Western Animation / Zorro: The Chronicles

From left: Monasterio, Garcia, Ines, Bernard, Tornado, and the man himself.

Zorro: The Chronicles is a 2015 CGI-animated series based on the popular Zorro franchise, created by French company Cyber Group Studios and produced in partnership with John Gertz’s Zorro Production International and Blue Spirit Studios for France Télévisions and Italy’s RAI.

The series' synopsis follows the familiar plot of Don Diego de la Vega (here a teenager instead of an adult like in most other adaptations, and voiced by Johnny Yong Bosch) returning home to 19th-century Los Angeles, California after having spent several years at school in Spain. Thanks to letters from home, he is forewarned that the army captain Monasterio has established a tyrannical rule over Los Angeles. In order to combat the corruption that awaits him and to defend the people, Diego decides to take on the masked identity of Zorro, foiling Monasterio and other villains as he embarks on his adventures in and around the town.

Diego pretends to be a philosophical lout who detests heavy work and is absolutely inept with the sword in order to distance himself from the mysterious masked outlaw who's charming, witty, and an absolute master of the blade. He's also aided in his efforts by his faithful friend Bernardo, who is mute and also pretends to be deaf in order to more effectively spy for Zorro, and his twin sister Ines, who utilizes Monasterio's one-sided affection for her to aid her brother's efforts on multiple occasions and is quite plucky herself.

The series ran for one season of 26 episodes.

It is successful enough to warrant a video game spin-off with the same name in 2022.

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Examples of tropes in this series include:

• Action Girl: Ines isn't about to let her brother take all the glory. On more than one occasion, she even dresses up as Zorro herself, managing to handle the whip quite well (though obviously her swordplay isn't as good).
• Age Lift: Inverted, as had been done with the earlier Kaiketsu Zorro and Zorro: Generation Z; here Diego and Bernardo are both in their teens, whereas most adaptations have them as grown men at the time Diego starts out as Zorro.
• All for Nothing:
  • Mid-season, Dona Verdugo finds a cufflink that proves Malapensa is responsible for hiring the bandits and uses it to Blackmail the latter. Eventually, Malapensa steals back and destroys the evidence and happily proclaims how he is now free. In the episode following this, Dona Vergudo discovers an old wanted poster which reveals that Malapensa was a former pirate, making Malapensa's previous quest pointless.
  • In "The Grains of Wrath," Zorro correctly surmises that Malapensa's goons are behind the theft of a shipment of grain. However, by the time he gets around to confronting them, the grain is long gone (Dona Verdugo had also deduced who was responsible for the thefts and blackmailed Malapensa to turn the grain over to her). While the ensuing fight is no less spectacular and humorous than any other in the series, it's ultimately a pointless diversion; Zorro never does figure out what happened to the grain.
• Ambition Is Evil:
  • Corporal Gonzales desperately wants to become sergeant in Garcia's place and is willing to follow any order Monasterio gives while seizing any opportunity to show up Garcia in order to achieve this goal. Granted, when you're the personal Butt-Monkey to a sergeant who's an outright incompetent idiot, you do tend to want to achieve better for yourself...unfortunately, Gonzales isn't much better than Garcia in the intelligence department.
  • Dona Verdugo wants to rule all of California with her husband as a figurehead and engages in everything from Blackmail to kidnapping and framing people for treason to make it happen.
• Animated Adaptation: The fourth one overall, and the first one to use CGI.
• Antagonistic Governor: The Governor of California. While he doesn't oppose Zorro directly, his lavish parties (financed by heavy taxes placed on the people) and racist attitude toward the local Indian tribes put him at odds with the outlaw.
• Artistic Licence – History: There really was a pirate named Francis Drake who buried a portion of his ill-gotten gains in California after robbing a mule train carrying gold and silver. However, he only did so because the loot was too heavy to carry off in one trip. Furthermore, by the time he came back for the rest, the Spanish had found his hiding place and recovered it. Needless to say, the episode's titular map is completely fictional.
• Awesomeness by Analysis: Malapensa gets a moment of this when he realizes that Diego is probably Zorro; first, he points out that Zorro is probably a caballero since he's trained with a sword and has the free time to run around foiling Monasterio. Then he notes that Diego and Zorro have never been seen together and highlights how both are good with words — Zorro with taunts and banter, and Diego with books and poetry.
• Bad Boss: Monasterio constantly berates his soldiers and harshly punishes them for their failure to capture Zorro. Granted, they're idiots, but his bullying doesn't improve their performance in the slightest.
• Badass in Distress: In "The Desirable Heiress," Diego suffers a fall down a canyon and ends up with his foot stuck between two rocks. The bulk of the plot centers on the search party that is formed to find him.
• Badass Native: The villainous Yuma. Diego and Ines are also half Native American, through their mother's side.
• Beleaguered Assistant: Corporal Gonzales to Sergeant Garcia, which is why he tries to curry favor with Monasterio in order to get Garcia's job for himself.
