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* DarkerAndEdgier: This painting is a rapid departure from Bouguereau's various female nudes, pastoral genre paintings, and his ''Art/{{Cupid and Psyche|Bouguereau}}'' series. The bodies are strained and frozen in violence, there is a demonic beast in the background and the entire thing is done in a harsh series of red, brown, and orange color motifs.
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* DarkerAndEdgier: This painting is a rapid departure from Bouguereau's various female nudes, pastoral genre paintings, and his ''Art/{{Cupid ''Art/{{Psyche and Psyche|Bouguereau}}'' Cupid|Bouguereau}}'' series. The bodies are strained and frozen in violence, there is a demonic beast in the background and the entire thing is done in a harsh series of red, brown, and orange color motifs.
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* DarkerAndEdgier: This painting is a rapid departure from Bouguereau's various female nudes, pastoral genre paintings, and his "Myth/CupidAndPsyche" series (''Art/CupidAndPsycheAsChildren'' and ''Art/TheRaptureOfPsyche''). The bodies are strained and frozen in violence, there is a demonic beast in the background and the entire thing is done in a harsh series of red, brown, and orange color motifs.
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* DarkerAndEdgier: This painting is a rapid departure from Bouguereau's various female nudes, pastoral genre paintings, and his "Myth/CupidAndPsyche" series (''Art/CupidAndPsycheAsChildren'' ''Art/{{Cupid and ''Art/TheRaptureOfPsyche'').Psyche|Bouguereau}}'' series. The bodies are strained and frozen in violence, there is a demonic beast in the background and the entire thing is done in a harsh series of red, brown, and orange color motifs.
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* CowerPower: Dante appears to be hiding behind Virgil from the sight of the two damned brutalizing each other. He still seems worried to just be peaking over his guide's shoulder to get a look at what's happening.
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* CowerPower: Dante appears to be hiding behind Virgil from the sight of the two damned brutalizing each other. He still seems worried to just be peaking peeking over his guide's shoulder to get a look at what's happening.
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* EvilRedhead: Capocchio, the clear aggressor in the portrait, is shown with hair red as Hell. Fitting for a representation of [[RedIsViolent anger and violence]].
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* EvilRedhead: Capocchio, Schicchi, the clear aggressor in the portrait, is shown with hair red as Hell. Fitting for a representation of [[RedIsViolent anger and violence]].
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* FullFrontalAssault: Gianni and Capocchio are fighting with no clothes on whatsoever. Like other Christian art, their nudity in this case is a sign of shame.
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* FullFrontalAssault: Gianni Schicchi and Capocchio are fighting with no clothes on whatsoever. Like other Christian art, their nudity in this case is a sign of shame.
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* HumansAreBastards: While a demon is present in the painting, all of the suffering generated is between one damned human soul and another. As the lines the painting describes would indicate, the attacker was a man guilty of the sin of fraud that ruined people's lives, attacking Capocchio, a man who practiced alchemy. Gianni has no reason to attack Capocchio personally, but he does it anyway.
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* HumansAreBastards: While a demon is present in the painting, all of the suffering generated is between one damned human soul and another. As the lines the painting describes would indicate, the attacker was a man guilty of the sin of fraud that ruined people's lives, attacking Capocchio, a man who practiced alchemy. Gianni Schicchi has no reason to attack Capocchio personally, but he does it anyway.
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* ArtisticLicenceAnatomy: Gianni Schicchi's torso bends at an unnatural angle, which shows his inhumanity when he bites Capocchio's neck.
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* ArtisticLicenceAnatomy: Gianni Schicchi's torso bends at an unnatural angle, which shows reinforces his inhumanity when as he bites Capocchio's neck.
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* NameAndName: The title is fashioned this way.
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* ThePlace: The primary setting is [[Literature/DivineComedy Dante's idea of hell]], as the title indicates.
