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Changed line(s) 17 (click to see context) from:
** The father at the beach in the second verse of "Hey, I don't work here". While he's a massive nuisance to the protagonist, it's hard not to feel for him when he's frantically trying to get help for his drowning son when there is evidently ''no lifeguard on duty''.
to:
** The father at the beach in the second verse of "Hey, I don't work here". Don't Work Here". While he's a massive nuisance to the protagonist, it's hard not to feel for him when he's frantically trying to get help for his drowning son when there is evidently ''no lifeguard on duty''.duty''.
** Bill is a disruptive, unprofessional dick in "Let The Children Watch", but it's kind of understandable when you get to the bit where his ex-wife and kids are now living with his best friend/coworker.
** Bill is a disruptive, unprofessional dick in "Let The Children Watch", but it's kind of understandable when you get to the bit where his ex-wife and kids are now living with his best friend/coworker.
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Changed line(s) 15 (click to see context) from:
* SugarWiki/HeartwarmingMoments: In an [[BirdsOfAFeather extremely bizarre manner]], the ending of "Red Flags". After spending the entire song being terrified of his date's obsession with ''Film/TheHumanCentipede'', the narrator finally admits that he's just using this as an excuse to avoid the emotional risks of a relationship. He proposes to her, happily accepting her suggestion of a ''Human Centipede'' themed wedding, and the song ends with a duet about their eternal love for each other [[MoodWhiplash and for sewing people ass to mouth]].
to:
* SugarWiki/HeartwarmingMoments: In an [[BirdsOfAFeather extremely bizarre manner]], the ending of "Red Flags". After spending the entire song being terrified of his date's obsession with ''Film/TheHumanCentipede'', the narrator finally admits that he's just using this as an excuse to avoid the emotional risks of a relationship. He commits to opening himself up to love, proposes to her, happily accepting accepts her suggestion of a ''Human Centipede'' themed wedding, and the song ends with a duet about their eternal love for each other [[MoodWhiplash and for sewing people ass to mouth]].
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Changed line(s) 19 (click to see context) from:
* NightmareFuel: The sudden interlude before the third chorus of "Hey, I don't work here" involves a newscaster informing humanity that aliens have invaded, and that there's only one person on the planet in a position to do anything about it, tasked with making the case for humanity's freedom and survival, a case that the wider public can't even hear and simply has to optimistically imagine in what might be their final moments alive. [[SugarWiki/AwesomeMoments Then the chorus hits, and he scares the aliens off.]]
to:
* NightmareFuel: NightmareFuel:
** The sudden interlude before the third chorus of "Hey, I don't work here" involves a newscaster informing humanity that aliens have invaded, and that there's only one person on the planet in a position to do anything about it, tasked with making the case for humanity's freedom and survival, a case that the wider public can't even hear and simply has to optimistically imagine in what might be their final moments alive. [[SugarWiki/AwesomeMoments Then the chorus hits, and he scares the aliens off.]]]]
** Going on a date with someone only to find out they're really, ''really'' into ''Film/TheHumanCentipede'', to the point of wanting to reenact the film.
** The sudden interlude before the third chorus of "Hey, I don't work here" involves a newscaster informing humanity that aliens have invaded, and that there's only one person on the planet in a position to do anything about it, tasked with making the case for humanity's freedom and survival, a case that the wider public can't even hear and simply has to optimistically imagine in what might be their final moments alive. [[SugarWiki/AwesomeMoments Then the chorus hits, and he scares the aliens off.
** Going on a date with someone only to find out they're really, ''really'' into ''Film/TheHumanCentipede'', to the point of wanting to reenact the film.
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Changed line(s) 15 (click to see context) from:
* SugarWiki/HeartwarmingMoments: In an [[BirdsOfAFeather extremely bizarre manner]], the ending of "Red Flags". After spending the entire song being terrified of his girlfriend's obsession with Film/TheHumanCentipede, the narrator finally admits that he's just using this as an excuse to avoid the emotional risks of a relationship. He proposes to her, happily accepting her suggestion of a Human Centipede themed wedding, and the song ends with a duet about their eternal love for each other [[MoodWhiplash and for sewing people ass to mouth]].
to:
* SugarWiki/HeartwarmingMoments: In an [[BirdsOfAFeather extremely bizarre manner]], the ending of "Red Flags". After spending the entire song being terrified of his girlfriend's date's obsession with Film/TheHumanCentipede, ''Film/TheHumanCentipede'', the narrator finally admits that he's just using this as an excuse to avoid the emotional risks of a relationship. He proposes to her, happily accepting her suggestion of a Human Centipede ''Human Centipede'' themed wedding, and the song ends with a duet about their eternal love for each other [[MoodWhiplash and for sewing people ass to mouth]].