• Berserk Button: Never try to harm or otherwise manhandle Zorro, or else Tornado will send you flying hard and fast.
• Big Bad Ensemble: Monasterio, Malapensa, and Dona Verdugo are the series' chief contenders for the most intimidating villain, often swapping out the title from episode to episode...when they're not working together against Zorro.
• Big Bad Wannabe: Monasterio. Despite commanding the garrison and being the closest thing Zorro has to an Arch-Enemy, he's ultimately nothing more than a Dirty Cop in the long run. Once an actual government official takes power, he's quickly put in his place. In the series penultimate episode, he's made into an Unwitting Pawn by Dona Verdugo and ends up stripped of his rank and sent to prison.
• Big Eater: Sergeant Garcia cannot go a single episode without eating, trying to eat, or complaining about not eating.
• Bitch in Sheep's Clothing:
  • Dona Isabella Verdugo appears to be quite a noblewoman, and behaves that way in public...but in reality she's a manipulative Social Climber who's determined to make her husband the alcalde (municipal magistrate) of Los Angeles, and is willing to do anything to get it done. Only Don Malapensa and Zorro know her true nature—the former because he's being blackmailed to do her dirty work, the latter because he accidentally stumbles across the truth behind one of her schemes.
  • Rosa, the Identical Stranger Dona Verdugo hires to impersonate Ines in "The Impostor," is this as well. At first, she appears to be a genuinely sweet girl who only participates in the plot because she's been told it's a harmless prank. Then she figures out it's not harmless at all...and she's still more than willing to go along with it, so long as she's well paid.
• Blackmail:
  • In the second episode, after blocking off Monasterio's secrt silver mine, Zorro ensures the captain won't try to reopen it by threatening to tell Governor Parasol, who won't be happy about being left out of such a profitabe venture. When Monasterio reopens the mine in a later episode, he makes sure Parasol is involved from the beginning so Zorro can't make good on this threat.
  • After finding evidence to connect him to a recent robbery, Dona Verdugo threatens to turn Don Malapensa in unless he does her dirty work for her.
• Blood Knight: Antonio Ramirez. The so-called "Maestro" welcomes any opportunity to fight Zorro, if only to prove himself the superior swordsman.
• Bookcase Passage: The secret passage to Zorro's cave is in the hacienda library, and is activated like this.
• Bruce Wayne Held Hostage: Exaggerated when Monasterio arrests every young man in Los Angeles on suspicion of being Zorro. He gleefully concludes that he must have Zorro somewhere in his jail when the prisoners aren't freed in the middle of the night, but the hole in his plan becomes apparent when he realizes he has no way to tell which one is Zorro. He tries to weed out the real Zorro by releasing the prisoners one at a time, but Diego foils that plan via Refuge in Audacity.
• Bumbling Henchmen Duo:
  • Garcia and Gonzales share the dubious honor of being Monasterio's best soldiers, which is a kind way of describing them as the biggest pair of Butt Monkeys in the series.
  • Dentist and La Rana serve as this to Don Malapensa. No matter how carefully he gives directions, they still won't get things right. Even when they manage to get a job done, it won't happen without a lot of bickering over the exact details of the plan. Adding Zorro to the mix only makes their bumbling worse.
• Butt-Monkey: Sergeant Garcia and Corporal Gonzales share this role. Captain Monasterio is not much better, to his constant humiliation.
• Call-Back:
  • The ninth episode kicks off with Monasterio reopening a silver mine Zorro shut down back in the second episode.
  • In "The Plot", Don Verdugo makes one to both "A Bell For Los Angeles" and "The Tornado" when he points out that this isn't the first time someone has tried to frame Zorro for a crime.
  • In "The Foolproof Plan," Ines responds to Antonio's overtures by informing him that she's still angry over their falling-out in the previous episode.
  • In "Carte Blanche", Ignacio Toledano bases one of his plans to capture Zorro on Zorro's well-known habit of defending the Chumash against military exploitation. Later in the same episode, Tainah quips that she's starting to get used to the soldiers barging into her village and Zorro driving them out.
• Canon Foreigner: Ines and the twins' maternal grandmother Tainah (although the latter is based on White Owl in the Isabel Allende novel), along with several other characters.
• Censor Suds: Diego is covered with these in a scene where Monasterio interrupts him in the bath. This being a PG show, the suds are really hiding the fact that he's still wearing the pants and boots from his Zorro costume under the water.
• Collective Identity: Both Bernardo and Ines have donned Zorro's outfit at various points in the series, sometimes simultaneously.
• Comically Missing the Point:
  • Garcia makes a habit of doing this, almost to the point of Running Gag.
  • After orchestrating Diego's fall down a canyon, Malapensa orders his henchmen to rip up his clothes to sell his story that they were caught in a rockslide. Dentist and La Rana both refuse, protesting that their boss's clothing is too nice for them to tear apart. Eventually, a frustrated Malapensa just does it himself.
• Cool Horse: Tornado is not only fast and strong, he's perfectly capable of fighting off criminals all by himself.
