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Changed line(s) 1 (click to see context) from:
* The cast’s performance are dead-ringers for the original voice actors at points. Joe Collins' Percy sounds more like Percy than ''Creator/TaliesinJaffe''. Spencer C. Smith as Victor during “(Please Don’t) Blow Us All Away” is an OneSceneWonder that sounds so much like Creator/MatthewMercer it seemed like audio from the show was used. Dylan [=McCollum=] brings an overwhelming obnoxiousness to Tary from his very first lines that makes Vox Machina's instant dislike of him just ''click'' for listeners.
to:
* The cast’s performance are dead-ringers for the original voice actors at points. Joe Collins' Percy sounds more like Percy than ''Creator/TaliesinJaffe''. Spencer C. Smith as Victor during “(Please Don’t) Blow Us All Away” is an OneSceneWonder that sounds so much like Creator/MatthewMercer it seemed like audio from the show was used. Dylan [=McCollum=] brings an overwhelming obnoxiousness to Tary from his very first lines that makes Vox Machina's instant dislike of him just ''click'' for listeners.listeners, on his own merit and not just because the original stream's cast and viewers were stunned by Sam Riegel's about-face after Scanlan's blowup and exit.
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Changed line(s) 1 (click to see context) from:
* The cast’s performance are dead-ringers for the original voice actors at points. Joe Collins' Percy sounds more like Percy than ''Creator/TaliesinJaffe''. Spencer C. Smith as Victor during “(Please Don’t) Blow Us All Away” is an OneSceneWonder that sounds so much like Creator/MatthewMercer it seemed like audio from the show was used. Dylan McCollum brings an overwhelming obnoxiousness to Tary from his very first lines that makes Vox Machina's instant dislike of him just ''click'' for listeners.
to:
* The cast’s performance are dead-ringers for the original voice actors at points. Joe Collins' Percy sounds more like Percy than ''Creator/TaliesinJaffe''. Spencer C. Smith as Victor during “(Please Don’t) Blow Us All Away” is an OneSceneWonder that sounds so much like Creator/MatthewMercer it seemed like audio from the show was used. Dylan McCollum [=McCollum=] brings an overwhelming obnoxiousness to Tary from his very first lines that makes Vox Machina's instant dislike of him just ''click'' for listeners.
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Changed line(s) 1 (click to see context) from:
* The cast’s performance are dead-ringers for the original voice actors at points. Joe Collins' Percy sounds more like Percy than ''Creator/TaliesinJaffe''. Spencer C. Smith as Victor during “(Please Don’t) Blow Us All Away” is an OneSceneWonder that sounds so much like Creator/MatthewMercer it seemed like audio from the show was used.
to:
* The cast’s performance are dead-ringers for the original voice actors at points. Joe Collins' Percy sounds more like Percy than ''Creator/TaliesinJaffe''. Spencer C. Smith as Victor during “(Please Don’t) Blow Us All Away” is an OneSceneWonder that sounds so much like Creator/MatthewMercer it seemed like audio from the show was used. Dylan McCollum brings an overwhelming obnoxiousness to Tary from his very first lines that makes Vox Machina's instant dislike of him just ''click'' for listeners.
Is there an issue? Send a MessageReason:
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Changed line(s) 1 (click to see context) from:
* The cast’s performance are dead-ringers for the original voice actors at points. Percy sounds more like Percy than ''Creator/TaliesinJaffe''. Victor during “(Please Don’t) Blow Us All Away” is an OneSceneWonder that sounds so much like Creator/MatthewMercer it seemed like soundclips from the show were used.
to:
* The cast’s performance are dead-ringers for the original voice actors at points. Joe Collins' Percy sounds more like Percy than ''Creator/TaliesinJaffe''. Spencer C. Smith as Victor during “(Please Don’t) Blow Us All Away” is an OneSceneWonder that sounds so much like Creator/MatthewMercer it seemed like soundclips audio from the show were was used.
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Changed line(s) 2,3 (click to see context) from:
* The sheer scope and scale of the ''first'' project, a whopping 47 songs that not only adapts but enhances the plot of the Chroma Conclave arc, filled with references back to ''WebVideo/CriticalRole'' and ''Theatre/{{Hamilton}}''.
* Creator/SamRiegel requested for a musical to be made with the melodies from ''Theatre/DearEvanHansen'', but the group had already anticipated this request and was already working on it when Sam brought it up on a panel.
* Creator/SamRiegel requested for a musical to be made with the melodies from ''Theatre/DearEvanHansen'', but the group had already anticipated this request and was already working on it when Sam brought it up on a panel.
to:
* The sheer scope and scale of the ''first'' project, a whopping 47 songs that not only adapts but enhances the plot of the Chroma Conclave arc, filled with references back to ''WebVideo/CriticalRole'' and ''Theatre/{{Hamilton}}''.
''Theatre/{{Hamilton}}''. "Vox Machina" clocked in at 2 hours 25 minutes and 47 songs (as it's a sung-through musical).
** "Doty, Take This Down" surpasses "Vox Machina", for being a full musical with a runtime of 3 hours 13 minutes and 51 scenes. The dialogue scenes are original to the show.
* Creator/SamRiegelrequested asked for a musical to be made with the melodies from ''Theatre/DearEvanHansen'', but the group had already anticipated this request and was already working on it when Sam brought it up on a panel.
** "Doty, Take This Down" surpasses "Vox Machina", for being a full musical with a runtime of 3 hours 13 minutes and 51 scenes. The dialogue scenes are original to the show.
* Creator/SamRiegel
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Changed line(s) 2 (click to see context) from:
* The sheer scope and scale of the ''first'' project, a whopping 47 songs that not only adapts but enhances the plot of the Chroma Conclave arc, filled with references back to ''WebVideo/CriticalRole'' and ''Theatre/{{Hamilton}}''.
to:
* The sheer scope and scale of the ''first'' project, a whopping 47 songs that not only adapts but enhances the plot of the Chroma Conclave arc, filled with references back to ''WebVideo/CriticalRole'' and ''Theatre/{{Hamilton}}''.''Theatre/{{Hamilton}}''.
* Creator/SamRiegel requested for a musical to be made with the melodies from ''Theatre/DearEvanHansen'', but the group had already anticipated this request and was already working on it when Sam brought it up on a panel.
* Creator/SamRiegel requested for a musical to be made with the melodies from ''Theatre/DearEvanHansen'', but the group had already anticipated this request and was already working on it when Sam brought it up on a panel.
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Added DiffLines:
* The cast’s performance are dead-ringers for the original voice actors at points. Percy sounds more like Percy than ''Creator/TaliesinJaffe''. Victor during “(Please Don’t) Blow Us All Away” is an OneSceneWonder that sounds so much like Creator/MatthewMercer it seemed like soundclips from the show were used.
* The sheer scope and scale of the ''first'' project, a whopping 47 songs that not only adapts but enhances the plot of the Chroma Conclave arc, filled with references back to ''WebVideo/CriticalRole'' and ''Theatre/{{Hamilton}}''.
* The sheer scope and scale of the ''first'' project, a whopping 47 songs that not only adapts but enhances the plot of the Chroma Conclave arc, filled with references back to ''WebVideo/CriticalRole'' and ''Theatre/{{Hamilton}}''.
