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* RetroactiveRecognition: Michael's young actor is now better known as a [[Series/TeenWolf wolf]] and [[Series/SupermanAndLois the Man of Steel]]
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**Film: [[PsychoForHire Harlen Maguire]] is a sleazy [[ImmoralJournalist nightcrawler]] and mob hitman who enjoys photographing his own killings. [[EstablishingCharacterMoment Introduced]] smothering a stabbing victim to death when he realizes the man is alive and disrupting his camera shot, Maguire hangs the picture up alongside many others, signifying more of his victims. Hired by the Rooney family to hunt down and kill Michael Sullivan and his son, Maguire tries to see the job through, with cheerful delight at getting to kill the legendary Sullivan and his [[WouldHurtAChild child]]. During his hunt for them, Maguire kills a [[CopKiller policeman]] for distracting him and a mob banker just for being in his way, and ultimately knocks off Sullivan's sister-in-law and her husband to ambush and kill Sullivan, nearly claiming his son's life, too.

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Ain't no meta examples allowed for moments pages.


* TearJerker: Who doesn't feel sorry for a little boy who's just lost his mom and little brother and is on the run from hitmen aiming to kill him and his father?

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* TearJerker: TearJerker:
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Who doesn't feel sorry for a little boy who's just lost his mom and little brother and is on the run from hitmen aiming to kill him and his father?



** The film was the final film appearance of Creator/PaulNewman (not including his [[WesternAnimation/{{Cars}} voice-only acting]] which came after), making this a Meta Tear-Jerker in Hindsight.
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To quote the page, "Do not link to this on the wiki, please. Not even under the YMMV tab."


* SugarWiki/DevelopmentHeaven: Not only did Creator/JudeLaw make himself look ugly in order to play a rat-like hitman, but he worked with a magician to learn how to lace a coin through his fingers; a trick he performs in the film.
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Adult Fear is now a disambig


** Connor's murder of Annie and Peter. AdultFear at its finest. The music doesn't make things better, particularly when Connor enters the room. ''Murder in Four Parts.'' Blow-by-blow account: Michael Sr. frantically tries to call home, but the phone is off the hook. The camera cuts to Annie drying Peter off after a bath, then again to the upstairs hall. The bathroom door opens, and Connor enters, wearing a long coat and fedora, drawing a gun on mother and son. The camera moves back and forth between the pistol and Connor's eyes as Annie screams, then outside as Michael Jr. arrives home and sees two flashes inside his house, along with two gunshots. Getting off his bike, Michael Jr. sprints to the door... just as Connor reaches it. Michael Jr. freezes to the spot as Connor removes his hat and straightens his hair. Without seeing Michael, he opens the door, takes a swig from a flask, and leaves.

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** Connor's murder of Annie and Peter. AdultFear at its finest. The music doesn't make things better, particularly when Connor enters the room. ''Murder in Four Parts.'' Blow-by-blow account: Michael Sr. frantically tries to call home, but the phone is off the hook. The camera cuts to Annie drying Peter off after a bath, then again to the upstairs hall. The bathroom door opens, and Connor enters, wearing a long coat and fedora, drawing a gun on mother and son. The camera moves back and forth between the pistol and Connor's eyes as Annie screams, then outside as Michael Jr. arrives home and sees two flashes inside his house, along with two gunshots. Getting off his bike, Michael Jr. sprints to the door... just as Connor reaches it. Michael Jr. freezes to the spot as Connor removes his hat and straightens his hair. Without seeing Michael, he opens the door, takes a swig from a flask, and leaves.

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* AcceptableTargets: The film is about Irish mobsters who seem to run the whole town.



* AwardSnub: Following its release, the film was an early favorite to win big at that year's Oscars. In the end, it won only won one Oscar -- a posthumous Best Cinematography award for Conrad Hall, who passed away in-between the film's release and the Oscar nominations being made -- with all its other nominations being in the technical categories. That being said, its snubs weren't seen as a massive injustice, so much as the result of it being released too early in a year with one of the most incredibly competitive Oscar races in history.

