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* He appears in ''VideoGame/AssassinsCreedII'' and ''VideoGame/AssassinsCreedBrotherhood'' as a prominent figure within the Assassin Order. His secretive nature drives prominent Assassins La Volpe to suspect him of being a traitor in ''Brotherhood''.

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* He appears in ''VideoGame/AssassinsCreedII'' and ''VideoGame/AssassinsCreedBrotherhood'' as a prominent figure within the Assassin Order. His secretive nature drives La Volpe (another prominent Assassins La Volpe Assassin) to suspect him of being a traitor in ''Brotherhood''.

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moving to the work page


* PrivateMilitaryContractors: In ''Literature/ThePrince'', Machiavelli blamed Italy's dominance by foreign powers on the fact that the Italian states all tended to rely on hired mercenaries in war; he devoted an entire chapter to why one should not rely on mercenaries, and put reminders in the other two chapters on warfare. And ''Discourses'' is rather critical of them as well. He pointed out that a soldier's purpose is to protect; a mercenary's is to ''damage'' at the least risk to themselves, which made them most dangerous to their allies and civilians, and least dangerous to the enemy. In battle they tended to get slaughtered, [[DirtyCoward in the unlikely event they turned up at all]]. Armies with more direct loyalty to their prince or their state tended to do much better.
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* In the AlternateHistory novel ''Pasquale's Angel'' by Paul J. McAuley (set in a ClockPunk-Rennaisance Florence) he appears as an investigative reporter helping the protagonist solve a murder.
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* {{Cuckold}}: The plot of his comedy ''The Mandrake'' revolves around convincing the hapless Messer Nicia to let the AntiHero Callimaco to ''willingly'' sleep with his wife.

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* {{Cuckold}}: The plot of his comedy ''The Mandrake'' revolves around convincing the hapless Messer Nicia to let the AntiHero Callimaco to ''willingly'' sleep with his wife.



* TheExile: Was ultimately kicked out of Florence and had to live in the outskirts, a period of forced retirement during which he composed ''The Prince'', ''The Florentine Histories'' and other works, in the hopes of being allowed back to his hometown.
* TheGoodChancellor[=/=]EvilChancellor: Machiavelli was Chancellor of the Florentine Republic. YMMV on which one you believe he was. According to historians, his tenure in Florence was a rare instance of corruption free governance during the Renaissance and his creation of the Florence standing army was regarded as a great achievement. Unfortunately the Medici returned.

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* TheExile: Was He was ultimately kicked out of Florence and had to live in the outskirts, a period of forced retirement during which he composed ''The Prince'', ''The Florentine Histories'' and other works, in the hopes of being allowed back to his hometown.
* TheGoodChancellor[=/=]EvilChancellor: Machiavelli was Chancellor of the Florentine Republic. YMMV on which one you believe he was. According to historians, his tenure in Florence was a rare instance of corruption free corruption-free governance during the Renaissance and his creation of the Florence standing army was regarded as a great achievement. Unfortunately the Medici returned.



* MyCountryRightOrWrong: Machiavelli was a proto-[[PatrioticFervor patriot]] who wanted a united Italy at a time when no one else particularly thought it was possible. He hated the fact that the FeudingFamilies of the various city states and their reliance on PrivateMilitaryContractors [[CrapsackWorld had left Italy open to plunder]] from neighbouring kingdoms. One reason why historians feel that Machiavelli was so forgiving to Cesare Borgia was that the latter at least mounted an attempt to unify Italy under the Papal States. Hence why, he wrote [[Literature/ThePrince a book]] about how a dastardly, wickedly cunning, violent man would be a good ruler. Of course Machiavelli would have ideally preferred a Republic, built on a civilian army, like the one that he had built for the Florence, which succeeded in keeping the city Medici-Free until 1512. The fact was that a Republic in the 1500s could not have united a large area of land, and Machiavelli knew that. It wouldn't become a possibility until UsefulNotes/TheEnlightenment and the UsefulNotes/WarsOfItalianIndependence that followed the former.

