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* MagnumOpusDissonance: Most people today who think of Kafka think of ''Literature/TheMetamorphosis'' or ''Literature/TheTrial''. Kafka never thought much of ''Literature/TheMetamorphosis'' and died wanting the incomplete manuscript for ''Literature/TheTrial'' destroyed. Instead, the only one of is works he had a kind word for was ''The Verdict'', which only the enthusiasts have heard of today.
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* MagnumOpusDissonance: Most people today who think of Kafka think of ''Literature/TheMetamorphosis'' or ''Literature/TheTrial''. Kafka never thought much of ''Literature/TheMetamorphosis'' and died wanting the incomplete manuscript for ''Literature/TheTrial'' destroyed. Instead, the only one of is works he had a kind word for was ''The Verdict'', which only the enthusiasts have heard of today.
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%%* CallingTheOldManOut: Almost. ''Letter to His Father'', which was never given to his dad. %% Zero Context Example
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* MagnumOpusDissonance: Most people today who think of Kafka think of ''Literature/TheMetamorphosis'' or ''Literature/TheTrial''. Kafka never thought much of ''Literature/TheMetamorphosis'' and died wanting the incomplete manuscript for ''Literature/TheTrial'' destroyed. Instead, the only one of is works he had a kind word for was ''The Verdict'', which only the enthusiasts have heard of today.
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** "The Burrow" is another story featuring a badger-like creature as the main character.
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** "The Burrow" is another story featuring told from the perspective of a badger-like creature as the main character.creature.
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** "The Burrow" is another story featuring a badger-like creature as the main character.
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Commenting out the most obvious Zero Context Examples.
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* BadassBureaucrat: The protagonists of all three novels ''try'' to be this at different times, with little to no effect.
* BeleagueredBureaucrat: Poseidon in the short story of the same name. The protagonists of ''The Trial'' and ''The Castle'' encounter a few, in their more upbeat moments.
* BewilderingPunishment: The central point of ''The Trial''.
* BeleagueredBureaucrat: Poseidon in the short story of the same name. The protagonists of ''The Trial'' and ''The Castle'' encounter a few, in their more upbeat moments.
* BewilderingPunishment: The central point of ''The Trial''.
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*
%%* BeleagueredBureaucrat: Poseidon in the short story of the same name. The protagonists of ''The Trial'' and ''The Castle'' encounter a few, in their more upbeat moments.
%%* BewilderingPunishment: The central point of ''The
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* CallingTheOldManOut: Almost. ''Letter to His Father'', which was never given to his dad.
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* ClassicalAntiHero: His more detailed protagonists, almost without exception.
* CrapsackWorld: The late 19th-early 20th Century landscape of his stories.
* CrapsackWorld: The late 19th-early 20th Century landscape of his stories.
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*
%%* CrapsackWorld: The late 19th-early 20th Century landscape of his
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* DisproportionateRetribution: "The Judgement" among others.
* DownerEnding: Much of his work.
* DownerEnding: Much of his work.
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*
%%* DownerEnding: Much of his
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* FishOutOfWater: Karl Rossman in America.
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* IceCreamKoan: Deliberately.
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* GrayAndGreyMorality
* KafkaKomedy: Franz Kafka is the TropeNamer. When read the right way by a person with a very dark sense of humor, his books can be genuinely funny. According to his friends, Kafka himself would sometimes laugh out loud while reading his own work.
* KafkaKomedy: Franz Kafka is the TropeNamer. When read the right way by a person with a very dark sense of humor, his books can be genuinely funny. According to his friends, Kafka himself would sometimes laugh out loud while reading his own work.
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* KafkaKomedy: Franz Kafka is the TropeNamer. When read the right way by a person with a very dark sense of humor, his books can be genuinely funny. According to his friends, Kafka himself would sometimes laugh out loud while reading his own work.
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* MyRuleFuIsStrongerThanYours: The protagonists of all three novels think this at times. They are wrong, so very wrong.
* NoEnding: Two out of his three novels have no ending. ''The Trial'' does have an ending, but it's known that Kafka hadn't finished work on it when he died.
* NoEnding: Two out of his three novels have no ending. ''The Trial'' does have an ending, but it's known that Kafka hadn't finished work on it when he died.
