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Photographed in 1913 by Alvin Langdon Coburn

"Poetry is a sort of inspired mathematics, which gives us equations, not for abstract figures, triangles, squares, and the like, but for the human emotions. If one has a mind which inclines to magic rather than science, one will prefer to speak of these equations as spells or incantations; it sounds more arcane, mysterious, recondite."
Ezra Pound, The Spirit of Romance

Ezra Weston Loomis Pound (October 30, 1885 – November 1, 1972) was an American expatriate poet, musician, and critic who was a major figure of the Modernist movement in early- to mid-20th-century poetry. He was the driving force behind several Modernist movements, notably Imagism and Vorticism. His works include Ripostes (1912), Hugh Selwyn Mauberley (1920), and his 800-page epic poem, The Cantos (c. 1917–1962).

Pound was born in Hailey, then a part of the Idaho Territory, the only child of Homer Loomis Pound (1858–1942) and Isabel Weston (1860–1948), who married in 1884. Homer was employed as the Registrar of the General Land Office in Hailey, with Thaddeus Coleman Pound (Ezra Pound's paternal grandfather) securing the appointment. Isabel, who was from New York, could not adjust to life in Hailey and went back there in 1887, taking the 18-month-old Ezra with her; Homer followed later and took up a job as an assayer at the Philadelphia Mint.

Pound began his education in dame schools, then attended Wyncote Public School in 1894. During his time there, he made his first publication on November 7, 1896, a limerick about William Jennings Bryan, who had lost the presidential election that took place four days before running as a Democrat/Populist. He transferred to Cheltenham Military Academy in 1897, where he was taught drilling and how to shoot. The following year, his mother and aunt took him on a tour of Europe, visiting England, Belgium, Germany, and Switzerland.

In 1901, Pound attended the University of Pennsylvania's College of Liberal Arts. During that time, he met his lifelong friends, fellow poets William Carlos Williams and Hilda Doolittle.

In 1908 he set off for Europe and published A Lume Spento, his first collection of poetry. He soon followed with other publications, like Exultations (1909), Canzoni (1911), Hugh Selwyn Mauberley (1920), and The Cantos (c. 1917–1962). These publications made him a major figure in the modernist movement in poetry and developed Imagism, which stressed precision and economy of language. He also helped discover and shape the works of contemporaries, such as T. S. Eliot, Ernest Hemingway, and James Joyce.

In 1914, Pound married Dorothy Shakespear. In 1924, he moved to Italy. Through the 1930s and 1940s, he promoted the economic theory of social credit and became engaged in Fascist politics. During World War II and the Holocaust in Italy, he made radio broadcasts attacking the United States, international finance, and Jews, among others, as causes, abettors, and prolongers of the war, and was arrested for treason in 1945. He was declared mentally ill and committed to St Elisabeths Hospital in Washington D.C., where he was held for over a dozen years.

While in custody in Italy, Pound worked on sections of The Cantos, which were published as The Pisan Cantos (1948). He was awarded the Bollingen Prize for Poetry in 1949 by the Library of Congress, which stirred enormous controversy. After a lengthy campaign by fellow writers and his publisher James Laughlin, he was released in 1958, returned to Italy, settled in Venice and into near complete silence, and died on November 1, 1972. He was buried in the San Michele cemetery.

Pound is one of the major figures in the modernist movement in poetry, but his political and economic views ensured that his life and work remain controversial.

Major Works:

  • A Lume Spento (1908)
  • A Quinzaine for This Yule (1908)
  • Personae (1909)
  • Exultations (1909)
  • Canzoni (1911)
  • Ripostes (1912)
  • Cathay (1915)
  • Lustra (1916–1917)
  • Hugh Selwyn Mauberley (1920)
  • Translations of the works of Confucius:
    • The Great Digest (1928)
    • The Unwobbling Pivot (1947)
    • The Analects (1950)
  • The Cantos (1917–1962)

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