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* MyCountryRightOrWrong: Machiavelli was a proto-[[PatrioticFervor patriot]] who wanted a united Italy at a time when no one else particularly thought it was possible. He hated the fact that the FeudingFamilies of the various city states and their reliance on PrivateMilitaryContractors [[CrapsackWorld had left Italy open to plunder]] from neighbouring neighboring kingdoms. One reason why historians feel that Machiavelli was so forgiving to Cesare Borgia was that the latter at least mounted an attempt to unify Italy under the Papal States. Hence why, why he wrote [[Literature/ThePrince a book]] about how a dastardly, wickedly cunning, violent man would be a good ruler. Of course Machiavelli would have ideally preferred a Republic, built on a civilian army, like the one that he had built for the Florence, which succeeded in keeping the city Medici-Free Medici-free until 1512. The fact was that a Republic in the 1500s could not have united a large area of land, and Machiavelli knew that. It wouldn't become a possibility until UsefulNotes/TheEnlightenment and the UsefulNotes/WarsOfItalianIndependence that followed the former.
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This reputation is perhaps undeserved as some of his other works, notably ''Literature/DiscoursesOnLivy'', are all about successfully running republics, and even in ''The Prince'' he states that a republic is the best form of government. In the eighteenth century the view that the book was actually an [[StealthParody elaborate]] [[{{Trollfic}} parody]] became fashionable given both the nature of Machiavelli's other works and the fact that ''The Prince'' was written just after he was stripped of his power, imprisoned, and tortured by the Medicis. In early nineteenth century Germany it became fashionable to suggest that ''The Prince'' needed to be judged relatively, though the tradition began even earlier than that.

Already in the 18th Century, it was fashionable among Enlightenment philosophers to regard Machiavelli as their inspiration. Jean Jacques Rousseau was a major admirer of his works and was among the first to suggest that ''The Prince'' need not be taken at face value and he regarded Machiavelli as a republican. The founding fathers of the United States were also familiar with his writings; UsefulNotes/JamesMadison in particular was deeply interested in Machiavelli's theories, and may have had them in mind both in his drafts for the Virginia Plan (which, ''heavily'' modified, became the [[UsefulNotes/AmericanPoliticalSystem United States Constitution]]) and in his contributions to the ''Federalist Papers''.

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This reputation is perhaps undeserved as some of his other works, notably ''Literature/DiscoursesOnLivy'', are all about successfully running republics, and even in ''The Prince'' he states that a republic is the best form of government. In the eighteenth century the view that the book was actually an [[StealthParody elaborate]] [[{{Trollfic}} parody]] became fashionable given both the nature of Machiavelli's other works and the fact that ''The Prince'' was written just after he was stripped of his power, imprisoned, and tortured by the Medicis. In the early nineteenth century Germany it became fashionable to suggest that ''The Prince'' needed to be judged relatively, though the tradition began even earlier than that.

Already in the 18th Century, it was fashionable among Enlightenment philosophers to regard Machiavelli as their inspiration. Jean Jacques Jean-Jacques Rousseau was a major admirer of his works and was among the first to suggest that ''The Prince'' need not be taken at face value and he regarded Machiavelli as a republican. The founding fathers of the United States were also familiar with his writings; UsefulNotes/JamesMadison in particular was deeply interested in Machiavelli's theories, and may have had them in mind both in his drafts for the Virginia Plan (which, ''heavily'' modified, became the [[UsefulNotes/AmericanPoliticalSystem United States Constitution]]) and in his contributions to the ''Federalist Papers''.



Like many of that era, Machiavelli believed that AncientRome was the peak of human civilisation, particularly the Roman Republic, and he often uses its example to illustrate political points. Indeed, he can be seen as rejecting "Christian" ideas of thinkers like Augustine--politics must be understood through a higher form of knowledge, private and public morals should be consistent, history is linear and purposeful, etc.--for "pagan" ones of thinkers like Aristotle--history is cyclical, politics must be understood on its own terms, states and leaders behave differently from private citizens. Interesting enough, this is a dichotomy that is still relevant today: compare the Clash of Civilizations and the End of History with Greco-Roman and Christian political thought, respectively.

