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* CastOfPersonifications: The set is composed of women who are {{Anthropomorphic Personification}}s of a modified list of the SevenHeavenlyVirtues--i.e., Justice instead of Chastity.
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* CastOfPersonifications: The set is composed of women who are {{Anthropomorphic Personification}}s of a modified list of the SevenHeavenlyVirtues--i.e., Justice instead of Chastity.Chastity, which also includes TheCardinalVirtues.
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Changed line(s) 29 (click to see context) from:
* HeavenAbove: Both "Faith" and "Hope" look upwards to the Heavens. The former does so in acknowledging her god's existence while the latter does so in prayer.
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* HeavenAbove: Both "Faith" and "Hope" look upwards to the Heavens. The former does so in acknowledging her god's {{God}}'s existence while the latter does so in prayer.
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Changed line(s) 29 (click to see context) from:
* HeavenAbove: Both "Faith" and "Hope" look upwards to the Heavens
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* HeavenAbove: Both "Faith" and "Hope" look upwards to the HeavensHeavens. The former does so in acknowledging her god's existence while the latter does so in prayer.
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Changed line(s) 17 (click to see context) from:
* CastOfPersonifications: The collection is composed of women who are {{Anthropomorphic Personification}}s of a modified list of the SevenHeavenlyVirtues--i.e., Justice instead of Chastity.
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* CastOfPersonifications: The collection set is composed of women who are {{Anthropomorphic Personification}}s of a modified list of the SevenHeavenlyVirtues--i.e., Justice instead of Chastity.
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* HeavenAbove: Both "Faith" and "Hope" look upwards to the Heavens
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Changed line(s) 5,6 (click to see context) from:
One of them, ''Fortitude'', was painted on poplar wood by Creator/SandroBotticelli. The other six (''Temperance'', ''Faith'', ''Charity'', ''Hope'', ''Justice'' and ''Prudence'') were painted on cypress wood (a wood able to resist the attacks of xylophagous insects and damp) by Piero del Pollaiolo (1441 - 1496), who may have been helped by his brother Antonio to speed up the process.
to:
One of them, ''Fortitude'', was painted on poplar wood by Creator/SandroBotticelli. The other six (''Temperance'', ''Faith'', ''Charity'', ''Hope'', ''Justice'' and ''Prudence'') were painted on cypress wood (a wood able to resist the attacks of xylophagous insects and damp) by Piero del Pollaiolo (1441 - 1496), (1441-1496), who may have been helped by his brother Antonio to speed up the process.
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Changed line(s) 68 (click to see context) from:
* GoldAndWhiteAreDivine: The woman's clothes are predominantly golden and white, and she just so happens to symbolize faith in God.
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* GoldAndWhiteAreDivine: The woman's clothes are predominantly golden and white, and she just so happens to symbolize faith in God.{{God}}.
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Changed line(s) 42 (click to see context) from:
* ColorContrast: "Fortitude's" soft and vivid red mantle contrasts the cold and harsh gray and dark blue of the armored parts. This signifies that fortitude is equal parts passion and composed strength.
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* ColorContrast: "Fortitude's" The woman's soft and vivid red mantle contrasts the cold and harsh gray and dark blue of the armored parts. This signifies that fortitude is equal parts passion and composed strength.
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Changed line(s) 3,4 (click to see context) from:
The ''Seven Virtues'' is a seven-panel set of UsefulNotes/{{Ital|y}}ian [[UsefulNotes/TheRenaissance Renaissance]] tempera-on-wood {{paintings}} commissioned together and made in 1470 to decorate the Hall of Il Palazzo della Signoria (now known as Palazzo Vecchio) in UsefulNotes/{{Florence}}. The theme is the [[SevenHeavenlyVirtues seven cardinal and theological virtues]] of UsefulNotes/{{Christianity}}.
