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* MisplacedWildlife: One shot in "Deliver Us" shows several, presumably wild generic monkeys. Even though monkey-like primates (i.e. [[UsefulNotes/PrehistoricLifeMammals ''Apidium'']]) have lived there for most of the Age of Mammals, it's unlikely that any native primates other than baboons and humans survived in Egypt after the drying out of the Sahara. Possibly [[JustifiedTrope justifiable]] if they were brought there from elsewhere in the Old World.
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* GoodTimesMontage: During the song "Through Heaven's Eyes" we see Moses being welcomed by Jethro and his people, finding peace and happiness as a shepherd, and finally marrying Tziporrah.
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** Hotep and Hui have one in "Playing With the Big Boys Now", even if in the end they couldn't back it up:
--->'''Hotep''': So you think you have friends in high places, with the power to put us on the run...\\
'''Hui''': Well, forgive us these smiles on our faces, you'll know what power is when we are done...\\
'''Both''': [[SmugSnake Son.]]

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Rewicked Bare Your Midriff to Chainmail Bikini and Go Go Enslavement and removed a ZCE that is in better context on the character page.


* BareYourMidriff: Zigzagged. Tzipporah is first introduced in an outfit with a midriff-baring top. She wears a different outfit that averts the trope for the rest of the movie. Justified, since she was introduced as a concubine for Rameses.
** Interestingly, Rameses is a WalkingShirtlessScene for a majority of the film, but he's seen wearing one of these tops during the [[spoiler: confrontation at the Red Sea]], not only making him a RareMaleExample of this trope, but also a rare downgrade from a WalkingShirtlessScene to a BareYourMidriff, ''and'' a total inversion of Tzipporah as well. However, his example is in a less fanservicey [[{{Pun}} fashion]] than hers.



* BigFun: Jethro.


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* ChainmailBikini: {{Downplayed|Trope}} The armor that Rameses wears during the climax only covers his chest, leaving his stomach exposed. It's also historically {{Justified|Trope}}, since the armor was based on one of the murals found in one of the real Rameses the Great's temples.


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* GoGoEnslavement: {{Downplayed|Trope}}. When Tzipporah is presented to Rameses and Moses, she's wearing a more reaveling outfit than the one she'd wear for the rest of the film.
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** Interestingly, Rameses is a WalkingShirtlessScene for a majority of the film, but he's seen wearing one of these tops during the [[spoiler: confrontation at the Red Sea]], not only making him a a RareMaleExample of this trope, but also a rare downgrade from a WalkingShirtlessScene to a BareYourMidriff, ''and'' a total inversion of Tzipporah as well. However, his example is in a less fanservicey [[{{Pun}} fashion]] than hers.

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** Interestingly, Rameses is a WalkingShirtlessScene for a majority of the film, but he's seen wearing one of these tops during the [[spoiler: confrontation at the Red Sea]], not only making him a a RareMaleExample of this trope, but also a rare downgrade from a WalkingShirtlessScene to a BareYourMidriff, ''and'' a total inversion of Tzipporah as well. However, his example is in a less fanservicey [[{{Pun}} fashion]] than hers.
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** In Exodus Moses actually had Aaron speak to Pharaoh on his behalf and also perform most of the miracles, as Moses was a poor orator. In this film Moses speaks to Pharaoh himself, which is common in adaptations of Exodus.

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** In Exodus Moses actually had Aaron speak to Pharaoh on his behalf and also perform most of the miracles, as Moses was a poor orator. This is the [[AdaptationalContextChange original context]] in which Moses objects to being chosen as God's spokesman which provokes God's heated response "Who made man's mouth?". In this film Moses speaks to Pharaoh himself, which is common in adaptations of Exodus.
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** The Bible never identifies Pharaoh by name, but the film goes with Seti I as the Pharaoh who ordered the purge, and Ramses II as the Pharaoh at the time of the Plagues. This is one possibility, but not one considered very likely by most scholars, mostly because Egypt thrived under Ramses II and Canaan was part of the Egyptian Empire during his time. Most scholars today do not even think the Exodus story really happened in the specific manner described in the Bible, time-wise. In fact, the term "Pharaoh" wasn't even used until after Ramses died, so clearly it was written down later.

