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* ''Film/{{Yakuza}}'': The LiveActionAdaptation of the first ''[[VideoGame/Yakuza1 Ryu Ga Gotoku]]'' game, often called ''Like A Dragon''.
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* ''Film/{{Yakuza}}'': The LiveActionAdaptation of [[VideoGame/Yakuza1 the first ''[[VideoGame/Yakuza1 game]] in the ''[[VideoGame/LikeADragon Ryu Ga Gotoku]]'' game, series, often called ''Like A Dragon''.
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* ''Film/{{Yakuza}}'': The LiveActionAdaptation of the first ''[[VideoGame/{{Yakuza}} Ryu Ga Gotoku]]'' game, often called ''Like A Dragon''.
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* ''Film/{{Yakuza}}'': The LiveActionAdaptation of the first ''[[VideoGame/{{Yakuza}} ''[[VideoGame/Yakuza1 Ryu Ga Gotoku]]'' game, often called ''Like A Dragon''.
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* ''[[Manga/BladeOfTheImmortal Blade of the Immortal]]''
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* ''[[Manga/BladeOfTheImmortal ''[[Film/BladeOfTheImmortal Blade of the Immortal]]''
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* ''Film/ChakushinAri'' (With an American remake, ''Film/OneMissedCall''.)
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* ''Film/ChakushinAri'' (With an American remake, ''Film/OneMissedCall''.)''Film/OneMissedCall''
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* The ''Series/MastersOfHorror'' episode "Imprint", which was pulled from its scheduled airing by Showtime because it was too extreme.
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* The ''Series/MastersOfHorror'' episode "Imprint", "[[Recap/MastersOfHorrorS1E13Imprint Imprint]]", which was pulled from its scheduled airing by Showtime because it was too extreme.
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* SignatureStyle: His films are notable for their shocking scenes of extreme violence and sexual perversion, often portrayed in an over-the-top and cartoonish way. They have a lot of BlackComedy and push the boundaries of censorship as far as he can go.
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* SignatureStyle: His films are notable for their shocking scenes of extreme violence and sexual perversion, often portrayed in an over-the-top and cartoonish way. They have a lot of BlackComedy and push the boundaries of censorship as far as he they can go.
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* GenreBusting: His films tend to combines many genres at once. His film ''Film/TheHappinessOfTheKatakuris'' in particular blends so many at once it utterly defies description. Is it a SurrealHorror? a Musical? a {{Farce}}? It's equal parts of those really
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* SignatureStyle: His films are notable for their shocking scenes of extreme violence and sexual perversion, often portrayed in an over-the-top and cartoonish way. They have a lot of BlackComedy and push the boundaries of censorship as far as he can go.
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* ''Gyakuten Saiban'', known better overseas as ''Film/{{Ace Attorney}}|2012''
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* ''Gyakuten Saiban'', known better overseas as ''Film/{{Ace Attorney}}|2012'' Attorney|2012}}''
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* ''Gyakuten Saiban'', known better overseas as ''Film/PhoenixWrightAceAttorney''
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* ''Gyakuten Saiban'', known better overseas as ''Film/PhoenixWrightAceAttorney'' ''Film/{{Ace Attorney}}|2012''
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Up To Eleven is a defunct trope
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Takashi Miike (born August 24, 1960) is a highly prolific (and highly controversial) Japanese auteur. He takes his primary influences -- Creator/DavidLynch, Creator/DavidCronenberg, and Creator/PaulVerhoeven -- and turns their most transgressive elements UpToEleven in many of his films.
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Takashi Miike (born August 24, 1960) is a highly prolific (and highly controversial) Japanese auteur. He takes his primary influences -- Creator/DavidLynch, Creator/DavidCronenberg, and Creator/PaulVerhoeven -- and turns their most transgressive elements UpToEleven up to eleven in many of his films.
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Takashi Miike (born August 24, 1960) is a highly prolific (and highly controversial) Japanese auteur. He takes his primary influences--Creator/DavidLynch, Creator/DavidCronenberg, and Creator/PaulVerhoeven--and turns UpToEleven in many of his films. He has directed several movies a year since his first release in 1991, as well as a handful of television programs, for an average of about 3-4 a year; starting soon after graduating Yokohama Vocational School of Broadcast and Film, where he studied under legendary Japanese filmmaker Shohei Imamura. Although the bulk of his work are theatrical releases, mainly {{Yakuza}} action films, he also produces a considerable number of DirectToVideo V-cinema releases as well. The former are often used to finance the latter; which he claims he does because they allow him more creative control, and greater freedom from censorship and traditional narrative structure.
