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Music / SubRosa (Utah)

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SubRosa is an American doom/sludge metal band from Salt Lake City, Utah. The band has a uniquely experimental and folk-inspired sound, the most notable element of this being the inclusion of two electric violins. The band is also notable for being majority (and in its earlier days, entirely) female. As of 2015 the lineup consists of:

  • Rebecca Vernon (guitar, vocals)
  • Sarah Pendleton (violin, vocals)
  • Kim Pack (violin, vocals)
  • Levi Hanna (bass)
  • Andy Patterson (drums)

Discography:

  • The Worm Has Turned (self-released, 2006)
  • Strega (I Hate Records, 2008)
  • Swans Trapped In Ice EP (self-released, 2009)
  • No Help For The Mighty Ones (Profound Lore, 2011)
  • More Constant Than The Gods (Profound Lore, 2013)
  • For This We Fought the Battle of Ages (Profound Lore, 2016)

No relation to the Early Access FPS of the same name.

Tropes:

  • After the End: Several songs seem to take place here, such as "Borrowed Time, Borrowed Eyes" and "Fat of the Ram".
  • Album Title Drop: Happens in "Stonecarver" on No Help, "The Usher" on More Constant.
  • Doom Metal: Utterly apocalyptic.
  • Dystopia: For This We Fought the Battle of Ages has a dystopian theme inspired by the novel We.
  • Epic Rocking: Most songs on No Help, every song on More Constant where the shortest song, "Cosey Mo," is 7 minutes. It's pretty standard for their genre.
  • Face Death with Dignity: "The Usher" is a song about accepting death, because all in all, we have no say.
  • Folk Metal: Not their primary genre, but the influences are definitely there.
  • Non-Appearing Title: "Stonecarver", "Fat of the Ram", and many others.
  • Purple Prose: A well done example. Their lyrics are very poetic without ever becoming overwrought.
  • Shout-Out: "Borrowed Time, Borrowed Eyes" is based on Cormac McCarthy's The Road. "Cosey Mo" is a character from a book by Nick Cave.
  • The Smurfette Principle: A notable aversion. Three of the band's five members are female.
  • Surprisingly Gentle Song: The closing track on More Constant, "No Safe Harbor," is a moving song about lost love set to piano and flute. The guitars do kick in about halfway through, but it's still a far cry from the last 50 minutes of apocalyptic doom.

Alternative Title(s): Sub Rosa

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