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** The Bible never identifies Pharaoh by name, but the film goes with Seti I as the Pharaoh who ordered the purge, and Ramses II as the Pharaoh at the time of the Plagues. This is one possibility, but not one considered very likely by most scholars, mostly because Egypt thrived under Ramses II and Canaan was part of the Egyptian Empire during his time. Most scholars today do not even think the Exodus story really happened in the specific manner described in the Bible, time-wise.time-wise; the Plagues likely did happen as legitimate scientific phenomena, though. In fact, the term "Pharaoh" wasn't even used until after Ramses died, so clearly it was written down later.
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** The Bible never identifies Pharaoh by name, but the film goes with Seti I as the Pharaoh who ordered the purge, and Ramses II as the Pharaoh at the time of the Plagues. This is one possibility, but not one considered very likely by most scholars, mostly because Egypt thrived under Ramses II and Canaan was part of the Egyptian Empire during his time. Most scholars today do not even think the Exodus story really happened, or at least not in anything like the manner described in the Bible. In fact, the term "Pharaoh" wasn't even used until after Ramses died, so clearly it was written down later.

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** The Bible never identifies Pharaoh by name, but the film goes with Seti I as the Pharaoh who ordered the purge, and Ramses II as the Pharaoh at the time of the Plagues. This is one possibility, but not one considered very likely by most scholars, mostly because Egypt thrived under Ramses II and Canaan was part of the Egyptian Empire during his time. Most scholars today do not even think the Exodus story really happened, or at least not happened in anything like the specific manner described in the Bible.Bible, time-wise. In fact, the term "Pharaoh" wasn't even used until after Ramses died, so clearly it was written down later.
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Rephrased to remove irrelevent information and add relevant info


* AnimatedMusical: The film won an Oscar for its songs.

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* AnimatedMusical: The film won an Oscar has a song for its songs.most of the major story beats. ''Deliver Us,'' ''Through Heaven's Eyes,'' ''The Plagues,'' and ''When You Believe'' are among the most major.
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* {{Epigraph}}: The film ends on Moses-centric quotations from the Hebrew Bible, the New Testament, and the Qur'an, emphasizing how he became an important figure to all three Abrahamic religions.

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* {{Epigraph}}: The film ends on Moses-centric quotations from the Hebrew Bible, the New Testament, and the Qur'an, Literature/TheQuran, emphasizing how he became an important figure to all three Abrahamic religions.
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* {{Negative Space Wedgie}}: The Angel of Death appears as a strange unexplained comet-like structure as it heralds the last of the Ten Plagues.

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* {{Negative Space Wedgie}}: The Angel of Death appears as a strange unexplained comet-like structure as it heralds the last of the Ten Plagues.
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** "[[https://www.youtube.com/watch?v=NieC8KA0EvI When You Believe]]" has a segment where a children's chorus begins singing in Hebrew a verse praising God for His deliverance of the Isrealites.

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** "[[https://www.youtube.com/watch?v=NieC8KA0EvI When You Believe]]" has a segment where a children's chorus begins singing in Hebrew a verse praising God for His deliverance of the Isrealites. This is an example of the movie having {{shown their work}} as the Hebrews actually do sing a {{Song of Prayer}} after the Exodus in the Bible.
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* AdaptationalWimp: The Egyptian High Priests in the Book of Exodus were genuinely able to recreate both the snake summoning and bloody river miracles. In this movie they're charlatans who make use of trickery to woo the King.


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** God did not harden Rameses' heart in in the movie; instead it was Rameses' hubris alone that results in Egypt's suffering.
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* SolidCartoonFacialStubble: Moses briefly has this in the scene in which he's being bathed by the Midian women. He's never seen with it before or since.


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* ToothStrip: The human characters all have these, but the camels and sheep have lines between the teeth. The closest human aversion in the film can be seen in some close up shots, where the teeth are drawn with noticeable bumps along the lower edge to imply seperate teeth.
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* KissingDiscretionShot: When Moses and Tzipporah are married, the camera shows them as they pull their faces apart from each other, implying Moses has already kissed the bride.
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* ElevenOClockNumber: "When You Believe". Miriam and Tzipporah, later joined in by the newly freed Hebrew slaves, marvel at the wonder and divinity of God, having kept His promise to someday free them through miraculous deeds through Moses, but also at their own enduring human spirit that has lasted through their time in bondage.
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* {{Negative Space Wedgie}}: The Angel of Death appears as a strange unexplained comet-like structure as it heralds the last of the Ten Plagues.

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Added Naked People Are Funny and Modesty Towel. Fixed a red link in the Mockbuster example.


* TheMockbuster: There were not [[WesternAnimation/MosesEygptsGreatPrince one]], not two, but ''three'' direct-to-video cash-ins that were not only released the same year as ''Prince Of Egypt'', but (in the case of two of them) made little to no attempt in changing their titles.