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* SugarWiki/HeartwarmingMoments: In an [[BirdsOfAFeather extremely bizarre manner]], the ending of "Red Flags". After spending the entire song being terrified of his girlfriend's obsession with Film/TheHumanCentipede, the narrator finally admits that he's just using this as an excuse to avoid the emotional risks of a relationship. He proposes to her, happily accepting her suggestion of a Human Centipede themed wedding, and the song ends with a duet about their eternal love for each other [[MoodWhiplash and for sewing people ass to mouth]].
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* SugarWiki/AwesomeMoments: "HEY! I don't work here, and if I did, [[spoiler:[[BadassBoast I would not surrender SHIT!]]]]"
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** The father at the beach in the second verse of "Hey, I don't work here". While he's a massive nuisance to the protagonist, it's hard not to feel for him when he's frantically trying to get help for his drowning son when there is evidently ''no lifeguard on duty''.
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Changed line(s) 5,6 (click to see context) from:
** "Perception Check". The trigger-happy bard player accidentally murders an innocent child, and when scolded mutters that "its [[NoodleIncident always]] a kid". He gives a rushed, half-assed apology, but conspicuously follows up by asking if the dead body is just lying there unattended. When the gamemaster eventually says yes, the bard immediately starts RobbingTheDead while mocking the kid in cheerful song, while the poor gamemaster [[HeadDesk taps his own head with his microphone]].
---->''Loot that body!\\
---->''Loot that body!\\
to:
** "Perception Check". The trigger-happy bard player accidentally murders an innocent child, and when scolded mutters that "its "it's [[NoodleIncident always]] a kid". He gives a rushed, half-assed apology, but conspicuously follows up by asking if the dead body is just lying there unattended. When the gamemaster eventually says yes, the bard immediately starts RobbingTheDead while mocking the kid in cheerful song, while the poor gamemaster [[HeadDesk taps his own head with his microphone]].
---->''Loot --->''Loot that body!\\
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Changed line(s) 2 (click to see context) from:
* CrossesTheLineTwice: The music video for "Mixed Messages" practically speeds past both lines at Mach 10. First the singer uses fairly typical methods, such as being vague about where he is or leaving his girlfriend on read for days on end. Then he [[KickTheDog kicks her dog]] and pays for its vet bills, before immediately [[GroinAttack breaking her father's dick]]. As they're accompanying him in the ambulance, the singer decides that the best way to release the sexual tension is to [[RefugeInAudacity punch him in the dick again]], even ''headbutting it'' when his girlfriend grabs his hands before kissing her and proposing to her right there and then.
to:
* CrossesTheLineTwice: CrossesTheLineTwice:
** The music video for "Mixed Messages" practically speeds past both lines at Mach 10. First the singer uses fairly typical methods, such as being vague about where he is or leaving his girlfriend on read for days on end. Then he [[KickTheDog kicks her dog]] and pays for its vet bills, before immediately [[GroinAttack breaking her father's dick]]. As they're accompanying him in the ambulance, the singer decides that the best way to release the sexual tension is to [[RefugeInAudacity punch him in the dick again]], even ''headbutting it'' when his girlfriend grabs his hands before kissing her and proposing to her right there and then.
** The music video for "Mixed Messages" practically speeds past both lines at Mach 10. First the singer uses fairly typical methods, such as being vague about where he is or leaving his girlfriend on read for days on end. Then he [[KickTheDog kicks her dog]] and pays for its vet bills, before immediately [[GroinAttack breaking her father's dick]]. As they're accompanying him in the ambulance, the singer decides that the best way to release the sexual tension is to [[RefugeInAudacity punch him in the dick again]], even ''headbutting it'' when his girlfriend grabs his hands before kissing her and proposing to her right there and then.
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** "Perception Check". The trigger-happy bard player accidentally murders an innocent child, and when scolded mutters that "its [[NoodleIncident always]] a kid". He gives a rushed, half-assed apology, but conspicuously follows up by asking if the dead body is just lying there unattended. When the gamemaster eventually says yes, the bard immediately starts RobbingTheDead while mocking the kid in cheerful song, while the poor gamemaster [[HeadDesk taps his own head with his microphone]].