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Like many of that era, Machiavelli believed that AncientRome was the peak of human civilisation, civilization, particularly the Roman Republic, and he often uses its example to illustrate political points. Indeed, he can be seen as rejecting "Christian" ideas of thinkers like Augustine--politics must be understood through a higher form of knowledge, private and public morals should be consistent, history is linear and purposeful, etc.--for "pagan" ones of thinkers like Aristotle--history is cyclical, politics must be understood on its own terms, states and leaders behave differently from private citizens. Interesting enough, this is a dichotomy that is still relevant today: compare the Clash of Civilizations and the End of History with Greco-Roman and Christian political thought, respectively.
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Niccolò di Bernardo dei Machiavelli (1469-1527) was a UsefulNotes/{{Floren|ce}}tine writer, philosopher, and political theorist active at a time of great chaos and turmoil throughout [[UsefulNotes/TheRenaissance Renaissance]] Italy. He is best-known for writing ''Literature/ThePrince'', a handbook for the ruling Medici family on how to most effectively run a principality. Due to ''The Prince'' being his best-known work, coupled with the fact that [[MainstreamObscurity few who quote it have actually read it]], Machiavelli's name has become a byword for being a ruthless, manipulative, backstabbing bastard; so much so that in Creator/ChristopherMarlowe's ''Theatre/TheJewOfMalta'', Machiavelli is presented on stage as the narrator of the prologue, and the term ''Old Nick'' to refer to TheDevil may also be derived from his forename.

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Niccolò di Bernardo dei Machiavelli (1469-1527) (3 May 1469 – 21 June 1527) was a UsefulNotes/{{Floren|ce}}tine writer, philosopher, and political theorist active at a time of great chaos and turmoil throughout [[UsefulNotes/TheRenaissance Renaissance]] Italy. He is best-known for writing ''Literature/ThePrince'', a handbook for the ruling Medici family on how to most effectively run a principality. Due to ''The Prince'' being his best-known work, coupled with the fact that [[MainstreamObscurity few who quote it have actually read it]], Machiavelli's name has become a byword for being a ruthless, manipulative, backstabbing bastard; so much so that in Creator/ChristopherMarlowe's ''Theatre/TheJewOfMalta'', Machiavelli is presented on stage as the narrator of the prologue, and the term ''Old Nick'' to refer to TheDevil may also be derived from his forename.
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crosswicking

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* MalMariee: The comedy play ''La Mandragola'' (''The Mandrake'') revolves around Callimaco, a wealthy playboy, and his desire to seduce Lucrezia, the beautiful young wife of Nicia, an elderly citizen of Florence who fancies himself a scholar but is really a conceited fool who (for whatever reason) is also unable to get Lucrezia pregnant. While Lucrezia's virtue is a serious hindrance to Callimaco's desire at first, eventually she is persuaded to sleep with him under pretense that this is necessary to cure her of infertility. Even though Callimaco confesses that the "cure" was a scam, her first night with Callimaco changes Lucrezia's mind and she takes an active role in fooling Nicia so she can enjoy her adulterous relationship with Callimaco.
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* HistoricalVillainUpgrade: Many historical fictional works often portray his philosophical beliefs as very malicious, as evident in the late Renaissance works from Shakespeare and Marlowe; and one of Sherlock Holmes's antagonists, James Moriarty, is loosely based on some of Machiavelli's principles. Modern portrayals of him, however, are more sympathetic due to DatedHistory, and many historians agree that his known work, ''The Prince'' is either more of a satire or highlighting the realities of Italian politics at his time.
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Niccolò di Bernardo dei Machiavelli (1469-1527) was a UsefulNotes/{{Floren|ce}}tine writer, philosopher, and political theorist active at a time of great chaos and turmoil throughout Italy. He is best-known for writing ''Literature/ThePrince'', a handbook for the ruling Medici family on how to most effectively run a principality. Due to ''The Prince'' being his best-known work, coupled with the fact that [[MainstreamObscurity few who quote it have actually read it]], Machiavelli's name has become a byword for being a ruthless, manipulative, backstabbing bastard; so much so that in Creator/ChristopherMarlowe's ''Theatre/TheJewOfMalta'', Machiavelli is presented on stage as the narrator of the prologue, and the term ''Old Nick'' to refer to TheDevil may also be derived from his forename.

