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* ''Die 1000 Augen des Dr. Mabuse'' (The Thousand Eyes of Dr. Mabuse), 1960. Final film directed by Lang.

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* ''Die 1000 Augen des Dr. Mabuse'' ''Fim/Die1000AugenDesDrMabuse'' (The Thousand Eyes of Dr. Mabuse), 1960. Final film directed by Lang.
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->"I should say that I am a visual person. I experience with my eyes and never, or rarely, with my ears... to my constant regret."\\

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->"I ->''"I should say that I am a visual person. I experience with my eyes and never, or rarely, with my ears... to my constant regret."\\"''\\
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* ''Die 1000 Augen des Dr. Mabuse'' (The Thousand Eyes of Dr. Mabuse), 1960. Final film directed by Lang.
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* ''Der Tiger von Eschnapur'' (''The Tiger of Eschnapur''), 1959.
* ''Das indische Grabmal'' (''The Indian Tomb''), 1959. Remake of a 1921 silent film co-written but not directed by Lang.
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* ''While the City Sleeps'' (1956).
* ''Beyond a Reasonable Doubt'' (1956).

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* '''TheBlueGardenia'' (1953).
* '''The Big Heat'' (1953).

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* '''TheBlueGardenia'' ''TheBlueGardenia'' (1953).
* '''The ''The Big Heat'' (1953).(1953).
* ''Human Desire'' (1954).
* ''Moonfleet'' (1955).
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* '''TheBlueGardenia'' (1953).
* '''The Big Heat'' (1953).
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* ''Rancho Notorious'' (1952).
* ''Clash by Night'' (1952).
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* ''House by the River'' (1950).
* ''American Guerrilla in the Philippines'' (1950).
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* ''Cloak and Dagger'' (1946).
* ''Secret Beyond the Door'' (1948).
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* ''Scarlet Street'' (1945).
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* ''Moontide'' (1942).
* ''Hangmen Also Die!'' (1943).
* ''Ministry of Fear'' (1944).
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* ''The Return of Frank James'' (1940).
* ''Western Union'' (1941).
* ''Man Hunt'' (1941).
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* ''Liliom'' (1934).
* ''Fury'' (1936).
* ''You Only Live Once'' (1937).
* ''You and Me'' (1938).
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* ''Spione'' (''Spies''), 1928: SpyFiction film, one of the earliest hits in the genre. Haghi, the secret head of a NebulousEvilOrganisation, learns that opposing Agent No. 326 has been tasked with bringing down his entire group. He assigns his top operative Sonja Baranikowa to gain the trust of 326, but he fails to anticipate that the two would genuinely fall for each other. Now Haghi has to get personally involved in the struggle against 326.

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* ''Das wandernde Bild'' (''The Wandering Imag '', 1920: A woman attempts to flee a loveless marriage and a life of misery. Her husband comes in pursuit with a single-minded determination.


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* ''Das wandernde Bild'' (''The Wandering Imag Image '', 1920: A woman attempts to flee a loveless marriage and a life of misery. Her husband comes in pursuit with a single-minded determination. \n\n
* "Vier um di Frau" ("Four Around a Woman"), 1921: A jealous husband lures the supposed lover of his wife to his residence, planning violent revenge. One of his friends and a local con-man also turn up for visits, several plot twists follow.
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* ''Das wandernde Bild'' (''The Wandering Imag '', 1920: A woman attempts to flee a loveless marriage and a life of misery. Her husband comes in pursuit with a single-minded determination.

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* ''Die Spinnen'' (''The Spiders''), 1919-1920: An early adventure serial; only the first two parts out of four were ever filmed.

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\n* ''Die Spinnen'' (''The Spiders''), 1919-1920: An early adventure serial; only the first two parts out of four were ever filmed. Currently the earliest surviving work of Lang. A MessageInABottle reveals the existence of a LostWorld and its treasures. A sportsman from San Francisco embarks on a treasure-hunting expedition, but has to compete with the eponymous criminal organization to get there.