• Cool and Unusual Punishment:
  • Monasterio threatens to put Garcia on boot-cleaning duty forever if the sergeant gives away his latest plan to catch Zorro. When the plan fails (albeit not due to Garcia blabbing), Monasterio makes good on the threat.
  • After he and every other young man in Los Angeles is thrown in jail on suspicion of being Zorro, Diego turns it into a punishment for Monasterio and the soldiers by making up bad poetry and loudly reciting it in the middle of the garrison. It's so bad that when Monasterio starts releasing people for the second phase of his plan, everyone begs him to let Diego out first.
• Costume Copycat: It's happened on a few occasions, usually to frame Zorro for some crime or otherwise discredit him.
• Cover-Blowing Superpower: Malapensa tries to invoke this in one episode by provoking Antonio to challenge Diego to a duel, reasoning that Diego will have to show how good he really is at fighting if he wants to save himself. Unfortunately for him, Diego is good enough to win while still making it look like he's a clumsy swordsman who just got lucky.
• Designated Girl Fight: In the series finale, Ines and Dona Verdugo scuffle over a notebook containing proof of Dona Verdugo's misdeeds. Despite the fact that Bernardo is right there and his intervention would prove a decisive advantage, for some reason he doesn't join in.
• Didn't Think This Through:
  • After her first ride as Zorro goes badly awry and she only escapes capture due to some timely assistance from Diego, Ines admits that stealing Zorro's costume and attacking a group of soldiers wasn't a very smart idea.
  • Monasterio is very excited about the idea of arresting every young man in Los Angeles to make sure he's got Zorro. He just didn't think about how he was going to feed all of his prisoners. Or how he was going to figure out which one is Zorro.
• Dirty Cop: Technically, Dirty Soldier, but Monasterio is the one in charge of the Los Angeles garrison, which is the time-period version of the local police, and he is anything but honorable.
• Does This Remind You of Anything?: Monasterio initially tries to woo Carmen by acting charming, but when she turns him down, he starts to act threatening and backs her into a corner, then raises one fist as if to hit her. Thankfully, Zorro interrupts before the situation can escalate further.
• Evil vs. Evil: Don Malapensa wants to become the richest landowner in California. Dona Verdugo wants to place her husband (and by extension herself) in a position of power. Captain Monasterio wants to capture Zorro and continue his rule over Los Angeles unopposed. As the series goes on, the three often butt heads when their schemes interfere with each other's plans. However, they can be persuaded to make (and break) alliances, usually in response to Zorro, their common enemy.
• Expy Coexistence: Garcia was created as an expy of Sergeant Pedro Gonzales in the Zorro (1957), in the following series, sometimes they chose one, sometimes the other, in this one there is the presence of both and Gonzales seems to replace Corporal Reyes in the Disney series.
• Face of an Angel, Mind of a Demon: Rosa, who looks exactly like Ines, has no problem with helping Dona Verdugo frame the de la Vega family for treason, including taking a shot at the governor, as long as she gets paid for it.
• Face Palm: Monasterio's usual reaction to Garcia's idiocy (or, really, the incompetence of any of the soldiers). Even Malapensa gets in on the act in one episode upon seeing Garcia's poor leadership skills.
• False Flag Operation: Multiple villains have tried to cover their misdeeds by dressing up as Zorro and letting him take the fall for their crimes.
  • Diego often proclaims his hatred for Zorro and acts friendly with Monasterio, Don Parasol, and Malapensa in order to reinforce his secret identity—and make the aforementioned parties more likely to let information slip.
  • In "A Bell for Los Angeles," the gambit is two-pronged; the titular bell is used as a distraction to draw the people out of their homes and leave them open to be robbed, in the hope that the people will turn their ire on Don Verdugo for installing it in the first place. The criminals also leave Zorro's mark on the houses they rob to deflect suspicion onto the outlaw who has been a persistent thorn in their side.
  • "The Tornado" sees Yuma pull one of these in order to take back a sacred mask that was stolen from his people. His disguise ensures that the garrison will go after Zorro, leaving Yuma free to make his escape uncontested.
  • In "The Plot," Dona Verdugo tries to weaken Monasterio's favor with the governor by faking her own kidnapping by and escape from Zorro, so that Monasterio comes off as incompetent when he's unable to rescue her.
  • In "The Treasure Map," Diego, Bernardo, and Ines join the treasure-hunting expedition in order to sabotage it, since the titular map points straight to Zorro's lair.
• Fatal Flaw:
  • Greed and ambition, for all three major antagonists. Monasterio is finally deposed because he wanted sole credit for capturing Zorro and went after the wrong person to get it. Malapensa's constant robberies and schemes to acquire land give Dona Verdugo the Blackmail material that eventually destroys him. And Dona Verdugo herself brings about her downfall with a power grab that goes badly awry and drives the people to open revolt.
  • Don Verdugo would have been a great alcalde and might have finally brought peace and justice to Los Angeles if he wasn't blind to his wife's hunger for power. By the time he realizes the truth, the people have lost all faith in him and he can only lament his failure to act sooner.