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*
%%* NoEnding: Two out of his three novels have no ending. ''The Trial'' does have an ending, but it's known that Kafka hadn't finished work on it when he died. %% Zero Context Example
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* OntologicalMystery: ''The Trial'' is a cynical, bureaucratic example.
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* ShaggyDogStory: [[ShootTheShaggyDog The dark kind.]]
* ShootTheShaggyDog: Almost everything by Kafka falls into this category.
* ShootTheShaggyDog: Almost everything by Kafka falls into this category.
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*
%%* ShootTheShaggyDog: Almost everything by Kafka falls into this
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* YankTheDogsChain: ''In spades.''
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* ClassicalAntiHero: His more detailed protagonists, almost without exception.
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* {{Xenofiction}}: "Investigations of a Dog" is about the existential vexations of an ordinary dog. Interestingly, the dogs in the story have a sophisticated social structure, but seem to be completely unaware that humans exist.
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* YankTheDogsChain: Things may start to look bright. It never pays off.
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* YankTheDogsChain: Things may start to look bright. It never pays off.''In spades.''
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Example is very vague and what's more, does not match the trope.
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* AmbiguouslyJewish: Kafka’s work doesn't directly ever reference his Jewish background, but the Jewish angst somehow seems to seep through anyway.
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* MundaneMadeAwesome: Even in Kafka stories where nothing strictly impossible happens, he still has a way of making the situation just off-kilter enough that it ''feels'' fantastical. (See, for instance, "[[https://web.usd475.org/school/jchs/staff/artley/SiteAssets/SitePages/Home/The%20Judgment.pdf The Judgment]].")
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* MundaneMadeAwesome: Even in Kafka stories where nothing strictly impossible happens, he still has a way of making the situation just off-kilter enough that it ''feels'' fantastical. (See, for instance, "[[https://web.usd475.org/school/jchs/staff/artley/SiteAssets/SitePages/Home/The%20Judgment.pdf The Judgment]].")
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No "trope slashing", please. One trope per example only.
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* CivilizedAnimal / PartiallyCivilizedAnimal: Kafka's story "A Report to an Academy" is narrated by an ape who has taught himself to imitate people and even take part in human society. Other Kafka stories, such as "Josephine the Singer" (whose title character is a mouse), also feature animals which speak or exhibit human characteristics.
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* CivilizedAnimal / PartiallyCivilizedAnimal: CivilizedAnimal: Kafka's story "A Report to an Academy" is narrated by an ape who has taught himself to imitate people and even take part in human society. Other Kafka stories, such as "Josephine the Singer" (whose title character is a mouse), also feature animals which speak or exhibit human characteristics.
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* BeleagueredBureaucrat: Poseidon in the short story of the same name. The protagonists of ''The Trial'' and ''The castle'' encounter a few, in their more upbeat moments.
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* BeleagueredBureaucrat: Poseidon in the short story of the same name. The protagonists of ''The Trial'' and ''The castle'' Castle'' encounter a few, in their more upbeat moments.
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* CivilizedAnimal / PartiallyCivilizedAnimal: Kafka's story "A Report to an Academy" is narrated by an ape who has taught himself to imitate people and even take part in human society. Other Kafka stories, such as "Josephine the Singer" (whose title character is a mouse), also feature animals which speak or exhibit human characteristics.
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* EarlyInstallmentWeirdness: His first published collection, "Meditation" (also translated as "Contemplation"), is much less dark and fantastical than the work he's best known for. True to the title, most of the pieces are short, reflective, semi-fictional musings on everyday life (though Kafka's trademark sardonic wit ''does'' still show through in more subtle ways).
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* EarlyInstallmentWeirdness: His first published collection, "Meditation" ''Meditation'' (also translated as "Contemplation"), ''Contemplation''), is much less dark and fantastical than the work he's best known for. True to the title, most of the pieces are short, reflective, semi-fictional musings on everyday life (though Kafka's trademark sardonic wit ''does'' still show through in more subtle ways).
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* MundaneMadeAwesome: Even in Kafka stories where nothing strictly impossible happens, he still has a way of making the situation just off-kilter enough that it ''feels'' fantastical. (See, for instance, "[[https://web.usd475.org/school/jchs/staff/artley/SiteAssets/SitePages/Home/The%20Judgment.pdf The Judgment]].")
