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Changed line(s) 1 (click to see context) from:
* BigLippedAlligatorMoment: The minute-and-a-half-long scene around the late-middle of the film, when there is a long close-up shot on Vivane’s face as it gradually turns from serious with flashes of being about to cry to a faint smile, with the somber theme music in the background. It’s completely unexplained and unrelated to the rest of the plot, albeit it is a very poignant piece of acting by Creator/RonitElkabetz.
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* BigLippedAlligatorMoment: The minute-and-a-half-long scene around the late-middle of the film, when there is a long close-up shot on Vivane’s Vivane's face as it gradually turns from serious with flashes of being about to cry to a faint smile, with the somber theme music in the background. It’s It's completely unexplained and unrelated to the rest of the plot, albeit it is a very poignant piece of acting by Creator/RonitElkabetz.Creator/RonitElkabetz in her final film role.
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Changed line(s) 1 (click to see context) from:
* BigLippedAlligatorMoment: The minute-and-a-half-long scene around the late-middle of the film, when there is a long close-up shot on Vivane’s face as it gradually turns from serious with flashes of being about to cry to a faint smile, with the sombre theme music in the background. It’s completely unexplained and unrelated to the rest of the plot, albeit it is a very poignant piece of acting by Creator/RonitElkabetz.
to:
* BigLippedAlligatorMoment: The minute-and-a-half-long scene around the late-middle of the film, when there is a long close-up shot on Vivane’s face as it gradually turns from serious with flashes of being about to cry to a faint smile, with the sombre somber theme music in the background. It’s completely unexplained and unrelated to the rest of the plot, albeit it is a very poignant piece of acting by Creator/RonitElkabetz.
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Changed line(s) 1,2 (click to see context) from:
* BigLippedAlligatorMoment: The minute-and-a-half-long scene around the late-middle of the film, when there is a long close-up shot on Vivanne’s face as it gradually turns from serious with flashes of being about to cry to a faint smile, with the sombre theme music in the background. It’s completely unexplained and unrelated to the rest of the plot, albeit it is a very poignant piece of acting by Creator/RonitElkabetz.
* SugarWiki/FunnyMoments: Rachel’s testimony. Her abrasive demeanour and tendency to go off on a tangent about the state of unmarried and divorced women and how awful Elisha is as a person despite any attempt to make her stop are hilarious enough to make even Vivianne start laughing.
* SugarWiki/FunnyMoments: Rachel’s testimony. Her abrasive demeanour and tendency to go off on a tangent about the state of unmarried and divorced women and how awful Elisha is as a person despite any attempt to make her stop are hilarious enough to make even Vivianne start laughing.
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* BigLippedAlligatorMoment: The minute-and-a-half-long scene around the late-middle of the film, when there is a long close-up shot on Vivanne’s Vivane’s face as it gradually turns from serious with flashes of being about to cry to a faint smile, with the sombre theme music in the background. It’s completely unexplained and unrelated to the rest of the plot, albeit it is a very poignant piece of acting by Creator/RonitElkabetz.
* SugarWiki/FunnyMoments: Rachel’s testimony. Her abrasive demeanour and tendency to go off on a tangent about the state of unmarried and divorced women and how awful Elisha is as a person despite any attempt to make her stop are hilarious enough to make evenVivianne Viviane start laughing.
* SugarWiki/FunnyMoments: Rachel’s testimony. Her abrasive demeanour and tendency to go off on a tangent about the state of unmarried and divorced women and how awful Elisha is as a person despite any attempt to make her stop are hilarious enough to make even
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Changed line(s) 1 (click to see context) from:
* BigLippedAlligatorMoment: The minute-and-a-half-long scene around the late-middle of the film, when there is a long close-up shot on Vivanne’s face as it gradually turns from serious with flashes of being about to cry to a faint smile, with the sombre theme music in the background. It’s completely unexplained and unrelated to the rest of the plot, albeit it is a very poignant piece of acting.
to:
* BigLippedAlligatorMoment: The minute-and-a-half-long scene around the late-middle of the film, when there is a long close-up shot on Vivanne’s face as it gradually turns from serious with flashes of being about to cry to a faint smile, with the sombre theme music in the background. It’s completely unexplained and unrelated to the rest of the plot, albeit it is a very poignant piece of acting.acting by Creator/RonitElkabetz.
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Changed line(s) 2 (click to see context) from:
* FunnyMoments: Rachel’s testimony. Her abrasive demeanour and tendency to go off on a tangent about the state of unmarried and divorced women and how awful Elisha is as a person despite any attempt to make her stop are hilarious enough to make even Vivianne start laughing.
to:
* FunnyMoments: SugarWiki/FunnyMoments: Rachel’s testimony. Her abrasive demeanour and tendency to go off on a tangent about the state of unmarried and divorced women and how awful Elisha is as a person despite any attempt to make her stop are hilarious enough to make even Vivianne start laughing.
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Changed line(s) 1 (click to see context) from:
* BigLippedAlligatorMoment: The minute-and-a-half-long scene around the late-middle of the film, when there is a long close-up shot on Vivanne’s face as it gradually turns from serious with flashes of being about to cry to a faint smile, with the sombre theme music in the background. It’s completely unexplained and unrelated to the rest of the plot, albeit a rather poignant piece of acting.
to:
* BigLippedAlligatorMoment: The minute-and-a-half-long scene around the late-middle of the film, when there is a long close-up shot on Vivanne’s face as it gradually turns from serious with flashes of being about to cry to a faint smile, with the sombre theme music in the background. It’s completely unexplained and unrelated to the rest of the plot, albeit it is a rather very poignant piece of acting.
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Changed line(s) 2 (click to see context) from:
* FunnyMoments: Rachelle’s testimony. Her abrasive demeanour and tendency to go off on a tangent about the state of unmarried and divorced women and how awful Elisha is as a person despite any attempt to make her stop are hilarious enough to make even Vivianne start laughing.
to:
* FunnyMoments: Rachelle’s Rachel’s testimony. Her abrasive demeanour and tendency to go off on a tangent about the state of unmarried and divorced women and how awful Elisha is as a person despite any attempt to make her stop are hilarious enough to make even Vivianne start laughing.laughing.
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Added DiffLines:
* BigLippedAlligatorMoment: The minute-and-a-half-long scene around the late-middle of the film, when there is a long close-up shot on Vivanne’s face as it gradually turns from serious with flashes of being about to cry to a faint smile, with the sombre theme music in the background. It’s completely unexplained and unrelated to the rest of the plot, albeit a rather poignant piece of acting.
* FunnyMoments: Rachelle’s testimony. Her abrasive demeanour and tendency to go off on a tangent about the state of unmarried and divorced women and how awful Elisha is as a person despite any attempt to make her stop are hilarious enough to make even Vivianne start laughing.
* FunnyMoments: Rachelle’s testimony. Her abrasive demeanour and tendency to go off on a tangent about the state of unmarried and divorced women and how awful Elisha is as a person despite any attempt to make her stop are hilarious enough to make even Vivianne start laughing.
