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* BigotWithABadge: It's a subtle moment mostly off-screen. "This is Agent Johnson. No the other one." It's the white Johnson (no relation) speaking at the time.



* BlackAndNerdy: Theo is black, wears glasses, and has no combat skills. He's the computer whiz responsible for shutting down the building and hacking through the vault's control system.

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* BlackAndNerdy: Theo is black, wears glasses, and has no combat skills. He's the computer whiz responsible for shutting down the building and hacking through the vault's control system. Argyle is likewise just a limo driver who gets stuck in the garage.



* ClosedCircle: 90 percent of the movie takes place in or around the Nakatomi Plaza, with Hans first goal to lock down the exits and trap everyone inside. All of the running through conference rooms, maintenance hallways, unfinished floors and climbing through [[AirVentPassageway air vents]] made the tension ramp up continuously as the film progressed. This is the reason they call it DieHardOnAnX.

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* ClosedCircle: 90 percent of the movie takes place in or around the Nakatomi Plaza, with Hans Hans's first goal to lock down the exits and trap everyone inside. All of the running through conference rooms, maintenance hallways, unfinished floors and climbing through [[AirVentPassageway air vents]] made the tension ramp up continuously as the film progressed. This is the reason they call it DieHardOnAnX.



* DentedIron: John gets beaten to hell and back over the course of the movie. He never stops, but by the end he's a bruised, bloody, limping mess.
-->'''Holly:''' ''Jesus.''



* {{Paparazzi}}: Dick Thornburg, who forces his way into the Gennaro house, leading Hans to discover Holly could serve as bargaining against John. No wonder once it's all done, Holly punches him in the face.

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* {{Paparazzi}}: Dick Thornburg, who forces his way into the Gennaro house, house (he even threatens to call INS on the maid), leading Hans to discover Holly could serve as bargaining against John. No wonder once it's all done, Holly punches him in the face.
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* DramaticIrony: After the FBI cut off the power, they gloat that the terrorists are probably pissing their pants. They are, but only because the FBI just cut the final lock to the vault and gave them the 640 million dollars they were looking for.

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* FriendOrFoe: After [=McClane=] [[FiringInTheAirALot fires into the air]] to convince the hostages to flee the roof, the trigger-happy FBI Agents Johnson and Johnson immediately take the excuse to start firing on [=McClane=] from their helicopter. John is very unhappy about this.
-->'''John [=McClane=]:''' I'm on YOUR side, you assholes!



* FriendOrFoe: After [=McClane=] [[FiringInTheAirALot fires into the air]] to convince the hostages to flee the roof, the trigger-happy FBI Agents Johnson and Johnson immediately take the excuse to start firing on [=McClane=] from their helicopter. John is very unhappy about this.
-->'''John [=McClane=]:''' I'm on YOUR side, you assholes!

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* FriendOrFoe: After [=McClane=] [[FiringInTheAirALot fires into the air]] to convince the hostages to flee the roof, the trigger-happy FBI Agents Johnson FriendshipMoment: Al is John's only friend, and Johnson immediately take the excuse struggles to start firing on [=McClane=] from keep John's spirits up. Every so often, they share bits of their helicopter. John is very unhappy about this.
-->'''John [=McClane=]:''' I'm on YOUR side, you assholes!
history and bond. The movie ends with them finally meeting face to face, their faces lighting up, embracing.
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** John loses his cool when Hans puts Ellis on the radio, becuase he know Ellis has nothing to bargain with and neither does John.
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* ButtMonkey: Deputy Chief of Police Dwayne T. Robinson has zero control of the situation, then the FBI guys show up and take even the illusion of control away. Paul Gleason at his best.
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* BuddyCopShow: John and Al bond over the course of the movie. Al realizes right away that John is a cop. John apologizes for not realizing that [[AccidentalChildKillerBackstory Al's ridiing a desk for a good reason.]] Argyle gets to join the show as John's plucky sidekick.
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** Sgt. Powell, halfway through the movie, manages to drive backward at high spees after a body gets dropped on his car, smashing the windshield and half the roof. [=McClane=] compliments him on his driving before learning about his AccidentalChildKillerBackstory.

