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* CriticProof: Puccini's operas have been regularly criticised for being banal, melodramatic, {{Narm}}-y . . . you get the idea. They still have the power to fill theatres.
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* CriticProof: Puccini's operas have been regularly criticised for being banal, melodramatic, {{Narm}}-y . . .{{Narm}}-y... you get the idea. They still have the power to fill theatres.
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* TearJerker: Expect at least one in each opera, most notably ''Theatre/LaBoheme''. Its DownerEnding, [[spoiler: wherein Mimi dies of consumption]], has the power to [[EverybodyCries move entire audiences to tears]], but it can especially be a literal TearJerker for recent widowers.
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* TearJerker: Expect at least one in each opera, most notably ''Theatre/LaBoheme''. Its DownerEnding, [[spoiler: wherein Mimi dies of consumption]], has the power to [[EverybodyCries move entire audiences to tears]], but it can especially be a literal TearJerker for recent widowers.widowers.
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* TearJerker: Expect at least one in each opera, save for ''Gianni Schicchi''.
to:
* TearJerker: Expect at least one in each opera, save most notably ''Theatre/LaBoheme''. Its DownerEnding, [[spoiler: wherein Mimi dies of consumption]], has the power to [[EverybodyCries move entire audiences to tears]], but it can especially be a literal TearJerker for ''Gianni Schicchi''.recent widowers.
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Added DiffLines:
* CriticProof: Puccini's operas have been regularly criticised for being banal, melodramatic, {{Narm}}-y . . . you get the idea. They still have the power to fill theatres.
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None
Added DiffLines:
* TearJerker: Expect at least one in each opera, save for ''Gianni Schicchi''.