---->''Loot that body!\\
Gotta loot that body now!\\
Loot that body!\\
Gotta loot that motherfucka'!\\
Play my flute while I loot that dead kid's body!\\
[[ThisIsForEmphasisBitch BITCH]]!''
---->''Loot that body!\\
Gotta loot that body now!\\
Loot that body!\\
Gotta loot that motherfucka'!\\
Play my flute while I loot that dead kid's body!\\
[[ThisIsForEmphasisBitch BITCH]]!''
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Changed line(s) 8 (click to see context) from:
* NightmareFuel: The sudden interlude before the third chorus of "Hey, I don't work here" involves a newscaster informing humanity that aliens have invaded, and that there's only one person on the planet in a position to do anything about it, tasked with making the case for humanity's freedom and survival, a case that the wider public can't even hear and simply has to optimistically imagine in what might be their final moments alive. [[MomentOfAwesome Then the chorus hits, and he scares the aliens off.]]
to:
* NightmareFuel: The sudden interlude before the third chorus of "Hey, I don't work here" involves a newscaster informing humanity that aliens have invaded, and that there's only one person on the planet in a position to do anything about it, tasked with making the case for humanity's freedom and survival, a case that the wider public can't even hear and simply has to optimistically imagine in what might be their final moments alive. [[MomentOfAwesome [[SugarWiki/AwesomeMoments Then the chorus hits, and he scares the aliens off.]]
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Added DiffLines:
* NightmareFuel: The sudden interlude before the third chorus of "Hey, I don't work here" involves a newscaster informing humanity that aliens have invaded, and that there's only one person on the planet in a position to do anything about it, tasked with making the case for humanity's freedom and survival, a case that the wider public can't even hear and simply has to optimistically imagine in what might be their final moments alive. [[MomentOfAwesome Then the chorus hits, and he scares the aliens off.]]
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Changed line(s) 10 (click to see context) from:
** In Red Flags both plan to make him part of their human centipede
to:
** In Red Flags "Red Flags", both plan to make him part of their human centipedecentipede.
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Changed line(s) 7 (click to see context) from:
* MemeticMutation: "Why are you blinking so much?" [[labelnote:Explanation]] The 1:16 to 1:36 part of Red Flag was used in multiple edits by swapping the characters to, generally, a strange (if not downright evil) girl and a relatively normal guy. Tom Cardy even posted [[https://www.youtube.com/watch?v=sdNgaPfwwn4 a version where the roles are reversed]].[[/labelnote]]
to:
* MemeticMutation: "Why are you blinking so much?" [[labelnote:Explanation]] The 1:16 to 1:36 part of Red Flag was used in multiple edits by swapping the characters to, generally, a strange (if not downright evil) girl and a relatively normal guy. Tom Cardy [[AscendedMeme even posted posted]] [[https://www.youtube.com/watch?v=sdNgaPfwwn4 a version where the roles are reversed]].[[/labelnote]]
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Changed line(s) 7 (click to see context) from:
* MemeticMutation: "Why are you blinking so much?" [[labelnote:Explanation]] The 1:16 to 1:36 part of Red Flag was used in multiple edits by swapping the characters to, generally, a strange (if not downright evil) girl and a relatively normal guy. [[/labelnote]]
to:
* MemeticMutation: "Why are you blinking so much?" [[labelnote:Explanation]] The 1:16 to 1:36 part of Red Flag was used in multiple edits by swapping the characters to, generally, a strange (if not downright evil) girl and a relatively normal guy. Tom Cardy even posted [[https://www.youtube.com/watch?v=sdNgaPfwwn4 a version where the roles are reversed]].[[/labelnote]]
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Changed line(s) 7 (click to see context) from:
* MemeticMutation: "Why are you blinking so much?" [[labelnote:Explanation]] The 1:16 to 1:36 part of Red Flag was used in multiple edits by swapping the characters to another strange (if not downright evil) girl and a relatively normal guy. [[/labelnote]]
to:
* MemeticMutation: "Why are you blinking so much?" [[labelnote:Explanation]] The 1:16 to 1:36 part of Red Flag was used in multiple edits by swapping the characters to another to, generally, a strange (if not downright evil) girl and a relatively normal guy. [[/labelnote]]
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Changed line(s) 7 (click to see context) from:
* MemeticMutation: "Why are you blinking so much?" [[[labelnote:Explanation]] The 1:16 to 1:36 part of Red Flag was used in multiple edits by swapping the characters to another strange (if not downright evil) girl and a relatively normal guy. [[/labelnote]]
to:
* MemeticMutation: "Why are you blinking so much?" [[[labelnote:Explanation]] [[labelnote:Explanation]] The 1:16 to 1:36 part of Red Flag was used in multiple edits by swapping the characters to another strange (if not downright evil) girl and a relatively normal guy. [[/labelnote]]
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Added DiffLines:
* MemeticMutation: "Why are you blinking so much?" [[[labelnote:Explanation]] The 1:16 to 1:36 part of Red Flag was used in multiple edits by swapping the characters to another strange (if not downright evil) girl and a relatively normal guy. [[/labelnote]]
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** In Red Flags both plan to make him part of their human centipede
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* AluminumChristmasTrees: In "Hey, I Don't Work Here," the final verse takes place in an active [=NASA=] compound just outside of Sydney, Australia, despite [=NASA=] being an independent agency of the United States government. The narrator even Lampshades the absurdity of it and asks the listener to "just bear with [him]" when he mentions it. However, NASA does have an active station in Australia in the form of the [[https://en.wikipedia.org/wiki/Canberra_Deep_Space_Communication_Complex Canberra Deep Space Communication Complex]], just about a 4 hour drive away from Sydney.