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** Sgt. Powell, halfway through the movie, manages to drive backward at high spees speed after a body gets dropped on his car, smashing the windshield and half the roof. [=McClane=] compliments him on his driving before learning about his AccidentalChildKillerBackstory.

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* CarFu: [[spoiler:Argyle, the limousine driver]], is oblivious to the hostage situation for half of the movie and useless for most of the rest, [[spoiler:but in the last 15 minutes or so, he slams his limo into the getaway vehicle, trapping it against the wall of the garage and preventing Theo from escaping.]]

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* CarFu: CarFu:
**
[[spoiler:Argyle, the limousine driver]], is oblivious to the hostage situation for half of the movie and useless for most of the rest, [[spoiler:but in the last 15 minutes or so, he slams his limo into the getaway vehicle, trapping it against the wall of the garage and preventing Theo from escaping.]]]]
** Sgt. Powell, halfway through the movie, manages to drive backward at high spees after a body gets dropped on his car, smashing the windshield and half the roof. [=McClane=] compliments him on his driving before learning about his AccidentalChildKillerBackstory.
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* GondorCallsForAid: [=McClane=] tries to call for help by triggering a fire alarm. Unfortunately, Hans and his men are savvy enough to convince the firemen it was a false alarm.

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* GondorCallsForAid: [=McClane=] tries to call for help by triggering a fire alarm. Unfortunately, Hans and his men are savvy enough to convince the firemen it was a false alarm. Later, he manages to trigger an alert ove radio, summoning Sgt. Powell and, once he drops a body on Powell's black and white, the full weight of the LAPD. [[PoliceAreUseless As much good as they are.]]
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* AccidentalChildKillerBackstory: Police officer Al Powell once shot a kid who he thought was armed. The guilt was so overwhelming that Powell took a desk job rather than continue to use his gun.

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* AccidentalChildKillerBackstory: Police officer Al Powell once shot a kid who he thought was armed. The guilt was so overwhelming that Powell took a desk job rather than continue to use his gun. Like [=McClane=], every other cop on the force understood and let him take that desk job ''and'' still roll a black and white.

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** The crooks are out to steal hundreds of millions of dollars in "Bearer Bonds", financial vouchers issued in the period redeemable for cash (eventually banned because of their use in money laundering and drug dealing).

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** The crooks are out to steal hundreds of millions of dollars in "Bearer Bonds", financial vouchers issued in the period redeemable for cash (eventually banned because of their use in money laundering and drug dealing).\
** $640 million in bearer bonds? Today that's worth nearly two billion. Elon Musk, eat your heart out.
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* AccidentalMurder: [=McClane's=] first kill in the movie is Tony, and was random happenstance. They were tumbling down the stairs, Tony ended up on the bottom, got himself a broken neck.


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* GondorCallsForAid: [=McClane=] tries to call for help by triggering a fire alarm. Unfortunately, Hans and his men are savvy enough to convince the firemen it was a false alarm.
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* WhyWeAreBummedCommunismFell: Hans is a German terrorist... a DefectorFromDecadence, someone who used to believe in Communism and now just wants to steal all the wealth the Imperial Core possesses. He lists off a bunch of terrorist groups as potential beneficiaries, but he spells out it's all about him.
-->''''Karl:''' Golden Dawn?\\
'''Hans:''' I read about them in Forbes.
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Though it's set at Christmas, it was never intended to be a [[ChristmasTropes Christmas movie.]] It was released in July as a popcorn action movie. In a similar vein, no one really expected it to be a gamechanger. The 80s was dominated by giant musclemen like Creator/SylvesterStallone and Creator/ArnoldSchwarzenegger. The balding guy from ''Series/{{Moonlighting}}''? A middle-aged divorced schlub who looked like it? A frickin comedy guy? Starring opposite a Shakespear villain? When every other action movie was pitting absolute muscle against absolute muscle... ''Die Hard'' redefined the genre and gave us TheEveryman with a $4 haircut in the center of the action. ''Die Hard'' did for action films what ''Film/FortyEightHrs'' did for the buddy cop film.
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-->'''John''': [[PreMortemOneLiner Germonimo, motherfucker]]!