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* BigLabyrinthineBuilding: His very short story "[[https://www.kafka-online.info/an-imperial-message.html An Imperial Message]]" is all about one.
-->''"[The messenger] would have to stride through the courtyards, and after the courtyards through the second palace encircling the first, and, then again, through stairs and courtyards, and then, once again, a palace, and so on for thousands of years."''
-->''"[The messenger] would have to stride through the courtyards, and after the courtyards through the second palace encircling the first, and, then again, through stairs and courtyards, and then, once again, a palace, and so on for thousands of years."''
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* EarlyInstallmentWeirdness: His first published collection, "Meditation" (also translated as "Contemplation"), is much less dark and fantastical than the work he's best known for. True to the title, most of the pieces are short, reflective, semi-fictional musings on everyday life (though Kafka's trademark sardonic wit ''does'' still show through in more subtle ways).
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** Creator/JorgeLuisBorges" wrote on ''Foreword to "The Metamorphosis" by Creator/FranzKafka'' about the NoEnding in Kafka's novels "Amerika", "The Castle" and "The Trial",
->''"The critics deplore that in the three Kafka novels many intermediate chapters are missing, but recognizes that those chapters are not essential. I have for me that [[DramaticallyMissingThePoint this complaint indicates an essential ignorance of Kafka's art]]. The path of these "unfinished" novels is born specifically of TheInfinite number of obstacles that stop and return to stop their identical heroes.'' Franz Kafka [[NoEnding does not finish them]], because [[CentralTheme the main thing was that they]] [[TheInfinite were endless]]. ''Do you remember the first and clearest of Zeno's paradoxes? The movement is impossible, because before reaching B we must cross the intermediate point C, but before reaching C, we must cross the intermediate point D, but before reaching D ... ''The Greek does not list all the points; Franz Kafka does not have to list all the vicissitudes. It is enough to understand that they are infinite like Hell".
->''"The critics deplore that in the three Kafka novels many intermediate chapters are missing, but recognizes that those chapters are not essential. I have for me that [[DramaticallyMissingThePoint this complaint indicates an essential ignorance of Kafka's art]]. The path of these "unfinished" novels is born specifically of TheInfinite number of obstacles that stop and return to stop their identical heroes.'' Franz Kafka [[NoEnding does not finish them]], because [[CentralTheme the main thing was that they]] [[TheInfinite were endless]]. ''Do you remember the first and clearest of Zeno's paradoxes? The movement is impossible, because before reaching B we must cross the intermediate point C, but before reaching C, we must cross the intermediate point D, but before reaching D ... ''The Greek does not list all the points; Franz Kafka does not have to list all the vicissitudes. It is enough to understand that they are infinite like Hell".
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* AuthorAvatar: A lot of his characters at least share some traits with him, such as a domineering father and a creative desire stifled by the doldrums of everyday life. A couple of them are named “K“.
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* AuthorAvatar: A lot of his characters at least share some traits with him, such as a domineering father and a creative desire stifled by the doldrums of everyday life. A couple of them are named “K“.“K.”
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* AuthorsOfQuote: Kafka's aphorisms are often reprinted, mostly as epigrams at the start of a book.
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* AuthorsOfQuote: Kafka's Kafka’s aphorisms are often reprinted, mostly as epigrams at the start of a book.
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* BiographyAClef: Creator/StevenSoderbergh's film ''Kafka'' uses the author's fiction as a key to tell his life story.
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* BiographyAClef: Creator/StevenSoderbergh's Creator/StevenSoderbergh’s film ''Kafka'' uses the author's fiction as a key to tell his life story.
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!!Works by Franz Kafka with their own pages include:
* ''Literature/TheMetamorphosis''
* ''Film/TheTrial''
!!Other works by Franz Kafka include examples of:
* ''Literature/TheMetamorphosis''
* ''Film/TheTrial''
!!Other works by Franz Kafka include examples of:
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!! Works by Franz Kafka with their own pages include:
[[index]]
*
*
!!Other
* ''Literature/TheCastle'' (1926)
[[/index]]
!! Other works by Franz Kafka include examples of:
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* AmbiguouslyJewish: Kafka's work doesn't directly ever reference his Jewish background, but the Jewish angst somehow seems to seep through anyway.
