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Of the generation immediately following Creator/DanteAligheri's, he is widely seen as a precursor of UsefulNotes/TheRenaissance. However, he is also in a unique position: his life having overlapped with Dante's, he was uniquely positioned to write a biography of the great poet (his ''Life of Dante'', which is still in print and widely-read) and a commentary/explication of the ''Comedy''. Also, despite his great admiration for Dante, he frequently criticized Dante for being too emotional and spiritual; as one might have guessed based on the differences between the ''Decameron'' and the ''Comedy'', Boccaccio was more interested in the good life here on Earth than the complexities of theology. Foreshadowing the Renaissance, he was quite obsessed with the Ancient Greeks and Romans, and wrote a [[DoorStopper incredibly gigantic catalogue]] of Myth/ClassicalMythology for the purpose of edifying fellow Italian writers.
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Of the generation immediately following Creator/DanteAligheri's, Creator/DanteAlighieri's, he is widely seen as a precursor of UsefulNotes/TheRenaissance. However, he is also in a unique position: his life having overlapped with Dante's, he was uniquely positioned to write a biography of the great poet (his ''Life of Dante'', which is still in print and widely-read) and a commentary/explication of the ''Comedy''. Also, despite his great admiration for Dante, he frequently criticized Dante for being too emotional and spiritual; as one might have guessed based on the differences between the ''Decameron'' and the ''Comedy'', Boccaccio was more interested in the good life here on Earth than the complexities of theology. Foreshadowing the Renaissance, he was quite obsessed with the Ancient Greeks and Romans, and wrote a [[DoorStopper incredibly gigantic catalogue]] of Myth/ClassicalMythology for the purpose of edifying fellow Italian writers.
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Giovanni Boccaccio was an early 14th century UsefulNotes/{{Ital|y}}ian author best known for ''[[Literature/{{Decameron}} Il Decamerone]]'', a collection of one hundred short stories told by three young men and seven young women who fled Florence for fear of the Black Death. The ten retreat to a country villa and decide to amuse themselves by telling stories. A king or queen is selected each day and sets a theme, which all ten must follow, except one man who is such a funny storyteller he receives the privilege of always speaking last and choosing his own theme if he thinks the day's theme has gotten too monotonous.
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[[quoteright:280:https://static.tvtropes.org/pmwiki/pub/images/boccaccio.jpg]]
Giovanni Boccaccio (16 June 1313 – 21 December 1375) wasan early a 14th century UsefulNotes/{{Ital|y}}ian author author.
He is best known for ''[[Literature/{{Decameron}} Il Decamerone]]'', a collection of one hundred short stories told by three young men and seven young women who fled Florence for fear of the Black Death. The ten retreat to a country villa and decide to amuse themselves by telling stories. A king or queen is selected each day and sets a theme, which all ten must follow, except one man who is such a funny storyteller he receives the privilege of always speaking last and choosing his own theme if he thinks the day's theme has gotten too monotonous.
Giovanni Boccaccio (16 June 1313 – 21 December 1375) was
He is best known for ''[[Literature/{{Decameron}} Il Decamerone]]'', a collection of one hundred short stories told by three young men and seven young women who fled Florence for fear of the Black Death. The ten retreat to a country villa and decide to amuse themselves by telling stories. A king or queen is selected each day and sets a theme, which all ten must follow, except one man who is such a funny storyteller he receives the privilege of always speaking last and choosing his own theme if he thinks the day's theme has gotten too monotonous.
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Of the generation immediately following [[Literature/TheDivineComedy Dante Aligheri]]'s, he is widely seen as a precursor of UsefulNotes/TheRenaissance. However, he is also in a unique position: his life having overlapped with Dante's, he was uniquely positioned to write a biography of the great poet (his ''Life of Dante'', which is still in print and widely-read) and a commentary/explication of the ''Comedy''. Also, despite his great admiration for Dante, he frequently criticized Dante for being too emotional and spiritual; as one might have guessed based on the differences between the ''Decameron'' and the ''Comedy'', Boccaccio was more interested in the good life here on Earth than the complexities of theology. Foreshadowing the Renaissance, he was quite obsessed with the Ancient Greeks and Romans, and wrote a [[DoorStopper incredibly gigantic catalogue]] of Myth/ClassicalMythology for the purpose of edifying fellow Italian writers.