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Niccolò di Bernardo dei Machiavelli (1469-1527) was a UsefulNotes/{{Floren|ce}}tine writer, philosopher, and political theorist active at a time of great chaos and turmoil throughout [[UsefulNotes/TheRenaissance Renaissance]] Italy. He is best-known for writing ''Literature/ThePrince'', a handbook for the ruling Medici family on how to most effectively run a principality. Due to ''The Prince'' being his best-known work, coupled with the fact that [[MainstreamObscurity few who quote it have actually read it]], Machiavelli's name has become a byword for being a ruthless, manipulative, backstabbing bastard; so much so that in Creator/ChristopherMarlowe's ''Theatre/TheJewOfMalta'', Machiavelli is presented on stage as the narrator of the prologue, and the term ''Old Nick'' to refer to TheDevil may also be derived from his forename.
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* He appears in ''VideoGame/AssassinsCreedII'' and ''VideoGame/AssassinsCreedBrotherhood'' as a prominent (and shadowy) figure within the Assassin Order.

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* He appears in ''VideoGame/AssassinsCreedII'' and ''VideoGame/AssassinsCreedBrotherhood'' as a prominent (and shadowy) figure within the Assassin Order.Order. His secretive nature drives prominent Assassins La Volpe to suspect him of being a traitor in ''Brotherhood''.
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* WorthyOpponent: He considered [[TheBaroness Caterina Sforza]], the Countess of Forli, to be one of these. The Countess managed to hold out much longer than any of Cesare Borgia's other (male) opponents and Machiavelli, who acted as the go-between, witnessed her forceful personality first-hand.

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* WorthyOpponent: He considered [[TheBaroness Caterina Sforza]], Sforza, the Countess of Forli, Forlì, to be one of these. The Countess managed to hold out much longer than any of Cesare Borgia's other (male) opponents and Machiavelli, who acted as the go-between, witnessed her forceful personality first-hand.
first-hand.
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* He appears in ''VideoGame/AssassinsCreedII'' and ''VideoGame/AssassinsCreedBrotherhood'' as a prominent figure within the Assassin Order.

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* He appears in ''VideoGame/AssassinsCreedII'' and ''VideoGame/AssassinsCreedBrotherhood'' as a prominent (and shadowy) figure within the Assassin Order.
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* He appears in ''VideoGame/AssassinsCreedII'' and ''VideoGame/AssassinsCreedBrotherhood'' as TheLancer of the hero Ezio.

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* He appears in ''VideoGame/AssassinsCreedII'' and ''VideoGame/AssassinsCreedBrotherhood'' as TheLancer of a prominent figure within the hero Ezio. Assassin Order.
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Niccolò di Bernardo dei Machiavelli (1469-1527) was a Florentine writer, philosopher, and political theorist active at a time of great chaos and turmoil throughout Italy. He is best-known for writing ''Literature/ThePrince'', a handbook for the ruling Medici family on how to most effectively run a principality. Due to ''The Prince'' being his best-known work, coupled with the fact that [[MainstreamObscurity few who quote it have actually read it]], Machiavelli's name has become a byword for being a ruthless, manipulative, backstabbing bastard; so much so that in Creator/ChristopherMarlowe's ''Theatre/TheJewOfMalta'', Machiavelli is presented on stage as the narrator of the prologue, and the term ''Old Nick'' to refer to TheDevil may also be derived from his forename.