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* ''Halbblut'' (''Half-Blood''), 1918: directorial debut, now a [[MissingEpisode/{{Film}} Lost Film]]. A European man vacationing in Mexico falls for an opium-addicted prostitute and marries her. Once in Europe, she overhears a conversation between her husband and his best friend, where they are making racist comments about her mestizo (half-blood) ancestry. She swears revenge and starts conspiring to ruin the lives of both men.


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* ''Halbblut'' (''Half-Blood''), 1918: 1919: directorial debut, now a [[MissingEpisode/{{Film}} Lost Film]]. A European man vacationing in Mexico falls for an opium-addicted prostitute and marries her. Once in Europe, she overhears a conversation between her husband and his best friend, where they are making racist comments about her mestizo (half-blood) ancestry. She swears revenge and starts conspiring to ruin the lives of both men. \n\n
* ''Der Herr der Liebe'' (''The Master of Love''), 1919: Second film, also lost. Another tale where a man's love and devotion to a woman brings him ruin.
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* ''Halbblut'' (''Half-Blood''), 1918: directorial debut, now a [[MissingEpisode/Film Lost Film]]. A European man vacationing in Mexico falls for an opium-addicted prostitute and marries her. Once in Europe, she overhears a conversation between her husband and his best friend, where they are making racist comments about her mestizo (half-blood) ancestry. She swears revenge and starts conspiring to ruin the lives of both men.


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* ''Halbblut'' (''Half-Blood''), 1918: directorial debut, now a [[MissingEpisode/Film [[MissingEpisode/{{Film}} Lost Film]]. A European man vacationing in Mexico falls for an opium-addicted prostitute and marries her. Once in Europe, she overhears a conversation between her husband and his best friend, where they are making racist comments about her mestizo (half-blood) ancestry. She swears revenge and starts conspiring to ruin the lives of both men.

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* ''Halbblut'' (''Half-Blood''), 1918: directorial debut, now a [[MissingEpisode/Film Lost Film]]. A European man vacationing in Mexico falls for an opium-addicted prostitute and marries her. Once in Europe, she overhears a conversation between her husband and his best friend, where they are making racist comments about her mestizo (half-blood) ancestry. She swears revenge and starts conspiring to ruin the lives of both men.

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* ''Film/TheWomanInTheWindow'' (1944).
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* ''Film/DasTestamentDesDoktorMabuse'' (1933).
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* RippedFromTheHeadlines: The child serial killer in ''Film/{{M}}'', lynch mob justice in ''Fury''. And ''You Only Live Once'' (1937) was based on [[OutlawCouple Bonnie And Clyde]], who had been gunned down just three years before that film hit the theatres.

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* RippedFromTheHeadlines: The child serial killer in ''Film/{{M}}'', ''Film/{{M}}'' was based on real German serial killer Peter Kuerten. Also, lynch mob justice in ''Fury''. And ''You Only Live Once'' (1937) was based on [[OutlawCouple Bonnie And Clyde]], who had been gunned down just three years before that film hit the theatres.
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* CreatorCameo: Supposedly his hand appears in close-up shots in most of his films; also, because Peter Lorre couldn't whistle, Lang whistled the "Hall of the Mountain King" leitmotif in ''Film/{{M}}''.

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* CreatorCameo: Supposedly his hand appears in close-up shots in most of his films; also, because Peter Lorre couldn't whistle, Lang whistled the "Hall of the Mountain King" leitmotif {{leitmotif}} in ''Film/{{M}}''.
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namespace Change!


Fritz Lang (1890-1976) was an UsefulNotes/{{Austria}}n director known for his trope-making films in the Golden Age of German and Hollywood cinema. After trying first to be an architect and then a painter, Lang got into the film industry after serving in WorldWarOne, as both a writer and actor before becoming a director. In the early 1920's he met his second wife, screenwriter Thea von Harbou, who he collaborated with on all his films for the next decade. This period included ''Film/{{Metropolis}}'', ''Die Nibelungen'', the [[Film/DrMabuseTheGambler Dr. Mabuse series]], and ''Film/{{M}}'', which are probably his most famous works.