• Fat Idiot: Sergeant Garcia, to Monasterio's constant aggravation.
• Freudian Trio:
  • The three main characters form one of these, with Diego as the rational Superego, Ines as the more emotional Id, and Bernardo the buffering Ego.
  • The three main villains also form one, with Monasterio as the Id, Dona Verdugo as the Superego, and Malapensa as the Ego. This one is downplayed, as the villains usually interact in pairs rather than all together. However, the essential dynamics still hold, with Dona Verdugo and Monasterio consistently opposed but both willing to work with Malapensa.
• Friend of Masked Self: Inverted. Diego pretends to strongly dislike Zorro on moral grounds and because Zorro's exploits personally inconvenience him to distance himself from the outlaw.
• General Ripper: Monasterio will see Zorro captured and unmasked, no matter what it takes.
• Genre Savvy:
  • By the series' twenty-first episode, Malapensa's henchmen Dentist and La Rana have been around the block enough times to know what happens every time Zorro shows up. So when he walks in on them committing a burglary, they don't even bother trying to fight. They even take turns cutting the trademark "Z" into the seats of each other's trousers before running for the hills.
  • After a few rounds of Zorro impersonators, most of Los Angeles seems to catch on to the fact that if Zorro does something wildly out of character, it's probably not really him. This is discussed in "The Plot" when Don Verdugo points out that kidnapping isn't Zorro's style and the "Zorro" who took his wife was likely an impostor.
  • In "The Treasure Map" Ching the cartographer is the only one to anticipate the Worthless Treasure Twist the main characters set up, noting that the chest the party digs up is too new to really have been buried by Drake and that most buried treasures are found by thieves and carried off long before they're officially discovered.
• Go Through Me: Ines pulls this in "The Desirable Heiress" when Zorro is about to cut his trademark Z into Antonio's clothes. Zorro is visibly dumbfounded, but agrees to give Antonio a pass.
  Ines: (steps between Zorro and Antonio) No, spare him!
  Zorro: Not even a little Z on his butt?
• Gratuitous Spanish: Several common Spanish words ("Senor," "Senorita," "Adios," etc.) get peppered into the series' otherwise English dialogue.
• Hate Sink: Captain Monasterio is extremely hated by the viewers and fans of Zorro for his tyrannical treatment of everyone in Los Angeles, including his own soldiers; his frequent abuses of the law to capture Zorro, punish minor slights, or simply get his way; and having an unlikable personality with his obvious greed and massive ego. Most can agree that being stripped of his rank and sent to prison is an absolutely fitting fate for him.
• Heel–Face Turn: Sergeant Garcia in the season 1 finale. After learning of Dona Verdugo’s crimes, he rallies the townspeople to fight her soldiers and is awarded a promotion to captain for his noble efforts.
• Hidden in Plain Sight: How Diego hides the shirt and hat from his costume when he invokes Interrupted Bath to avoid being captured by Monasterio. He hangs the articles on the back of the door so they're sandwiched between the door and the wall when the soldiers barge in and start searching; even though they're not well hidden, the soldiers focus on the better hiding places in the room and don't even think to check behind the door.
• Hoist by His Own Petard:
  • Dona Verdugo carefully maintains the image of a respected noblewoman throughout the series, using quick wits and Plausible Deniability to steer any blame for her actions onto others. Her downfall eventually comes, however, when she tries to tell one lie too many by having Don Parasol arrested for fraud and her husband made governor in his place. Once Zorro and company prove that the charges are false, her carefully-maintained web of lies comes crashing down around her. Even her husband can no longer deny what a dangerous and power-hungry person she is.
  • Malapensa frequently hires bandits to rob the townspeople. However, after Zorro stops the bandits, they proceed to rob Malapensa of everything in his house as compensation.
  • Monasterio's willingness to go any lengths to catch Zorro is ultimately his downfall. After he tries to "get rid" of Captain Toledano to ensure he captures Zorro first, he is stripped of his rank and shipped off along with the Maestro, with the implication that he'll eventually wind up in the same labor camps he tried to condemn multiple other characters to.
• Identity Impersonator:
  • When Diego is arrested on suspicion of being Zorro, Bernardo shows up in Zorro's costume to convince Monasterio that he's got the wrong man. This begins the shift toward Zorro becoming a Collective Identity.
  • Later, Ines makes her debut as Zorro by stealing Diego's costume and going after a group of soldiers when she thinks Diego isn't doing anything useful. After she almost gets caught, she admits that it wasn't a very good idea. Her later forays as Zorro go much better.
• Idiot Ball: Carmen picks this up in "The Cannons of Monterey" when she decides to ride out after her father and stop him from participating in a raid against the sodiers transporting the cannons. She doesn't consider that she would be no use in a skirmish or think to disguise herself in case she's seen, which would immediately throw suspicion on her father. While neither of these things comes to pass, she ultimately accomplishes nothing at all, instead spending most of her search wandering around off-screen before Zorro finally shows up to tell her everyone is safe.
