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It's intended. Coulmier even mentions it in his introduction of the play.
Changed line(s) 3 (click to see context) from:
* FridgeBrilliance: Perhaps not intended, but Marat was assassinated in his bathtub, and the play takes place in the bath-house of the asylum.
to:
* FridgeBrilliance: Perhaps not intended, but Marat was assassinated in his bathtub, and the play takes place in the bath-house of the asylum.
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None
Deleted line(s) 3 (click to see context) :
* EarWorm: The songs can be quite catchy. ''[[NightmareFuel Scary]]'' and catchy, though.
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Changed line(s) 3 (click to see context) from:
* EarWorm NightmareFuel: The songs can be quite catchy. ''Scary'' and catchy, though.
to:
* EarWorm NightmareFuel: EarWorm: The songs can be quite catchy. ''Scary'' ''[[NightmareFuel Scary]]'' and catchy, though.
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Changed line(s) 3 (click to see context) from:
* EarWorm: The songs are quite catchy.
to:
* EarWorm: EarWorm NightmareFuel: The songs are can be quite catchy.catchy. ''Scary'' and catchy, though.
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Added DiffLines:
* WhatDoYouMeanItsNotSymbolic: So, ''so'' many things. Especially in the film.
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Added DiffLines:
* FridgeBrilliance: Perhaps not intended, but Marat was assassinated in his bathtub, and the play takes place in the bath-house of the asylum.
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Dropping completely undetailed entry as per the NF/HONF rules
Deleted line(s) 4 (click to see context) :
* HighOctaneNightmareFuel: Charlotte's nightmare, when she is describing what a body does after the guillotine comes down...
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fetish fuel was removed from the wiki, red links
Deleted line(s) 4 (click to see context) :
* FetishFuel: The hair-whipping scene.
Deleted line(s) 6,7 (click to see context) :
* TrueArtIsOffensive: Part of Sade's justification.
* TrueArtSticksItToTheMan
* TrueArtSticksItToTheMan
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* BigLippedAlligatorMoment: The first musical number. Before you catch on that there are a ''few'' of these...
** But "What's the point of a revolution--without general...general copulation, copulation ''copulation!"'' deserves a spot all of its own.
* EarWorm: The songs are quite catchy.
* FetishFuel: The hair-whipping scene.
* HighOctaneNightmareFuel: Charlotte's nightmare, when she is describing what a body does after the guillotine comes down...
* TrueArtIsOffensive: Part of Sade's justification.
* TrueArtSticksItToTheMan
* ValuesDissonance: The whole play is about setting these up, and letting the opposites tear each other apart.
* VindicatedByHistory: One of the many issues raised during the play is the nature of Marat (and de Sade's) life-work, and wondering how History will judge them for what they did. Again, de Sade is using Marat as a way of explaining himself.
** de Sade says, at one point, that [[AndYouThoughtItWouldFail "When I vanish, I want all trace of my existence to be wiped out"]]
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** But "What's the point of a revolution--without general...general copulation, copulation ''copulation!"'' deserves a spot all of its own.
* EarWorm: The songs are quite catchy.
* FetishFuel: The hair-whipping scene.
* HighOctaneNightmareFuel: Charlotte's nightmare, when she is describing what a body does after the guillotine comes down...
* TrueArtIsOffensive: Part of Sade's justification.
* TrueArtSticksItToTheMan
* ValuesDissonance: The whole play is about setting these up, and letting the opposites tear each other apart.
* VindicatedByHistory: One of the many issues raised during the play is the nature of Marat (and de Sade's) life-work, and wondering how History will judge them for what they did. Again, de Sade is using Marat as a way of explaining himself.
** de Sade says, at one point, that [[AndYouThoughtItWouldFail "When I vanish, I want all trace of my existence to be wiped out"]]
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