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Niccolò di Bernardo dei Machiavelli (1469-1527) was a Florentine UsefulNotes/{{Floren|ce}}tine writer, philosopher, and political theorist active at a time of great chaos and turmoil throughout Italy. He is best-known for writing ''Literature/ThePrince'', a handbook for the ruling Medici family on how to most effectively run a principality. Due to ''The Prince'' being his best-known work, coupled with the fact that [[MainstreamObscurity few who quote it have actually read it]], Machiavelli's name has become a byword for being a ruthless, manipulative, backstabbing bastard; so much so that in Creator/ChristopherMarlowe's ''Theatre/TheJewOfMalta'', Machiavelli is presented on stage as the narrator of the prologue, and the term ''Old Nick'' to refer to TheDevil may also be derived from his forename.
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* {{Cuckold}}: The plot of his comedy''The Mandrake'' revolves around convincing the hapless Messer Nicia to let the AntiHero Callimaco to ''willingly'' sleep with his wife.

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* {{Cuckold}}: The plot of his comedy''The comedy ''The Mandrake'' revolves around convincing the hapless Messer Nicia to let the AntiHero Callimaco to ''willingly'' sleep with his wife.
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* ''The Art of War'' (1519) No, not [[Literature/TheArtOfWar that one]], although some of the sentiments are the same. However, much of the work is devoted to how awful [[HiredGuns mercenaries]] are and why you should never, ever, ''ever'' use them.

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* ''The ''Literature/{{The Art of War'' War|Machiavelli}}'' (1519) No, not [[Literature/TheArtOfWar [[Literature/TheArtOfWarSunTzu that one]], although some of the sentiments are the same. However, much of the work is devoted to how awful [[HiredGuns mercenaries]] are and why you should never, ever, ''ever'' use them.
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Niccolò di Bernardo dei Machiavegli (1469-1527) was a Florentine writer, philosopher, and political theorist active at a time of great chaos and turmoil throughout Italy. He is best-known for writing ''Literature/ThePrince'', a handbook for the ruling Medici family on how to most effectively run a principality. Due to ''The Prince'' being his best-known work, coupled with the fact that [[MainstreamObscurity few who quote it have actually read it]], Machiavelli's name has become a byword for being a ruthless, manipulative, backstabbing bastard; so much so that in Creator/ChristopherMarlowe's ''Theatre/TheJewOfMalta'', Machiavelli is presented on stage as the narrator of the prologue, and the term ''Old Nick'' to refer to TheDevil may also be derived from his forename.

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Niccolò di Bernardo dei Machiavegli Machiavelli (1469-1527) was a Florentine writer, philosopher, and political theorist active at a time of great chaos and turmoil throughout Italy. He is best-known for writing ''Literature/ThePrince'', a handbook for the ruling Medici family on how to most effectively run a principality. Due to ''The Prince'' being his best-known work, coupled with the fact that [[MainstreamObscurity few who quote it have actually read it]], Machiavelli's name has become a byword for being a ruthless, manipulative, backstabbing bastard; so much so that in Creator/ChristopherMarlowe's ''Theatre/TheJewOfMalta'', Machiavelli is presented on stage as the narrator of the prologue, and the term ''Old Nick'' to refer to TheDevil may also be derived from his forename.
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Quality upgrade.


[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/pebfe001_niccolo_machiavelli_4282.jpg]]