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-->'''John''': -->'''John:''' [[PreMortemOneLiner Germonimo, motherfucker]]!



--->'''Holly:''' After all your posturing, all your little speeches, you're nothing but a common thief.
--->'''Hans:''' I am an ''exceptional'' thief, Mrs. [=McClane=]. And since I'm moving up to kidnapping, you should be more polite.

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--->'''Holly:''' After all your posturing, all your little speeches, you're nothing but a common thief.
--->'''Hans:'''
thief.\\
'''Hans:'''
I am an ''exceptional'' thief, Mrs. [=McClane=]. And since I'm moving up to kidnapping, you should be more polite.



* FalseFalseAlarm: One of the first things Detective John [=McClane=] does to thwart the terrorists that have seized control of the Nakatomi Tower is set off a fire alarm, knowing it will bring both firemen and police to the scene. Villainous mastermind Hans Gruber simply phones the [=LAFD=] to report a false alarm at the site. It disheartens [=McClane=] to see the approaching fire trucks suddenly kill their lights and sirens before turning back.

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* FalseFalseAlarm: One of the first things Detective John [=McClane=] does to thwart the terrorists that have seized control of the Nakatomi Tower is set off a fire alarm, knowing it will bring both firemen and police to the scene. Villainous mastermind Hans Gruber simply phones the [=LAFD=] LAFD to report a false alarm at the site. It disheartens [=McClane=] to see the approaching fire trucks suddenly kill their lights and sirens before turning back.



** There's a poster of a topless woman on the [=35th=] floor's fuse box, which John uses to figure out where he is.

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** There's a poster of a topless woman on the [=35th=] 35th floor's fuse box, which John uses to figure out where he is.



* ForeignCussWord: Hans snarls... something in German during the shootout on the [=33rd=] floor when he dives onto the floor to grab Franco's gun. One of his foot soldiers also mutters "Scheissen!" when a missile he's wheeling over to the window in order to deal with the incoming ARV falls off the cart (well-armed though the robbers may be, a fast-moving SWAT vehicle isn't something to be taken lightly, so they're hauling ass).

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* ForeignCussWord: Hans snarls... something in German during the shootout on the [=33rd=] 33rd floor when he dives onto the floor to grab Franco's gun. One of his foot soldiers also mutters "Scheissen!" when a missile he's wheeling over to the window in order to deal with the incoming ARV falls off the cart (well-armed though the robbers may be, a fast-moving SWAT vehicle isn't something to be taken lightly, so they're hauling ass).



** One of the terrorists gives another terrorist a "clenched fist" signal just before the [=SWAT=] attack begins.

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** One of the terrorists gives another terrorist a "clenched fist" signal just before the [=SWAT=] SWAT attack begins.



* ImmediateSelfContradiction: Tony does this ''twice'' when promising John not to hurt him. Just before he says it, he does the HK Slap on his submachine gun (i.e. makes it ready to fire) quite loudly, and then immediately after, he opens fire on what he thinks is John's position.

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* ImmediateSelfContradiction: Tony does this ''twice'' when promising John not to hurt him. Just before he says it, he does the HK Slap on his submachine gun (i.e. , makes it ready to fire) quite loudly, and then immediately after, he opens fire on what he thinks is John's position.



* StockholmSyndrome: Discussed, averted, and the setup to a joke.

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* StockholmSyndrome: UsefulNotes/StockholmSyndrome: Discussed, averted, and the setup to a joke.



** There seems to be some confusion as to which floor the vault and the office party are on. The kiosk at the receptionist's desk and the elevator floor number indicators state that Holly's office (and by extension the party) are on the [=30th=] floor while the vault is one floor up, accessible via a staircase where Eddie sees the hostages running back down from the roof. However, Ginny tells John that Holly was taken to the vault on the [=30th=] floor, which suggests the party was on the [=29th=] floor.