• Implausible Fencing Powers: Let's put it this way—Zorro has turned this into an art form. In one episode Zorro, riding on Tornado, jumps over Monasterio, Garcia and Gonzales, all of whom immediately duck to avoid the horse; and while Tornado is in mid-jump, Zorro draws his blade and leaves his mark on all three soldiers in what has to be less than a fraction of a second.
• Informed Ability:
  • Despite being a self-proclaimed master swordsman, the Maestro tends to fare only slightly better against Zorro than the common soldiers.
  • The very first scene of the series shows Bernardo engaging in a friendly swordfight with Diego and holding his own. That's better than any of Zorro's foes manage to do, so you'd expect him to whip out a sword when things head south, right? Nope. Bernardo is only shown using a sword a handful of times; he usually relies on improvised clubs or his bare hands. Even when dressed up as Zorro, he appears to favor the whip.
• Interrupted Bath: At one point when Zorro is cornered, he sneaks into the inn and hastily gets into a convenient bathtub, invoking this trope when Monasterio charges in while checking the rooms to avert suspicion. It's implied that someone else also suffers from this trope, as a woman is heard screaming when the soldiers barge into the other rooms.
• Irony: After Ines takes his costume and Tornado out for a well-intentioned raid against the soldiers, Diego has to bail her out when she's cornered. He then comments that he never thought he would have to rescue Zorro (Zorro's status as a Collective Identity won't be firmly established for several more episodes).
• Lady in Red: Dona Isabella Verdugo is almost exclusively seen in a bright red pantsuit.
• Loves My Alter Ego: Carmen, Diego's childhood love interest, is openly disappointed with Diego's apparent foppishness, but she admires Zorro's bravery and defiance of Monasterio's regime. Diego himself encourages this so as to stave off suspicion that he's the masked outlaw, but Ines isn't happy about how her brother's going about it, especially since Carmen's her best friend.
• Master Swordsman: Antonio Ramirez prides himself on being this, and sees Zorro as a Worthy Opponent as a result.
• Mildly Military: The garrison’s soldiers. For one thing, the soldiers don’t seem to even have proper training. Gonzales flat out admits that he learned swordfighting from his grandmother. Also the soldiers frequently complain about the tasks that they’re ordered to do. In any real-life military, this type of behavior is considered insubordination. This is even lampshaded by Verdugo’s nephew when he is given control of the garrison.
• Missing Mom: Senora de la Vega, who died some years prior to the start of the series while trying to protect her family from bandits.
• Never Bring a Gun to a Sword Fight: Not when your opponent is Zorro. You will still lose. It's evident from as early as the opening title sequence!
• Never Found the Body: Defied. In one episode, Zorro fakes his death by jumping over a cliff. Monasterio's first order to the soldiers who report this to him is to go retrieve the body so he can make sure Zorro is really dead.
• Nice Job Breaking It, Hero: Sisquoc does this when he kidnaps Monasterio after the captain tries yet again to unfairly take the Chumash's land. However, in the long run, this causes more problems than it solves — Monasterio's plan is thwarted for completely unrelated reasons and Sisquoc is forced to spend months in hiding while Monasterio tries to hunt him down. Eventually, he's captured and nearly banished, only being saved by Zorro's intervention.
• Nice Job Fixing It, Villain: Zorro's enemies find themselves accidentally making his job easier surprisingly often.
  • In an early episode, Zorro is trying to block off an illegal silver mine when Monasterio shows up. In a rare display of Combat Pragmatism, Monasterio pulls out a gun and tries to shoot the outlaw. Unfortunately for him, the bullet ignites a barrel of gunpowder, which explodes and collapses the mine. His job done, all that's left is for Zorro to share a few parting taunts before riding away.
  • On another occasion, Sergeant Garcia is tasked with protecting an aqueduct that diverts water from the city well to the garrison. When Zorro shows up to tear down the aqueduct and allow the people to access the water, Garcia valiantly squares up to stop him. However, his efforts are a little too enthusiastic. After one too many bumps from the bulky sergeant, the aqueduct collapses without Zorro laying a finger on it.
  • Dona Verdugo winds up contributing more to her downfall than Zorro ever did. After successfully framing Governor Parasol for embezzlement, she decides to have Carmen kidnapped alongside Parasol, despite the latter having only overheard the details of the arrest and nothing more. This quickly draws Zorro's attention, who tracks down Carmen, rescues the Governor and exposes Verdugo's plot to the public.
• Nice to the Waiter: The waiter, in this case, being the Chumash Indians. The evil characters, particularly Monasterio, have no problem with displacing, exploiting, or outright enslaving the Chumash. The good characters, on the other hand, are shown protesting in favor of the Chumash or fighting in their defense.
• Noble Savage:
  • Downplayed with the Chumash. Most of the villainous characters see them as primitive and inferior, but their way of life is never depicted as savage or uncivilized, just different from that of the European settlers. In their frequent conflicts with Monasterio, they typically have the moral high ground as victims of greed and prejudice, especially since they don't fight back in the hope of avoiding all-out war. However, not all of them are willing to take the abuse quietly, as shown in "The Spirit of the Sea" when one of them gets fed up and kidnaps Monasterio during his umpteenth attempt to seize their land.