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Fritz Lang (1890-1976) was an UsefulNotes/{{Austria}}n director known for his trope-making films in the Golden Age of German and Hollywood cinema. After trying first to be an architect and then a painter, Lang got into the film industry after serving in WorldWarOne, as both a writer and actor before becoming a director. In the early 1920's he met his second wife, screenwriter Thea von Harbou, who he collaborated with on all his films for the next decade. This period included ''Film/{{Metropolis}}'', ''Die Nibelungen'', the [[Film/DrMabuseTheGambler Dr. Mabuse series]], and ''Film/{{M}}'', which are probably his most famous works.
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* ''Film/{{Metropolis}}'', 1927: The most famous silent film of all time and codifier of countless tropes. Its influence can be seen everywhere from {{Superman}} to ''BladeRunner''.

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* ''Film/{{Metropolis}}'', 1927: The most famous silent film of all time and codifier of countless tropes. Its influence can be seen everywhere from {{Superman}} to ''BladeRunner''.''Film/BladeRunner''.
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!! Tropes created, typified, or recurring in his life and work include:

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!! Tropes created, typified, or recurring in his life and work include:

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Deleted Prima Donna Director, Shrouded In Myth and Unreliable Narrator for applying tropes to real life. Moving Hypnotic Eyes to \'Dr Mabuse The Gambler\'.


Fritz Lang (1890-1976) was an Austrian director known for his trope-making films in the Golden Age of German and Hollywood cinema. After trying first to be an architect and then a painter, Lang got into the film industry after serving in WorldWarOne, as both a writer and actor before becoming a director. In the early 1920's he met his second wife, screenwriter Thea von Harbou, who he collaborated with on all his films for the next decade. This period included ''Film/{{Metropolis}}'', ''Die Nibelungen'', the [[Film/DrMabuseTheGambler Dr. Mabuse series]], and ''Film/{{M}}'', which are probably his most famous works.

Lang left Germany when Hitler came to power - often claiming that he left the same night Goebbels asked him to join the Nazi party, though available evidence disputes this - and started over in Hollywood. Though Lang made significant contributions to the film noir and western genres with films like ''You Only Live Once'', ''Fury'', ''Western Union'', ''Film/TheWomanInTheWindow'', and ''The Big Heat'', he felt stifled by the restrictive studio system and returned to postwar West Germany, where he continued to make films until he went blind in the mid-1960's.

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Fritz Lang (1890-1976) was an Austrian UsefulNotes/{{Austria}}n director known for his trope-making films in the Golden Age of German and Hollywood cinema. After trying first to be an architect and then a painter, Lang got into the film industry after serving in WorldWarOne, as both a writer and actor before becoming a director. In the early 1920's he met his second wife, screenwriter Thea von Harbou, who he collaborated with on all his films for the next decade. This period included ''Film/{{Metropolis}}'', ''Die Nibelungen'', the [[Film/DrMabuseTheGambler Dr. Mabuse series]], and ''Film/{{M}}'', which are probably his most famous works.

Lang left Germany when [[NaziGermany Hitler came to power power]] - often claiming that he left the same night Goebbels asked him to join the Nazi party, though available evidence disputes this - and started over in Hollywood. Though Lang made significant contributions to the film noir and western genres with films like ''You Only Live Once'', ''Fury'', ''Western Union'', ''Film/TheWomanInTheWindow'', and ''The Big Heat'', he felt stifled by the restrictive studio system and returned to postwar West Germany, where he continued to make films until he went blind in the mid-1960's.



