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Misplaced, moving to the correct tab
Changed line(s) 4,7 (click to see context) from:
* RefrainFromAssuming: This trope is somehow inverted with the show’s ending theme- both the title and the first line of the chorus are “We Wanna Thank You”; however, in some renditions of the show’s CouchGag, characters refer to the song as “the ‘Thank You' song”, which may cause viewers to believe this trope is in effect when it isn’t.
* ShownTheirWork:
** In “Super Sounds”, most of what the Jazzberries do to try and find new sounds (at least until the cartoonish antics take over) are actual musical techniques- Billie plugs herself in to a distortion pedal, Louis tries using various objects as [[https://en.wikipedia.org/wiki/Mute_(music) mutes]], RC bows himself [[https://en.wikipedia.org/wiki/Col_legno col legno]], and Buddy and Krupa try using [[https://en.wikipedia.org/wiki/Percussion_mallet#Brushes drum brushes]].
** Mike being able to play Lebowski’s tune back to him in “Tuning In” isn’t an AssPull- microphones and speakers are both electroacoustic transducers (to put it simply, in microphones sound in the air makes a thin membrane vibrate, and the vibrations are converted into a signal in a wire; in speakers, a signal in a wire makes a thin membrane vibrate, and the vibrations are transferred into the air as sound), so it’s actually possible to use a microphone as a speaker (though you shouldn’t expect good sound quality from it).
* ShownTheirWork:
** In “Super Sounds”, most of what the Jazzberries do to try and find new sounds (at least until the cartoonish antics take over) are actual musical techniques- Billie plugs herself in to a distortion pedal, Louis tries using various objects as [[https://en.wikipedia.org/wiki/Mute_(music) mutes]], RC bows himself [[https://en.wikipedia.org/wiki/Col_legno col legno]], and Buddy and Krupa try using [[https://en.wikipedia.org/wiki/Percussion_mallet#Brushes drum brushes]].
** Mike being able to play Lebowski’s tune back to him in “Tuning In” isn’t an AssPull- microphones and speakers are both electroacoustic transducers (to put it simply, in microphones sound in the air makes a thin membrane vibrate, and the vibrations are converted into a signal in a wire; in speakers, a signal in a wire makes a thin membrane vibrate, and the vibrations are transferred into the air as sound), so it’s actually possible to use a microphone as a speaker (though you shouldn’t expect good sound quality from it).
to:
* RefrainFromAssuming: This trope is somehow inverted with the show’s ending theme- both the title and the first line of the chorus are “We Wanna Thank You”; however, in some renditions of the show’s CouchGag, characters refer to the song as “the ‘Thank You' song”, which may cause viewers to believe this trope is in effect when it isn’t.
* ShownTheirWork:
** In “Super Sounds”, most of what the Jazzberries do to try and find new sounds (at least until the cartoonish antics take over) are actual musical techniques- Billie plugs herself in to a distortion pedal, Louis tries using various objects as [[https://en.wikipedia.org/wiki/Mute_(music) mutes]], RC bows himself [[https://en.wikipedia.org/wiki/Col_legno col legno]], and Buddy and Krupa try using [[https://en.wikipedia.org/wiki/Percussion_mallet#Brushes drum brushes]].
** Mike being able to play Lebowski’s tune back to him in “Tuning In” isn’t an AssPull- microphones and speakers are both electroacoustic transducers (to put it simply, in microphones sound in the air makes a thin membrane vibrate, and the vibrations are converted into a signal in a wire; in speakers, a signal in a wire makes a thin membrane vibrate, and the vibrations are transferred into the air as sound), so it’s actually possible to use a microphone as a speaker (though you shouldn’t expect good sound quality from it).isn’t.
* ShownTheirWork:
** In “Super Sounds”, most of what the Jazzberries do to try and find new sounds (at least until the cartoonish antics take over) are actual musical techniques- Billie plugs herself in to a distortion pedal, Louis tries using various objects as [[https://en.wikipedia.org/wiki/Mute_(music) mutes]], RC bows himself [[https://en.wikipedia.org/wiki/Col_legno col legno]], and Buddy and Krupa try using [[https://en.wikipedia.org/wiki/Percussion_mallet#Brushes drum brushes]].
