Mai Valentine! I'd recognize that cleavage anywhere.
— Jean Claude Magnum from Yu-Gi-Oh! The Abridged Series
Ash Ketchum. He's an ass man.
— Popular demotivator
This is nothing against the Japanese, but they are a pervy crew. Metal Gear Solid is quite possibly the perviest game series ever. Can you please splice in some of the boss battles against the Beauty & the Beast crew from MGSIV? It's literally CAMERA UP THEIR ASS the entire time.
"That is undoubtedly one of the most lovingly-crafted derieres I've ever seen in a video game. I'm kind of curious about how many man-hours went into sculpting and perfecting that particular part of Dagger's model, but not sure I'm prepared for the answer."
— Pat R., "Diminishing Returns"
Brian: The lewdest entrance I've ever seen.
Vinny: I'm not—(snickering) I'm not trying to...I'm just describing what I saw: It was an entrance designed to show off her asshole. Not just her ass, but her actual tunnel.
Vinny: I'm not—(snickering) I'm not trying to...I'm just describing what I saw: It was an entrance designed to show off her asshole. Not just her ass, but her actual tunnel.
Bad writers of female characters and Joel Schumacher, the nipples don't make a person. That's a very odd thing I have to explain, but this [points to chest] doesn't replace this [points to head]. I'm sure for some very desperate people it does, but for the rest of the thinking world that wants to be entertained, it really doesn't.
If it was up to me, I would've named this movie Angela's Ballsack...'s Ass and the Mystery of the Constant Close-Up Shots of Her Ass. No, really, why do they keep doing that? There's a difference between fanservice and having an uneasy paranoia that your audience may forget your main character has an ass. Woah, there it is.
—Demolition D+ on Expelled from Paradise
Expelled from ParadiseThe camera glides up, down and around these women's bodies like a giant tongue.
Asuka:“Ow! Watch it, Third!”
Shinji:“I’m sorr-“
Asuka:“I bet I could fling you off this spot hard enough to hit the roof of that truck, Third Child. What gives?”
Shinji:“Um… I wasn’t watching where I was going?”
Asuka:“….you were staring at my ass again, weren’t you?”
Shinji:“………yes?”
Asuka(smirking wickedly):“Good.”
Shinji:“I’m sorr-“
Asuka:“I bet I could fling you off this spot hard enough to hit the roof of that truck, Third Child. What gives?”
Shinji:“Um… I wasn’t watching where I was going?”
Asuka:“….you were staring at my ass again, weren’t you?”
Shinji:“………yes?”
Asuka(smirking wickedly):“Good.”
—A Crown of Stars, chapter 48
A small part of his brain was concentrating on not dropping the hot pot on his feet, because most of it was trying not to drool helplessly over the way Asuka's long, smooth legs disappeared up under the hem of the towel, mixed in with memories of last night that said sight triggered.
—Shinji Ikari, Advice and Trust, chapter 3
Her tight blue shirt made her not inconsiderable curves very apparent, and the yellow and red shield emblem with the "S" inside it on her chest only served to draw the eye to that area.
— 'Superwomen of Eva 2: Lone Heir of Krypton, chapter 8''
Oh, for fuck's sake, movie, her face is up there!
— Some Jerk with a Camera, on the shot of the first aid nurse in Escape from Tomorrow
Elliot: So I know what you're thinking...
(switches to J.D.'s perspective as he stares at her behind)
J.D. (voiceover): Your butt looks like two Pringles hugging...
J.D.: No you don't.
(switches to J.D.'s perspective as he stares at her behind)
J.D. (voiceover): Your butt looks like two Pringles hugging...
J.D.: No you don't.
—Scrubs, "My First Day"
Mary Jane Watson: As every woman knows, there are ways to make sure nobody pays much attention to your face.
Peter Parker: (nervously) I can pretty well confirm that but—
The camera follows the swaying ass of SEXY OF NINE with all the dedication of a bum-sniffing Doberman.
— Hardcore Entertainment presents: Seven Does Voyager
As Zoe climbs down a ladder, Sue spits out her tea.
Sue: I can see what Zoe had for breakfast!
Sue: I can see what Zoe had for breakfast!
— Adventures with the Wife in Space, reviewing Doctor Who, "The Invasion"
I hate to see her go, but I love to watch her leave!
—Jerry "The King" Lawler, when Ivory, who is down to bra and thong, is running to the back after Tori (Terri Poch) has defeated her in an Evening Gown Match, WWE SmackDown, August 26, 1999.
The framing of all these events makes it clear that the reader is supposed to find this arousing. [...] There’s a lot of tonal dissonance going on here, because while the art frames everything as sexy, the plot treats it all as disgusting, at least in the first half. The goblins' proclivities are spoken of in horrified whispers by the townsfolk.
You painted a naked woman because you enjoyed looking at her, put a mirror in her hand and you called the painting "Vanity," thus morally condemning the woman whose nakedness you had depicted for you own pleasure.
—John Berger, Ways of Seeing
Men act and women appear. Men look at women. Women watch themselves being looked at. This determines not only most relations between men and women but also the relation of women to themselves. The surveyor of woman in herself is male: the surveyed is female. Thus she turns herself into an object of vision: a sight
—John Berger, Ways of Seeing
dufe, are you SCOPING this bipches CHOICE ASS..