Both inside and outside Japan, he's best known for BlackComedy, over-the-top violence, and {{Gorn}}; but his films cover a much wider range of genres and styles. Along with his signature action and horror, he's also produced examples of period drama, sentimental road picture, teen drama, more traditional crime drama, children's movies, and some that [[GenreBusting defy any attempt at labeling]], such as the live-action/claymation horror comedy musical ''Film/TheHappinessOfTheKatakuris''.
Both inside and outside Japan, he's best known for BlackComedy, over-the-top violence, and {{Gorn}}; but his films cover a much wider range of genres and styles. Along with his signature action and horror, he's also produced examples of period drama, sentimental road picture, teen drama, more traditional crime drama, children's movies, and some that [[GenreBusting defy any attempt at labeling]], such as the live-action/claymation horror comedy musical ''Film/TheHappinessOfTheKatakuris''.
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Takashi Miike (born August 24, 1960) is a highly prolific (and highly controversial) Japanese auteur. He takes his primary influences--Creator/DavidLynch, influences -- Creator/DavidLynch, Creator/DavidCronenberg, and Creator/PaulVerhoeven--and Creator/PaulVerhoeven -- and turns their most transgressive elements UpToEleven in many of his films. films.
He has directed several movies a year since his first release in 1991, as well as a handful of television programs, for an average of about 3-4 a year; starting soon after graduating Yokohama Vocational School of Broadcast and Film, where he studied under legendary Japanese filmmaker Shohei Imamura. Although the bulk of his work are theatrical releases, mainly {{Yakuza}} action films, he also produces a considerable number of DirectToVideo V-cinema releases as well. The former are often used to finance thelatter; latter, which he claims he does because they allow him more creative control, and greater freedom from censorship and traditional narrative structure.
Both inside and outside Japan, he's best known for BlackComedy, over-the-topviolence, violence and {{Gorn}}; {{Gorn}}, but his films cover a much wider range of genres and styles. Along with his signature action and horror, he's also produced examples of period drama, dramas, sentimental road picture, pictures, teen drama, dramas, more traditional crime drama, dramas, children's movies, and some that [[GenreBusting defy any attempt at labeling]], such as the live-action/claymation horror comedy musical ''Film/TheHappinessOfTheKatakuris''.
He has directed several movies a year since his first release in 1991, as well as a handful of television programs, for an average of about 3-4 a year; starting soon after graduating Yokohama Vocational School of Broadcast and Film, where he studied under legendary Japanese filmmaker Shohei Imamura. Although the bulk of his work are theatrical releases, mainly {{Yakuza}} action films, he also produces a considerable number of DirectToVideo V-cinema releases as well. The former are often used to finance the
Both inside and outside Japan, he's best known for BlackComedy, over-the-top
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* The ''Series/GirlsXHeroine'' series, starting with ''Series/IdolXWarriorMiracleTunes''
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* The ''Series/GirlsXHeroine'' ''Franchise/GirlsXHeroine'' series, starting with ''Series/IdolXWarriorMiracleTunes''
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* The ''Creator/GirlsXHeroine'' series, starting with ''Series/IdolXWarriorMiracleTunes''
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* The ''Creator/GirlsXHeroine'' ''Series/GirlsXHeroine'' series, starting with ''Series/IdolXWarriorMiracleTunes''
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* The ''Creator/GirlsXHeroine'' series, starting with ''Series/IdolXWarriorMiracleTunes''
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* ThematicSeries: The ''Black Society Trilogy'' (Black Triad Trilogy), which includes ''Shinjuku Triad Society'', ''Rainy Dog'', and ''Ley Lines''. With Tomorowo Taguchi in leading (though different) roles in each, the films are not connected by a narrative. Instead, they focus on unlikely relationships among Yakuza crime families.
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* ThematicSeries: Some of his works a better taken as a group:
** The ''Black Society Trilogy'' (Black Triad Trilogy), which includes ''Shinjuku Triad Society'', ''Rainy Dog'', and ''Ley Lines''. With Tomorowo Taguchi in leading (though different) roles in each, the films are not connected by a narrative. Instead, they focus on unlikely relationships among Yakuza crimefamilies.families.
