearance in Dracula's castle.
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* {{Fainting}}: A maid rushes into the room where Van Helsing, Seward, Harker and Renfield are discussing the situation to announce that she has found Mina unconscious, possibly dead, following a second attack by Dracula. Van Helsing, Seward, and Harker rush off to Mina's aid, leaving the maid alone with the madman Renfield; this is too much for her, and she faints.

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* {{Fainting}}: FaintInShock: A maid rushes into the room where Van Helsing, Seward, Harker and Renfield are discussing the situation to announce that she has found Mina unconscious, possibly dead, following a second attack by Dracula. Van Helsing, Seward, and Harker rush off to Mina's aid, leaving the maid alone with the madman Renfield; this is too much for her, and she faints.
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* ClassicalMovieVampire: Dracula, with his aristocratic demeanor/attire, and his feigned pleasantries, is the TropeCodifier.

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* ClassicalMovieVampire: Dracula, with his aristocratic demeanor/attire, his shapeshifting, vampire weaknesses, and his feigned pleasantries, is the TropeCodifier.
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* DoesThisRemindYouOfAnything: A scene in which Mina tries to break off her relationship with Harker, although she still loves him, because she feels defiled by what Dracula has done to her, is staged in a way reminiscent of a more traditional DefiledForever narrative. Since she can't bring herself to say exactly what Dracula did, if you watched the scene out of context you might not even be able to tell that it wasn't.


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* {{Fainting}}: A maid rushes into the room where Van Helsing, Seward, Harker and Renfield are discussing the situation to announce that she has found Mina unconscious, possibly dead, following a second attack by Dracula. Van Helsing, Seward, and Harker rush off to Mina's aid, leaving the maid alone with the madman Renfield; this is too much for her, and she faints.


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* IntelligibleUnintelligible: In one scene, Renfield listens to the howling of Dracula-in-wolf-form, and responds as if he were receiving instructions in clear English. The same thing happens in a later scene with Mina (after she falls under Dracula's power) and the squeaking of Dracula in bat form.


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* SoundOnlyDeath: Dracula's final end. As Van Helsing opens his coffin-box, wooden stake in hand, the camera cuts away to Harker and Mina, who listen to Dracula's shrieks, and then Van Helsing comes on screen to tell them that Dracula is no more.

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* SlippingAMickey: The wine Count Dracula serves Renfield is drugged, so the latter will fall asleep at the castle.



* TamperingWithFoodAndDrink: The wine Count Dracula serves Renfield is drugged, so the latter will fall asleep at the castle.
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Being bored with Transylvania, Count Dracula (Lugosi) decides to move to London for some fresh blood. After making the preliminary arrangements with the English solicitor Renfield (Creator/DwightFrye), Dracula makes him his thrall and travels to England by sea, killing the crew of his ship in the process. When he finally arrives in London, he turns Carfax Abbey (the property he bought with Renfield's help) into his base of operations. He then takes special interest in Mina Seward (Creator/HelenChandler), who lives at the neighboring sanitarium owned by her father, Dr. Seward (Creator/HerbertBunston), and is engaged to John Harker (David Manners). As victims turn up and Mina begins to act strangely, Professor Van Helsing (Creator/EdwardVanSloan) comes to help...

to:

Being bored with Transylvania, Count Dracula (Lugosi) decides to move to London for some fresh blood. After making the preliminary arrangements with the English solicitor Renfield (Creator/DwightFrye), Dracula makes him his thrall and travels to England by sea, killing the crew of his ship in the process. When he finally arrives in London, he turns Carfax Abbey (the property he bought with Renfield's help) into his base of operations. He then takes special interest in Mina Seward (Creator/HelenChandler), who lives at the neighboring sanitarium owned by her father, Dr. Seward (Creator/HerbertBunston), and is engaged to John Harker (David Manners).(Creator/DavidManners). As victims turn up and Mina begins to act strangely, Professor Van Helsing (Creator/EdwardVanSloan) comes to help...
Is there an issue? Send a MessageReason:
None


Being bored with Transylvania, Count Dracula (Lugosi) decides to move to London for some fresh blood. After making the preliminary arrangements with the English solicitor Renfield (Creator/DwightFrye), Dracula makes him his thrall and travels to England by sea, killing the crew of his ship in the process. When he finally arrives in London, he turns Carfax Abbey (the property he bought with Renfield's help) into his base of operations. He then takes special interest in Mina Seward (Helen Chandler), who lives at the neighboring sanitarium owned by her father, Dr. Seward (Herbert Bunston), and is engaged to John Harker (David Manners). As victims turn up and Mina begins to act strangely, Professor Van Helsing (Edward Van Sloan) comes to help...