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The ''Seven Virtues'' is a seven-panel set of UsefulNotes/{{Ital|y}}ian [[UsefulNotes/TheRenaissance Renaissance]] tempera-on-wood {{paintings}} commissioned together and made in 1470 to decorate the Hall of Il Palazzo della Signoria (now known as Palazzo Vecchio) Vecchio, "Old Palace") in UsefulNotes/{{Florence}}. The theme is the [[SevenHeavenlyVirtues seven cardinal and theological virtues]] of UsefulNotes/{{Christianity}}.
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Changed line(s) 29 (click to see context) from:
* LadyOfWar: "Fortitude" and "Justice" are depicted as regal women who are the [[EmbodimentOfVirtue embodiments of their respective virtue]]. They are both wearing plated armor--although, in Justice's case it's just an ornate shoulder plate in her sword hand--and holding a weapon; Justice wields a RoyalRapier while Fortitude holds a {{s|taff Of Authority}}cepter.
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* LadyOfWar: "Fortitude" and "Justice" are depicted as regal women who are the [[EmbodimentOfVirtue embodiments of their respective virtue]]. They are both wearing plated armor--although, in Justice's case it's just an ornate shoulder plate in on her sword hand--and arm--and holding a weapon; Justice wields a RoyalRapier while Fortitude holds a {{s|taff Of Authority}}cepter.
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Changed line(s) 7,8 (click to see context) from:
The reason Botticelli painted only one is because del Pollaiolo [[ScrewedByTheLawyers wrestled the commission from him]] in his favor after contesting the choice of artist by the Tribunale di Mercanzia (the legal body that regulated merchant disputes and craftsmanship guilds in UsefulNotes/TheCityStateEra, arts included).
to:
The reason Botticelli painted only one out of seven is because del Pollaiolo [[ScrewedByTheLawyers wrestled the commission from him]] in his favor after contesting the choice of artist by the Tribunale di Mercanzia (the legal body that regulated merchant disputes and craftsmanship guilds in UsefulNotes/TheCityStateEra, arts included).
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Changed line(s) 5,6 (click to see context) from:
One of them, ''Fortitude'', was painted on poplar wood by Creator/SandroBotticelli. The other six (''Temperance'', ''Faith'', ''Charity'', ''Hope'', ''Justice'' and ''Prudence'') were painted on cypress wood (a wood able to resist the attacks of xylophagous insects and damp) by Piero del Pollaiolo (1441 - 1496), who may have been helped by his brother Antonio to speed up the process. The reason Botticelli painted only one is because del Pollaiolo [[ScrewedByTheLawyers wrestled the commission from him]] in his favor after contesting the choice of artist by the Tribunale di Mercanzia (the legal body that regulated merchant disputes and craftsmanship guilds in UsefulNotes/TheCityStateEra, arts included).
to:
One of them, ''Fortitude'', was painted on poplar wood by Creator/SandroBotticelli. The other six (''Temperance'', ''Faith'', ''Charity'', ''Hope'', ''Justice'' and ''Prudence'') were painted on cypress wood (a wood able to resist the attacks of xylophagous insects and damp) by Piero del Pollaiolo (1441 - 1496), who may have been helped by his brother Antonio to speed up the process.
The reason Botticelli painted only one is because del Pollaiolo [[ScrewedByTheLawyers wrestled the commission from him]] in his favor after contesting the choice of artist by the Tribunale di Mercanzia (the legal body that regulated merchant disputes and craftsmanship guilds in UsefulNotes/TheCityStateEra, arts included).
The reason Botticelli painted only one is because del Pollaiolo [[ScrewedByTheLawyers wrestled the commission from him]] in his favor after contesting the choice of artist by the Tribunale di Mercanzia (the legal body that regulated merchant disputes and craftsmanship guilds in UsefulNotes/TheCityStateEra, arts included).
