History YMMV / VaincreOuMourir

* CriticalDissonance: Judging by scores on Allociné (the closest thing France has to Rotten Tomatoes), the film has been largely panned by critics with an average score of 1.4 out of 5 (a great deal of this has to do with the ''very'' politically charged nature of the film, with the left-leaning press being the most condemning/vitriolic at that. ''VideoGame/AssassinsCreedUnity'' and ''[[Film/LesVisiteurs Les Visiteurs: Bastille Day]]'' faced similar local political backlash for their sympathetic portrayals of the royals and/or nobility, although nowhere as extensive). Meanwhile, audience scores are much more positive (3.9 out of 5).

* NoSuchThingAsBadPublicity: The film's creators fully expected most of the mainstream French press to thrash the film, since that also means they talked about it period, and thus gave it publicity.

* CriticalDissonance: Judging by scores on Allociné (the closest thing France has to Rotten Tomatoes), the film has been largely panned by critics with an average score of 1.4 out of 5 (a great deal of this has to do with the ''very'' politically charged nature of the film and what's perceived as historical revisionism in it, with the left-leaning press being the most condemning/vitriolic at that. ''VideoGame/AssassinsCreedUnity'' and ''[[Film/LesVisiteurs Les Visiteurs: Bastille Day]]'' faced similar local political backlash for their sympathetic portrayals of the royals and/or nobility, although nowhere as extensive). Meanwhile, audience scores are much more positive (3.9 out of 5).

* CriticalDissonance: Judging by scores on Allociné (the closest thing France has to Rotten Tomatoes), the film has been largely panned by critics with an average score of 1.4 out of 5 (a great deal of this has to do with the ''very'' politically charged nature of the film and what's perceived as historical revisionism in it, with the left-leaning press being the most condemning/vitriolic at that. ''VideoGame/AssassinsCreedUnity'' and ''[[Film/LesVisiteurs Les Visiteurs: Bastille Day]]'' faced similar local political backlash for their sympathetic portrayals of the royals and/or nobility although nowhere as extensive). Meanwhile, audience scores are much more positive (3.9 out of 5).

* CriticalDissonance: Judging by scores on Allociné (the closest thing France has to Rotten Tomatoes), the film has been largely panned by critics with an average score of 1.4 out of 5 (a great deal of this has to do with the ''very'' politically charged nature of the film and what's perceived as historical revisionism in it, with the left-leaning press being the most condemning/vitriolic at that. ''VideoGame/AssassinsCreedUnity'' and ''[[Film/LesVisiteurs Les Visiteurs: Bastille Day]]'' faced similar local political backlash for sympathetic portrayals of the royals and nobility although nowhere as extensive). Meanwhile, audience scores are much more positive (3.9 out of 5).

* CriticalDissonance: Judging by scores on Allociné (the closest thing France has to Rotten Tomatoes), the film has been largely panned by critics with an average score of 1.4 out of 5 (a great deal of this has to do with the ''very'' politically charged nature of the film and what's perceived as historical revisionism in it, with the left-leaning press being the most condemning/vitriolic at that. ''VideoGame/AssassinsCreedUnity'' and ''[[Film/LesVisiteurs Les Visiteurs: Bastille Day]]'' faced similar political backlash for sympathetic portrayals of the royals and nobility although nowhere as extensive). Meanwhile, audience scores are much more positive (3.9 out of 5).

* CriticalDissonance: Judging by scores on Allociné (the closest thing France has to Rotten Tomatoes), the film has been largely panned by critics with an average score of 1.4 out of 5 (a great deal of this has to do with the ''very'' politically charged nature of the film and what's perceived as historical revisionism in it, with the left-leaning press being the most condemning/vitriolic at that). Meanwhile, audience scores are much more positive (3.9 out of 5).

* NoSuchThingAsBadPublicity: The film's creators fully expected most of the French press to thrash the film, but that also means they talked about it and thus gave it publicity.

* CriticalDissonance: Judging by scores on Allociné (the closest thing France has to Rotten Tomatoes), the film has been largely panned by critics with an average score of 1.4 out of 5 (a great deal of this has to do with the ''very'' politically charged nature of the film and what's perceived as historical revisionism in it, with the left-leaning press being the most condemning at that). Meanwhile, audience scores are much more positive (3.9 out of 5).

* SpiritualSuccessor: There was a previous film about the Wars in Vendée part of UsefulNotes/TheFrenchRevolution that was connected to the Puy du Fou park, 1989's ''Vent de Galerne''. That film's 18th century sets ended up becoming part of the park.

* CriticalDissonance: Judging by scores on Allociné (the closest thing France has to Rotten Tomatoes), the film has been largely panned by critics with a score of 1.4 out of 5 (a great deal of this has to do with the ''very'' politically charged nature of the film and what's perceived as historical revisionism in it, with the left-leaning press being the most condemning at that), and audience scores are much more positive (3.9 out of 5).

* SpiritualSuccessor: There was a previous film about the Wars in Vendée part of UsefulNotes/TheFrenchRevolution that was connected to the Puy du Fou park, 1989's ''Vent de Galerne''.

* CriticalDissonance: Judging by scores on Allociné (the closest thing France has to Rotten Tomatoes), the film has been largely panned by critics (a great deal of this has to do with the ''very'' politically charged nature of the film and what's perceived as historical revisionism in it, with the left-leaning press being the most condemning at that), and audience scores are much more positive.

* SpiritualSuccessor: There was a film about the Wars in Vendée part of UsefulNotes/TheFrenchRevolution that was connected to the Puy du Fou park, 1989's ''Vent de Galerne''.

* SpiritualSuccessor: There was a film about the Wars in Vendée part of UsefulNotes/TheFrenchRevolution'' that was connected to the Puy du Fou park, 1989's ''Vent de Galerne''.

* CriticalDissonance: Judging by scores on Allociné (the closest thing France has to Rotten Tomatoes), the film has been largely panned by critics (a great deal of this has to do with the ''very'' politically charged nature of the film and what's perceived as historical revisionism, with the left-leaning press being the most condemning at that), and audience scores are much more positive.

* CriticalDissonance: Judging by scores on Allociné (the closest thing France has to Rotten Tomatoes), the film has been largely panned by critics (a great deal of this has to do with the politically charged nature of the film and what's perceived as historical revisionism, with the left-leaning press being the most condemning at that), and audience scores are much more positive.

* CriticalDissonance: Judging by scores on Allociné (the closest thing France has to Rotten Tomatoes), the film has been largely panned by critics (a great deal of this has to do with the politically charged nature of the film and what's perceived as historical revisionism), and audience scores are much more positive.

* CriticalDissonance: Judging by scores on Allociné (the closest thing France has to Rotten Tomatoes), the film has been largely panned by critics (a great deal of this has to do with the politically charged nature of the film), and audience scores are much more positive.