to:

Being bored with Transylvania, Count Dracula (Lugosi) decides to move to London for some fresh blood. After making the preliminary arrangements with the English solicitor Renfield (Creator/DwightFrye), Dracula makes him his thrall and travels to England by sea, killing the crew of his ship in the process. When he finally arrives in London, he turns Carfax Abbey (the property he bought with Renfield's help) into his base of operations. He then takes special interest in Mina Seward (Helen Chandler), (Creator/HelenChandler), who lives at the neighboring sanitarium owned by her father, Dr. Seward (Herbert Bunston), (Creator/HerbertBunston), and is engaged to John Harker (David Manners). As victims turn up and Mina begins to act strangely, Professor Van Helsing (Edward Van Sloan) (Creator/EdwardVanSloan) comes to help...
Is there an issue? Send a MessageReason:
None


Being bored with Transylvania, Count Dracula (Lugosi) decides to move to London for some fresh blood. After making the preliminary arrangements with the English solicitor Renfield (Creator/DwightFrye), Dracula makes him his thrall and travels to England by sea, killing the crew of his ship in the process. When he finally arrives in London, he turns Carfax Abbey (the property he bought with Renfield's help) into his base of operations. He then takes special interest in Mina Seward (Helen Chandler), who lives at the neighboring sanitarium owned by her father, Dr. Seward (Herbert Bunston). As victims turn up and Mina begins to act strangely, Professor Van Helsing (Edward Van Sloan) comes to help...

to:

Being bored with Transylvania, Count Dracula (Lugosi) decides to move to London for some fresh blood. After making the preliminary arrangements with the English solicitor Renfield (Creator/DwightFrye), Dracula makes him his thrall and travels to England by sea, killing the crew of his ship in the process. When he finally arrives in London, he turns Carfax Abbey (the property he bought with Renfield's help) into his base of operations. He then takes special interest in Mina Seward (Helen Chandler), who lives at the neighboring sanitarium owned by her father, Dr. Seward (Herbert Bunston).Bunston), and is engaged to John Harker (David Manners). As victims turn up and Mina begins to act strangely, Professor Van Helsing (Edward Van Sloan) comes to help...
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[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/dracula_1931_poster.png]]
[[caption-width-right:300:''"To die... to be '''really''' dead... that must be glorious!''"]]

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[[quoteright:300:https://static.[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/dracula_1931_poster.png]]
[[caption-width-right:300:''"To
org/pmwiki/pub/images/dracula_1931_poster_1.jpg]]
[[caption-width-right:350:''"To
die... to be '''really''' dead... that must be glorious!''"]]



A Franchise/UniversalHorror film from 1931, which made Creator/BelaLugosi famous as ''the'' ClassicalMovieVampire. His portrayal of {{Dracula}} is the one that most people think of when they hear the character's name (or even just the word "vampire"), whether or not they've actually seen the movie.

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A Franchise/UniversalHorror film from 1931, which made Creator/BelaLugosi famous world-famous as ''the'' ClassicalMovieVampire. His portrayal of {{Dracula}} is the one that most people think of when they hear the character's name (or even just the word "vampire"), whether or not they've actually seen the movie.

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* AdaptationRelationshipOverhaul: In the novel Dr.Seward is one of Lucy Westenra's suitors. In the movie he is middle-aged man and the father of Mina.



* DiesDifferentlyInAdaptation: In the novel, Quincey Morris kills Dracula by stickin a Bowie knife in his heart. In the film, Van Helsing drives a wooden stake through his heart.

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* DiesDifferentlyInAdaptation: In the novel, Quincey Morris kills Dracula is killed by stickin Jonathan Harker, who beheads him, and by Quincy Morris, who plunges a Bowie knife in into his heart. In the film, Van Helsing drives a wooden stake through his heart.
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* AdaptationalVillainy: Renfield is an odd case, being something of a CompositeCharacter. At the start of the movie, Renfield fills the role of Jonathan Harker in the book; a skeptical young solicitor sent to take documents to Count Dracula. Unlike Harker, Renfield is fed upon by Dracula and apparently is largely under his control or possibly even part-cursed with vampirism. The actual Harker in the movie, [[DemotedToExtra is a supporting character]] mostly serving as assistant to Dr. Stewart or Dr. Van Helsing, and being properly concerned when Mina is preyed upon by Dracula.