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Changed line(s) 5,6 (click to see context) from:
One of them, ''Fortitude'', was painted on poplar wood by Creator/SandroBotticelli. The other six (''Temperance'', ''Faith'', ''Charity'', ''Hope'', ''Justice'' and ''Prudence'') were painted on cypress wood (a wood able to resist the attacks of xylophagous insects and damp) by Piero del Pollaiolo (1441 - 1496), who may have been helped by his brother Antonio to speed up the process. The reason Botticelli painted only one is because del Pollaiolo [[ScrewedByTheLawyers wrestled the commission from him]] in his favor after contesting the choice of artist by the Tribunale di Mercanzia (the legal body that regulated craftsmanship guilds in UsefulNotes/TheCityStateEra, arts included).
to:
One of them, ''Fortitude'', was painted on poplar wood by Creator/SandroBotticelli. The other six (''Temperance'', ''Faith'', ''Charity'', ''Hope'', ''Justice'' and ''Prudence'') were painted on cypress wood (a wood able to resist the attacks of xylophagous insects and damp) by Piero del Pollaiolo (1441 - 1496), who may have been helped by his brother Antonio to speed up the process. The reason Botticelli painted only one is because del Pollaiolo [[ScrewedByTheLawyers wrestled the commission from him]] in his favor after contesting the choice of artist by the Tribunale di Mercanzia (the legal body that regulated merchant disputes and craftsmanship guilds in UsefulNotes/TheCityStateEra, arts included).
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Changed line(s) 27 (click to see context) from:
* LadyOfWar: "Fortitude" and "Justice" are depicted as regal women who are the [[EmbodimentOfVirtue embodiments of their respective virtue]]. They are both wearing plated armor--although, in Justice's case it's just an ornate shoulder plate in her sword hand--and holding a weapon; Justice wields a RoyalRapier while Fortitude holds a StaffOfAuthority.
to:
* LadyOfWar: "Fortitude" and "Justice" are depicted as regal women who are the [[EmbodimentOfVirtue embodiments of their respective virtue]]. They are both wearing plated armor--although, in Justice's case it's just an ornate shoulder plate in her sword hand--and holding a weapon; Justice wields a RoyalRapier while Fortitude holds a StaffOfAuthority.{{s|taff Of Authority}}cepter.
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Changed line(s) 3,4 (click to see context) from:
The ''Seven Virtues'' is a seven-panel set of UsefulNotes/{{Ital|y}}ian [[UsefulNotes/TheRenaissance Renaissance]] tempera-on-wood {{paintings}} commissioned together and made in 1470 to decorate the Hall of Il Palazzo della Signoria in UsefulNotes/{{Florence}}. The theme is the [[SevenHeavenlyVirtues seven cardinal and theological virtues]] of UsefulNotes/{{Christianity}}.
to:
The ''Seven Virtues'' is a seven-panel set of UsefulNotes/{{Ital|y}}ian [[UsefulNotes/TheRenaissance Renaissance]] tempera-on-wood {{paintings}} commissioned together and made in 1470 to decorate the Hall of Il Palazzo della Signoria (now known as Palazzo Vecchio) in UsefulNotes/{{Florence}}. The theme is the [[SevenHeavenlyVirtues seven cardinal and theological virtues]] of UsefulNotes/{{Christianity}}.
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Changed line(s) 44 (click to see context) from:
* StaffOfAuthority: The woman holds a scepter in her hands.
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* StaffOfAuthority: The woman holds a scepter in her hands.hands to convey that she's a hardened LadyOfWar.
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Changed line(s) 41 (click to see context) from:
* LeaningOnTheFurniture: The woman's left arm leans on a side of the throne.
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* LeaningOnTheFurniture: The woman's left arm leans on a side of the throne.throne as a way to convey TheStoic part of her characterization. The fortitude to stand calmly against everything life throws at her.
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Deleted line(s) 23,25 (click to see context) :
* ColorContrast:
** "Fortitude": The soft and vivid red mantle contrasts the cold and harsh gray and dark blue of the armored parts. This signifies that fortitude is equal parts passion and composed strength.