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Of the generation immediately following [[Literature/TheDivineComedy Dante Aligheri]]'s, Creator/DanteAligheri's, he is widely seen as a precursor of UsefulNotes/TheRenaissance. However, he is also in a unique position: his life having overlapped with Dante's, he was uniquely positioned to write a biography of the great poet (his ''Life of Dante'', which is still in print and widely-read) and a commentary/explication of the ''Comedy''. Also, despite his great admiration for Dante, he frequently criticized Dante for being too emotional and spiritual; as one might have guessed based on the differences between the ''Decameron'' and the ''Comedy'', Boccaccio was more interested in the good life here on Earth than the complexities of theology. Foreshadowing the Renaissance, he was quite obsessed with the Ancient Greeks and Romans, and wrote a [[DoorStopper incredibly gigantic catalogue]] of Myth/ClassicalMythology for the purpose of edifying fellow Italian writers.
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Of the generation immediately following [[Literature/TheDivineComedy Dante Aligheri]]'s, he is widely seen as a precursor of TheRenaissance. However, he is also in a unique position: his life having overlapped with Dante's, he was uniquely positioned to write a biography of the great poet (his ''Life of Dante'', which is still in print and widely-read) and a commentary/explication of the ''Comedy''. Also, despite his great admiration for Dante, he frequently criticized Dante for being too emotional and spiritual; as one might have guessed based on the differences between the ''Decameron'' and the ''Comedy'', Boccaccio was more interested in the good life here on Earth than the complexities of theology. Foreshadowing the Renaissance, he was quite obsessed with the Ancient Greeks and Romans, and wrote a [[DoorStopper incredibly gigantic catalogue]] of Myth/ClassicalMythology for the purpose of edifying fellow Italian writers.
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Of the generation immediately following [[Literature/TheDivineComedy Dante Aligheri]]'s, he is widely seen as a precursor of TheRenaissance.UsefulNotes/TheRenaissance. However, he is also in a unique position: his life having overlapped with Dante's, he was uniquely positioned to write a biography of the great poet (his ''Life of Dante'', which is still in print and widely-read) and a commentary/explication of the ''Comedy''. Also, despite his great admiration for Dante, he frequently criticized Dante for being too emotional and spiritual; as one might have guessed based on the differences between the ''Decameron'' and the ''Comedy'', Boccaccio was more interested in the good life here on Earth than the complexities of theology. Foreshadowing the Renaissance, he was quite obsessed with the Ancient Greeks and Romans, and wrote a [[DoorStopper incredibly gigantic catalogue]] of Myth/ClassicalMythology for the purpose of edifying fellow Italian writers.
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work and creator names are not supposed to be in bold (that's for the Other Wiki)
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'''Giovanni Boccaccio''' was an early 14th century UsefulNotes/{{Ital|y}}ian author best known for ''[[Literature/{{Decameron}} Il Decamerone]]'', a collection of one hundred short stories told by three young men and seven young women who fled Florence for fear of the Black Death. The ten retreat to a country villa and decide to amuse themselves by telling stories. A king or queen is selected each day and sets a theme, which all ten must follow, except one man who is such a funny storyteller he receives the privilege of always speaking last and choosing his own theme if he thinks the day's theme has gotten too monotonous.
