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** ''Kingdoms of Ruin'' is so over-the-top with depicting random acts of murder and rape that it quickly becomes very hard to take any of it seriously. It isn't helped by the fact that the vast majority of characters are just plain unlikable, so the audience [[TooBleakStoppedCaring really has no reason to care when most of them are killed off for shock value]].
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** ''Kingdoms of Ruin'' is so over-the-top in combining CrapsackWorld with WorldOfJerkass and depicting random acts of murder and rape that it quickly becomes very hard to take any of it seriously. It isn't helped by the fact that the vast majority of characters are just plain unlikable, so the audience [[TooBleakStoppedCaring really has no reason to care when most of them are killed off for shock value]].
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* CrossesTheLineTwice: Shirousagi should easily be one of the most vile and despicable villains in the series and the way he [[spoiler: rips out and crushes Doroka's eyes while forcing Adonis to watch]] is such a sick and twisted thing that there is no possibility of redemption for the character. In his short appearance, Shirousagi, through his acts, easily establishes himself as one of the most evil anime villains alive alongside [[Manga/{{Berserk}} Griffith]] who assaults women in very disturbing ways while forcing the protagonist love interest to watch. However, the minute Shirousagi taunts Adonis by asking "Are these your balls?" and starts twirling [[spoiler: Doroka's eyes]] around in a very over-the-top way, you might forget Shirousagi is supposed to be a despicable piece of garbage you want the protagonist to kill and start laughing at the sheer absurdity of what he's done, with the end result being that Shirousagi ends up being hilarious and LaughablyEvil, while the scene itself loses all gravitas and ends up being another {{Narm}} filled moment which might make the audience break out in more laughter than anger or sorrow.
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* FridgeBrilliance: Those who read the ''Kingdom of Caliburn'' manga would find the everything pertaining to Redia to make sense, especially with the existence of [[spoiler:Queen Dorothea Goethe]] coming into the picture.
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* EnsembleDarkhorse: Punch[[spoiler:ullio]], the biker ([[spoiler:formerly a talking chicken in Caliburn]]) in charge of the wasteland village is found be a welcoming sight in the bleak setting of Ruin. Many found him to be a breather after many episodes of Adonis and Doroka fighting humans, finding one who wasn’t a complete bastard. He’s even more praised than the main duo of over how he resolves the argument between Adonis’s quest for revenge and Doroka’s demand for forgiveness, additionally being a ShipperOnDeck for them.
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* EnsembleDarkhorse: Punch[[spoiler:ullio]], Punch, the biker ([[spoiler:formerly a talking chicken in Caliburn]]) in charge of the wasteland village village, is found be a welcoming sight in the bleak setting of Ruin. Many found him to be a breather after many episodes of Adonis and Doroka fighting humans, finding one who wasn’t a complete bastard. He’s even more praised than the main duo of over how he resolves the argument between Adonis’s quest for revenge and Doroka’s demand for forgiveness, additionally being a ShipperOnDeck for them.
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** ''Kingdoms of Ruin'' is so over-the-top with depicting random acts of murder and rape that it quickly becomes very hard to take any of it seriously. It isn't helped by the fact that the vast majority of characters are just plain unlikable, so the audience really has no reason to care when most of them are killed off for shock value.
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** ''Kingdoms of Ruin'' is so over-the-top with depicting random acts of murder and rape that it quickly becomes very hard to take any of it seriously. It isn't helped by the fact that the vast majority of characters are just plain unlikable, so the audience [[TooBleakStoppedCaring really has no reason to care when most of them are killed off for shock value.value]].
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* SoBadItsGood: For some, the series goes so far into {{Narm}} territory that it loops back around to being entertaining.
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* SoBadItsGood: For some, the series goes so far into {{Narm}} territory that it loops back around to being entertaining.entertaining.
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Illegal indentation.
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* EnsembleDarkhorse:
** Punch[[spoiler:ullio]], the biker ([[spoiler:formerly a talking chicken in Caliburn]]) in charge of the wasteland village is found be a welcoming sight in the bleak setting of Ruin. Many found him to be a breather after many episodes of Adonis and Doroka fighting humans, finding one who wasn’t a complete bastard. He’s even more praised than the main duo of over how he resolves the argument between Adonis’s quest for revenge and Doroka’s demand for forgiveness, additionally being a ShipperOnDeck for them.