** "Temperance": The vivid red mantle on the woman's legs contrasts her green dress. Also, tThe floor and two walls are red, while the ceiling and two walls are dark green. This imagery further reinforces the "meeting the extremes at the middle" idea that she embodies, as green and red are complimentary colors.
** "Fortitude": The soft and vivid red mantle contrasts the cold and harsh gray and dark blue of the armored parts. This signifies that fortitude is equal parts passion and composed strength.
** "Temperance": The vivid red mantle on the woman's legs contrasts her green dress. Also, tThe floor and two walls are red, while the ceiling and two walls are dark green. This imagery further reinforces the "meeting the extremes at the middle" idea that she embodies, as green and red are complimentary colors.
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* ColorContrast: "Fortitude's" soft and vivid red mantle contrasts the cold and harsh gray and dark blue of the armored parts. This signifies that fortitude is equal parts passion and composed strength.
Added DiffLines:
* RedGreenContrast: The vivid red mantle on the woman's legs contrasts with the green dress she wears. Also, the floor and two walls are red, while the ceiling and two walls are dark green. This imagery further reinforces the "meeting the extremes at the middle" idea that she embodies, as green and red are complimentary colors.
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Changed line(s) 78 (click to see context) from:
* PlayingWithFire: There's a flame coming out of the woman's fingers on her right hand.
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* PlayingWithFire: There's a flame coming out of the woman's fingers on her right hand. This is a symbol of the warmth and enlightenment she provides to others.
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Changed line(s) 76,77 (click to see context) from:
* HairOfGoldHeartOfGold: The woman is blonde, and she just so happens to symbolize Charity.
* NippleAndDimed: The woman has one of her breasts out to breastfeed the child, and the nipple is not visible due to being hidden by the child's cheek on it.
* NippleAndDimed: The woman has one of her breasts out to breastfeed the child, and the nipple is not visible due to being hidden by the child's cheek on it.
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* HairOfGoldHeartOfGold: The She is portrayed as a blonde woman breastfeeding a baby who is blonde, not hers as a way to represent that her heart is compassionate toward everyone and she just so happens to symbolize Charity.
an AllLovingHeroine all around.
* NippleAndDimed: The woman has one of her breasts out to breastfeed the child, and the nipple is not visible due to being hidden by the child'scheek on it.cheek.
* NippleAndDimed: The woman has one of her breasts out to breastfeed the child, and the nipple is not visible due to being hidden by the child's
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* CoolCrown:
** "Fortitude" wears a diadem with embedded pearls that point towards the sky.
** "Charity" has an elaborate, golden crown on her head. It represents that wealth is to be shared with others. It also complements the woman's Madonna imagery.
** "Fortitude" wears a diadem with embedded pearls that point towards the sky.
** "Charity" has an elaborate, golden crown on her head. It represents that wealth is to be shared with others. It also complements the woman's Madonna imagery.
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* CoolCrown: The woman wears a diadem with embedded pearls that point towards the sky.
Deleted line(s) 74 (click to see context) :
* CoolCrown: The woman has a golden crown on her head.
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* ColorContrast:
** "Fortitude": The soft and vivid red mantle contrasts the cold and harsh gray and dark blue of the armored parts. This signifies that fortitude is equal parts passion and composed strength.
** "Temperance": The vivid red mantle on the woman's legs contrasts her green dress. Also, tThe floor and two walls are red, while the ceiling and two walls are dark green. This imagery further reinforces the "meeting the extremes at the middle" idea that she embodies, as green and red are complimentary colors.
** "Fortitude": The soft and vivid red mantle contrasts the cold and harsh gray and dark blue of the armored parts. This signifies that fortitude is equal parts passion and composed strength.
** "Temperance": The vivid red mantle on the woman's legs contrasts her green dress. Also, tThe floor and two walls are red, while the ceiling and two walls are dark green. This imagery further reinforces the "meeting the extremes at the middle" idea that she embodies, as green and red are complimentary colors.