** Mike being able to play Lebowski’s tune back to him in “Tuning In” isn’t an AssPull- microphones and speakers are both electroacoustic transducers (to put it simply, in microphones sound in the air makes a thin membrane vibrate, and the vibrations are converted into a signal in a wire; in speakers, a signal in a wire makes a thin membrane vibrate, and the vibrations are transferred into the air as sound), so it’s actually possible to use a microphone as a speaker (though you shouldn’t expect good sound quality from it).
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Added DiffLines:
* HilariousInHindsight
** [[WesternAnimation/HouseOfMouse “Mike The Microphone”, huh?]]
** In “Billie’s Biggest Fan”, Louis, attempting to secure the Jazzberries a new guest performer for the night after Herbie is unable to attend, tries to book one [[Series/HRPufnstuf “Freddy The Flute”]].
* RefrainFromAssuming: This trope is somehow inverted with the show’s ending theme- both the title and the first line of the chorus are “We Wanna Thank You”; however, in some renditions of the show’s CouchGag, characters refer to the song as “the ‘Thank You' song”, which may cause viewers to believe this trope is in effect when it isn’t.
* ShownTheirWork:
** In “Super Sounds”, most of what the Jazzberries do to try and find new sounds (at least until the cartoonish antics take over) are actual musical techniques- Billie plugs herself in to a distortion pedal, Louis tries using various objects as [[https://en.wikipedia.org/wiki/Mute_(music) mutes]], RC bows himself [[https://en.wikipedia.org/wiki/Col_legno col legno]], and Buddy and Krupa try using [[https://en.wikipedia.org/wiki/Percussion_mallet#Brushes drum brushes]].
** Mike being able to play Lebowski’s tune back to him in “Tuning In” isn’t an AssPull- microphones and speakers are both electroacoustic transducers (to put it simply, in microphones sound in the air makes a thin membrane vibrate, and the vibrations are converted into a signal in a wire; in speakers, a signal in a wire makes a thin membrane vibrate, and the vibrations are transferred into the air as sound), so it’s actually possible to use a microphone as a speaker (though you shouldn’t expect good sound quality from it).
** [[WesternAnimation/HouseOfMouse “Mike The Microphone”, huh?]]
** In “Billie’s Biggest Fan”, Louis, attempting to secure the Jazzberries a new guest performer for the night after Herbie is unable to attend, tries to book one [[Series/HRPufnstuf “Freddy The Flute”]].
* RefrainFromAssuming: This trope is somehow inverted with the show’s ending theme- both the title and the first line of the chorus are “We Wanna Thank You”; however, in some renditions of the show’s CouchGag, characters refer to the song as “the ‘Thank You' song”, which may cause viewers to believe this trope is in effect when it isn’t.
* ShownTheirWork:
** In “Super Sounds”, most of what the Jazzberries do to try and find new sounds (at least until the cartoonish antics take over) are actual musical techniques- Billie plugs herself in to a distortion pedal, Louis tries using various objects as [[https://en.wikipedia.org/wiki/Mute_(music) mutes]], RC bows himself [[https://en.wikipedia.org/wiki/Col_legno col legno]], and Buddy and Krupa try using [[https://en.wikipedia.org/wiki/Percussion_mallet#Brushes drum brushes]].
** Mike being able to play Lebowski’s tune back to him in “Tuning In” isn’t an AssPull- microphones and speakers are both electroacoustic transducers (to put it simply, in microphones sound in the air makes a thin membrane vibrate, and the vibrations are converted into a signal in a wire; in speakers, a signal in a wire makes a thin membrane vibrate, and the vibrations are transferred into the air as sound), so it’s actually possible to use a microphone as a speaker (though you shouldn’t expect good sound quality from it).