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* DarkerAndEdgier: This painting is a rapid departure from Bouguereau's various female nudes, pastoral genre paintings and his "Cupid and Psyche" series. The bodies are strained and frozen in violence, there is a demonic beast in the background and the entire thing is done in a harsh series of red, brown and orange color motif.
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* DarkerAndEdgier: This painting is a rapid departure from Bouguereau's various female nudes, pastoral genre paintings paintings, and his "Cupid "Myth/CupidAndPsyche" series (''Art/CupidAndPsycheAsChildren'' and Psyche" series. ''Art/TheRaptureOfPsyche''). The bodies are strained and frozen in violence, there is a demonic beast in the background and the entire thing is done in a harsh series of red, brown brown, and orange color motif.motifs.
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''Dante and Virgil in Hell'' (alternatively known as ''Dante and Virgil'') is an 1850 oil on canvas painting by Creator/WilliamAdolpheBouguereau. The painting depicts Dante and Virgil in Creator/DanteAlighieri[='s=] ''Literature/TheDivineComedy'' looking on as two damned souls are entwined in combat. One of the souls is an alchemist and heretic named Capocchio. In this depiction Capocchio is being bitten on the neck by Gianni Schicchi who had used fraud to claim another man's inheritance.
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''Dante and Virgil in Hell'' (alternatively known as ''Dante and Virgil'') is an 1850 oil on canvas painting {{painting|s}} by Creator/WilliamAdolpheBouguereau. The painting depicts Dante and Virgil in Creator/DanteAlighieri[='s=] ''Literature/TheDivineComedy'' looking on as two damned souls are entwined in combat. One of the souls is an alchemist and heretic named Capocchio. In this depiction Capocchio is being bitten on the neck by Gianni Schicchi who had used fraud to claim another man's inheritance.
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* ArtisticLicenceAnatomy: Gianni Schicchi's torso bends at an unnatural angle, which shows his inhumanity when he bites Capocchio's neck.
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* CanonForeigner: There is no mention of a demon in this scene in the ''Inferno'', but it helps put the setting in context.
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* CanonForeigner: There is no mention of a demon in this scene in the ''Inferno'', but it lo and behold, there's one flying over the scene smiling. It helps put make the setting in context.clear to anyone that doesn't know this is based on the ''Inferno''.
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* MaleFrontalNudity: This horrific painting shies away from showing the manhood of its nude subjects in the foreground, but you can actually see a few of the genitals of the damned in the background.
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* FireAndBrimstoneHell: Despite not being the painting's focus, you can see some of the damned being being tortured in fire in the background, just in case you weren't sure this was Hell.
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* EvilRedhead: Capocchio, the clear aggressor in the portrait, is shown with hair red as Hell. Fitting for a representation of [[RedIsViolence anger and violence]].
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* EvilRedhead: Capocchio, the clear aggressor in the portrait, is shown with hair red as Hell. Fitting for a representation of [[RedIsViolence [[RedIsViolent anger and violence]].
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* EvilRedhead: Capocchio, the clear aggressor in the portrait, is shown with hair red as Hell. Fitting for a representation of [[RedIsViolence anger and violence]].
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* AlienSky: The orange sky is a dead-ringer that the painting depicts {{Hell}} and not our world.
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* CanonForeigner: There is no mention of a demon in this scene in the ''Inferno'', but it helps put the setting in context.
* CowerPower: Dante appears to be hiding behind Virgil from the sight of the two damned brutalizing each other. He still seems worried to just be peaking over his guide's shoulder to get a look at what's happening.
* CowerPower: Dante appears to be hiding behind Virgil from the sight of the two damned brutalizing each other. He still seems worried to just be peaking over his guide's shoulder to get a look at what's happening.
* {{Hell}}: Bouguereau makes it clear the scene is set in Hell by including a stereotypical demon and tinting the entire painting in reds and orange that call to mind a FireAndBrimstoneHell. This puts the horrible violence Capocchio and Shicchi are inflicting on each other in context, and in lieu of other horrors, seems to suggest a SelfInflictedHell.
