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  • Keep Circulating the Tapes:
    • The first three books "The Sword in the Stone", "The Witch in the Wood", and "The Ill-Made Knight" were originally published as separate books before White rewrote them and had them published as part of "The Once and Future King". While "The Sword in the Stone" is still in print, the latter two are not.
    • The BBC does not have the rights to release their 2014 radio dramatization of The Once and Future King as an audiobook, due to the rights of the novel being held by Disney (The Sword in the Stone) and the estates of Lerner and Loewe (Camelot). They gave the BBC the rights to broadcast their radio drama, but not to commercially release it.
  • Reality Subtext: White wrote the majority of the series, including The Book of Merlyn, during the darkest days of World War II. It definitely shows, if you're looking for it. The scene with the ants in The Book of Merlyn is an explicit parallel to totalitarian regimes and Nazism in particular. And Mordred's faction in The Candle in the Wind are described in ways intended to compare them to Nazis. Plus there's Merlin's angry lecture to Sir Kay in The Queen of Air and Darkness, although that's less subtext than outright text.
  • Referenced by...:
    • In X2: X-Men United, Magneto is reading The Once and Future King in his plastic prison. Professor Xavier in X-Men: Apocalypse asks his class to analyze the following passage.
      "The past must be obliterated and the new start made. Let us now start fresh without remembrance rather than live forward and backward at the same time."
    • The third book in The Dark Artifices is titled The Queen of Air and Darkness.
    • In Supergirl fanfiction The Golden Boys Last Temptation (link), Dream of the Endless references the ending of The Once and Future King:
      Dream: "Once every ten years, you may pass on the dream to one you believe worthy. You may not reveal the fate of Prez Rickard to anyone else. What they do with their dream afterward is up to them. As with King Arthur, and the squire he spared to tell the tale of Camelot. All Truths begin as Dreams."
  • Screwed by the Lawyers: The rights to The Once and Future King are divided between Disney who did the animated film of The Sword in the Stone and the estates of Alex Loewe and Alan Jay Lerner who created the musical Camelot. When the BBC decided to dramatize the book for Radio 4, they had to get permission from both of them to do it. However the BBC does not have the rights to release their production as an audiobook.
  • What Could Have Been: In November 1941, White had sent the revised first three volumes, "The Candle in the Wind" and "The Book of Merlyn" to all be published in one volume. But White's publishers disagreed for two reasons: 1.) the paper shortage of World War II (which also delayed publication of Tolkien's Lord of the Rings) and 2.) the openly pacifist sentiments of the final volume might've lowered public morale. The book was eventually published in 1958, without "The Book of Merlyn", but with elements from it reworked into "The Sword in the Stone".
  • Write What You Know: By all accounts, White's mother was a very cruel and domineering figure who alternated between smothering and emotionally abusing her son; she would be the inspiration for Morgause.

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