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* AdaptationalVillainy: Renfield is an odd case, being something of a CompositeCharacter. At the start of the movie, Renfield fills the role of Jonathan Harker in the book; a skeptical young solicitor sent to take documents to Count Dracula. Unlike Harker, Renfield is fed upon by Dracula and apparently is largely under his control or possibly even part-cursed with vampirism. The actual Harker in the movie, [[DemotedToExtra is a supporting character]] mostly serving as assistant to Dr. Stewart Seward or Dr. Van Helsing, and being properly concerned when Mina is preyed upon by Dracula.
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* AntagonistTitle: ''Dracula''.


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* BigBad: Count Dracula, a feared Transylvanian vampire moving to London for new prey.


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* GenericDoomsdayVillain: Dracula's brides show up in one scene to attack Renfield, are warded off by Dracula because he needs him, and are never seen again. They get no lines or body language beyond stiff movements.


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* TheSociopath: Count Dracula presents himself as a genteel aristocrat, but the slightest provocation reveals him to be a predator in human skin, barely capable of passing in human society and thinking nothing of draining a child's blood or mind controlling people for minor tasks.
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image quality upgrade


[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/Dracula1931poster.jpg]]

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[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/Dracula1931poster.jpg]]org/pmwiki/pub/images/dracula_1931_poster.png]]
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* AdaptationalVillainy: Renfield is an odd case, being something of a CompositeCharacter. At the start of the movie, Renfield fills the role of Jonathan Harker in the book; a skeptical young solicitor sent to take documents to Count Dracula. Unlike Harker, Renfield is fed upon by Dracula and apparently is largely under his control or possibly even part-cursed with vampirism. The actual Harker in the movie, [[DemotedToExtra is a supporting character]] mostly serving as assistant to Dr. Stewart or Dr. Van Helsing, and being properly concerned when Mina is preyed upon by Dracula.
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* CreatorCameo: Tod Browning is the off-screen voice of the harbormaster.


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* DiesDifferentlyInAdaptation: In the novel, Quincey Morris kills Dracula by stickin a Bowie knife in his heart. In the film, Van Helsing drives a wooden stake through his heart.
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Nobody complains about Harker's personality in the movie proper. This entry reeks of complaining about characters one does not like.


* WhatDoesSheSeeInHim: Mina and Harker... seriously? All he does is bully her, and when she tearfully tries to tell him about how Dracula forced her to drink his blood, Harker only talks about his (Harker's) right to know what the Count did to Mina. Honestly, she probably would have been better off a vampire.
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* ClassicalMovieVampire: Dracula, with his aristocratic demeanor, and his feigned pleasantries, is the TropeCodifier.

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* ClassicalMovieVampire: Dracula, with his aristocratic demeanor, demeanor/attire, and his feigned pleasantries, is the TropeCodifier.
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Trope

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* DarkIsEvil: Dracula wears clothing that is as dark as he is diabolical, namely, a black cape, a tailcoat with matching pants, and black shoes. The only articles he wears which are not black are his white shirt, and white bow-tie.
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Trope

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* ForTheEvulz: Dracula is a stone cold blood sucking fiend who enjoys indulging his bloodlust.

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* ClassicalMovieVampire: The TropeCodifier.

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* ClassicalMovieVampire: The Dracula, with his aristocratic demeanor, and his feigned pleasantries, is the TropeCodifier.


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* ColdHam: Dracula speaks in a dramatic tone of voice without having to raise it.


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* SoftSpokenSadist: Dracula often speaks in a genteel, albeit theatrical, tone of voice, as befitting his aristocratic persona.

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* AffablyEvil: As Lugosi plays him, Dracula is always quite polite and cordial, with only his eyes showing when he's pissed.


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* FauxAffablyEvil: As Lugosi plays him, Dracula is always quite polite and cordial, with only his eyes showing when he's pissed.
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This really needs a character page... ‘samatta fact, I could say the same about Universal Horror as a whole.

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* TokenEvilTeammate: In crossovers with other Universal monsters, Dracula alone has no good intentions whatsoever.

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