Deleted line(s) 37 (click to see context) :
* ColorContrast: The soft and vivid red mantle contrasts the cold and harsh gray and dark blue of the armored parts.
Deleted line(s) 52,54 (click to see context) :
* ColorContrast:
** The vivid red mantle on the woman's legs contrasting her green dress.
** The floor and two walls are red, while the ceiling and two walls are dark green.
** The vivid red mantle on the woman's legs contrasting her green dress.
** The floor and two walls are red, while the ceiling and two walls are dark green.
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Changed line(s) 97 (click to see context) from:
* ForGreatJustice: The iconography of "Justice at Arms" became established in the 14th century, perhaps with the aim of vindicating the [[JusticeWillPrevail principle of certain penalty as a guarantee of peace]] and good government, or to indicate the righteous use of power. Hence, this 1470 portrayal of Justice having a sword at hand.
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* ForGreatJustice: The iconography of "Justice at Arms" became established in the 14th century, perhaps with the aim of vindicating the [[JusticeWillPrevail principle of certain penalty "Justice", as a guarantee of peace]] and good government, or to indicate heavenly virtue, replaces the righteous use traditional "Chastity" as an ornament of power. Hence, the Florentine Palazzo della Signoria in an attempt to illustrate that this 1470 portrayal is one of Justice having a sword at hand.the core purposes of the city's ruling body. It establishes the place as the home of the aforementioned virtue and that the authorities will judge the citizens fairly.
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Changed line(s) 97 (click to see context) from:
* ForGreatJustice: The iconography of "Justice at Arms" became established in the 14th century, perhaps with the aim of vindicating the [[JusticeWillPrevail principle of certain penalty as a guarantee of peace]] and good government, or to indicate the righteous use of power. Hence, this portrayal of Justice having a sword at hand.
to:
* ForGreatJustice: The iconography of "Justice at Arms" became established in the 14th century, perhaps with the aim of vindicating the [[JusticeWillPrevail principle of certain penalty as a guarantee of peace]] and good government, or to indicate the righteous use of power. Hence, this 1470 portrayal of Justice having a sword at hand.
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* JusticeWillPrevail: The iconography of "Justice at Arms" became established in the 14th century, perhaps with the aim of vindicating the principle of sure penalty as a guarantee of peace and good government, or to indicate the righteous use of power. Hence, this portrayal of Justice having a sword at hand.
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Changed line(s) 97 (click to see context) from:
* ForGreatJustice: The iconography of "Justice at Arms" became established in the 14th century, perhaps with the aim of vindicating the [[JusticeWillPrevail principle of certain penalty as a guarantee of peace]] and good government, or to indicate the righteous use of power.
to:
* ForGreatJustice: The iconography of "Justice at Arms" became established in the 14th century, perhaps with the aim of vindicating the [[JusticeWillPrevail principle of certain penalty as a guarantee of peace]] and good government, or to indicate the righteous use of power. Hence, this portrayal of Justice having a sword at hand.
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Changed line(s) 25 (click to see context) from:
* ProperLady: All the figures are women who embody virtues, so they're proper ladies by default.
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* ProperLady: All the figures are women who embody the Christian core virtues, so they're proper ladies by default.default. This characterization can also be seen in the elegant way they sit, their immaculate clothing, and how all barring "Hope" bear serious, composed expressions on their face.
Changed line(s) 33 (click to see context) from:
The most well known of the panels, this painting is Creator/SandroBotticelli's first known masterpiece. Unlike del Pollaiolo's cypress panels, it was painted on poplar, a very traditionally [[UsefulNotes/TheBraveRegionsOfItalia Tuscan]] medium back then. The model for the woman has been speculated to be Lucrezia Donati, a mistress of Lorenzo "The Magnificent" de' Medici.
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The most well known well-known of the panels, this painting is Creator/SandroBotticelli's first known masterpiece. Unlike del Pollaiolo's cypress panels, it was painted on poplar, a very traditionally [[UsefulNotes/TheBraveRegionsOfItalia Tuscan]] medium back then. The model for the woman has been speculated to be Lucrezia Donati, a mistress of Lorenzo "The Magnificent" de' Medici.