  • Zigzagged by Yuma and his band: while he's one of the villains of the series and is perfectly willing to attack or rob innocents, he and his people were forced off of their land because of the settlers, giving him a good reason to dislike them. Notably, Zorro sometimes considers his actions justified, such as when he lets Yuma get away with a sacred mask that was originally stolen from his people rather than returning it to Monasterio after Yuma steals it back.
• Not with Them for the Money: Antonio plays this straight, going out of his way to emphasize to Ines that wealth isn't everything during one of his first conversations with her. After he proposes, he seriously considers breaking off the engagement when he overhears his father planning to kill Diego to make Ines (and by extension, him) the sole heir to the massive de la Vega fortune.
• Obfuscating Disability: As with many other versions of his character, Bernardo pretends to be deaf in order to be a more effective spy for Zorro (though he's genuinely mute). To aid in this, Diego gives the cover story that while they were in Spain, Bernardo stood too close to a cannon right as it was being fired and lost his hearing as a result.
• Police Are Useless: With idiots like Garcia and Gonzales as part of his peace-keeping squad, one can't fault Monasterio too much for his inability to defeat Zorro.
• Pretender Diss: Diego directs one of these toward the noticeably less detailed copy of his Zorro costume Monasterio makes him wear, declaring his own costume "much more trendy." When he has to put the knock-off back on later, he throws another jab even as he's scrambling to get changed before Monasterio arrives.
• Punch-Clock Villain: To be honest, it would be a serious stretch to call Sergeant Garcia any kind of villain; it's just that he has to follow the orders of his more malignant boss Monasterio.
• Poor Communication Kills: Specifically, it kills Ines's engagement to Antonio. After Malapensa arranges an "accident" for Diego in "The Desirable Heiress," Zorro takes it upon himself to give the abhorrent admirers who have descended on the de la Vega estate a solid whooping, including revealing that someone was taking an inventory of the family's belongings. Ines is furious, and all of her interactions with Antonio from that point forward generally consist of Antonio attempting to patch things up and Ines refusing to speak with him beyond basic pleasantries. It should be noted, however, that Ines may be invoking this trope specifically to prevent another attempt on Diego's life, since it wasn't too difficult for the main characters to deduce who was responsible for the first one and why it was made.
• Refuge in Audacity:
  • When he's cornered in the inn, Diego escapes capture by hanging his costume on the door of his room, getting into the bath, and loudly playing the guitar. The plan almost fails when his guitar playing at an odd hour arouses suspicion, but he manages to play it off by claiming the racket of the soldiers chasing Zorro was keeping him awake.
  • While being held under guard on suspicion of being Zorro, Diego slips out through a secret passage, changes into his costume, leads Monasterio on a chase, then races back to the hacienda just in time to be seen exactly where Monasterio left him, cementing his alibi.
  • Knowing that Monasterio has fed several people different information in the hope of tricking Zorro into revealing himself, Zorro responds by following up on all of the false leads, deliberately implicating himself in the process. It works, and Monasterio gives up when he realizes Zorro saw through his plan.
• Rogues Gallery: While he's not generally known for having a huge variety of villains like that one superhero he would later inspire, Zorro's got a fairly decent line-up in this series. The list includes Captain Monasterio, Sergeant Garcia, Corporal Gonzales, Governor Esteban Parasol, Dona Isabella Verdugo, Chief Yuma, Antonio Ramirez, and Don Rodrigo Malapensa and his hired henchmen La Rana and Dentist.
• Say My Name: Monasterio will almost always say one of three names under different contexts, always in anger. "ZORRO!" "GARCIA!" "GONZALES!" Bonus points if all three are said in the same episode.
• Scarecrow Solution: After Monasterio reopens his silver mine, this time with the governor's permission so Zorro can't blackmail him into shutting it down, Zorro turns to this to scare Monasterio and the governor away from the Chumash mountains for good. First, Zorro shows up and warns them that a "malediction" will befall them if they continue to anger the spirits of the mountains by mining there; then, with the help of Bernardo, Ines, and Tainah, he sets up a show that makes it look like wrathful spirits are attacking the mining site. Monasterio sees through it, but by then everyone else is too terrified to listen to him, and a few more tricks have him fleeing along with everyone else.
• Screw the Rules, I'm Doing What's Right!: This is Zorro's attitude; he often breaks the law and undermines the authority of the local garrison, but only when they start abusing their power or completely fail to deal with various crimes themselves. He's also willing to let criminals get away with breaking the law if they had good reasons for doing so, such as when Yuma steals a collection of objects Monasterio was planning to give to the governor. Zorro recovers the stolen items, but lets Yuma keep a mask that's sacred to his people and was obviously stolen from them at some point in the past.
• Secret Identity Change Trick: At one point, Diego has to get into his Zorro outfit on the docks at Monterey. Rather than his usual Transformation Sequence, he's shown wedged in between a few crates to keep out of sight while he tugs his costume on.
