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* TheWoobie: Lisa Keller, the little Jewish girl Martin molests, who already suffers verbal and physical abuse at home from her mother. In her last scene (save for a quick shot of her legs), she hangs herself to get away from him.

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* RetroactiveRecognition: Future Creator/{{Troma}} regular Jessica Dublin makes her film debut as Sophie's personal nurse.

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* RetroactiveRecognition: Future RetroactiveRecognition:
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Creator/{{Troma}} regular Jessica Dublin makes her film debut as Sophie's personal nurse.nurse.
** Creator/LucioFulci favorite Al Cliver plays one of the SA Brownshirts in the orgy sequence.

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* DarknessInducedAudienceApathy: One common criticism of the movie is that every major character is amoral and depraved if not outright psychopathic, making it hard to sympathize with anyone. The only exception is Elizabeth, who's pretty much a textbook {{Woobie}} and [[spoiler:doesn't even enjoy the dignity of an onscreen death]].


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* TooBleakStoppedCaring: One common criticism of the movie is that every major character is amoral and depraved if not outright psychopathic, making it hard to sympathize with anyone. The only exception is Elizabeth, who's pretty much a textbook {{Woobie}} and [[spoiler:doesn't even enjoy the dignity of an onscreen death]].
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** Sophie's brutal KickTheDog speech towards Elizabeth, who's trying to flee Germany and join her husband in exile. Not that she's been ''nice'' up to that point, mind you, but she goes from merely unpleasant to horrible.

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** Sophie's brutal KickTheDog speech towards Elizabeth, who's trying to flee Germany and join her husband in exile. Not that she's been ''nice'' up to that point, mind you, but she goes from merely unpleasant to horrible.horrible.
* RetroactiveRecognition: Future Creator/{{Troma}} regular Jessica Dublin makes her film debut as Sophie's personal nurse.
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Cut trope, Woobie cleanup.


* BaseBreaker: Extremely divisive among both critics generally and Visconti fans in particular.



** Sophie's brutal KickTheDog speech towards Elizabeth, who's trying to flee Germany and join her husband in exile. Not that she's been ''nice'' up to that point, mind you, but she goes from merely unpleasant to horrible.
* TheWoobie: Elizabeth, big time.

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** Sophie's brutal KickTheDog speech towards Elizabeth, who's trying to flee Germany and join her husband in exile. Not that she's been ''nice'' up to that point, mind you, but she goes from merely unpleasant to horrible.
* TheWoobie: Elizabeth, big time.
horrible.
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* BaseBreaker: Extremely divisive among both critics generally and Visconti fans in particular.
* DarknessInducedAudienceApathy: One common criticism of the movie is that every major character is amoral and depraved if not outright psychopathic, making it hard to sympathize with anyone. The only exception is Elizabeth, who's pretty much a textbook {{Woobie}} and [[spoiler:doesn't even enjoy the dignity of an onscreen death]].
* EndingFatigue: After its central set piece, the Night of the Long Knives massacre, the movie just sort of drifts along for another 45 minutes.
* MoralEventHorizon: Pretty much ''every'' character does at some point:
** Frederick right away, by murdering Joachim (though unlike his costars, [[MyGodWhatHaveIDone shows some remorse for his actions]] later on).
** Konstantin blackmailing Martin into financing the SA.
** Martin seems predisposed to this. He'd be a JerkassWoobie with a perfect FreudianExcuse if he didn't ''obliterate'' the moral event horizon at every opportunity. He molests a young girl early in the film, [[spoiler:[[DrivenToSuicide drives another to suicide]] through his attentions]] then manages to top himself by [[spoiler:raping his mother]]. Becoming a card-carrying SS officer is one of the nicer things he does in the course of the film.
** Sophie's brutal KickTheDog speech towards Elizabeth, who's trying to flee Germany and join her husband in exile. Not that she's been ''nice'' up to that point, mind you, but she goes from merely unpleasant to horrible.
* TheWoobie: Elizabeth, big time.

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