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Of the generation immediately following [[Literature/TheDivineComedy Dante Aligheri]]'s, he is widely seen as a precursor of TheRenaissance. However, he is also in a unique position: his life having overlapped with Dante's, he was uniquely positioned to write a biography of the great poet (his ''Life of Dante'', which is still in print and widely-read) and a commentary/explication of the ''Comedy''. Also, despite his great admiration for Dante, he frequently criticized Dante for being too emotional and spiritual; as one might have guessed based on the differences between the ''Decameron'' and the ''Comedy'', Boccaccio was more interested in the good life here on Earth than the complexities of theology. Foreshadowing the Renaissance, he was quite obsessed with the Ancient Greeks and Romans, and wrote a [[DoorStopper incredibly gigantic catalogue]] of ClassicalMythology for the purpose of edifying fellow Italian writers.
to:
Of the generation immediately following [[Literature/TheDivineComedy Dante Aligheri]]'s, he is widely seen as a precursor of TheRenaissance. However, he is also in a unique position: his life having overlapped with Dante's, he was uniquely positioned to write a biography of the great poet (his ''Life of Dante'', which is still in print and widely-read) and a commentary/explication of the ''Comedy''. Also, despite his great admiration for Dante, he frequently criticized Dante for being too emotional and spiritual; as one might have guessed based on the differences between the ''Decameron'' and the ''Comedy'', Boccaccio was more interested in the good life here on Earth than the complexities of theology. Foreshadowing the Renaissance, he was quite obsessed with the Ancient Greeks and Romans, and wrote a [[DoorStopper incredibly gigantic catalogue]] of ClassicalMythology Myth/ClassicalMythology for the purpose of edifying fellow Italian writers.
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Changed line(s) 1,2 (click to see context) from:
'''Giovanni Boccaccio''' was an early 14th century UsefulNotes/{{Ital|y}}ian author best known for ''[[Literature/{{Decameron}} Il Decamerone]]'', a collection of one hundred short stories told by three young men and seven young women who fled Florence for fear of the Black Death. The ten retreat to a country villa and decide to amuse themselves by telling stories. A king or queen is selected each day and sets a theme, which all ten must follow, except one man, Dioneo, who is such a funny storyteller he receives the privilege of always speaking last and choosing his own theme if he thinks the day's theme has gotten too monotonous.
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'''Giovanni Boccaccio''' was an early 14th century UsefulNotes/{{Ital|y}}ian author best known for ''[[Literature/{{Decameron}} Il Decamerone]]'', a collection of one hundred short stories told by three young men and seven young women who fled Florence for fear of the Black Death. The ten retreat to a country villa and decide to amuse themselves by telling stories. A king or queen is selected each day and sets a theme, which all ten must follow, except one man, Dioneo, man who is such a funny storyteller he receives the privilege of always speaking last and choosing his own theme if he thinks the day's theme has gotten too monotonous.
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Changed line(s) 1,2 (click to see context) from:
'''Giovanni Boccaccio''' was an early 14th century UsefulNotes/{{Ital|y}}ian author best known for ''[[Literature/{{Decameron}} Il Decamerone]]'', a collection of one hundred short stories told by ten men and women who fled Florence for fear of the Black Death. The ten retreat to a country villa and decide to amuse themselves by telling stories. A king or queen is selected each day and sets a theme, which all ten must follow, except one man who receives the privilege of always speaking last and choosing his own theme.
to:
'''Giovanni Boccaccio''' was an early 14th century UsefulNotes/{{Ital|y}}ian author best known for ''[[Literature/{{Decameron}} Il Decamerone]]'', a collection of one hundred short stories told by ten three young men and seven young women who fled Florence for fear of the Black Death. The ten retreat to a country villa and decide to amuse themselves by telling stories. A king or queen is selected each day and sets a theme, which all ten must follow, except one man man, Dioneo, who is such a funny storyteller he receives the privilege of always speaking last and choosing his own theme.
theme if he thinks the day's theme has gotten too monotonous.
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Of the generation immediately following [[Literature/TheDivineComedy Dante Aligheri]]'s, he is widely seen as a precursor of TheRenaissance. However, he is also in a unique position: his life having overlapped with Dante's, he was uniquely positioned to write a biography of the great poet (his ''Life of Dante'', which is still in print and widely-read) and a commentary/explication of the ''Comedy''. Also, despite his great admiration for Dante, he frequently criticized Dante for being too emotional and spiritual; as one might have guessed based on the differences between the ''Decameron'' and the ''Comedy'', Boccaccio was more interested in the good life here on Earth than the complexities of theology.