* CreatorCouple: Lang and von Harbou.
* EnforcedMethodActing
** In ''Film/{{M}}'', there is a shot where Peter Lorre is being chased by the mob, and we see a pair of hands reach out and shove Lorre down a flight of stairs. The hands were Lang's own, and the look of betrayal in Lorre's eyes is because ''he was not told'' that the director was about to shove him down a flight of stairs.
** John Ford, watching a scene in "Western Union" where Randolph Scott tries to burn the ropes off his bound wrists: "Those are Randy's wrists, that is real rope, that is a real fire."
* ExecutiveMeddling: Happened a lot with his Hollywood films.
** In ''Fury'', for instance, he wanted the protagonist to be guilty of the crime the lynch mob attacks him for (which would have been suspiciously similar to ''M''), but a sympathetic criminal protagonist wasn't allowable under the Hays Code.
** ''Film/{{Metropolis}}'' was famously eviscerated from 153 minutes to less than 90 by Paramount.
* HypnoticEyes: His recurring character Doctor Mabuse is a VERY early example.
* PrimaDonnaDirector: Lang's perfectionism and cruelty to his actors was legendary. He allegedly threw PeterLorre down a flight of stairs to give him a more authentic battered look and made him work until three in the morning on the set of ''Film/{{M}}'', and forced Brigitte Helm into uncomfortable and life-threatening situations while filming ''Film/{{Metropolis}}''. Oh, and he once threw a tantrum because an actress [[RantInducingSlight refused to shave her pubic hair]].



* ShroudedInMyth: Lang is surrounded of outrageous rumours and claims, some of them spread by himself (like when he got an offer from Hermann Göring of becoming an "honorable Aryan" and propaganda filmmaker for NaziGermany), others decidedly not (like when he and his star and lover Thea von Harbou murdered his first wife).
* UnreliableNarrator: Also, he suggested this for the twist ending of [[spoiler: ''Film/TheCabinetOfDrCaligari'']] -- and if he hadn't been working on ''The Spiders'', he would have directed that film.

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Formatting, zapped duplicate example & tropes applied to the director himself.


Fritz Lang (1890-1976) was an Austrian director known for his trope-making films in the Golden Age of German and Hollywood cinema. After trying first to be an architect and then a painter, Lang got into the film industry after serving in WorldWarOne, as both a writer and actor before becoming a director. In the early 1920's he met his second wife, screenwriter Thea von Harbou, who he collaborated with on all his films for the next decade. This period included ''Film/{{Metropolis}}'', ''Die Nibelungen'', the Dr. Mabuse series, and ''Film/{{M}}'', which are probably his most famous works. Lang left Germany when Hitler came to power - often claiming that he left the same night Goebbels asked him to join the Nazi party, though available evidence disputes this - and started over in Hollywood. Though Lang made significant contributions to the film noir and western genres with films like ''You Only Live Once'', ''Fury'', ''Western Union'', ''Film/TheWomanInTheWindow'', and ''The Big Heat'', he felt stifled by the restrictive studio system and returned to postwar West Germany, where he continued to make films until he went blind in the mid-1960's.

to:

Fritz Lang (1890-1976) was an Austrian director known for his trope-making films in the Golden Age of German and Hollywood cinema. After trying first to be an architect and then a painter, Lang got into the film industry after serving in WorldWarOne, as both a writer and actor before becoming a director. In the early 1920's he met his second wife, screenwriter Thea von Harbou, who he collaborated with on all his films for the next decade. This period included ''Film/{{Metropolis}}'', ''Die Nibelungen'', the [[Film/DrMabuseTheGambler Dr. Mabuse series, series]], and ''Film/{{M}}'', which are probably his most famous works. works.

Lang left Germany when Hitler came to power - often claiming that he left the same night Goebbels asked him to join the Nazi party, though available evidence disputes this - and started over in Hollywood. Though Lang made significant contributions to the film noir and western genres with films like ''You Only Live Once'', ''Fury'', ''Western Union'', ''Film/TheWomanInTheWindow'', and ''The Big Heat'', he felt stifled by the restrictive studio system and returned to postwar West Germany, where he continued to make films until he went blind in the mid-1960's.



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* ''Dr Mabuse, der Spieler'' (''Film/DrMabuseTheGambler''), 1922: Introduces his recurring villain, Dr. Mabuse.