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* TheMockbuster: There were not [[WesternAnimation/MosesEygptsGreatPrince [[WesternAnimation/MosesEgyptsGreatPrince one]], not two, but ''three'' direct-to-video cash-ins that were not only released the same year as ''Prince Of Egypt'', but (in the case of two of them) made little to no attempt in changing their titles. titles.
* ModestyTowel: Downplayed. After being bathed upon arriving in Midian, Moses awkwardly covers his front side with a towel before Jethro gives him one of his own robes.



* NakedPeopleAreFunny: Tzipporah and her sisters all giggle as they watch Moses being bathed.



** Aaron, in the background, when Miriam tells Moses “You’re our brother."

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** Aaron, in the background, when Miriam tells Moses “You’re our brother."" Also, Moses when he realizes that Miriam is right as she's singing him the river lullaby.
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Added Match Cut.

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* MatchCut:
** One shot in The Plagues is of two Egyptian children hiding in their homes from the chaos outside. The cracks in the wall behind them then fade into Moses' face.
** During When You Believe, a tracking shot of a now empty working site has some abandoned pickaxes transition into beams of wood on top of two of the village houses.
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Removed Hands in Pockets.


* HandsInPockets: An accidental example. There's a scene of Moses tending to the sheep right before he meets the burning bush. According to the directors, the animators realized too late that they mistakenly made him barefoot in this scene, making a noticeable continuity error since he has to have sandals to take off at God's order. Their solution was to cover his feet by adding more sheep because it was easier than reanimating what they already had.

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Added Hands in Pockets.


** ZigzaggedTrope with Moses' staff devouring Huy and Hotep's snakes. The shot initially cuts away from the three snakes striking at one another to their shadows, showing Moses' snatching one of the others, before cutting to Hotep and Huy singing, then cutting back to the shadow of Moses' snake now devouring both of the others, then panning back to Moses' snake as the tails of the other snakes disappear down its throat.

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** ZigzaggedTrope {{Zigzagged|Trope}} with Moses' staff devouring Huy and Hotep's snakes. The shot initially cuts away from the three snakes striking at one another to their shadows, showing Moses' snatching one of the others, before cutting to Hotep and Huy singing, then cutting back to the shadow of Moses' snake now devouring both of the others, then panning back to Moses' snake as the tails of the other snakes disappear down its throat.


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* HandsInPockets: An accidental example. There's a scene of Moses tending to the sheep right before he meets the burning bush. According to the directors, the animators realized too late that they mistakenly made him barefoot in this scene, making a noticeable continuity error since he has to have sandals to take off at God's order. Their solution was to cover his feet by adding more sheep because it was easier than reanimating what they already had.
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* MaybeMagicMaybeMundane: Hotep and Huy's snake conjuration was done with such theatrics that it is hard to tell if they actually did magic or just managed some sleight of hand, although at some points in their song, the positions they're in could only be managed by {{Offscreen Teleportation}}, walking off in one direction and coming in from another, or disappearing in a puff of smoke (unless they had some ''very'' well-trained slaves acting as body doubles). They also do some unambiguous magic in the same song, summoning glowing sigils in the air and controlling flames; it makes the actual stick-to-snake trick seem kind of petty. Their attempt at turning water to blood and other "magic", however, is demonstrably accomplished through showmanship and artificial tools.[[note]]While the stick-to-snake trick had a lot of unnecessary flash, it's rather hard to believe two cowards like them would handle live snakes - that haven't even been defanged! - barehanded unless they had ''something'' controlling the critters.[[/note]]

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* MaybeMagicMaybeMundane: Hotep and Huy's snake conjuration was done with such theatrics that it is hard to tell if they actually did magic or just managed some sleight of hand, although at some points in their song, the positions they're in could only be managed by {{Offscreen Teleportation}}, walking off in one direction and coming in from another, or disappearing in a puff of smoke (unless they had some ''very'' well-trained slaves acting as body doubles). They also do some unambiguous magic in the same song, summoning glowing sigils in the air and controlling flames; it makes the actual stick-to-snake trick seem kind of petty. Although this could just be musical convention rather than actually happening InUniverse. Their attempt at turning water to blood and other "magic", however, is demonstrably accomplished through showmanship and artificial tools.[[note]]While the stick-to-snake trick had a lot of unnecessary flash, it's rather hard to believe two cowards like them would handle live snakes - that haven't even been defanged! - barehanded unless they had ''something'' controlling the critters.[[/note]]
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* DisappointingHeritageReveal: Moses is initially horrified when he discovers he is of Jewish heritage, since the Jews are enslaved under his adoptive family (and he has grown up believing that the Jews are lesser because of this). This leads to his BSODSong "All I Ever Wanted", where he tries to deny this and say he's still a prince of Egypt. This is subverted when he discovers that the only reason he was given away was because his adoptive father was murdering Jewish infants, leading to a HeritageFaceTurn.
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Critical Research Failure is a disambiguation page


* AnachronismStew: For all the filmmakers' efforts to accurately portray 19th-Dynasty Egypt, [[CriticalResearchFailure some mistakes managed to slip through the cracks]]:

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* AnachronismStew: For all the filmmakers' efforts to accurately portray 19th-Dynasty Egypt, [[CriticalResearchFailure some mistakes managed to slip through the cracks]]:cracks:
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Added Sympathetic P.O.V.