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Misuse. Quoting Embodiment Of Virtue's description: "In the specific case of literal personification of a moral ideal in the form of a character, we are speaking about an Anthropomorphic Personification."
Deleted line(s) 24 (click to see context) :
* EmbodimentOfVirtue: That's even in the ensemble's name.
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Anthropomorphic Personification is a Sub Trope of Allegorical Character; no need to list the Super Trope as well. Likewise with Cast Of Personifications in relation to Anthropomorphic Personification.
Changed line(s) 14,15 (click to see context) from:
* AllegoricalCharacter: The women are allegories for Christian virtues.
* AnthropomorphicPersonification: Each one of them is a female human who personifies a Christian virtue. Also counts as AllegoricalCharacter.
* AnthropomorphicPersonification: Each one of them is a female human who personifies a Christian virtue. Also counts as AllegoricalCharacter.
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* AllegoricalCharacter: ArtisticLicenceAnatomy: JustifiedTrope. The reason all the depicted women are allegories for Christian virtues.
* AnthropomorphicPersonification: Eachhave a larger lower part of their body compared to the smaller upper part is one of [[MediaNotes/GraphicalPerspective perspective]]: the panels were hung high on the walls of the Palazzo della Signoria, so the onlooker could have a more even view of them from below.
* CastOfPersonifications: The collection isa female human composed of women who personifies are {{Anthropomorphic Personification}}s of a Christian virtue. Also counts as AllegoricalCharacter.modified list of the SevenHeavenlyVirtues--i.e., Justice instead of Chastity.
* AnthropomorphicPersonification: Each
* CastOfPersonifications: The collection is
Deleted line(s) 23,24 (click to see context) :
* ArtisticLicenceAnatomy: The reason all the depicted women have a larger lower part for their body compared to the smaller upper part is one of [[MediaNotes/GraphicalPerspective perspective]]: the panels were hung high on the walls of the Palazzo della Signoria, so the onlooker could have a more even view of them from below.
* CastOfPersonifications: An ensemble of personifications of Christian virtues.
* CastOfPersonifications: An ensemble of personifications of Christian virtues.
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* LadyOfWar: "Fortitude" and "Justice" are depicted as regal women who are the [[EmbodimentOfVirtue embodiments of their respective virtue]]. They are both wearing plated armor--although, in Justice's case it's just an ornate shoulder plate in her sword hand--and holding a weapon; Justice wields a RoyalRapier while Fortitude holds a StaffOfAuthority.
Deleted line(s) 41 (click to see context) :
* LadyOfWar: The woman looks ready for war as she wears armor, although that could also be parade armor considering how ornate it is.
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* GotTheWholeWorldInMyHand: A non-malicious example. The woman has a globe representing the known world by her side under her left hand.
* LadyOfWar: To a lesser extent than ''Fortitude'', but the woman still has a martial allure with her sword and an armored shoulder.
* LadyOfWar: To a lesser extent than ''Fortitude'', but the woman still has a martial allure with her sword and an armored shoulder.
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* GotTheWholeWorldInMyHand: A non-malicious example. The woman has a globe representing the known world by her side under her left hand.
* LadyOfWar: To a lesser extent than ''Fortitude'', but the woman still has a martial allure with her swordhand. It symbolizes that justice is universal and an armored shoulder.unbiased.
* LadyOfWar: To a lesser extent than ''Fortitude'', but the woman still has a martial allure with her sword
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Deleted line(s) 100 (click to see context) :
* CoolSword: The woman holds a sword in her right hand, a symbol for punishment of injustice.
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* RoyalRapier: The woman holds a sword in her right hand, a symbol for the punishment of injustice. {{Downplayed}} as, while its long, thin blade is clearly made for thrusting, its hilt lacks an elaborate hand guard.