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** There seems to be some confusion as to which floor the vault and the office party are on. The kiosk at the receptionist's desk and the elevator floor number indicators state that Holly's office (and by extension the party) are on the [=30th=] 30th floor while the vault is one floor up, accessible via a staircase where Eddie sees the hostages running back down from the roof. However, Ginny tells John that Holly was taken to the vault on the [=30th=] 30th floor, which suggests the party was on the [=29th=] 29th floor.
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The movie was adapted into several video games, including ''VideoGame/DynamiteCop'' (where it is completely different apart from the premise, with one of the players is based on John [=McClane=], barefoot and all that) and ''VideoGame/DieHardNakatomiPlaza'' (a direct adaptation).

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The movie was adapted into several video games, including ''VideoGame/DynamiteCop'' (where it is completely (completely different apart from the premise, with where one of the players is based on John [=McClane=], barefoot and all that) and ''VideoGame/DieHardNakatomiPlaza'' (a direct adaptation).
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The movie was adapted into several video games, including ''VideoGame/DynamiteCop'' (where one of the players is John [=McClane=], barefoot and all that) and ''VideoGame/DieHardNakatomiPlaza'' (a frame-by-frame adaptation).

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The movie was adapted into several video games, including ''VideoGame/DynamiteCop'' (where it is completely different apart from the premise, with one of the players is based on John [=McClane=], barefoot and all that) and ''VideoGame/DieHardNakatomiPlaza'' (a frame-by-frame direct adaptation).
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** Police officers are allowed to carry firearms (concealed carry) because of their state-issued law enforcement licenses. Police officers are allowed to operate only within the borders of their own states. [=McClane=] is on a plane traveling from New York to Los Angeles, taking him out of the state, meaning that his police license is would not be applicable. This also negates his right to carry his weapon. Federal agents and state and local law enforcement officers are allowed to carry on commercial flights but only on official police business (e.g., prisoner or VIP escort). Proper paperwork and verified identification would be required for such official business.

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** Police officers are allowed to carry firearms (concealed carry) because of their state-issued law enforcement licenses. Police officers are allowed to operate only within the borders of their own states. [=McClane=] is on a plane traveling from New York to Los Angeles, taking him out of the state, meaning that his police license is would not be applicable. This also negates his right to carry his weapon. Federal agents and state and local law enforcement officers are allowed to carry on commercial flights but only on official police business (e.g., prisoner or VIP escort). Proper paperwork and verified identification would be required for such official business.



** In an amusing mixup/TakeThat against media pundits and anchors, the author of a book on the subject refers to it as "Helsinki Syndrome," suggesting that he either got his facts wrong or he is ripping off Stockholm Syndrome. The male newsreader tries to clarify to the viewers that he's referring to "Helsinki, Sweden." Then the shot cuts to a frustrated cameraman rolling his eyes and {{facepalm}}ing in exasperation at the newsreader's GlobalIgnorance. It's made even funnier considering that the anchor in his blatant mistake is a bit more accurate than the so-called expert (obliquely, as in Sweden = half-right). He is, however, immediately corrected by the 'expert'; "...Finland."

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** In an amusing mixup/TakeThat mix up/TakeThat against media pundits and anchors, the author of a book on the subject refers to it as "Helsinki Syndrome," suggesting that he either got his facts wrong or he is ripping off Stockholm Syndrome. The male newsreader tries to clarify to the viewers that he's referring to "Helsinki, Sweden." Then the shot cuts to a frustrated cameraman rolling his eyes and {{facepalm}}ing in exasperation at the newsreader's GlobalIgnorance. It's made even funnier considering that the anchor in his blatant mistake is a bit more accurate than the so-called expert (obliquely, as in Sweden = half-right). He is, however, immediately corrected by the 'expert'; "...Finland."
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* StockFootage:
** When Alexander shoots the LAPD armored vehicle, the same shot from different angles appears to be used since the same window is blown out.
** During the shootout on the [=33rd=] floor, John shoots the same stuffed Santa figurine twice: once while Karl is taking cover (right after Karl peeks his head over the desk). The shot is shown a second time when John fires a burst of return fire while Hans and Karl are shooting out the glass panes.

