Oh, boy. Really, just watch the movie, it's faster.
- In his introduction, Giulio boasts about how quickly he'll be able to take down the local fighting legend. Then Pietro distracts him when the fight begins, earning him a sucker-punch and one-hit-KO.
- The first time the band reunites to discuss Coletti's plan, Bartolomeo raises his hand several times to ask various questions. Every time Pietro knows exactly what he's about to ask and stops him, leading to his increasingly more increased expressions.
- In the same scene, once Lucio learns Pietro technically is a convict, he keeps lampshading how irregular his situation is.
- The extremely formal way Giulio and Arturo introduces to each other, stopping the argument that was ensuing to tell each other the respective names, degrees and charges against.
- Arturo has Andrea's superior install several upgrades to his van, leading to some questions about them. When they get to the new bumper, he nonchalantly explains it's really common to deal with a specific kind of kangaroo. The mechanic just points out that they are in Rome.
- Alberto reassures Pietro that he will able to work with drugs without trying them by telling he's "like a gynecologist". Pietro asks him to explain the metaphor. Awkwardness ensues.
- The 29th drug is produced in a hospice, so they sneak in pretending to be the new nurses. They cross the line a couple of times:
- Bartolomeo is smoking while playing cards with three of them. One of them even has a respirator. He's promptly knocked out for it.
- To pretend he has a valid reason to follow the guilty one, Mattia just takes a random patient in a wheelchair and start pretending he's leading him to his room. Said patient was in the middle of a game of chess, and is pretty startled by that.
- Said patient then starts telling him about his war memories. Mattia brutally points out he's confusing the dates.
- Lastly, at one point Mattia just leaves the wheel chair go on its own to chase the nurse. We hear the poor guy screaming and then crashing in the background.
- The chase for the 30th drug. Highlights includes:
- Andrea finally using his ultrasound cannon, and doing nothing at all.
- Mattia, Giorgio and Arturo driving the van through the archaeological park, discussing the way as if the roads were commonly used.
- Arturo's desperation when he unwillingly destroys a column, going as far as asking to be killed for it, while Mattia and Pietro try to reassure him it wasn't a unicum.
- Pietro reaching Giulia in the hospital afterward, lampshading the absurdity of him having his shirt covered in blood, both his and not his, and ending up getting a couple of stitches since he's already there (they were in hospital to know the baby's sex).
- After the aforementioned chase, the van ends up broken, so they need something else. Arturo finds the solution: two sidecars and car original products of the Third Reich. Mattia, Giulio and Andrea discuss about the political and moral implications. Bartolomeo calls dibs on the front seat.
- At one time, Giulio has to sneak in, knock out a security guard and open the door for the others to get in. We see him being caught on every camera he meets, but managing to reach the security guard nonetheless since he's too busy watching his tv to look at them.
- Also, Giulio tries to take out the guard with a single, precise karate-chop. It doesn't work. The guard actually turns and asks what was that for, with Giulio explaining it was supposed to hit a nerve and knock him out. When Andrea reaches him, he asks if it's possible for the guard to have some kind of medical condition.
- When Giorgio and Mattia reach him, they ask him about the guard, and he calmly answers as if he were a patient, not a guy he just beat up. He actually talks about a prognosis, saying he'd wait fifteen days for an accurate one.
- Andrea impersonating a roman unloader. Particularly the moment we see him switch between his actual personality and his character.
- In the climax, they have to reach the train Mattia ended up trapped in. Bartolomeo points out that they only have to jump, the train is going slow, and does so... But the jump is too long and he falls out.
- Lucio extremely deadpan comment about him being dead. He doesn't seem to really care about it. Also, the ensuing argument showing different level of involvement.
- When the sopox producer reaches the train, they open the container Mattia ended up in. He having no idea of what was going on, just thanks him through his tears for saving him.
- After that, while the rest of the team discusses how they could get the GPS on the others' car, Mattia just keeps telling them he is ready to be saved, but is ignored.
- They give Mattia the job to throw the GPS on the car. He gets ready to do it... Then fumbles. We see him in slow-motion desperately trying, and failing, to catch him again. Luckily Bartolomeo survived, and has better reflexes than him.
- The fact that Pietro and the sopox producer, two professors that produced the two best smart drugs around and drove the events of the two movies, did not know anything about each other. The Traintop Battle between them starts with Pietro asking him who the fuck he is, the other interrupting his speech with a punch, and commenting that Pietro's name doesn't ring any bells when he's leaving.
