"There is one neat effect when characters unwisely venture into a corridor and the door slams shut on them. Then a laser beam passes at head level, decapitating one. Another beam whizzes past at waist level, cutting the second in two while the others duck. A third laser pretends to be high but then switches to low, but the third character outsmarts it by jumping at the last minute. Then the fourth laser turns into a grid that dices its victim into pieces the size of a Big Mac. Since the grid is inescapable, what were the earlier lasers about? Does the corridor have a sense of humor?"
— Roger Ebert, in his review of Resident Evil (2002)
Coulson: Why is it always lasers? I think if I'm careful, I can dodge my way to that control panel—
[May rolls her eyes and walks through the lasers, setting off the alarm]
May: They already know we're here.
Coulson: Oh. Right.
[May rolls her eyes and walks through the lasers, setting off the alarm]
May: They already know we're here.
Coulson: Oh. Right.