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* AwardSnub: Following its release, the film was an early favorite to win big at that year's Oscars.UsefulNotes/{{Academy Award}}s. In the end, it won only won one Oscar -- a posthumous Best Cinematography award for Conrad Hall, who passed away in-between the film's release and the Oscar nominations being made -- with all its other nominations being in the technical categories. That being said, its snubs weren't seen as a massive injustice, so much as the result of it being released too early in a year with one of the most incredibly competitive Oscar races in history.
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* SugarWiki/DevelopmentHeaven: Not only did Creator/JudeLaw make himself look ugly in order to play a rat-like hitman, but he worked with a magician to learn how to lace a coin through his fingers; a trick he performs in the film.
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Honestly......what? The only stereotype I can see is that they're Catholic. They don't have accents, and while they drink at wakes and such, it's not especially prominent. All I can think is that being in the Irish mob is a stereotype, which seems like a stretch but whatever. I won't remove the trope since YMMV is subjective, but for the love of god at least provide some examples if you're gonna make the claim.


* AcceptableTargets: The film is packed with enough Irish stereotypes to leave ''Film/TheDeparted'' in the dust.

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* AcceptableTargets: The film is packed with enough about Irish stereotypes mobsters who seem to leave ''Film/TheDeparted'' in run the dust.whole town.
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* AwardSnub: Following its release, the film was an early favorite to win big at that year's Oscars. In the end, it won only won one Oscar -- a posthumous Best Cinematography award for Conrad Hall, who passed away in-between the film's release and the Oscar nominations being made -- with all its other nominations being in the technical categories. That being said, its subs weren't seen as a massive injustice, so much as the result of it being released too early in a year with one of the most incredibly competitive Oscar races in history.

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* AwardSnub: Following its release, the film was an early favorite to win big at that year's Oscars. In the end, it won only won one Oscar -- a posthumous Best Cinematography award for Conrad Hall, who passed away in-between the film's release and the Oscar nominations being made -- with all its other nominations being in the technical categories. That being said, its subs snubs weren't seen as a massive injustice, so much as the result of it being released too early in a year with one of the most incredibly competitive Oscar races in history.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* AwardSnub: Following its release, the film was an early favorite to win big at that year's Oscars. In the end, it won only won one Oscar -- a posthumous Best Cinematography award for Conrad Hall, who passed away in-between the film's release and the Oscar nominations being made -- with all its other nominations being in the technical categories. That being said, its subs weren't seen as a massive injustice, so much as the result of it being released too early in a year with one of the most incredibly competitive Oscar races in history.

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* CompleteMonster: In the {{novelization}} by Max Allan Collins, [[PsychoForHire Harlen Maguire]] is a death-loving hitman who spends his free time photographing murders, many of which he himself perpetrates. [[EstablishingCharacterMoment Introduced]] killing a wounded man in a street alley, Maguire is then hired to track down Michael O'Sullivan and his son, Michael Jr., happily hoping to murder them both and add them to his massive "[[CreepySouvenir gallery of death]]". Slaughtering an entire cafe, murdering one of his own partners, and killing an innocent couple along the way, Maguire mortally wounds [[spoiler:O'Sullivan and attempts to photograph his dying moments]] before moving onto Michael Jr., even after the contract on the duo has been called off.

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* CompleteMonster: In the {{novelization}} CompleteMonster:
** Original comic,
by Max Allan Collins, Collins: [[AxCrazy Connor Looney]] is well known as a bloodthirsty paranoiac who serves as a hitman for his father. After initiating an unnecessary bloodbath, Connor becomes obsessed with Michael O'Sullivan's young son having been a witness, and later heads to the O'Sullivan home after setting Michael himself up for death, murdering Michael's wife and younger son. Connor is later revealed as a [[WouldHurtAChild pedophile]] who frequents and beats child prostitutes, showing a disdain for any moral standard. Upon growing sick of his protection, Connor murders an ally of Michael's and kidnaps the man's wife, intending to murder her when Michael is lured out.
** Film {{novelization}}, by Max Allan Collins:
[[PsychoForHire Harlen Maguire]] is a death-loving hitman who spends his free time photographing murders, many of which he himself perpetrates. [[EstablishingCharacterMoment Introduced]] killing a wounded man in a street alley, Maguire is then hired to track down Michael O'Sullivan and his son, Michael Jr., happily hoping to murder them both and add them to his massive "[[CreepySouvenir gallery of death]]". Slaughtering an entire cafe, murdering one of his own partners, and killing an innocent couple along the way, Maguire mortally wounds [[spoiler:O'Sullivan and attempts to photograph his dying moments]] before moving onto Michael Jr., even after the contract on the duo has been called off.