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* WritersCannotDoMath: The film is inconsistent with how many terrorists there are, as is the promotional material. Al mentions to the FBI that John is the reason why there are seven terrorists instead of 12, which is incorrect; there are 13 terrorists. Of course, the police's count is from John's report, and he could have miscounted (Eddie spent most of the siege in the lobby, where John couldn't see and count him).

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* WritersCannotDoMath: WritersCannotDoMath:
**
The film is inconsistent with how many terrorists there are, as is the promotional material. Al mentions to the FBI that John is the reason why there are seven terrorists instead of 12, which is incorrect; there are 13 terrorists. Of course, the police's count is from John's report, and he could have miscounted (Eddie spent most of the siege in the lobby, where John couldn't see and count him).him).
** There seems to be some confusion as to which floor the vault and the office party are on. The kiosk at the receptionist's desk and the elevator floor number indicators state that Holly's office (and by extension the party) are on the [=30th=] floor while the vault is one floor up, accessible via a staircase where Eddie sees the hostages running back down from the roof. However, Ginny tells John that Holly was taken to the vault on the [=30th=] floor, which suggests the party was on the [=29th=] floor.

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* EvenEvilHasStandards: Gruber's ultimate plan is to kill all the hostages with an explosion and escape in the confusion, but in the meantime, he is unwilling to inflict unnecessary cruelty on them. When Holly points out that one of the hostages is a pregnant woman and that they will all need bathroom breaks, Hans quickly compromises with her on both points. It is also notable that after murdering [[spoiler:Ellis]], Hans (in frustration) threatens to kill more hostages unless [=McClane=] surrenders, but never follows through on this threat.

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* EvenEvilHasStandards: EvenEvilHasStandards:
**
Gruber's ultimate plan is to kill all the hostages with an explosion and escape in the confusion, but in the meantime, he is unwilling to inflict unnecessary cruelty on them. When Holly points out that one of the hostages is a pregnant woman and that they will all need bathroom breaks, Hans quickly compromises with her on both points. It is also notable that after murdering [[spoiler:Ellis]], Hans (in frustration) threatens to kill more hostages unless [=McClane=] surrenders, but never follows through on this threat.threat.
** Kristoff, one of Hans' mooks, refuses to [[spoiler:blow the roof because Karl's still up there.]]


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* GratuitousFrench: While packing the bearer bonds during the climax, Hans is heard shouting "Allez" or "Allez-vite" (French for "Go" or "Go quickly").
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* LuredIntoATrap: Two overlapping schemes by the FBI and Hans' group. The FBI pretended to offer transportation to the bad guys but just intended to take everyone out with MoreDakka regardless of civilian casualties while Hans was going to lock the hostages on the rooftop and blow up the FBI once they touched down.
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* {{Hammerspace}}: Hans' group has an ambulance hidden in their courier truck as a getaway vehicle. However, when they arrive, we see that the group takes up almost all the space inside, leaving no room for a getaway vehicle.

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* {{Hammerspace}}: Hans' group has an ambulance hidden in their courier truck as a getaway vehicle. However, when they arrive, we see that the group takes up almost all the space inside, leaving no room for a getaway vehicle. (Because there is no getaway ambulance in earlier drafts, and the arrival scene was filmed 10 weeks before.)
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--->'''John:''' So that's what this is all about? A fucking robbery? (...) Why'd you have to uke the whole building, Hans?
* DisneyVillainDeath: Hans Gruber attempts to drag Holly down with him by grabbing her watch after he is shot, but [=McClane=] unclasps it, and Hans plummets to his death.

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--->'''John:''' So that's what this is all about? A fucking robbery? (...) Why'd you have to uke nuke the whole building, Hans?
* DisneyVillainDeath: Hans Gruber attempts to drag Holly down with him by grabbing her watch after he is shot, but [=McClane=] shot. But John unclasps it, and Hans plummets to his death.



* EvilPlan: One of the best in Hollywood action movie history: Invade the Nakatomi building and take hostages under the guise of being terrorists and then pull Mr. Takagi aside to make him divulge the access codes to the vault with the $640 million bearer bonds inside. If he doesn't cooperate, then kill him and break into the vault yourself both through computer savvy, careful drilling and manipulating the authorities through their own standard operating procedures to make that possible. When the robbery is finished, put the hostages on the roof, then blow it up to fake the gang's deaths and get away in an ambulance you took along in the truck. Unfortunately, Gruber didn't count on John [=McClane=] interfering.