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* AmbiguouslyJewish: Kafka's Kafka’s work doesn't directly ever reference his Jewish background, but the Jewish angst somehow seems to seep through anyway.
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Franz Kafka (3 July 1883 – 3 June 1924) was one of the major German-language fiction writers of the 20th century. His unique body of writing--much of which is incomplete and was mainly published posthumously--is among the most influential in Western literature. His stories, such as ''Literature/TheMetamorphosis'' (1915), and novels, including ''The Trial'' (1925) and ''The Castle'' (1926), concern troubled individuals in a nightmarishly impersonal, modern, and bureaucratic world.
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Franz Kafka (3 July 1883 – 3 June 1924) was one of the major German-language fiction writers of the 20th century. His unique body of writing--much of which is incomplete and was mainly published posthumously--is among the most influential in Western literature. His stories, such as ''Literature/TheMetamorphosis'' (1915), and novels, including ''The Trial'' ''Literature/TheTrial'' (1925) and ''The Castle'' ''Literature/TheCastle'' (1926), concern troubled individuals in a nightmarishly impersonal, modern, and bureaucratic world.
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* ''Film/TheTrial''
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* OffscreenInertia: Present in great effect due to most stories being unfinished. There is no suggestion that the protagonists of ''The Castle'' or ''America'' will ever get closer to their goal, or indeed any kind of resolution. Not that the protagonists of the finished stories fared much better. There are suggestions that at least the protagonist of ''America'' would in the fullness of time reach a similar fate as the protagonist of ''The Trial'', had the story been finished. Also, many of the short stories, including for example ''The Burrow'' ends exactly as they started.
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* OffscreenInertia: Present in great effect due to most stories being unfinished. There is no suggestion that the protagonists protagonist of ''The Castle'' or ''America'' will ever get closer to their his goal, or indeed any kind of resolution. Not that the protagonists of the finished stories fared much better. There are suggestions that at least the protagonist of ''America'' would in the fullness of time reach a similar fate as the protagonist of ''The Trial'', had the story been finished. Also, Similarly, many of the short stories, including for example ''The Burrow'' ends exactly as they started.started. Hilariously, in ''America'' this trope manages to end the novel on a positive note, most likely despite the intent of the author, with the protagonist seemingly being rewarded for his troubles with a - finally - just assessment of his skills, the good work opportunity he has craved the entire novel and a heavenly train towards the promised paradise of the Oklahoma Theater.
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* JumpedAtTheCall: One possible reading of K. in ''The Castle'' who throws himself into the bureaucratic nightmare of the eponymous castle eagerly - as opposed to K. in ''The Trial'' who did not have any choice in the matter.
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* MyRuleFuIsStrongerThanYours: The protagonists of all three novels think this at times. They are wrong, so very wrong.
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* BadassBureaucrat: The protagonists of all three novels ''try'' to be this at different times, with little to no effect.
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* BeleagueredBureaucrat: Poseidon in the short story of the same name. The protagonists of ''The Trial'' and ''The castle'' encounter a few, in their more upbeat moments.
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* NothingIsScarier: The animal telling the story in ''The Burrow'' lives in constant dread of imagined (or real) foes it knows only from the distant sounds of digging.
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* CantGetAwayWithNuthin: He was a Trope Codifier. One of the most revealing exchanges in all his work is towards the end of ''The Trial'', when Josef K goes to the cathedral and talks to a priest:
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* CantGetAwayWithNuthin: He was a Trope Codifier. Most prevalent in ''America'' where the protagonist's hard earned scraps of good fortune are repeatedly taken from him because of diminutive slights. One of the most revealing exchanges in all his of Kafka's work is towards the end of ''The Trial'', when Josef K goes to the cathedral and talks to a priest:
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* OffscreenInertia: Present in great effect due to most stories being unfinished. There is no suggestion that the protagonists of ''The Castle'' or ''America'' will ever get closer to their goal, or indeed any kind of resolution. Not that the protagonists of the finished stories fared much better. There are suggestions that at least the protagonist of ''America'' would in the fullness of time reach a similar fate as the protagonist of ''The Trial'', had the story been finished. Also, many of the short stories, including for example ''The Burrow'' ends exactly as they started.