History YouAreNotAlone / Theatre

* ''Film/KinkyBoots'': Lola's message at the Milan show at the finale, in the song "Raise You Up". Emphasized further when Don shows up with everyone from Price and Son, strutting down the catwalk wearing kinky boots.

* ''Film/KinkyBoots'': "Raise You Up" at the finale in Milan. Emphasized further when Don shows up with everyone from Price and Son, strutting down the catwalk wearing kinky boots.

* In Music/StephenSondheim's musical ''Theatre/IntoTheWoods'', the last song contains the lyrics; "you are not alone, believe me, no one is alone".
** The song the lyric is from before being reprised in the finale: ''No One is Alone''.
* Also the Creator/RodgersAndHammerstein musical ''Theatre/{{Carousel}}'' includes the song ''You'll Never Walk Alone''.
* At the climax of ''Theatre/ThePhantomOfTheOpera'', Christine offers the Phantom compassion, sings that he's not alone, and kisses him thoroughly. [[spoiler: She leaves with Raoul anyway, and he presumably [[BittersweetEnding dies alone after all.]]]] [[spoiler: Alone literally, perhaps, but not so much metaphorically.]]
** She [[TitleDrop drops the title]] as well, to the melody of his IAmSong:
-->'''Pitiful creature of darkness, what kind of life have you known? God give me courage to show you YouAreNotAlone!
* The ''Theatre/{{Wicked}}'' musical has this theme running as {{subtext}} throughout, most obviously in "For Good".
* There's a funny exchange in ''Theatre/{{Spamalot}}'' in "I'm All Alone" when Arthur sings about how alone he is while Patsy sings about how he's not alone.
-->'''Arthur:''' But I'm alone.\\
'''Patsy:''' Oh no, you're not.\\
'''Arthur:''' So all alone.\\
'''Patsy:''' I'M HERE, YOU TWAT.

* "Not Alone" from ''Theatre/AVeryPotterMusical'' and its reprise at the very end of the show. The first time, it's Ginny singing to Harry (which becomes a four part harmony when Ron and Hermione show up) before destroying the sixth Horcrux. The second time [[spoiler:is when Quirrell and Voldemort reunite in Azkaban.]]
* ''Theatre/{{Seussical}}'': Both Horton and [=JoJo=] are feeling ostracized and lonely near the beginning of the show, then they manage to talk to each other and finally find the friend they've been looking for:
-->'''Horton:''' You called my name and you set me free. One small voice in the universe...\\
'''[=JoJo=]:''' One true friend in the universe...\\
'''Both:''' Who believes in me.
* The finale of ''Theatre/SongsForANewWorld'' is "Hear My Song". The plot of the musical is rightfully sketchy at best, dipping in between time lines as we visit immigrants, wives left behind by soldiers in the Civil War of 1775, a woman who left her life to marry Santa Claus and a man who is the "steam train" of professional basketball. The end song is the most simple. It is the two main females singing to their children, about how they might be scared of what's happened and is going to happen, but they should just "trust in mama's singing, and the gift tomorrow's bringing. Trust it. Don't ask why." Unbelievably heartwarming as they remind them that they're not alone.
* At the end of ''Theatre/NextToNormal'' the usually (and understandably) moody Natalie returns home to her father sitting in the dark and crying after [[spoiler: he has just come to term with the death of his son and has been left by his wife]]. She asks if it's just them both now, and he simply says "yes". She proceeds to turn on the lights and tell him "we need some light. First of all, we need some light." We then see them all adjusting to a better life together (at last) after everything has passed.
** Diana singing to Natalie in "Maybe (Next to Normal)" could stand for this, too. It works, and they say that they'll "be fine." Even if [[spoiler: Diana does eventually leave them to go and live with her own parents for a while]].
* In Duncan Shiek's adaptation of ''Theatre/{{Spring Awakening}}'', [[spoiler: Melchior discovered Wendla's grave (who had died from a botched abortion while Melchior was at reform school, because he got her pregnant and was framed for his best friend Moritz's suicide) and decides his life is no longer worth living. He is visited by Wendla and Moritz, and all three sing "Those You've Known." Melchior ends the musical with renewed hope, since his loved ones are not as far as he once thought.]]
** This is a much more upbeat ending than Wedekind's original play where [[spoiler: Mortiz's ghost attempts to convince Melchior that death is better than his miserable life (subverting this trope). Melchior is rescued by The Masked Man (Wedekind's self-insert), who gives him hope for the future and chides the ghost.]]
* ''Theatre/{{RENT}}'': "And when you're dying in America, at the end of the millennium/You're not alone..."
* The ElevenOClockNumber "Is Anybody There?" from ''Theatre/SeventeenSeventySix'' is John Adams declaring his vision and determination to see American independence, but ends with the question wistfully repeated, ''does anybody see what I see''. Then [[ChekhovsGunman Lyman Hall]] steps out of the shadows to say "Yes. I do." And changes his vote on the board from no to yes.
* For most of her young adulthood, Allison Bechdel from ''Theatre/{{Fun Home}}'' Believed she was destined to live a life alone due to her confused sexual feelings and continuous bottling up of them. Her room mate, a Lesbian named Joan teaches Allison that she'll never be alone by being her first sexual encounter and girlfriend. It's heartwarming and Allison sings the song ''Changing my Major'' that is about how flipping happy and excited Allison is after she finally learns to let go and accept herself.