** Punch[[spoiler:ullio]], the biker ([[spoiler:formerly a talking chicken in Caliburn]]) in charge of the wasteland village is found be a welcoming sight in the bleak setting of Ruin. Many found him to be a breather after many episodes of Adonis and Doroka fighting humans, finding one who wasn’t a complete bastard. He’s even more praised than the main duo of over how he resolves the argument between Adonis’s quest for revenge and Doroka’s demand for forgiveness, additionally being a ShipperOnDeck for them.
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* EnsembleDarkhorse:
**EnsembleDarkhorse: Punch[[spoiler:ullio]], the biker ([[spoiler:formerly a talking chicken in Caliburn]]) in charge of the wasteland village is found be a welcoming sight in the bleak setting of Ruin. Many found him to be a breather after many episodes of Adonis and Doroka fighting humans, finding one who wasn’t a complete bastard. He’s even more praised than the main duo of over how he resolves the argument between Adonis’s quest for revenge and Doroka’s demand for forgiveness, additionally being a ShipperOnDeck for them.
**
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** Punch[[spoiler:ullio]], the biker ([[spoiler:formerly a talking chicken in Caliburn]]) in charge of the wasteland village is found be a welcoming sight in the bleak setting of Ruin. Many found him to be a breather after many episodes of Adonis and Doroka fighting humans, finding one who wasn’t a complete bastard. He’s even more praised than the main duo of over how he resolves the argument between Adonis’s quest for revenge and Doroka’s demand for forgiveness, additionally being a ShipperOnDeck between the two.
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** Punch[[spoiler:ullio]], the biker ([[spoiler:formerly a talking chicken in Caliburn]]) in charge of the wasteland village is found be a welcoming sight in the bleak setting of Ruin. Many found him to be a breather after many episodes of Adonis and Doroka fighting humans, finding one who wasn’t a complete bastard. He’s even more praised than the main duo of over how he resolves the argument between Adonis’s quest for revenge and Doroka’s demand for forgiveness, additionally being a ShipperOnDeck between the two.for them.
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** Punch[[spoiler:ullio]], the biker ([[spoiler:formerly a talking chicken in Caliburn]]) in charge of the wasteland village is found be a welcoming sight in bleak setting of Ruin. Many found him to be a breather after many episodes of Adonis and Doroka fighting humans who are complete bastards. He’s even more praised over how he resolves the argument Adonis’s quest for revenge and Doroka’s demand for forgiveness, additionally being a ShipperOnDeck between the two.
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** Punch[[spoiler:ullio]], the biker ([[spoiler:formerly a talking chicken in Caliburn]]) in charge of the wasteland village is found be a welcoming sight in the bleak setting of Ruin. Many found him to be a breather after many episodes of Adonis and Doroka fighting humans humans, finding one who are wasn’t a complete bastards. bastard. He’s even more praised than the main duo of over how he resolves the argument between Adonis’s quest for revenge and Doroka’s demand for forgiveness, additionally being a ShipperOnDeck between the two.
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** Punch(ullio), the biker ([[spoiler:formerly a talking chicken in Caliburn]]) in charge of the wasteland village is found be a welcoming sight in bleak setting of Ruin. Many found him to be a breather after many episodes of Adonis and Doroka fighting humans who are complete bastards. He’s even more praised over how he resolves the argument Adonis’s quest for revenge and Doroka’s demand for forgiveness, additionally being a ShipperOnDeck between the two.
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** Punch(ullio), Punch[[spoiler:ullio]], the biker ([[spoiler:formerly a talking chicken in Caliburn]]) in charge of the wasteland village is found be a welcoming sight in bleak setting of Ruin. Many found him to be a breather after many episodes of Adonis and Doroka fighting humans who are complete bastards. He’s even more praised over how he resolves the argument Adonis’s quest for revenge and Doroka’s demand for forgiveness, additionally being a ShipperOnDeck between the two.
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** Punch(ullio), the biker ([[spoiler:formerly a talking chicken in Caliburn) in charge of the wasteland village is found be a welcoming sight in bleak setting of Ruin. Many found him to be a breather after many episodes of Adonis and Doroka fighting humans who are complete bastards. He’s even more praised over how he resolves the argument Adonis’s quest for revenge and Doroka’s demand for forgiveness, additionally being a ShipperOnDeck between the two.
