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Recap / The Prisoner E16 "Once Upon a Time"

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"Now my boy, you know perfectly well what I’m talking about. Why did you resign?"
Number Two

After another escape attempt, Number Two challenges Number Six to Degree Absolute: an all-out psychological battle that must end in one of them dying.


This episode provides examples of:

  • Anachronic Order: Was originally filmed to serve as a mid-season break, capping the first thirteen episodes and creating a shift into the second set of thirteen episodes that would involve Number Six working outside of the Village in various acts of espionage. When it became clear the series wasn't going to continue for another thirteen episodes, they held off on this episode and created a Grand Finale episode "Fall Out" to exactly follow this one.
  • Author Avatar: Patrick McGoohan wrote the screenplay, and various scenes were based on actual incidents from his childhood.
  • Becoming the Mask: Leo McKern apparently got very, very into the role as Number Two, to the point where the on-screen stress No. 2 was enduring caused either a real heart attack or nervous breakdown for the actor (the accounts differ).
  • Brainwashed and Crazy: During the Degree Absolute setup, Number Six is brainwashed into refusing the concept of a number six, forced instead to focus on "number five." He's also mentally reduced to the capacity of a two-year-old, from which Number Two could begin the seven stages of manipulating Number Six into breaking.
  • The Bus Came Back: We've met this Number Two before...
  • Darker and Edgier: The entire episode is grim and moody, with the main characters Number Two and Number Six on edge and angry. It gets edgier when they engage inside Degree Absolute, and darker when Number Six succeeds in killing Number Two during the final countdown.
  • Duel to the Death: What Degree Absolute is all about.
  • Emotional Regression: As a last resort to wring out the reason for Number Six's resignation, Number Two makes Number Six undergo regressive therapy, forcibly reverting him first to infancy, then progressing through his childhood and adulthood, with limited communication.
  • Hoist by His Own Petard: Number Two tries to use intense psychological acting-out to force Number Six to break. Unfortunately, the process allows for the roles of interrogator and prisoner to switch from time to time... and they unfortunately switch roles during the last phase when death is the endgame. It didn't help that Number Two admits at the end he had his own psychological issues, which sucked him into the Degree Absolute process too well.
  • Magic Countdown: The final minute of Degree Absolute only advances as Number Six counts off the seconds, establishing that he is now utterly in command.
  • Mind Rape: Number Six is mentally regressed to childhood.
  • No Name Given: The episode includes a line of dialogue (confirmed by examination of the script) in which No. 2 (pretending to be a teacher) says to 6 "Meet me in the morning break." A common mishearing of the line is "Meet me in the morning, Drake."
  • Noodle Incident:
    • A rather grim one for Number Six. It is strongly implied that the "episodes" seen during Degree Absolute are meant to be recreations of moments from his past life. If this is the case, then at some point in his youth he was involved in a fatal motor vehicle accident.
    • Number Two and Number Six discuss killing in war, and then recreate a bombing run from said war. Number Six's birth year is given in "Arrival" as 1928 (same as the actor), making him too young to have served in World War II, so which conflict is referred to is left unrevealed, although the Korean War would fit the timeframe.
  • A Real Man Is a Killer: Invoked.
  • Rule of Symbolism: Everywhere. Especially the nursery rhymes.
    • One nursery rhyme that Number Six begins singing during a regression phase is "Pop Goes the Weasel." Number Two panics when he hears it and openly questions if "Pop" refers to "Protect Other People."
    • As Degree Absolute counts down to zero, Number Two begins reciting the numbers: Ten... Nine... Eight... Seven... Six... When he reaches "six," Number Six begins shouting "Die, Six! DIE!" and answers each remaining number with "DIE" until Number Two reaches "Zero..." and he dies.
  • Series Fauxnale: This was originally scheduled as the final episode of the first season. However, after the show was cancelled, Patrick McGoohan used it as the springboard for the final episode he shot to sum up the story.
  • Shout-Out to Shakespeare: Number Two refers to the "Seven Stages of Man" that Shakespeare writes about in As You Like It when describing the Degree Absolute process to a brainwashed Number Six: the process forces the victim to live out the seven stages - child, schoolboy, lover, soldier, justice, wise elder, finally senility (death) - during which Number Two hopes to reveal Number Six's secret or at least break him into serving the Village.
  • Tap on the Head: The Butler knocks Number 6 unconscious with a club to the back of the head to stop him from strangling Number 2. The precise definition is lampshaded in this case as 6 doesn't immediately go down but rather spasms a bit as one might do if they've received a sudden shock like a club to the head.
  • The Unreveal: Played with as Number Six offers a vague answer as to why he resigned. So vague, in fact, that Number Two doesn't buy it.
  • Villainous Breakdown: Number Two begins the episode in a foul mood and proceeds to get too involved inside the Degree Absolute programme. It leads to his death.
  • Wham Episode: Number Two forces Number Six into a duel of wits and psyche, a process which kills Number Two. The Butler switches side to Number Six because "he's boss now." The Supervisor shows up to escort Number Six and the Butler to meet Number One, and the episode goes to black as the sound of a nuclear missile launch echoes in the background...
  • Wham Line: "For peace ... peace of mind." With those words, Number Six finally reveals why he resigned (and proceeds to give a bit more detail). It's such a simple reason that Number Two refuses to believe it.
  • Worthy Opponent: How Number Two sets up the battle of wits. He realizes a one-on-one fight with Number Six was the only fight Number Six would respect and engage. Hence going for a step of last resort like Degree Absolute.

 
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In a last-ditch effort to extract information from Number Six, Number Two makes him forcibly undergo regressive therapy, reverting him to a childlike state with limited communication.

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