** There is also the ''Dead or Alive'' films, three films with wildly-different stories (with the only common point being the protagonists are played by Riki Takeuchi and Show Aikawa). Most of them tend to deal with how society divides people with similar motivations and character traits to fight for diametrically-opposed causes.
** The ''Black Society Trilogy'' (Black Triad Trilogy), which includes ''Shinjuku Triad Society'', ''Rainy Dog'', and ''Ley Lines''. With Tomorowo Taguchi in leading (though different) roles in each, the films are not connected by a narrative. Instead, they focus on unlikely relationships among Yakuza crime
** There is also the ''Dead or Alive'' films, three films with wildly-different stories (with the only common point being the protagonists are played by Riki Takeuchi and Show Aikawa). Most of them tend to deal with how society divides people with similar motivations and character traits to fight for diametrically-opposed causes.
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* The live action ''Manga/TerraforMars'' movie.
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Already listed
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* A live-action adaptation of ''Manga/BladeOfTheImmortal''.
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Takashi Miike is a highly prolific (and highly controversial) Japanese auteur. He takes his primary influences--Creator/DavidLynch, Creator/DavidCronenberg, and Creator/PaulVerhoeven--and turns UpToEleven in many of his films. He has directed several movies a year since his first release in 1991, as well as a handful of television programs, for an average of about 3-4 a year; starting soon after graduating Yokohama Vocational School of Broadcast and Film, where he studied under legendary Japanese filmmaker Shohei Imamura. Although the bulk of his work are theatrical releases, mainly {{Yakuza}} action films, he also produces a considerable number of DirectToVideo V-cinema releases as well. The former are often used to finance the latter; which he claims he does because they allow him more creative control, and greater freedom from censorship and traditional narrative structure.
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Takashi Miike (born August 24, 1960) is a highly prolific (and highly controversial) Japanese auteur. He takes his primary influences--Creator/DavidLynch, Creator/DavidCronenberg, and Creator/PaulVerhoeven--and turns UpToEleven in many of his films. He has directed several movies a year since his first release in 1991, as well as a handful of television programs, for an average of about 3-4 a year; starting soon after graduating Yokohama Vocational School of Broadcast and Film, where he studied under legendary Japanese filmmaker Shohei Imamura. Although the bulk of his work are theatrical releases, mainly {{Yakuza}} action films, he also produces a considerable number of DirectToVideo V-cinema releases as well. The former are often used to finance the latter; which he claims he does because they allow him more creative control, and greater freedom from censorship and traditional narrative structure.
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He's also [[TheCameo cameo'd]] as an actor and voice actor in various works, most notably as ''himself'' in Creator/Suda51's ''VideoGame/NoMoreHeroes2DesperateStruggle'', which fits the tone of the game perfectly.
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He's also [[TheCameo cameo'd]] as an actor and voice actor in various works, most notably as ''himself'' in Creator/Suda51's ''VideoGame/NoMoreHeroes2DesperateStruggle'', which fits the tone of the game perfectly.
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*A live-action adaptation of ''Manga/BladeOfTheImmortal''.
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* MissingEpisode: ''[[Series/MastersOfHorror Imprint]]''. It was intended to be the Season One finale, but was pulled and later released direct-to-DVD for being [[TooSpicyForYogSothoth too extreme by the show's standards]].
* PlayingAgainstType: Of all anime series to adapt into film, it had to be Yatterman?!
** Or a movie version of ''[[VisualNovel/PhoenixWrightAceAttorney Phoenix Wright]]''?
** He also did a Live Action movie of Nintama Rantaro, which have all the signs of SoMyKidsCanWatch.
** Miike himself lampshaded this trope, commenting, "Me, a 'Master of Horror'? I'm the guy that made ''Salaryman KintarÅ''!"[[note]]It's funnier because his movie adaptation of said manga came out the same year as ''Audition''.[[/note]]
** Who would have imagined he'd be the director chosen to adapt [[Manga/JoJosBizarreAdventureDiamondIsUnbreakable the fourth part]] of Manga/JoJosBizarreAdventure into a live-action movie?!
* PlayingAgainstType: Of all anime series to adapt into film, it had to be Yatterman?!