* ManBitesMan: The centerpiece of the portrait is Capocchio biting Shicchi as the two wrestle. The action is incredibly cruel and animalistic, which is driven home by the two being naked and the way they're senselessly scratching and pulling at each other with their hands.
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* SlasherSmile: The devil overlooking the scene doesn't seem to have lips and has teeth that look more like razor-like fangs. This leaves him with a permanent and threatening grin as he sees a man bite into the throat of another.
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* FlourishCapeInFrontOfFace: Virgil appears to be covering the bottom half of his face with his robes. It's almost as if he's trying to cover his mouth after gasping.
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* GoodWearsWhite: Nowhere is Virgil's clothing described in the poem, but Bouguereau here portrays him wearing white robes befitting a virtuous sage such as himself.
* GoodWingsEvilWings: The devil in the background watching the two damned fight is flying with two large bat wings.
* GoodWingsEvilWings: The devil in the background watching the two damned fight is flying with two large bat wings.
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* RedIsHeroic: Dante can only really identified by the fact that he's wearing a red hat and red robes, marking him as the main character of ''The Divine Comedy''. This is in keeping with a long tradition of painting Dante in red clothing.
* SkullForAHead: The background devil's head appears to just be a black skull, making it almost look like TheGrimReaper staring down at men killing each other forever and ever.
* SkullForAHead: The background devil's head appears to just be a black skull, making it almost look like TheGrimReaper staring down at men killing each other forever and ever.
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* HumansAreBastards: While a demon is present in the painting, all of the suffering generated is between one damned human soul and another. As the lines the painting describes would indicate, the attacker was a man who practiced alchemy attacking Gianni, a man guilty of the sin of fraud that ruined people's lives. Capocchio has no reason to attack Gianni personally, but he does it anyway.
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* HumansAreBastards: While a demon is present in the painting, all of the suffering generated is between one damned human soul and another. As the lines the painting describes would indicate, the attacker was a man who practiced alchemy attacking Gianni, a man guilty of the sin of fraud that ruined people's lives. Capocchio lives, attacking Capocchio, a man who practiced alchemy. Gianni has no reason to attack Gianni Capocchio personally, but he does it anyway.
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* FullFrontalAssault: Gianni and Capocchio are fighting with no clothes on whatsoever.
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* FullFrontalAssault: Gianni and Capocchio are fighting with no clothes on whatsoever. Like other Christian art, their nudity in this case is a sign of shame.
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None
Changed line(s) 4,5 (click to see context) from:
''Dante and Virgil in Hell'' (alternatively known as ''Dante and Virgil'') is an 1850 oil on canvas painting by Creator/WilliamAdolpheBouguereau. It is presently on display at the Musée d'Orsay in Paris. The painting depicts Dante and Virgil looking on as two damned souls are entwined in combat. One of the souls is an alchemist and heretic named Capocchio. In this depiction Capocchio is being bitten on the neck by Gianni Schicchi who had used fraud to claim another man's inheritance.
to:
''Dante and Virgil in Hell'' (alternatively known as ''Dante and Virgil'') is an 1850 oil on canvas painting by Creator/WilliamAdolpheBouguereau. It is presently on display at the Musée d'Orsay in Paris. The painting depicts Dante and Virgil in Creator/DanteAlighieri[='s=] ''Literature/TheDivineComedy'' looking on as two damned souls are entwined in combat. One of the souls is an alchemist and heretic named Capocchio. In this depiction Capocchio is being bitten on the neck by Gianni Schicchi who had used fraud to claim another man's inheritance.
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None
Changed line(s) 4,5 (click to see context) from:
''Dante and Virgil in Hell'' (alternatively known as ''Dante and Virgil'') is an 1850 oil on canvas painting by William-Adolphe Bouguereau. It is presently on display at the Musée d'Orsay in Paris. The painting depicts Dante and Virgil looking on as two damned souls are entwined in combat. One of the souls is an alchemist and heretic named Capocchio. In this depiction Capocchio is being bitten on the neck by Gianni Schicchi who had used fraud to claim another man's inheritance.