• Secret-Keeper: Bernardo for Zorro, of course. Ines also becomes one after Diego willingly unmasks in front of her.
• Secret Secret-Keeper: While none are explicitly identified, some of Tainah's dialogue in later episodes heavily implies that she is this.
• "Shaggy Dog" Story:
  • The search for Drake's treasure. Once Diego confirms that Ching's map points to Zorro's cave, he points out that if there was any treasure there, they would have found it. Ching himself acknowledges at the end of the episode that most buried treasures are long gone by the time their resting places are officially discovered.
  • In "The Grains Of Wrath," Zorro never does succeed in recovering the grain that Malapensa's goons stole. He also never seems to connect the fact that it suddenly vanished with Dona Verdugo miraculously procuring a supply of grain (though in fairness to him, he wouldn't discover her manipulative nature until the end of the next episode).
• Shell Game: While imprisoned on suspicion of being Zorro, Bernardo amuses himself by putting one of these on for the soldiers and makes a pile of money off of Gonzalez, who just can't keep track of which tin cup a pebble is hidden under. The game also inspires the second stage of Monasterio's plan.
• Shipper on Deck: Both Don Alejandro and Don Villalonga are this for Carmen and Diego. Unfortunately, both are doomed to disappointment as long as Zorro is needed, since Carmen will inevitably find out about Diego's secret identity if he marries her and he doesn't want that knowledge to put her in danger.
• Singing in the Shower: Diego doesn't sing, but he does play the guitar in the bath.
• Sleazy Politician: The governor, Don Esteban Parasol, is much more concerned with being able to host fancy parties than with being a fair representative to the people. He funds these parties by levying high taxes on the poor and exploiting the native Chumash. In addition, his judgement is profoundly flawed—in one episode, he goes from preparing to appoint Don Alejandro alcalde to condemning him as a traitor, then immediately offers him the position of alclade again once his name has been cleared. Subverted by Don Verdugo, who constantly makes efforts to help the people of Los Angeles and is genuinely appalled when his wife's hired goons turn Los Angeles into a police state where people are arrested for speaking out.
• Soft Water: Zig-zagged. Usually, characters treat long drops into bodies of water as appropriately dangerous. However, at one point Bernardo escapes capture by diving over a cliff into a river and comes out none the worse for wear.
• Spanner in the Works:
  • Garcia frequently acts as this by letting Monasterio's plans slip to Diego or Bernardo.
  • In one episode, Monasterio arrests all the men in Los Angeles on grounds of being Zorro, then releases them one at a time to see when Zorro will come back to free the others. To be extra sure, he feeds each prisoner a different story about the wherabouts of Ines and Carmen, whom he's also had falsely arrested. The plan is excellent...except Garcia spills the truth to Diego, who deliberately muddies the waters by visiting all the locations Monasterio mentioned.
  • Garcia acts as a spanner in a different way by keeping his mouth shut about Monasterio's plot to trap Zorro by taking most of the garrison out of town and then doubling back. When Diego's probing doesn't convince Garcia to spill the beans, he walks right into the trap and is taken by surprise.
  • When a shipment of grain is stolen, Zorro correctly traces the theft to Malapensa and confronts his goons. He just doesn't consider that someone else might have figured out who the thief is and gotten to him first. Dona Verdugo then holds the evidence of this theft over Malapensa's head for the rest of his time in Los Angeles.
• The Speechless: Bernardo is mute, and is implied to have been so his entire life. He communicates through charades/sign language. At the beginning of the series, he begins Obfuscating Disability by also pretending to be deaf.
• Spit Take: Diego provokes one from Monasterio at the beginning of "The Plot," when the latter is congratulating Malapensa on a recent successful land acquisition.
  Monasterio: Our beautiful region is the safest bet in California. (drinks from his wine glass)
  Diego: Don't forget Zorro, though. (cue Monasterio spewing out his mouthful and coughing)
• Stop Drowning and Stand Up: After Garcia trips while wading through a shallow stream, he panics and starts wailing about how he can't swim, much to Monastario's annoyance. After a few seconds, it seems to occur to Garcia that he's sitting firmly on the bottom with his head well above the water and he sheepishly quiets down.
• Sure, Let's Go with That: When Diego complains that he never gets to see Zorro in action, Tainah responds that it's clearly because Zorro is considerate enough to respect Diego's dilike of fighting and only shows himself when Diego isn't around. Lacking a good reply, Diego agrees and drops the subject.
• Surprisingly Realistic Outcome:
  • This series likes to play Tap on the Head straight, so it's very jarring when two farmers get knocked over the head during a robbery and spend quite a while in bed recovering from their injuries.
  • When Monasterio orders a test firing of his cannons, both Gonzales and Garcia visibly suffer from the loud BOOM of the cannons firing. They also learn the hard way that the barrel of a just-fired cannon is very hot.
• Surrounded by Idiots: Monasterio, due to leading incompetent soldiers.