to:
Of the generation immediately following [[Literature/TheDivineComedy Dante Aligheri]]'s, he is widely seen as a precursor of TheRenaissance. However, he is also in a unique position: his life having overlapped with Dante's, he was uniquely positioned to write a biography of the great poet (his ''Life of Dante'', which is still in print and widely-read) and a commentary/explication of the ''Comedy''. Also, despite his great admiration for Dante, he frequently criticized Dante for being too emotional and spiritual; as one might have guessed based on the differences between the ''Decameron'' and the ''Comedy'', Boccaccio was more interested in the good life here on Earth than the complexities of theology. Foreshadowing the Renaissance, he was quite obsessed with the Ancient Greeks and Romans, and wrote a [[DoorStopper incredibly gigantic catalogue]] of ClassicalMythology for the purpose of edifying fellow Italian writers.
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'''Giovanni Boccaccio''' was an early 14th century UsefulNotes/{{Ital|y}}ian author best known for ''[[Literature/{{Decameron}} Il Decamerone]]'', a collection of one hundred short stories told by ten men and women who fled Florence for fear of the Black Death. The ten retreat to a country villa and decide to amuse themselves by telling stories. A king or queen is selected each day and sets a theme, which all ten must follow, except one man who receives the privilege of always speaking last and choosing his own theme.
The stories generally dwell on the fickleness of Fortune, the supremacy of love, and the knavery of men. The corruptions, lusts, cupidity, and stupidity of merchants, clergy, and nobility are all exposed in the hundred tales. Those who read ''Literature/TheCanterburyTales'' will notice that a number of tales have been transposed wholesale from Italy to England, either by direct borrowing or working from a common source. Creator/{{Shakespeare}} also borrowed a few tales and expanded them into plays.
The tales of ''The Decameron'' are frequently bawdy, and a ValuesDissonance may result in a good deal of Squick since the average age of his female characters seems to be somewhere around sixteen or less. Nevertheless an incredibly good--and hilarious--writer, even after nearly seven hundred years and in translation, who never passed up an opportunity to crack a joke and was quite fond of (often ribald) SelfDeprecation.
Of the generation immediately following [[Literature/TheDivineComedy Dante Aligheri]]'s, he is widely seen as a precursor of TheRenaissance. However, he is also in a unique position: his life having overlapped with Dante's, he was uniquely positioned to write a biography of the great poet (his ''Life of Dante'', which is still in print and widely-read) and a commentary/explication of the ''Comedy''. Also, despite his great admiration for Dante, he frequently criticized Dante for being too emotional and spiritual; as one might have guessed based on the differences between the ''Decameron'' and the ''Comedy'', Boccaccio was more interested in the good life here on Earth than the complexities of theology.
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The stories generally dwell on the fickleness of Fortune, the supremacy of love, and the knavery of men. The corruptions, lusts, cupidity, and stupidity of merchants, clergy, and nobility are all exposed in the hundred tales. Those who read ''Literature/TheCanterburyTales'' will notice that a number of tales have been transposed wholesale from Italy to England, either by direct borrowing or working from a common source. Creator/{{Shakespeare}} also borrowed a few tales and expanded them into plays.
The tales of ''The Decameron'' are frequently bawdy, and a ValuesDissonance may result in a good deal of Squick since the average age of his female characters seems to be somewhere around sixteen or less. Nevertheless an incredibly good--and hilarious--writer, even after nearly seven hundred years and in translation, who never passed up an opportunity to crack a joke and was quite fond of (often ribald) SelfDeprecation.
Of the generation immediately following [[Literature/TheDivineComedy Dante Aligheri]]'s, he is widely seen as a precursor of TheRenaissance. However, he is also in a unique position: his life having overlapped with Dante's, he was uniquely positioned to write a biography of the great poet (his ''Life of Dante'', which is still in print and widely-read) and a commentary/explication of the ''Comedy''. Also, despite his great admiration for Dante, he frequently criticized Dante for being too emotional and spiritual; as one might have guessed based on the differences between the ''Decameron'' and the ''Comedy'', Boccaccio was more interested in the good life here on Earth than the complexities of theology.
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