** Or a movie version of ''[[VisualNovel/PhoenixWrightAceAttorney Phoenix Wright]]''?
** He also did a Live Action movie of Nintama Rantaro, which have all the signs of SoMyKidsCanWatch.
** Miike himself lampshaded this trope, commenting, "Me, a 'Master of Horror'? I'm the guy that made ''Salaryman KintarÅ''!"[[note]]It's funnier because his movie adaptation of said manga came out the same year as ''Audition''.[[/note]]
** Who would have imagined he'd be the director chosen to adapt [[Manga/JoJosBizarreAdventureDiamondIsUnbreakable the fourth part]] of Manga/JoJosBizarreAdventure into a live-action movie?!
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** Who would have imagined he'd be the director chosen to adapt [[Manga/JoJosBizarreAdventureDiamondIsUnbreakable the fourth part]] of Manga/JoJosBizarreAdventure into a live-action movie?!
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* ''[[Manga/BladeOfTheImmortal Blade of the Immortal]]'
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* ''[[Manga/BladeOfTheImmortal Blade of the Immortal]]'Immortal]]''
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* ''[[Manga/BladeOfTheImmortal Blade of the Immortal]]'
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Takashi Miike is a highly prolific, and highly controversial Japanese auteur, who states his primary influences to be Creator/DavidLynch, Creator/DavidCronenberg, and Creator/PaulVerhoeven, a combination he takes and turns UpToEleven in many of his films. He has directed several movies a year since his first release in 1991, as well as a handful of television programs, for an average of about 3-4 a year; starting soon after graduating Yokohama Vocational School of Broadcast and Film, where he studied under legendary Japanese filmmaker Shohei Imamura. Although the bulk of his work are theatrical releases, mainly {{Yakuza}} action films, he also produces a considerable number of DirectToVideo V-cinema releases as well. The former are often used to finance the latter; which he claims he does because they allow him more creative control, and greater freedom from censorship and traditional narrative structure.
Both inside and outside Japan he's best known for BlackComedy, over-the-top violence, and {{Gorn}}; but his films cover a much wider range of genres and styles. Along with his signature action and horror, he's also produced examples of period drama, sentimental road picture, teen drama, more traditional crime drama, children's movies, and some that [[GenreBusting defy any attempt at labeling]], such as the live-action/claymation horror comedy musical ''Film/TheHappinessOfTheKatakuris''.
Both inside and outside Japan he's best known for BlackComedy, over-the-top violence, and {{Gorn}}; but his films cover a much wider range of genres and styles. Along with his signature action and horror, he's also produced examples of period drama, sentimental road picture, teen drama, more traditional crime drama, children's movies, and some that [[GenreBusting defy any attempt at labeling]], such as the live-action/claymation horror comedy musical ''Film/TheHappinessOfTheKatakuris''.
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Takashi Miike is a highly prolific, and prolific (and highly controversial controversial) Japanese auteur, who states auteur. He takes his primary influences to be Creator/DavidLynch, influences--Creator/DavidLynch, Creator/DavidCronenberg, and Creator/PaulVerhoeven, a combination he takes and Creator/PaulVerhoeven--and turns UpToEleven in many of his films. He has directed several movies a year since his first release in 1991, as well as a handful of television programs, for an average of about 3-4 a year; starting soon after graduating Yokohama Vocational School of Broadcast and Film, where he studied under legendary Japanese filmmaker Shohei Imamura. Although the bulk of his work are theatrical releases, mainly {{Yakuza}} action films, he also produces a considerable number of DirectToVideo V-cinema releases as well. The former are often used to finance the latter; which he claims he does because they allow him more creative control, and greater freedom from censorship and traditional narrative structure.
Both inside and outsideJapan Japan, he's best known for BlackComedy, over-the-top violence, and {{Gorn}}; but his films cover a much wider range of genres and styles. Along with his signature action and horror, he's also produced examples of period drama, sentimental road picture, teen drama, more traditional crime drama, children's movies, and some that [[GenreBusting defy any attempt at labeling]], such as the live-action/claymation horror comedy musical ''Film/TheHappinessOfTheKatakuris''.
Both inside and outside
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He's also cameod as an actor and voice actor in various works, most notably as ''himself'' in ''VideoGame/NoMoreHeroes2DesperateStruggle'', which fits the tone of the games perfectly.