-> ''Even when the dark comes crashing through\\

* In the Act I Finale of ''Theatre/InTheHeights'', "Blackout", Usnavi rushes to Abuela Claudia's so that she won't have to be alone during the blackout. Subverted that, when he does this, he accidentally leaves Vanessa alone and afraid during the blackout.

* Given a different spin in ''Theatre/AnInspectorCalls'', in which the final speech the titular inspector delivers to the characters he has been interviewing is framed around this general idea, but more as an exhortation for them to abandon their selfish ways and realise that they are all members of a broader community and so need to look out for others [[spoiler: after it has been revealed that each has played a part in the suicide of a young woman as a result of their thoughtless actions]]:
-->'''Inspector Goole:''' One Eva Smith has gone - but there are millions and millions and million of Eva Smiths and John Smiths still left with us, with their lives, their hopes and fears, their suffering and chance of happiness, all intertwined with our lives, and what we think and say and do. We don't live alone. We are members of one body. We are responsible for each other.

And [[Film/KinkyBoots Kinkys]], [[Theatre/{{Matilda}} Matildas and [[Theatre/TheBookOfMormon Mormonses]]! \\

And [[Film/KinkyBoots Kinkys]], [[Theatre/{{Matilda}} Matildas and [[Theatre/TheBookOfMormon Mormonses]]!\\

* Given a slightly different spin in ''Theatre/AnInspectorCalls'', in which the final speech the titular inspector delivers to the characters he has been interviewing is framed around this general idea, but more as an exhortation for them to abandon their selfish ways and realise that they are all members of a broader community and so need to look out for others [[spoiler: after it has been revealed that each has played a part in the suicide of a young woman as a result of their thoughtless actions]]:

* At the climax of ''Theatre/ThePhantomOfTheOpera'', Christine offers the Phantom compassion, sings that he's not alone, and kisses him thoroughly. [[spoiler: She leaves with Raoul anyway, and he presumably [[BittersweetEnding dies alone after all.]]]]
** [[spoiler: Alone literally, perhaps, but not so much metaphorically.]]
*** She [[TitleDrop drops the title]] as well, to the melody of his IAmSong:

* Invoked at the end of "It's Quiet Uptown" in ''Theatre/{{Hamilton}}''. Following [[spoiler:Philip's death]], the Hamiltons are going through tandem [[HeroicBSOD Heroic BSODs]], and Eliza won't even speak to Alexander following his admission to the Reynolds affair in "The Reynolds Pamphlet". She eventually relents at the end of the song, after Alexander realizes that he was wrong and begs for her forgiveness so that they can process [[spoiler:Philip's death]] together. Her ''single'' line of forgiveness ("It's quiet uptown") is a TearJerker by itself.

* The Connor Project in ''Theatre/{{Dear Evan Hansen}}'' has spreading this message as its goal, as its founder, the titular Evan Hansen, has social anxiety disorder, leading to him wanting to give other people the message he's been wanting to receive his entire life. The Act 1 finale, ''You Will Be Found'', even has this line repeated, verbatim.

* In Creator/StephenSondheim's musical ''Theatre/IntoTheWoods'', the last song contains the lyrics; "you are not alone, believe me, no one is alone".

* Invoked at the end of "It's Quiet Uptown" in ''Theatre/{{Hamilton}}''. Following [[spoiler:Philip's death]], the Hamiltons are going through tandem [[HeroicBSOD Heroic BSODs]], and Eliza won't even speak to Alexander following his admission to the Reynolds affair in "The Reynolds Pamphlet". She eventually relents at the end of the song, after Alexander realizes that he was wrong and begs for her forgiveness so that they can process [[spoiler:Philip's death]] together.