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* EvilPlan: One of the best in Hollywood action movie history: Invade the Nakatomi building and building, take hostages under the guise of being terrorists and terrorists, then pull Mr. Takagi aside to make him divulge the access codes to the vault with the $640 million bearer bonds inside. If he doesn't cooperate, then kill him and break into the vault yourself both through computer savvy, careful drilling and manipulating the authorities through their own standard operating procedures to make that possible. When the robbery is finished, put the hostages on the roof, then blow it up to fake the gang's deaths and get away in an ambulance you took along in the truck. Unfortunately, Gruber didn't count on John [=McClane=] interfering.
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** When Holly finds out about Hans' EvilPlan:
--->'''Holly Gennero [=McClane=]:''' After all your posturing, all your little speeches, you're nothing but a common thief.
--->'''Hans Gruber:''' I am an ''exceptional'' thief, Mrs. [=McClane=]. And since I'm moving up to kidnapping, you should be more polite.
** During the climactic showdown, John has a similar reaction, although he's stalling for time.
--->'''John:''' So that's what this is all about? A fucking robbery?

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** When There's an exchange between Holly finds out and Hans after TheReveal about Hans' EvilPlan:
--->'''Holly Gennero [=McClane=]:'''
the EvilPlan of the terrorists. Hans and his gang kidnapped an office full of workers at their Christmas party, wanted an international criminal let loose in the name of a "revolution" worldwide, killed several people, and caused a massive police response because of everything they'd done. However, the climax of the film shows that all of their terrorism was just cover to buy them enough time to get the building's safe open. The terrorists never really cared about "revolution," the hostages, or the world; they just wanted money. Holly is rather incredulous that Hans went through so much trouble just for money.
--->'''Holly:'''
After all your posturing, all your little speeches, you're nothing but a common thief.
--->'''Hans Gruber:''' --->'''Hans:''' I am an ''exceptional'' thief, Mrs. [=McClane=]. And since I'm moving up to kidnapping, you should be more polite.
** During the climactic showdown, John has a similar reaction, although he's reaction as Holly, to the point that he lays into Hans with a brief TheReasonYouSuckSpeech. But in this case, John is just stalling for time.
time to get Hans to let his guard down.
--->'''John:''' So that's what this is all about? A fucking robbery?robbery? (...) Why'd you have to uke the whole building, Hans?
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* AlwaysABiggerFish: Or a more sophisticated arm of law enforcement, enforced by a bigger {{Jerkass}}. [[CommanderContrarian Deputy Chief Dwayne]] takes over the operation from [[OnlySaneMan Officer Al Powell]], and in turn loses authority when [[CowboyCop Special Agents Johnson and Johnson]], FBI, appear on the scene.

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* AlwaysABiggerFish: Or a more sophisticated arm of law enforcement, enforced by a bigger {{Jerkass}}. [[CommanderContrarian Deputy Chief Dwayne]] takes over the operation from [[OnlySaneMan Officer Al Powell]], and in turn loses authority when [[CowboyCop [[HateSink Special Agents Johnson and Johnson]], FBI, appear on the scene.
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* AlwaysABiggerFish: Or a more sophisticated arm of law enforcement, enforced by a bigger {{Jerkass}}. [[CommanderContrarian Deputy Chief Dwayne]] takes over the operation from [[OnlySaneMan Officer Al Powell]], and in turn loses authority when [[CowboyCop Special Agents Johnson and Johnson]], FBI, appear on the scene.
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** The biggest difference comes in their respective protagonists, Snake Plissken and John [=McClane=]. Snake's backstory is that of an archetypal RatedMForManly HollywoodActionHero, a [[EyepatchOfPower one-eyed]] ex-Special Forces operative turned bank robber who was on his way to prison before being recruited for his mission. Creator/KurtRussell may not have the HeroicBuild of someone like Creator/ArnoldSchwarzenegger, but everything else about his performance tells the viewer that he can kick ass, take names, and get the job done. He goes into the Manhattan prison island on the orders of the good guys (well, as good as the [[OppressiveStatesOfAmerica pseudo-fascist American government]] of [[TwentyMinutesIntoTheFuture 1997]] can be said to be) to rescue the President in exchange for having his sentence commuted, and the only reason he cares about his mission is because of the ExplosiveLeash they implanted in his neck. John [=McClane=], on the other hand, is an ordinary police officer who was thrust into harm's way unprepared by the bad guys when they took over Nakatomi Plaza, and despite his genuinely badass feats, he winds up more an ActionSurvivor than anything, ending the film in terrible shape and grateful that it's over. His motivations for fighting them are personal: they're threatening his wife, who, marital problems aside, he still loves and cherishes. In short, while Snake is an AntiHero who happens to be the perfect man for the mission, [=McClane=] is a conventionally heroic figure who was caught in the wrong place at the wrong time and is out of his element.

