Due to the game's small size, all spoilers are unmarked. You have been warned.
Air Pressure is a short, and decidedly unromantic, visual novel.
It focuses on the unnamed protagonist who tires of his relationship with Leigh, a girl he's been with since high school. He feels stuck and oppressed, and wonders how to bring this subject up with Leigh on their anniversary.
It's short and melancholy, and will take more than two playthroughs to "get" it. (Don't worry—it's short enough, takes around five to ten minutes to play.)
The flash version is here.
You can download it for Windows, Mac, or Linux here.
Air Pressure contains examples of:
- Alternate Character Interpretation: On a meta sense, Leigh stands for something (see below). Depending on the path you take, Leigh is either a selfish, controlling jerkass, a girl that genuinely wants you to be happy, or a girl no less stifled by the romance than the protagonist is.
- Ambiguous Time Period: The setting is vaguely modern judging by the clothing, the protagonist's and Leigh's house, and the city and park that they can visit.
- Animesque: The art style is meant to look Japanese.
- Backstory: At the start of the game, the protagonist monologues about how he and Leigh first met.
- Deconstruction Game: The game initially appears to be a Romance Visual Novel where the main goal is to repair the protagonist's relationship with his girlfriend, but doing enough of the "nice" actions that would normally get you a happy ending leads to a far more disturbing outcome instead.
- Destructive Romance: The protagonist's relationship with Leigh can come across like this on certain paths, with her verbally abusing him and convincing him that he would be worthless without her.
- Deuteragonist: Leigh, of course, as she's the only other main character.
- Dialogue Tree: Occur throughout the whole game and determine which ending the player gets.
- Does This Remind You of Anything?: On the second day, the protagonist will either get a headache, the shakes, the feeling of depression, or all three, which sounds suspiciously like drug withdrawal.
- Downer Ending: The "happy" ending, depending on your view of the game. He just narrowly avoided death, but he's going back to Leigh, anyway.
- Gainax Ending: The "good" ending winds up with the player in the hospital, apparently getting away with injury, and looking forward to being released and getting home to Leigh. This really hammers in the metaphor of addiction.
- Inner Monologue: Most of the game, though if you decide to walk around without Leigh for a while, the protagonist will go people watching for a while. His monologue will either decide that he feels bad without Leigh, or feels better without her.
- Interface Screw: the second day, you'll see Leigh flickering. Depending on what you said to here the day before, the protagonist notes this and asks if he's seeing things, or ignores it, as if it was normal.
- Jerkass: Depending on the player choices, Leigh will either be an asshole to you, or you can be callous to her. And depending on the choices afterwards, Leigh will quickly show remorse, and/or the protagonist will also feel bad and apologize. Whether or not you continue this leads to several endings.
- Living Emotional Crutch: Leigh is this to the protagonist. This is not portrayed as a good thing.
- Manic Pixie Dream Girl: As one can guess from the above entry, this is brutally subverted with Leigh, whose relationship with the protagonist worsens his life.
- Mind Screw: Deliberate.
- Minimalist Cast: Aside from the protagonist going people watching and nebulous references to other people in some dialog situations, it's just the protagonist and Leigh.
- Multiple Endings: You either stay with her and end up in the hospital, deciding that you cannot go on without her and that she's necessary to be happy, or stay with her, knowing that you won't be happy, but not sad, too scared to live or be with her, but comfortable with each other, or you kick her out of the house.
- Even these have permutations— Leigh can be angry at you when you kick her out, with the protagonist disliking her, or quietly agree, with the protagonist saying that he was glad he met Leigh, though. Leigh can finally get a confession from the player that he's unhappy with the way things going, and when he tells her to leave, she refuses politely, saying that he's sad and that he needs her help, and that they can make it work, or she refuses adamantly, taunting the protagonist (but eventually apologizing), both leading to the "neutral" ending. Or, the day passes quietly, with the protagonist not having the guts to kick her out.
- Mystical White Hair: Leigh, possibly the personification of addiction.
- Out with a Bang: Subverted, if you see Leigh as a metaphor for Self-Harm. On the second day, the protagonist can choose to "get close" to her (or is forced to if the player spent the whole game trying to get closer to Leigh), and they are implied to have sex that night, which could mean the protagonist cutting himself. The next day, he wakes up in the hospital, having narrowly avoided death.
- Story Branching:
- Tsundere: Leigh is rather sweet, depending on the paths you take. Towards the end, if you've spent the game pushing her away, she will get rather nasty about it. If you get angry at her, she calms down and is regretful at yelling at you, but pushing her away further and keeping your resolve gets her a bit more angry. Some paths, even if you push her away, she isn't angry at all, and even seems remorseful or sad if you leave her or tell her what's up, and at times, seems genuinely caring.
- Utsuge: Despite not being the "in your face" sort...
- Wham Shot:
- Leigh suddenly glitching out.
- The scene where the protagonist wakes up in a hospital.
- What the Hell, Player?: Leigh can chew the player out if they tell her off or ignore her.