** Original comic, by Max Allen Collins: Michael O'Sullivan is a war hero turned hitman for John Looney, known as the "Angel of Death", who is betrayed by the paranoid, bloodthirsty Connor Looney and his family killed except for his son Michael Jr. Targeting mob banks and stealing their money to weaken the Capones, Michael teals the Looney ledger to give it to Elliot Ness and his Untouchables to remove Looney from power and weaken the Capone outfit to the point they give him Connor. Repeatedly a step ahead of pursuers until the end, Michael wages an effective war against the most powerful mob in the country with only his son, skills and cunning.

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** Original comic, by Max Allen Allan Collins: Michael O'Sullivan is a war hero turned hitman for John Looney, known as the "Angel of Death", who is betrayed by the paranoid, bloodthirsty Connor Looney and his family killed except for his son Michael Jr. Targeting mob banks and stealing their money to weaken the Capones, Michael teals the Looney ledger to give it to Elliot Ness and his Untouchables to remove Looney from power and weaken the Capone outfit to the point they give him Connor. Repeatedly a step ahead of pursuers until the end, Michael wages an effective war against the most powerful mob in the country with only his son, skills and cunning.



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!!Comic:
* CompleteMonster: [[AxCrazy Connor Looney]] is well known as a bloodthirsty paranoiac who serves as a hitman for his father. After initiating an unnecessary bloodbath, Connor becomes obsessed with Michael O'Sullivan's young son having been a witness, and later heads to the O'Sullivan home after setting Michael himself up for death, murdering Michael's wife and younger son. Connor is later revealed as a [[WouldHurtAChild pedophile]] who frequents and beats child prostitutes, showing a disdain for any moral standard. Upon growing sick of his protection, Connor murders an ally of Michael's and kidnaps the man's wife, intending to murder her when Michael is lured out.

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!!Comic:
* CompleteMonster: [[AxCrazy Connor Looney]] is well known as a bloodthirsty paranoiac who serves as a hitman for his father. After initiating an unnecessary bloodbath, Connor becomes obsessed with Michael O'Sullivan's young son having been a witness, and later heads to the O'Sullivan home after setting Michael himself up for death, murdering Michael's wife and younger son. Connor is later revealed as a [[WouldHurtAChild pedophile]] who frequents and beats child prostitutes, showing a disdain for any moral standard. Upon growing sick of his protection, Connor murders an ally of Michael's and kidnaps the man's wife, intending to murder her when Michael is lured out.
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Approved by the thread.

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* MagnificentBastard:
** Original comic, by Max Allen Collins: Michael O'Sullivan is a war hero turned hitman for John Looney, known as the "Angel of Death", who is betrayed by the paranoid, bloodthirsty Connor Looney and his family killed except for his son Michael Jr. Targeting mob banks and stealing their money to weaken the Capones, Michael teals the Looney ledger to give it to Elliot Ness and his Untouchables to remove Looney from power and weaken the Capone outfit to the point they give him Connor. Repeatedly a step ahead of pursuers until the end, Michael wages an effective war against the most powerful mob in the country with only his son, skills and cunning.
** 2002 film: [[HitmanWithAHeart Michael Sullivan]] is a hitman in service of John Rooney. One of the most feared in the business who maintains a love for his family, Sullivan is betrayed by his boss's son Connor who sets him up for death and murders his wife Annie and son Peter. Alongside his surviving child Michael Jr., Sullivan goes on the run and seeks to erode the Rooney relationship with the Capones by targeting mob banks and stealing their money. Staying ahead of the Capones and Rooney killers alike, Sullivan eventually targets John Rooney directly, knowing his death will revoke Connor's protection permanently.
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Not approved by the thread.


* MagnificentBastard: Frank Nitti.
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Approved by the thread.


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!!Comic:
* CompleteMonster: [[AxCrazy Connor Looney]] is well known as a bloodthirsty paranoiac who serves as a hitman for his father. After initiating an unnecessary bloodbath, Connor becomes obsessed with Michael O'Sullivan's young son having been a witness, and later heads to the O'Sullivan home after setting Michael himself up for death, murdering Michael's wife and younger son. Connor is later revealed as a [[WouldHurtAChild pedophile]] who frequents and beats child prostitutes, showing a disdain for any moral standard. Upon growing sick of his protection, Connor murders an ally of Michael's and kidnaps the man's wife, intending to murder her when Michael is lured out.


