Reviews Film / The Prestige

Perhaps Nolan's most underrated work

The Prestige is an excellent example of character driven storytelling that succeeds in building tension and weaving a web of events that and actions which can really be appreciated upon repeat viewings.

As is common with Nolan’s films, it is told out of chronological sequence and in three separate stages of the overall plot. The two competing magicians, Borden and Angier (played by Christian Bale and Hugh Jackman respectively) continue the narrative through the reading of each other’s diaries with occasional flashes back to the ‘present’ to remind us what everything is building up to. The film asks whether you’re watching closely and that’s something you’ll want to do if you wish to get the most out of the experience as although it’s not hugely complex, concentration is rewarded.

To keep plot details to a minimum, we follow the aforementioned magicians in the pursuit of their goals with Borden’s based around the mechanics of the trick and his own personal life while Angier is fixated with tearing him down and building his own career. Both men are soon consumed within a dangerous game of revenge and their darker natures are displayed for us.

That is perhaps one of the most appealing factors the film has to offer as neither man can be considered a protagonist in the typical sense but they are both relatable and human in a fascinating way. The two men act as foils to each other and immerse the viewer in different philosophies of the same world made all the more powerful by the superb performances of the lead actors.

The largest detriment to the film will likely be the ending for most people as the final aspect of the plot comes dangerously close to being a deus ex machina at best and a contrived asspull at worst due to the sharp change in direction. This said, the piece still works beautifully and the final reveal can be seen as in keeping with the overall theme,

The supporting cast are also excellent with Michael Caine giving a predictably strong character to the role of Cutter, Angier’s illusionist. The female roles are limited, in keeping with Nolan’s films, but despite this both Rebecca Hall and Scarlett Johansson deliver well characterised performances (the latter not deserving of the criticisms levelled at her).

In conclusion, the Prestige is a smart, memorable and captivating film well worthy of your attention, twice.