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* ThePlan: While Machiavelli was in the government of republican Florence, Pisa was in revolt. Machiavelli concocted a ploy to divert the Arno River away from Pisa and consulted none other than Creator/LeonardoDaVinci for the purpose. The engineering of the day was not up to par for the project, however, and the plan was scrapped.
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* He is Leonardo da Vinci's young apprentice in ''Series/DaVincisDemons''.
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However, one must be careful not to assume that Machiavelli was truly pro-democracy. In ''Discourses on Livy'', he takes the time to state that pure democracy isn't a great idea either, and the best form of government is one that combines democracy, aristocracy, and monarchy so that the different social classes can keep each other in check. On the other hand, the liberal movement which (openly or otherwise) adopted Machiavelli's philosophy more or less took the same opinion. Indeed, modern representative democracy would rather please Machiavelli, as it more or less reflects his ideals (a popularly-elected legislature is ''not'' a democracy as he understood it, but close enough to serve in the position in his three-in-one system;[[note]]To elaborate, Machiavelli considered Rome the model, and Rome was a single small republic that conquered and collected tribute from other city-states and thus could have a direct-democratic element in the city. The idea of ''representative'' government was essentially an English invention, and the idea that the territory of a republic could--indeed, ''should''--encompass thousands upon thousands of square miles was straight from the mind of UsefulNotes/JamesMadison--who, again, made no bones about his interest in Machiavelli.[[/note]] the modern investment of a great deal of power in [[AmericanPoliticalSystem directly-elected presidents]] and [[UsefulNotes/BritishPoliticalSystem indirectly-elected prime ministers]] is a pretty good approximation of his idea of "monarchy"; and both the role of less-representative upper legislative houses--like the US Senate and British Lords--and small, well-educated judicial courts are close to his concept of "aristocracy").

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However, one must be careful not to assume that Machiavelli was truly pro-democracy. In ''Discourses on Livy'', he takes the time to state that pure democracy isn't a great idea either, and the best form of government is one that combines democracy, aristocracy, and monarchy so that the different social classes can keep each other in check. On the other hand, the liberal movement which (openly or otherwise) adopted Machiavelli's philosophy more or less took the same opinion. Indeed, modern representative democracy would rather please Machiavelli, as it more or less reflects his ideals (a popularly-elected legislature is ''not'' a democracy as he understood it, but close enough to serve in the position in his three-in-one system;[[note]]To elaborate, Machiavelli considered Rome the model, and Rome was a single small republic that conquered and collected tribute from other city-states and thus could have a direct-democratic element in the city. The idea of ''representative'' government was essentially an English invention, and the idea that the territory of a republic could--indeed, ''should''--encompass thousands upon thousands of square miles was straight from the mind of UsefulNotes/JamesMadison--who, again, made no bones about his interest in Machiavelli.[[/note]] the modern investment of a great deal of power in [[AmericanPoliticalSystem [[UsefulNotes/AmericanPoliticalSystem directly-elected presidents]] and [[UsefulNotes/BritishPoliticalSystem indirectly-elected prime ministers]] is a pretty good approximation of his idea of "monarchy"; and both the role of less-representative upper legislative houses--like the US Senate and British Lords--and small, well-educated judicial courts are close to his concept of "aristocracy").
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->''"Anyone who studies present and ancient affairs will easily see how in all cities and all peoples there still exist...the same desires and passions. Thus, it is an easy matter for him who carefully examines past events to foresee future events...But since these matters are neglected...or, if understood, remain unknown to those who govern, the result is that the same problems always exist in every era."''

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->''"Anyone who studies present and ancient affairs will easily see how in all cities and all peoples there still exist...the same desires and passions. Thus, it is an easy matter for him who carefully examines past events to foresee future events... But since these matters are neglected...neglected... or, if understood, remain unknown to those who govern, the result is that the same problems always exist in every era."''



Like many of that era, Machiavelli believed that AncientRome was the peak of human civilisation, particularly the Roman Republic, and he often uses its example to illustrate political points. Indeed, he can be seen as rejecting "Christian" ideas of thinkers like Augustine ---politics must be understood through a higher form of knowledge, private and public morals should be consistent, history is linear and purposeful etc----for "pagan" ones of thinkers like Aristotle---history is cyclical, politics must be understood on its own terms, states and leaders behave differently from private citizens. Interesting enough, this is a dichotomy that is still relevant today: compare the Clash of Civilizations and the End of History with Greco-Roman and Christian political thought, respectively.