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** The biggest difference comes in their respective protagonists, Snake Plissken and John [=McClane=]. Snake's backstory is that of an archetypal RatedMForManly HollywoodActionHero, a [[EyepatchOfPower one-eyed]] ex-Special Forces operative turned bank robber who was on his way to prison before being recruited for his mission. Creator/KurtRussell may not have the HeroicBuild of someone like Creator/ArnoldSchwarzenegger, but everything else about his performance tells the viewer that he can kick ass, take names, and get the job done. He goes into the Manhattan prison island on the orders of the good guys (well, as good as the [[OppressiveStatesOfAmerica pseudo-fascist American government]] of [[TwentyMinutesIntoTheFuture 1997]] can be said to be) to rescue the President in exchange for having his sentence commuted, and the only reason he cares about his mission is because of the ExplosiveLeash they implanted in his neck. John [=McClane=], on the other hand, is an ordinary police officer who was thrust into harm's way unprepared by the bad guys when they took over Nakatomi Plaza, and despite his genuinely badass feats, he winds up more an ActionSurvivor than anything, ending the film in terrible shape and grateful that it's over. His motivations for fighting them are personal: they're threatening his wife, who, marital problems aside, he still loves and cherishes. In short, while Snake is an AntiHero who happens to be the perfect man for the mission, [=McClane=] is a conventionally heroic figure who was caught in the wrong place at the wrong time and is out of his element.

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* BatmanGambit: When the authorities are alerted to the hostage situation Hans' even remarks that this was expected and part of the plan. It's further revealed that his master goal depended on the FBI cutting electrical power (per standard procedure), which disables the magnetic lock on the Nakatomi Plaza vault. The plan falls apart, however, because John was able to evacuate the roof before it blew up and prevent their escape plans.

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* BatmanGambit: When the authorities are alerted to the hostage situation Hans' even remarks that this was expected and part of the plan. It's further revealed that his Hans's master goal depended is entirely dependent on the FBI cutting electrical power (per standard procedure), which disables the magnetic lock on the Nakatomi Plaza vault.vault. When the authorities arrive, Hans even remarks that this was expected and part of the plan. The plan falls apart, however, because John was able to evacuate the roof before it blew up and prevent their escape plans.
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* WritersCannotDoMath: The film is inconsistent with how many terrorists there are, as is the promotional material. Al mentions to the FBI that John is the reason why there are seven terrorists instead of 12, which is incorrect; there are 13 terrorists. For a rundown of who is who, see ThirteenIsUnlucky above. Of course, the police's count is from John's report, and he could have miscounted (Eddie spent most of the siege in the lobby, where John couldn't see and count him).

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* WritersCannotDoMath: The film is inconsistent with how many terrorists there are, as is the promotional material. Al mentions to the FBI that John is the reason why there are seven terrorists instead of 12, which is incorrect; there are 13 terrorists. For a rundown of who is who, see ThirteenIsUnlucky above. Of course, the police's count is from John's report, and he could have miscounted (Eddie spent most of the siege in the lobby, where John couldn't see and count him).

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