Should Hitchcock's "Man Who Knew Too Much" really stand as an example for a shot-for-shot-remake? Characters have changed, some got a different personalyity, some a gender swapped, locations have changed, and there are several other details in plot and in formal means.
Should Hitchcock's "Man Who Knew Too Much" really stand as an example for a shot-for-shot-remake? Characters have changed, some got a different personalyity, some a gender swapped, locations have changed, and there are several other details in plot and in formal means.