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* JerkassWoobie: Smokin' Joe lost his wife and daughter to the velvet-cloaked bandit, and has been looking for the man for 18 years to avenge his family. He is also the [[FastestGunInTheWest fastest]] [[FlippingTheBird middle finger]] [[FastestGunInTheWest in the west]] and seems to delight in telling people to go fuck themselves if they so much as mildly inconvenience him.
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** Appropriately, the prequel "Red Flags" zooms past this with the words "Human Centipede".
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* CrossesTheLineTwice: The music video for "Mixed Messages" practically speeds past both lines at Mach 10. First the singer uses fairly typical methods, such as being vague about where he is or leaving his girlfriend on read for days on end. Then he [[KickTheDog kicks her dog]] and pays for its vet bills, before immediately [[GroinAttack breaking her father's dick]]. As they're accompanying him in the ambulance, the singer decides that the best way to release the sexual tension is to [[RefugeInAudacity punch him in the dick again]], even ''headbutting it'' when his girlfriend grabs his hands before kissing her and proposing to her right there and then.
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Changed line(s) 3 (click to see context) from:
* UnintentionallySympathetic: Multiple comments on "Monster Truck" point out that the narrator is actually pretty reasonable- he'll let his friend play with almost all of his toys just as long as he doesn't touch his monster truck, which is hardly a lot to ask.
to:
* UnintentionallySympathetic: Multiple comments on "Monster Truck" point out that the narrator is actually pretty reasonable- he'll let his friend play with almost all of his toys just as long as he doesn't touch his monster truck, which is hardly a lot to ask.ask.
* TheWoobie: The girlfriend's dad in "Mixed Messages". He really didn't do anything wrong, but for some reason his daughter's boyfriend thinks repeatedly punching him in the dick is a completely legit way to flirt. To add insult to injury, it actually works.
----
* TheWoobie: The girlfriend's dad in "Mixed Messages". He really didn't do anything wrong, but for some reason his daughter's boyfriend thinks repeatedly punching him in the dick is a completely legit way to flirt. To add insult to injury, it actually works.
----
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Changed line(s) 2 (click to see context) from:
--> I'd like to take a moment to point out that if Business Man is not a cop, the explanations for his history and all the things he does gets much, much worse.
to:
--> I'd like to take a moment to point out that if Business Man is not a cop, the explanations for his history and all the things he does gets much, much worse.worse.
* UnintentionallySympathetic: Multiple comments on "Monster Truck" point out that the narrator is actually pretty reasonable- he'll let his friend play with almost all of his toys just as long as he doesn't touch his monster truck, which is hardly a lot to ask.
* UnintentionallySympathetic: Multiple comments on "Monster Truck" point out that the narrator is actually pretty reasonable- he'll let his friend play with almost all of his toys just as long as he doesn't touch his monster truck, which is hardly a lot to ask.
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* FridgeHorror: As mentioned by one person in the comments section of "Business Man":
--> I'd like to take a moment to point out that if Business Man is not a cop, the explanations for his history and all the things he does gets much, much worse.
--> I'd like to take a moment to point out that if Business Man is not a cop, the explanations for his history and all the things he does gets much, much worse.