* HilariousInHindsight: Creator/TylerHoechlin's next role in [[Series/{{Supergirl 2015}} a comic book adaptation]] was ''very'' different.
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* SugarWiki/AwesomeMusic: Thomas Newman's haunting, gorgeous score is at least as beautiful as Conrad Hall's luscious cinematography.

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* SugarWiki/AwesomeMusic: Thomas Newman's Music/ThomasNewman's haunting, gorgeous score is at least as beautiful as Conrad Hall's luscious cinematography.



** The film was the final film appearance of Creator/PaulNewman (not including his [[WesternAnimation/{{Cars}} voice-only acting]] which came after), making this a Meta Tear-Jerker in Hindsight.

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** The film was the final film appearance of Creator/PaulNewman (not including his [[WesternAnimation/{{Cars}} voice-only acting]] which came after), making this a Meta Tear-Jerker in Hindsight.Hindsight.
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* SignatureScene: The haunting shootout at the end, where the elder Sullivan guns down Rooney and his men with only four words shared between them.
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* SugarWiki/AwesomeMusic: Thomas Newman's haunting, gorgeous score is at least as beautiful as Conrad Hall's luscious cinematography.

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* NightmareFuel: Connor's murder of Annie and Peter. AdultFear at its finest. The music doesn't make things better, particularly when Connor enters the room. ''Murder in Four Parts.''
** Blow-by-blow account: Michael Sr. frantically tries to call home, but the phone is off the hook. The camera cuts to Annie drying Peter off after a bath, then again to the upstairs hall. The bathroom door opens, and Connor enters, wearing a long coat and fedora, drawing a gun on mother and son. The camera moves back and forth between the pistol and Connor's eyes as Annie screams, then outside as Michael Jr. arrives home and sees two flashes inside his house, along with two gunshots. Getting off his bike, Michael Jr. sprints to the door... just as Connor reaches it. Michael Jr. freezes to the spot as Connor removes his hat and straightens his hair. Without seeing Michael, he opens the door, takes a swig from a flask, and leaves.

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* NightmareFuel: NightmareFuel:
**
Connor's murder of Annie and Peter. AdultFear at its finest. The music doesn't make things better, particularly when Connor enters the room. ''Murder in Four Parts.''
**
'' Blow-by-blow account: Michael Sr. frantically tries to call home, but the phone is off the hook. The camera cuts to Annie drying Peter off after a bath, then again to the upstairs hall. The bathroom door opens, and Connor enters, wearing a long coat and fedora, drawing a gun on mother and son. The camera moves back and forth between the pistol and Connor's eyes as Annie screams, then outside as Michael Jr. arrives home and sees two flashes inside his house, along with two gunshots. Getting off his bike, Michael Jr. sprints to the door... just as Connor reaches it. Michael Jr. freezes to the spot as Connor removes his hat and straightens his hair. Without seeing Michael, he opens the door, takes a swig from a flask, and leaves.leaves.
** Maguire's introduction, with him coldly finishing off a dying victim while [[CreepyJazzMusic an incredibly creepy Dixieland number]] plays in the background.
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* AcceptableTargets - The film is packed with enough Irish stereotypes to leave ''Film/TheDeparted'' in the dust.

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* AcceptableTargets - AcceptableTargets: The film is packed with enough Irish stereotypes to leave ''Film/TheDeparted'' in the dust.
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* AdaptationDisplacement - Many people don't even know the film is based on a graphic novel.

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* AdaptationDisplacement - AdaptationDisplacement: Many people don't even know the film is based on a graphic novel.



* HilariousInHindsight - Creator/TylerHoechlin's next role in [[Series/{{Supergirl 2015}} a comic book adaptation]] was ''very'' different.
* MagnificentBastard - Frank Nitti.

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* HilariousInHindsight - HilariousInHindsight: Creator/TylerHoechlin's next role in [[Series/{{Supergirl 2015}} a comic book adaptation]] was ''very'' different.
* MagnificentBastard - MagnificentBastard: Frank Nitti.



* TearJerker - Who doesn't feel sorry for a little boy who's just lost his mom and little brother and is on the run from hitmen aiming to kill him and his father?

to:

* TearJerker - TearJerker: Who doesn't feel sorry for a little boy who's just lost his mom and little brother and is on the run from hitmen aiming to kill him and his father?

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