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Like many of that era, Machiavelli believed that AncientRome was the peak of human civilisation, particularly the Roman Republic, and he often uses its example to illustrate political points. Indeed, he can be seen as rejecting "Christian" ideas of thinkers like Augustine ---politics Augustine--politics must be understood through a higher form of knowledge, private and public morals should be consistent, history is linear and purposeful etc----for purposeful, etc.--for "pagan" ones of thinkers like Aristotle---history Aristotle--history is cyclical, politics must be understood on its own terms, states and leaders behave differently from private citizens. Interesting enough, this is a dichotomy that is still relevant today: compare the Clash of Civilizations and the End of History with Greco-Roman and Christian political thought, respectively.
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* {{Troll}}: A possible interpretation of his most well-known work, ''The Prince'', is that it was not only meant as satire, but was meant to screw with Prince Lorenzo. There are two ways this could work: 1) Machiavelli was making fun of the Prince by using the same flawed logic he believed tyrants used to subjugate their people; or 2) he was trying to convince the Prince to follow the book to the letter knowing that it would lead to a riot that would lead to his death. However, there is no proof that any of the Medicis actually read the book and Machiavelli didn't leave much behind that could clear up the matter. Therefore, there's no way to tell what his intent was when he wrote the treatise.

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* {{Troll}}: A possible interpretation of his most well-known work, ''The Prince'', is that it was not only meant as satire, but was meant to screw with Prince Lorenzo. There are two ways this could work: 1) Machiavelli was making fun of the Prince by using the same flawed logic he believed tyrants used to subjugate their people; or 2) he was trying to convince the Prince to follow the book to the letter [[SpringtimeForHitler knowing that it would lead to a riot that would lead to his death.death]]. However, there is no proof that any of the Medicis actually read the book and Machiavelli didn't leave much behind that could clear up the matter. Therefore, there's no way to tell what his intent was when he wrote the treatise.
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* In ''Series/TheTimeTunnel'' episode "The Death Merchant", he's transported to UsefulNotes/TheAmericanCivilWar (specifically, the battle of Gettysburg) due to a technical fluke. He's depicted as a murderous sadist who regards war as a thrilling spectator sport as long as both sides are equally matched, so he tries to give the Confederates a large cache of gunpowder because they're the weaker opponent.
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* WriteWhatYouKnow: Before he wrote ''The Prince'', Machiavelli had served in a number of governmental positions in the city of Florence (in fact, part of the reason he dedicated ''The Prince'' to the Medici might have been as a way to work his way into their good graces, as he lost his post when they came to power). Among those posts was head of the city militia, which gave him plenty of firsthand opportunities to develop his distrust of mercenaries.

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* WriteWhatYouKnow: Before he wrote ''The Prince'', Machiavelli had served in a number of governmental positions in the city of Florence (in fact, part of the reason he dedicated ''The Prince'' to the Medici might have been as a way to work his way into their good graces, as he lost his post when they came to power). Among those posts was head of the city militia, which gave him plenty of firsthand opportunities to develop his distrust of mercenaries.
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* BeamMeUpScotty:
** He's quoted as saying that it's better for a ruler to be feared rather than loved in ''Literature/ThePrince''. To be fair he did say that, but only if you couldn't be both; it's best if you are feared ''and'' loved. Above all, you should make sure you're not ''hated'', as hatred overcomes fear of punishment. The actual point of the quote was to let the reader know that a Prince who is loved, but not feared, will be more readily betrayed by his subjects than a Prince who is feared, but not loved. Thus, fear without inspiring hatred is important to a Prince.
** Others mistakenly believe he said never to hire mercenaries. What he actually said was not to rely on mercenaries to protect your kingdom. This would not preclude hiring them to carry out small, covert missions on your behalf where deniability is an important consideration.
** He did ''not'' write that "the ends justify the means". That famous misquote is the result of a BlindIdiotTranslation. What he ''actually'' wrote was that one should consider the consequences before one acts.
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work and creator names are not supposed to be in bold (that's for the Other Wiki)


'''Niccolò di Bernardo dei Machiavegli''' (1469-1527) was a Florentine writer, philosopher, and political theorist active at a time of great chaos and turmoil throughout Italy. He is best-known for writing ''Literature/ThePrince'', a handbook for the ruling Medici family on how to most effectively run a principality. Due to ''The Prince'' being his best-known work, coupled with the fact that [[MainstreamObscurity few who quote it have actually read it]], Machiavelli's name has become a byword for being a ruthless, manipulative, backstabbing bastard; so much so that in Creator/ChristopherMarlowe's ''Theatre/TheJewOfMalta'', Machiavelli is presented on stage as the narrator of the prologue, and the term ''Old Nick'' to refer to TheDevil may also be derived from his forename.