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* SympatheticPOV: The film does this with Rameses, focusing equally on him and Moses. He's generally shown as a nice guy struggling between responsibility and his own feelings (but with two {{Evil Chancellor}}s) who genuinely loves his (foster) brother. It's just that at the same time he doesn't see the Hebrew slaves suffering and dying for his empire as people, and every step Moses takes to try and free them only makes him act increasingly villainous.
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''Deliver us, there's a land you promised us.''\\

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''Deliver us, there's a land you You promised us.''\\



--->''I send the locusts on a wind/Such as the world has never seen/On every leaf, on every stalk/Until there's nothing left of green/I send my scourge, I send my sword/THUS SAITH THE LORD.''

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--->''I send the locusts on a wind/Such as the world has never seen/On every leaf, on every stalk/Until there's nothing left of green/I send my My scourge, I send my My sword/THUS SAITH THE LORD.''



I send my scourge, I send my sword\\

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I send my My scourge, I send my My sword\\



* SelfImposedExile: Moses' departure from Egypt was an act of self-exile, unlike in [[Literature/TheBible the source material]] (where he fled to escape punishment) and ''Film/TheTenCommandments1956'' (where it ''is'' his punishment).

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* SelfImposedExile: Moses' Moses's departure from Egypt was an act of self-exile, unlike in [[Literature/TheBible the source material]] (where he fled to escape punishment) and ''Film/TheTenCommandments1956'' (where it ''is'' his punishment).
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Added context to Four-Philosophy Ensemble.


%%* FourPhilosophyEnsemble:
%%** The Cynic - Aaron
%%** The Optimist - Miriam. No matter how hard her life as a slave gets, she never loses faith, and she encourages those around her to do the same.
%%** The Realist - Moses
%%** The Apathetic One - Tzipporah

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%%* * FourPhilosophyEnsemble:
%%** ** The Cynic - Aaron
%%**
Aaron. Years of slavery have stolen his faith from him, and he's initially hostile towards Moses for trying to intervene (and unintentionally making things worse). He also tries to keep Miriam from doing anything reckless to keep her out of trouble.
**
The Optimist - Miriam. No matter how hard her life as a slave gets, she never loses faith, and she encourages those around her to do the same.
%%** ** The Realist - Moses
%%**
Moses. He serves as a middle ground between Miriam and Aaron, knowing that the harsh treatment of the Hebrews is unacceptable, but not impossible to be freed from.
**
The Apathetic One - TzipporahTzipporah. The thing she cares about most when it comes to the whole situation is that Moses is unharmed.
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Added context to Bible Times and started to add context to Four Philosphy Ensemble.


%% * BibleTimes

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%% * BibleTimesBibleTimes: Since it's an adaptation of Exodus, it's natural that it would take place in these times.



%%** The Optimist - Miriam

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%%** The Optimist - MiriamMiriam. No matter how hard her life as a slave gets, she never loses faith, and she encourages those around her to do the same.



%% * GettingCrapPastThe Radar: Due to overwhelming and persistent misuse, GCPTR is on-page examples only until 01 June 2021. If you are reading this in the future, please check the trope page to make sure your example fits the current definition.

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%% * GettingCrapPastThe Radar: GettingCrapPastTheRadar: Due to overwhelming and persistent misuse, GCPTR is on-page examples only until 01 June 2021. If you are reading this in the future, please check the trope page to make sure your example fits the current definition.
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* CherubicChoir: When the Israelites are finally leaving Egypt, a song of praise to God is being sung by children in the background. In Hebrew, no less. The song in question is taken straight from the original Biblical text of the song sung by the Hebrews while crossing the Red Sea.

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* CherubicChoir: When the Israelites are finally leaving Egypt, a Hebrew song of praise to God is being sung by children in the background. In Hebrew, no less.background, starting with one young girl's voice that is soon joined by several, turning from lighthearted to joyous. The song in question is taken straight from the original Biblical text of the song sung by the Hebrews while crossing the Red Sea.
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* WalkingShirtlessScene: Moses (until he goes back to the Hebrews) and Rameses.

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* WalkingShirtlessScene: Nearly every male character due to the scorching desert heat, including Moses (until he goes back to the Hebrews) and Rameses.

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