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Nagisa Oshima (大島 渚, ''Ōshima Nagisa'', March 31, 1932 – January 15, 2013) was a Japanese film director, screenwriter and TV show host.

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Nagisa Oshima (大島 渚, ''Ōshima Nagisa'', March 31, 1932 – January 15, 2013) was a Japanese UsefulNotes/{{Japan}}ese film director, screenwriter and TV show host.
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* ''Film/TheSunsBurial'' (1960)
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* ''Film/DeathByHanging'' (1968)
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Declining health, mostly a series of strokes, resulted in Oshima directing only one film over the last 27 years of his life. In his later years he was, of all things, an occasional judge on the original Japanese TV cooking show ''Series/IronChef''.
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* ''Film/ATownOfLoveAndHope'' (1959)
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Another minor edit.


Nagisa Oshima (大島 渚, "Ōshima Nagisa", March 31, 1932 – January 15, 2013) was a Japanese film director, screenwriter and TV show host.

to:

Nagisa Oshima (大島 渚, "Ōshima Nagisa", ''Ōshima Nagisa'', March 31, 1932 – January 15, 2013) was a Japanese film director, screenwriter and TV show host.
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Minor edits.


Nagisa Oshima (大島 渚, "Ōshima Nagisa", born March 31, 1932 -- died January 15, 2013) was a Japanese film director, screenwriter and TV show host.

to:

Nagisa Oshima (大島 渚, "Ōshima Nagisa", born March 31, 1932 -- died January 15, 2013) was a Japanese film director, screenwriter and TV show host.
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* ''Film/{{Gohatto}}'' (1996)
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He was primarily concerned with depicting the contradictions and tensions in post-UsefulNotes/WorldWarII Japanese society, and his films tend to expose contemporary materialism while also examining what it means to be Japanese in the face of rapid industrialization and Westernization. Sexual tension in all forms is a central theme of many of his films.

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He was primarily concerned with depicting the contradictions and tensions in post-UsefulNotes/WorldWarII Japanese society, and his films tend to expose contemporary materialism while also examining what it means to be Japanese in the face of rapid industrialization and Westernization. Sexual tension in all forms is a central theme CentralTheme of many of his films.
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Nagisa Oshima (大島 渚, "Ōshima Nagisa", born March 31, 1932 and died January 15, 2013) was a Japanese film director, screenwriter and TV show host.

to:

Nagisa Oshima (大島 渚, "Ōshima Nagisa", born March 31, 1932 and -- died January 15, 2013) was a Japanese film director, screenwriter and TV show host.
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He was primarily concerned with depicting the contradictions and tensions in post-UsefulNotes/WorldWarII Japanese society, and his films tend to expose contemporary materialism while also examining what it means to be Japanese in the face of rapid industrialization and Westernization. Sexual tension in all forms is also at the heart of many of his films.

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He was primarily concerned with depicting the contradictions and tensions in post-UsefulNotes/WorldWarII Japanese society, and his films tend to expose contemporary materialism while also examining what it means to be Japanese in the face of rapid industrialization and Westernization. Sexual tension in all forms is also at the heart a central theme of many of his films.

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He was primarily concerned with depicting the contradictions and tensions in post-UsefulNotes/WorldWarII Japanese society, and his films tend to expose contemporary materialism while also examining what it means to be Japanese in the face of rapid industrialization and Westernization.

to:

He was primarily concerned with depicting the contradictions and tensions in post-UsefulNotes/WorldWarII Japanese society, and his films tend to expose contemporary materialism while also examining what it means to be Japanese in the face of rapid industrialization and Westernization. Sexual tension in all forms is also at the heart of many of his films.


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* ''Film/PleasuresOfTheFlesh'' (1965)
* ''Film/JapaneseSummerDoubleSuicide'' (1967)

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* ''Film/{{Boy|1969}}''

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* ''Film/{{Boy|1969}}''''Film/CruelStoryOfYouth'' (1960)
* ''Film/{{Boy|1969}}'' (1969)



[[/index]]

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[[/index]][[/index]]
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He was primarily concerned with depicting the contradictions and tensions in post-UsefulNotes/WorldWarII Japanese society, and his films tend to expose contemporary materialism while also examining what it means to be Japanese in the face of rapid industrialization and Westernization.

to:

He was primarily concerned with depicting the contradictions and tensions in post-UsefulNotes/WorldWarII Japanese society, and his films tend to expose contemporary materialism while also examining what it means to be Japanese in the face of rapid industrialization and Westernization.Westernization.
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!!Works on TV Tropes:
[[index]]
* ''Film/{{Boy|1969}}''
* ''Film/InTheRealmOfTheSenses'' (1976)
* ''Film/MerryChristmasMrLawrence'' (1983)
[[/index]]
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He was primarily concerned with depicting the contradictions and tensions in post-UsefulNotes/WorldWarII Japanese society, and his films tend to expose contemporary Japanese materialism while also examining what it means to be Japanese in the face of rapid industrialization and Westernization.

to:

He was primarily concerned with depicting the contradictions and tensions in post-UsefulNotes/WorldWarII Japanese society, and his films tend to expose contemporary Japanese materialism while also examining what it means to be Japanese in the face of rapid industrialization and Westernization.
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He was primarily concerned with depicting the contradictions and tensions of postwar Japanese society, and his films tend to expose contemporary Japanese materialism while also examining what it means to be Japanese in the face of rapid industrialization and Westernization.

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He was primarily concerned with depicting the contradictions and tensions of postwar in post-UsefulNotes/WorldWarII Japanese society, and his films tend to expose contemporary Japanese materialism while also examining what it means to be Japanese in the face of rapid industrialization and Westernization.
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/oshima.jpg]]

Nagisa Oshima (大島 渚, "Ōshima Nagisa", born March 31, 1932 and died January 15, 2013) was a Japanese film director, screenwriter and TV show host.

He was primarily concerned with depicting the contradictions and tensions of postwar Japanese society, and his films tend to expose contemporary Japanese materialism while also examining what it means to be Japanese in the face of rapid industrialization and Westernization.

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