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'''Niccolò Niccolò di Bernardo dei Machiavegli''' Machiavegli (1469-1527) was a Florentine writer, philosopher, and political theorist active at a time of great chaos and turmoil throughout Italy. He is best-known for writing ''Literature/ThePrince'', a handbook for the ruling Medici family on how to most effectively run a principality. Due to ''The Prince'' being his best-known work, coupled with the fact that [[MainstreamObscurity few who quote it have actually read it]], Machiavelli's name has become a byword for being a ruthless, manipulative, backstabbing bastard; so much so that in Creator/ChristopherMarlowe's ''Theatre/TheJewOfMalta'', Machiavelli is presented on stage as the narrator of the prologue, and the term ''Old Nick'' to refer to TheDevil may also be derived from his forename.
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->''Anyone who studies present and ancient affairs will easily see how in all cities and all peoples there still exist...the same desires and passions. Thus, it is an easy matter for him who carefully examines past events to foresee future events...But since these matters are neglected...or, if understood, remain unknown to those who govern, the result is that the same problems always exist in every era.''

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->''Anyone ->''"Anyone who studies present and ancient affairs will easily see how in all cities and all peoples there still exist...the same desires and passions. Thus, it is an easy matter for him who carefully examines past events to foresee future events...But since these matters are neglected...or, if understood, remain unknown to those who govern, the result is that the same problems always exist in every era.''"''
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Hegel argued that it was written for a certain time and certain locale and to judge it based on contemporary morality and from the perspective of someone living in a unified nation state was unfair. Since the mid-twentieth century, the most common interpretation of ''The Prince'' is that it simply describes as Francis Bacon said, "what men do, and not what they ought to do" and that it is the first true work to deal with politics as a branch of science and not ethics. Another unfair misinterpretation of Machiavelli is seeing him as someone who wrote for the benefit of [insert favorite mass murdering tyrant here]. This is unfair to Machiavelli considering that someone like Hitler doesn't need a centuries dead philosopher to give him permission to go on a murderous rampage, whereas a democratic leader with a strong moral compass like Abe Lincoln or Winston Churchill might have doubts about what their duties as a leader are. And, for that matter, Machiavelli would probably have approved of pragmatic democratic statesmen like [[UsefulNotes/RichardNixon Nixon]] or [[Creator/BenjaminDisraeli Disraeli]] more than insane ideologues like Hitler or Stalin.

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Hegel argued that it was written for a certain time and certain locale and to judge it based on contemporary morality and from the perspective of someone living in a unified nation state was unfair. Since the mid-twentieth century, the most common interpretation of ''The Prince'' is that it simply describes as Francis Bacon said, "what men do, and not what they ought to do" and that it is the first true work to deal with politics as a branch of science and not ethics. Another unfair misinterpretation of Machiavelli is seeing him as someone who wrote for the benefit of [insert favorite mass murdering tyrant here]. This is unfair to Machiavelli considering that someone like Hitler doesn't need a centuries dead philosopher to give him permission to go on a murderous rampage, whereas a democratic leader with a strong moral compass like Abe Lincoln or Winston Churchill might have doubts about what their duties as a leader are. And, for that matter, Machiavelli would probably have approved of pragmatic democratic statesmen like [[UsefulNotes/RichardNixon Nixon]] or [[Creator/BenjaminDisraeli [[UsefulNotes/BenjaminDisraeli Disraeli]] more than insane ideologues like Hitler or Stalin.
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* He is the main character in the ([[DoorStopper rather long]]) Norwegian play ''Towards Carnival'', written in 1915, telling the story of Machiavelli and his contemporaries from the death of Savonarola to the time he wrote ''The Prince''.

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