History Creator / JoseMariaEguren

!!Eguren's {{poe|try}}ms:

* LeftHanging: "Ananké" ends with a girl stating that she ought not to die for God doesn't want/love her. While that can be explained by the earlier insinuation of the girl only being able to hear the poetic ego's reclamations because she's a sinner, it's left ambiguous what happens to her next. Seeing that the book's CentralTheme is death, it's possible that she indeed dies. However, it's also heavily implied that the girl is the titular [[Myth/ClassicalMythology Greek goddess]], the deity of fate, and, as a consequence, unable to die.

* PageTurnSurprise: The first edition of ''Simbólicas'' is laid out in a way that the larger poems are split precisely where the author wants them to be. The first page of "Las bodas vienesas" (translation: "The Viennese Wedddings") ends without revealing who's getting married in such a pompous way in a trifle store of all places. That information is given on the next page--it's the Viennese Princess, who has a limp and is, actually, a puppet.

* PageTurnSurprise: The first edition of ''Simbólicas'' is laid out in a way that the larger poems are split precisely where the author wants them to be. The first page of "Las bodas vienesas" (translation: "The Viennese Wedddings") ends without revealing who's getting married in such a pompous way. That information is given on the next page--it's the Viennese Princess, who has a limp.

* PageTurnSurprise: The first edition of ''Simbólicas'' is laid out in a way that the larger poems are split precisely where the author wants them to be.

* CliffHangerEnding: "Ananké" ends with a girl stating that she ought not to die for God doesn't want/love her. No further explanation is given other than an insinuation of the girl only being able to hear the poetic ego's reclamations because she's a sinner.

!!Eguren's poems:

* OneWordTitle: ''Simbólicas'', ''Sombra'', and ''Rondinelas''.
* TheXOfY: ''La canción de las figuras'' (translated as ''The Song of the Shapes'').

José María Eguren Rodríguez is the sole post-modernist {{poet|ry}} --in particular, from the late {{Symbolis|m}}t movement-- to come from UsefulNotes/{{Peru}}. Born in Lima on July 7th, 1874, Eguren's writing style is notorious for its musicality, suggestive connotations, exoticism, use of free verse, and reliance on multi-layered symbolism. The best thing? He developed the movement on his own, wholly unaware of similar stuff blossoming all across Europe at the same time.

!!Eguren's works:

José María Eguren Rodríguez is the sole post-modernist {{poet|ry}} --in particular, the late {{Symbolis|m}}t movement-- to come from UsefulNotes/{{Peru}}. Born in Lima on July 7th, 1874, Eguren's writing style is notorious for its musicality, suggestive connotations, exoticism, use of free verse, and reliance on multi-layered symbolism. The best thing? He developed the movement on his own, wholly unaware of similar stuff blossoming all across Europe at the same time.

José María Eguren Rodríguez is the sole post-modernist {{poet|ry}} --in particular, the late {{Symbolis|m}}t movement-- to come from the Americas. Born in Lima, {{UsefulNotes/Peru}}, on July 7th, 1874, Eguren's writing style is notorious for its musicality, suggestive connotations, exoticism, use of the free verse, and reliance on multi-layered symbolism.

José María Eguren Rodríguez is the sole post-modernist poet --in particular, the late {{Symbolis|m}}t movement-- to come from the Americas. Born in Lima, {{UsefulNotes/Peru}}, on July 7th, 1874, Eguren's writing style is notorious for its musicality, suggestive connotations, exoticism, use of the free verse, and reliance on multi-layered symbolism.

* ''Simbólicas''
* ''La Canción de las figuras''
* ''Sombra''
* ''Rondinelas''