• Suspect Is Hatless:
  • When Bernardo is nearly caught sabotaging Monasterio's cannons, the soldiers who see him have to admit to Monasterio that they didn't get a very good look at him and couldn't tell who he was. The best they can offer is that they don't think he was Zorro.
  • When Monasterio complains about how Zorro must have some kind of unique feature that can identify him, Gonzales points out that he seems relatively young. Monasterio immediately latches onto this, even after it's pointed out that half of the men in Los Angeles fit that description.
• Tap on the Head: Happens so frequently in this series, to good guys and bad guys alike, it's a wonder they're not nursing concussions. However, the trope's usual application is averted in "The Grains of Wrath," where two merchants get brained during a highway robbery and end up in medical care at the inn, and still aren't recovered even by the episode's midway point.
• Thicker Than Water:
  • Antonio is well aware that his father is not a good or honest person, but when push comes to shove, he always sides with Don Rodriguo.
  • It's implied that one of the reasons Ines decided not to marry Antonio, despite caring for him enough to pull a Go Through Me on Zorro for him, is because doing so would result in his father making more attempts on Diego's life.
• Transformation Sequence: Every episode features a stock sequence that starts on a wide shot of the hacienda, then zooms in on Diego activating the secret panel, running down the corridor to the cavern, donning his sword, whip, boots and hat, then whistling for Tornado who circles him before they ride off.
• Underestimating Badassery:
  • In "The Treasure Map," a bandit tries to steal the titular map from Ching, who is unarmed. Ching proceeds to display a mastery of martial arts that allows him to send the bandit running with his bare hands. He even gets a few solid hits in on Zorro when the outlaw shows up and tries to lend a hand.
  • The ease with which Zorro can disarm even the garrison's most skilled fencers when he puts his mind to it and his ability to keep spouting witty quips even while in the thick of a fight imply that he deliberately invokes this trope to keep his opponents from accepting his victories as a Foregone Conclusion—in one episode, he even complains about how much he was looking forward to a long fight after he easily disarms Monasterio.
• Unishment: In one episode, the soldiers have to keep rebuilding the same aqueduct over and over for various reasons. By the end, Garcia is so sick of it that he's overjoyed at being ordered to clean the wreckage of the destroyed aqueduct up all by himself, because he's at least not rebuilding the aqueduct again.
• Villain Has a Point: In the very first episode, Diego's father calls out Captain Monasterio for overtaxing and imprisoning the townspeople. Monasterio responds by correctly pointing out that Governor Parasol (and by extension, the King of Spain) is the one actually responsible for the unfair taxes and he's merely enforcing the law... though it quickly becomes clear that Monasterio himself is still willing to ignore or abuse the law when it suits him.
• Villainous Crush: Monasterio frequently expresses his adoration toward Ines, but has also expressed attraction to Diego's love interest Carmen...although this hasn't stopped him from trying to use them both as pawns to capture Zorro.
• Weapon-Based Characterization: As usual for the character, Zorro wields a bullwhip and sword. The whip doubles as his secondary weapon rather than being simply for utility, with Zorro finding all sorts of creative uses for it. Once Zorro becomes more of a Collective Identity, Ines and Bernardo each favor one of Zorro's signature weapons, showing that while all three are capable, Diego is the true Zorro. Ines prefers the sword, in keeping with her direct personality, while Bernardo favors the whip to attack from a distance and avoid suspicion over the lack of witty banter.
• Weapon Specialization: Zorro wields his classic combination of sword and bullwhip, with the whip pulling double duty as a weapon and a means to swing from one rooftop to another. The length of the whip seems to vary from scene to scene (in some cases, it's unrealistically long to allow Zorro to pull off his acrobatic stunts; other times, it's clearly much shorter). Ines is also skilled enough with a whip to pass for Zorro when she's the one wearing the mask.
• "Well Done, Son" Guy: Downplayed. Antonio Malapensa unerringly loyal to his father, even when remaining so contradicts his morals (see Thicker Than Water above) or the evidence to back up Malapensa's claims is flimsy at best. Malapensa, on the other hand, considers Antonio's strong sense of right and wrong a weakness and bemoans the fact that his son values love and family more than wealth.
  Malapensa: How did my son ever turn out so mushy? Honesty will be his downfall.
• Why Did It Have to Be Snakes?: Ramirez is revealed to be scared of heights in "Banished"...after having climbed up a ship's mast for the chance to fight Zorro.
• Worthless Treasure Twist: Invoked by Diego, Ines, and Bernardo, who bury an some rusty swords and an old shoe in a chest to make the people of Los Angeles give up on following a treasure map that originally pointed straight to Zorro's cave. Of the group that assembles to see the treasure unearthed, only visiting cartographer Ching is Genre Savvy enough to be neither surprised nor particularly disappointed.
• Zorro Mark: Do you even need to ask? Sergeant Garcia even refers to it as getting "zeed." Played for laughs on one occasion when a falling piece of rope briefly forms the iconic Z and Garcia immediately wonders how Zorro did that.

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