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* ''Dr Mabuse, der Spieler'' (''Film/DrMabuseTheGambler''), 1922: Introduces his recurring villain, supervillain, Dr. Mabuse.



** Also, in the scene where Lorre is chased by the mob, and thrown down a flight of stairs, Lang [[EnforcedMethodActing actually shoved him down a flight of stairs.]] The hands in the shot there are his.
* CreatorCouple: Lang and von Harbou

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** Also, in the scene where Lorre is chased by the mob, and thrown down a flight of stairs, Lang [[EnforcedMethodActing actually shoved him down a flight of stairs.]] The hands in the shot there are his.
* CreatorCouple: Lang and von HarbouHarbou.



* UnreliableNarrator: Lang about his own past, as alleged by biographer Patrick [=McGilligan=]. Also, he suggested this for the twist ending of [[spoiler: ''Film/TheCabinetOfDrCaligari'']] -- and if he hadn't been working on ''The Spiders'', he would have directed that film.

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* UnreliableNarrator: Lang about his own past, as alleged by biographer Patrick [=McGilligan=]. Also, he suggested this for the twist ending of [[spoiler: ''Film/TheCabinetOfDrCaligari'']] -- and if he hadn't been working on ''The Spiders'', he would have directed that film.
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[[quoteright:300:http://static.tvtropes.org/pmwiki/pub/images/fritzlang_791.jpg]]
->"I should say that I am a visual person. I experience with my eyes and never, or rarely, with my ears... to my constant regret."\\
-- '''''Fritz Lang'''''

Fritz Lang (1890-1976) was an Austrian director known for his trope-making films in the Golden Age of German and Hollywood cinema. After trying first to be an architect and then a painter, Lang got into the film industry after serving in WorldWarOne, as both a writer and actor before becoming a director. In the early 1920's he met his second wife, screenwriter Thea von Harbou, who he collaborated with on all his films for the next decade. This period included ''Film/{{Metropolis}}'', ''Die Nibelungen'', the Dr. Mabuse series, and ''Film/{{M}}'', which are probably his most famous works. Lang left Germany when Hitler came to power - often claiming that he left the same night Goebbels asked him to join the Nazi party, though available evidence disputes this - and started over in Hollywood. Though Lang made significant contributions to the film noir and western genres with films like ''You Only Live Once'', ''Fury'', ''Western Union'', ''Film/TheWomanInTheWindow'', and ''The Big Heat'', he felt stifled by the restrictive studio system and returned to postwar West Germany, where he continued to make films until he went blind in the mid-1960's.

Even if you've never seen one of Fritz Lang's films, chances are that you've seen a reference to or parody of one of them, most likely ''Metropolis'' or ''M''.

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!!!Films by Fritz Lang include:
* ''Die Spinnen'' (''The Spiders''), 1919-1920: An early adventure serial; only the first two parts out of four were ever filmed.
* ''{{Harakiri}}'' (''Madame Butterfly''), 1919: Indulging Lang's love of Japanese culture with a surprising lack of stereotypes.
* ''Der Müde Tod'' (''Destiny''), 1921: Pure Expressionism.
* ''Dr Mabuse, der Spieler'' (''Film/DrMabuseTheGambler''), 1922: Introduces his recurring villain, Dr. Mabuse.
* ''Die Nibelungen'', 1924: Lang's five-hour-long adaptation of the ''Literature/{{Nibelungenlied}}''. Covers two parts, ''Siegfried'' and ''Kriemhild's Rache''.
* ''Film/{{Metropolis}}'', 1927: The most famous silent film of all time and codifier of countless tropes. Its influence can be seen everywhere from {{Superman}} to ''BladeRunner''.
* ''Film/FrauImMond'' (''Woman in the Moon''), 1929: Lang's final silent, a journey to the moon with uncanny resemblances to the actual Apollo missions.
* ''Film/{{M}}'', 1931: His first talkie and one of his most famous films, about a serial child killer. He's the hero.
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!! Tropes created, typified, or recurring in his life and work include:

* CreatorCameo: Supposedly his hand appears in close-up shots in most of his films; also, because Peter Lorre couldn't whistle, Lang whistled the "Hall of the Mountain King" leitmotif in ''Film/{{M}}''.
** Also, in the scene where Lorre is chased by the mob, and thrown down a flight of stairs, Lang [[EnforcedMethodActing actually shoved him down a flight of stairs.]] The hands in the shot there are his.
* CreatorCouple: Lang and von Harbou
* EnforcedMethodActing
** In ''Film/{{M}}'', there is a shot where Peter Lorre is being chased by the mob, and we see a pair of hands reach out and shove Lorre down a flight of stairs. The hands were Lang's own, and the look of betrayal in Lorre's eyes is because ''he was not told'' that the director was about to shove him down a flight of stairs.
** John Ford, watching a scene in "Western Union" where Randolph Scott tries to burn the ropes off his bound wrists: "Those are Randy's wrists, that is real rope, that is a real fire."
* ExecutiveMeddling: Happened a lot with his Hollywood films.
** In ''Fury'', for instance, he wanted the protagonist to be guilty of the crime the lynch mob attacks him for (which would have been suspiciously similar to ''M''), but a sympathetic criminal protagonist wasn't allowable under the Hays Code.
** ''Film/{{Metropolis}}'' was famously eviscerated from 153 minutes to less than 90 by Paramount.
* HypnoticEyes: His recurring character Doctor Mabuse is a VERY early example.
* PrimaDonnaDirector: Lang's perfectionism and cruelty to his actors was legendary. He allegedly threw PeterLorre down a flight of stairs to give him a more authentic battered look and made him work until three in the morning on the set of ''Film/{{M}}'', and forced Brigitte Helm into uncomfortable and life-threatening situations while filming ''Film/{{Metropolis}}''. Oh, and he once threw a tantrum because an actress [[RantInducingSlight refused to shave her pubic hair]].
* ProductionPosse: Between 1921 and 1933, whatever Fritz Lang did always included Thea von Harbou as the screenwriter and, with only two exceptions (Peter Lorre for ''M'' and Fritz Rasp for ''Woman in the Moon''), had Rudolf Klein-Rogge playing the villain.
* RealityIsUnrealistic: When discussing taking inspiration from news stories (see below), Lang said: "All the newspapers report human tragedies and comedies ... so fantastic, so accidental and romantic ... that no dramaturgist for a big corporation would dare to suggest such material lest he be confronted with a resounding chorus of derisory laughter at the improbable, chance, or kitschy conflicts. That's life."
* RealitySubtext: Many of his films with Thea von Harbou cast her ex-husband Rudolf Klein-Rogge (whom she left to marry Fritz) as the villain. A major plot point in ''Metropolis'' is the [[DoesThisRemindYouOfAnything work-obsessed control freak]] Joh Fredersen taking the wife of mad scientist Rotwang (played by Klein-Rogge). The statue of the (dead) wife bears suspicious similarities to Thea von Harbou, so... yeah.
* RippedFromTheHeadlines: The child serial killer in ''Film/{{M}}'', lynch mob justice in ''Fury''. And ''You Only Live Once'' (1937) was based on [[OutlawCouple Bonnie And Clyde]], who had been gunned down just three years before that film hit the theatres.
* ShroudedInMyth: Lang is surrounded of outrageous rumours and claims, some of them spread by himself (like when he got an offer from Hermann Göring of becoming an "honorable Aryan" and propaganda filmmaker for NaziGermany), others decidedly not (like when he and his star and lover Thea von Harbou murdered his first wife).
* UnreliableNarrator: Lang about his own past, as alleged by biographer Patrick [=McGilligan=]. Also, he suggested this for the twist ending of [[spoiler: ''Film/TheCabinetOfDrCaligari'']] -- and if he hadn't been working on ''The Spiders'', he would have directed that film.
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