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''Dante and Virgil in Hell'' (alternatively known as ''Dante and Virgil'') is an 1850 oil on canvas painting by William-Adolphe Bouguereau.Creator/WilliamAdolpheBouguereau. It is presently on display at the Musée d'Orsay in Paris. The painting depicts Dante and Virgil looking on as two damned souls are entwined in combat. One of the souls is an alchemist and heretic named Capocchio. In this depiction Capocchio is being bitten on the neck by Gianni Schicchi who had used fraud to claim another man's inheritance.
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/william_adolphe_bouguereau_1825_1905___dante_and_virgil_in_hell_1850.jpg]]
%%[[caption-width-right:350:some caption text]]
''Dante and Virgil in Hell'' (alternatively known as ''Dante and Virgil'') is an 1850 oil on canvas painting by William-Adolphe Bouguereau. It is presently on display at the Musée d'Orsay in Paris. The painting depicts Dante and Virgil looking on as two damned souls are entwined in combat. One of the souls is an alchemist and heretic named Capocchio. In this depiction Capocchio is being bitten on the neck by Gianni Schicchi who had used fraud to claim another man's inheritance.
The painting is currently on display at the Musée d'Orsay in Paris, France.
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!!''Dante and Virgil in Hell'' provides examples of:
* DarkerAndEdgier: This painting is a rapid departure from Bouguereau's various female nudes, pastoral genre paintings and his "Cupid and Psyche" series. The bodies are strained and frozen in violence, there is a demonic beast in the background and the entire thing is done in a harsh series of red, brown and orange color motif.
* FanArt: The painting depicts Canto XXX from the first act - "Inferno" - of Creator/DanteAlighieri[='s=] ''Literature/TheDivineComedy'', itself an old and beloved work of fiction centuries old.
* FullFrontalAssault: Gianni and Capocchio are fighting with no clothes on whatsoever.
* HumansAreBastards: While a demon is present in the painting, all of the suffering generated is between one damned human soul and another. As the lines the painting describes would indicate, the attacker was a man who practiced alchemy attacking Gianni, a man guilty of the sin of fraud that ruined people's lives. Capocchio has no reason to attack Gianni personally, but he does it anyway.
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%%[[caption-width-right:350:some caption text]]
''Dante and Virgil in Hell'' (alternatively known as ''Dante and Virgil'') is an 1850 oil on canvas painting by William-Adolphe Bouguereau. It is presently on display at the Musée d'Orsay in Paris. The painting depicts Dante and Virgil looking on as two damned souls are entwined in combat. One of the souls is an alchemist and heretic named Capocchio. In this depiction Capocchio is being bitten on the neck by Gianni Schicchi who had used fraud to claim another man's inheritance.
The painting is currently on display at the Musée d'Orsay in Paris, France.
----
!!''Dante and Virgil in Hell'' provides examples of:
* DarkerAndEdgier: This painting is a rapid departure from Bouguereau's various female nudes, pastoral genre paintings and his "Cupid and Psyche" series. The bodies are strained and frozen in violence, there is a demonic beast in the background and the entire thing is done in a harsh series of red, brown and orange color motif.
* FanArt: The painting depicts Canto XXX from the first act - "Inferno" - of Creator/DanteAlighieri[='s=] ''Literature/TheDivineComedy'', itself an old and beloved work of fiction centuries old.
* FullFrontalAssault: Gianni and Capocchio are fighting with no clothes on whatsoever.
* HumansAreBastards: While a demon is present in the painting, all of the suffering generated is between one damned human soul and another. As the lines the painting describes would indicate, the attacker was a man who practiced alchemy attacking Gianni, a man guilty of the sin of fraud that ruined people's lives. Capocchio has no reason to attack Gianni personally, but he does it anyway.
----