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** Punch(ullio), the biker ([[spoiler:formerly a talking chicken in Caliburn) Caliburn]]) in charge of the wasteland village is found be a welcoming sight in bleak setting of Ruin. Many found him to be a breather after many episodes of Adonis and Doroka fighting humans who are complete bastards. He’s even more praised over how he resolves the argument Adonis’s quest for revenge and Doroka’s demand for forgiveness, additionally being a ShipperOnDeck between the two.
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* EnsembleDarkhorse:
** Punch(ullio), the biker ([[spoiler:formerly a talking chicken in Caliburn) in charge of the wasteland village is found be a welcoming sight in bleak setting of Ruin. Many found him to be a breather after many episodes of Adonis and Doroka fighting humans who are complete bastards. He’s even more praised over how he resolves the argument Adonis’s quest for revenge and Doroka’s demand for forgiveness, additionally being a ShipperOnDeck between the two.
** Punch(ullio), the biker ([[spoiler:formerly a talking chicken in Caliburn) in charge of the wasteland village is found be a welcoming sight in bleak setting of Ruin. Many found him to be a breather after many episodes of Adonis and Doroka fighting humans who are complete bastards. He’s even more praised over how he resolves the argument Adonis’s quest for revenge and Doroka’s demand for forgiveness, additionally being a ShipperOnDeck between the two.
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** Adonis' love for Chloe is his reason for becoming a VillainProtagonist. However, since so little time is actually spent on Chloe, few members of the audience are really going to care about his attachment.
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** Adonis' love for Chloe is his reason for becoming a VillainProtagonist. However, since so little time is actually spent on Chloe, few members of the audience are really going to care about his attachment. The anime however rectifies this by giving time to show and develop the bond between Adonis and Chloe right up till the latter's death, giving watchers an understanding of his plight.
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* RootingForTheEmpire: Given how much the series relies on shock value and the general lack of likable or interesting characters, many members of the audience find themselves rooting for the Redia Empire for, at the very least, having an EvilIsCool aesthetic.
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* {{Narm}}: ''Kingdoms of Ruin'' is so over-the-top with depicting random acts of murder and rape that it quickly becomes very hard to take any of it seriously. It isn't helped by the fact that the vast majority of characters are just plain unlikable and underdeveloped, so the audience really has no reason to care when most of them are killed off for shock value.
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* {{Narm}}: {{Narm}}:
** ''Kingdoms of Ruin'' is so over-the-top with depicting random acts of murder and rape that it quickly becomes very hard to take any of it seriously. It isn't helped by the fact that the vast majority of characters are just plainunlikable and underdeveloped, unlikable, so the audience really has no reason to care when most of them are killed off for shock value.value.
** Adonis' love for Chloe is his reason for becoming a VillainProtagonist. However, since so little time is actually spent on Chloe, few members of the audience are really going to care about his attachment.
** ''Kingdoms of Ruin'' is so over-the-top with depicting random acts of murder and rape that it quickly becomes very hard to take any of it seriously. It isn't helped by the fact that the vast majority of characters are just plain
** Adonis' love for Chloe is his reason for becoming a VillainProtagonist. However, since so little time is actually spent on Chloe, few members of the audience are really going to care about his attachment.
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* {{Narm}}: ''Kingdoms of Ruin'' is so over-the-top with depicting random acts of murder and rape that it quickly becomes very hard to take any of it seriously. It isn't helped by the fact that the vast majority of characters are just plain unlikable, so the audience really has no reason to care when most of them are killed off for shock value.
to:
* {{Narm}}: ''Kingdoms of Ruin'' is so over-the-top with depicting random acts of murder and rape that it quickly becomes very hard to take any of it seriously. It isn't helped by the fact that the vast majority of characters are just plain unlikable, unlikable and underdeveloped, so the audience really has no reason to care when most of them are killed off for shock value.
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* RootingForTheEmpire: Given how much the series relies on shock value and the general lack of likable or interesting characters, many members of the audience find themselves rooting for the Redia Empire for, at the very least, having an EvilIsCool aesthetic.
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Added DiffLines:
* {{Narm}}: ''Kingdoms of Ruin'' is so over-the-top with depicting random acts of murder and rape that it quickly becomes very hard to take any of it seriously. It isn't helped by the fact that the vast majority of characters are just plain unlikable, so the audience really has no reason to care when most of them are killed off for shock value.
* SoBadItsGood: For some, the series goes so far into {{Narm}} territory that it loops back around to being entertaining.
* SoBadItsGood: For some, the series goes so far into {{Narm}} territory that it loops back around to being entertaining.