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He's also cameod [[TheCameo cameo'd]] as an actor and voice actor in various works, most notably as ''himself'' in Creator/Suda51's ''VideoGame/NoMoreHeroes2DesperateStruggle'', which fits the tone of the games game perfectly.
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Takashi Miike is a highly prolific, and highly controversial, Japanese auteur; who states his primary influences to be: Creator/DavidLynch, Creator/DavidCronenberg, and Creator/PaulVerhoeven. A combination he takes and turns UpToEleven in many of his films. He has directed several movies a year since his first release in 1991, as well as a handful of television programs, for an average of about 3-4 a year; starting soon after graduating Yokohama Vocational School of Broadcast and Film, where he studied under legendary Japanese filmmaker Shohei Imamura. Although the bulk of his work are theatrical releases, mainly {{Yakuza}} action films, he also produces a considerable number of DirectToVideo V-cinema releases as well. The former are often used to finance the latter; which he claims he does because they allow him more creative control, and greater freedom from censorship and traditional narrative structure.
Both inside and outside Japan he's best known for BlackComedy, over-the-top violence, and {{Gorn}}; but his films cover a much wider range of genres and styles. Along with his signature action and horror, he's also produced examples of period drama, sentimental road picture, teen drama, more traditional crime drama, children's movies, and some that defy any attempt at labeling, such as the live-action/claymation horror comedy musical ''Film/TheHappinessOfTheKatakuris''.
Both inside and outside Japan he's best known for BlackComedy, over-the-top violence, and {{Gorn}}; but his films cover a much wider range of genres and styles. Along with his signature action and horror, he's also produced examples of period drama, sentimental road picture, teen drama, more traditional crime drama, children's movies, and some that defy any attempt at labeling, such as the live-action/claymation horror comedy musical ''Film/TheHappinessOfTheKatakuris''.
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Takashi Miike is a highly prolific, and highly controversial, controversial Japanese auteur; auteur, who states his primary influences to be: be Creator/DavidLynch, Creator/DavidCronenberg, and Creator/PaulVerhoeven. A Creator/PaulVerhoeven, a combination he takes and turns UpToEleven in many of his films. He has directed several movies a year since his first release in 1991, as well as a handful of television programs, for an average of about 3-4 a year; starting soon after graduating Yokohama Vocational School of Broadcast and Film, where he studied under legendary Japanese filmmaker Shohei Imamura. Although the bulk of his work are theatrical releases, mainly {{Yakuza}} action films, he also produces a considerable number of DirectToVideo V-cinema releases as well. The former are often used to finance the latter; which he claims he does because they allow him more creative control, and greater freedom from censorship and traditional narrative structure.
Both inside and outside Japan he's best known for BlackComedy, over-the-top violence, and {{Gorn}}; but his films cover a much wider range of genres and styles. Along with his signature action and horror, he's also produced examples of period drama, sentimental road picture, teen drama, more traditional crime drama, children's movies, and some that [[GenreBusting defy any attempt atlabeling, labeling]], such as the live-action/claymation horror comedy musical ''Film/TheHappinessOfTheKatakuris''.
Both inside and outside Japan he's best known for BlackComedy, over-the-top violence, and {{Gorn}}; but his films cover a much wider range of genres and styles. Along with his signature action and horror, he's also produced examples of period drama, sentimental road picture, teen drama, more traditional crime drama, children's movies, and some that [[GenreBusting defy any attempt at
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Compare Creator/DavidLynch, Creator/DavidCronenberg, [[Creator/LuisBunuel Luis Buñuel]], Creator/JohnWaters.
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Compare Creator/DavidLynch, Creator/DavidCronenberg, [[Creator/LuisBunuel Luis Buñuel]], Creator/JohnWaters.
Creator/JohnWaters and Creator/NicolasWindingRefn.
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* ''Manga/{{Jojos Bizarre Adventure}}: [[{{Characters/JoJosBizarreAdventurePart4}} Diamond is Unbreakable: Part 1]]''
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* ''Manga/{{Jojos Bizarre Adventure}}: [[{{Characters/JoJosBizarreAdventurePart4}} ''Manga/JoJosBizarreAdventure: [[Manga/JojosBizarreAdventureDiamondIsUnbreakable Diamond is Unbreakable: Part 1]]''
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* ''Manga/{{Jojos Bizarre Adventure}}: [[{{Characters/JoJosBizarreAdventurePart4}} Diamond is Unbreakable: Part 1]]''