Despite his status as a servant of Edire, your instinct does not fail you. First and foremost, Father Isabel is a peasant like you. His thick brow and his square shoulders are quite revealing, and you are growing weary of the interminable time this verbal exchange of informations is taking.
His explanation barely finished, you fix him and frown, beginning an accelerated dialogue, indiscernible to those who do not know how to decipher the thousands of micro expressions specific to the people of your condition.
The moment is unending, deadpan and silent. You seem to have much to discuss and visibly agree after a few seconds when each of you look away.
—An example of a conversation between two silent bobs, The Fortress of the Black Cauldron
"One of my jobs on this project was to find the best way to convey each monster’s personality through body language and limited facial expressions. [...] In character animation, we always look for ways to visually communicate with the audience by finding aesthetically interesting poses, which we call "appeal" and visual clarity through clear silhouettes and clean staging of the action."
— Spencer Cook
, senior animation supervisor on Godzilla: King of the Monsters (2019)
, senior animation supervisor on Godzilla: King of the Monsters (2019)