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Yo Yo Plot Point / Spider-Man

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”Sometimes I feel like my life consists of walking down the same streets, visiting the same places, fighting the same villains day after day after day..”

Spider-Man

Yo Yo Plot Point in the Spider-Man books.
Setting

Specific Plots

  • Another repetitive plot point of the Spider-Man comics is when a villain throws Peter's Love Interest from a bridge, in a reprise of The Night Gwen Stacy Died (1973).
  • The Spider-Man books have had their share of an all-out Mob War between the many New York crime families/factions:
    • Amazing Spider-Man #284-288: during Kingpin's absence, the Rose, Hammerhead, Hobgoblin (a major villain at the time), Jack O'Lantern (Jason Macendale) vye for the position of new Kingpin. Some street level heroes (Daredevil, the Punisher, Falcon, Black Cat) join forces to stop them.
    • During Gerry Conway's second stint in the late-1980s in both "The Spectacular Spider-Man" and "Web of Spider-Man", another Gang War ecloded between Kingpin, Hammerhead (allied with the Chameleon) and a pair of Mexican gangsters named Lobo Brothers ("Spectacular Spider-Man" #150-154 and "Web of Spider-Man" #50-55).
  • The "Flash Thompson becomes Spider-Man" What If? has been done a total of 3 different times, though all three were of course alternate realities, so it wasn't repeating from their perspective. What If stories can turn into this also when they're made to happen in the main universe. So Jane Foster became Thor twice, once in a What If story and once for real. And as for Flash, well, he never became Spidey for real... He became Venom instead!

Lampshades, Deconstructions, etc.

  • A 2000 issue of title Peter Parker: Spider-Man (#16) leans so hard on the fourth wall by having Spider-Man's Inner Monologue about fighting supervillains every day, having to deal with the people's perception of him as a public menace, waiting for some villain of his rogues' gallery to attack him, Venom's hunger for Spidey's brain matter, and Jonah Jameson's typical blaming of Spider-Man. At the end of the issue, Peter goes to a Trashcan Bonfire and thinks he should give up being Spider-Man (again), but accepts his role. Really, the issue borders on an Indecisive Parody, trying to have its cake and eating it too, by lampshading and playing the clichés straight.

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