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* BadBoss: An informed trait with the Green Goose, as Ali and Bobo spent a good portion of the movie [[YouHaveFailedMed worried about what he'd do to them]] if they didn't do away with Fred (who they thought was Slag). Apart from the fact that the Green Goose actually wanted Slag alive in order to get information on the anti-missile-missile that could ruin his plan, he didn't display any kind of hostility towards his cronies, even congratulating Ali and Bobo when they brought him the information he was after.

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* BadBoss: An informed trait with the Green Goose, as Ali and Bobo spent a good portion of the movie [[YouHaveFailedMed [[YouHaveFailedMe worried about what he'd do to them]] if they didn't do away with Fred (who they thought was Slag). Apart from the fact that the Green Goose actually wanted Slag alive in order to get information on the anti-missile-missile that could ruin his plan, he didn't display any kind of hostility towards his cronies, even congratulating Ali and Bobo when they brought him the information he was after.
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* BadBoss: An informed trait with the Green Goose, as Ali and Bobo spent a good portion of the movie [[YouHaveFailedMed worried about what he'd do to them]] if they didn't do away with Fred (who they thought was Slag). Apart from the fact that the Green Goose actually wanted Slag alive in order to get information on the anti-missile-missile that could ruin his plan, he didn't display any kind of hostility towards his cronies, even congratulating Ali and Bobo when they brought him the information he was after.


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* DramaticIrony: In the climax, Fred, unaware that Chief Bolder had been incapacitated by Ali and Bobo, remained calm and cool against the Green Goose, even as Barney was being stretched on the rack[[note]]which actually adds another layer of cringe to his torture[[/note]]. It's only when Ali and Bobo show up that Fred finally learns that he and Barney are on their own.

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If this is too much of a stretch, go ahead and remove.


* CoversAlwaysLie: The film's promotional image (seen above) features two FemmeFatale characters, the implication being they'd play important supporting roles to Fred's spy. In truth, only one of them has plot relevance (Tanya, the one wearing a hat-mask) while the other lady doesn't even exist in the story proper, but as a mere figment of Fred's imagination (seen briefly during the "Spy Type Guy" song number). The same image also shows three spy gadgets, but the first two only appear in the aforementioned musical number.

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* CoversAlwaysLie: CoversAlwaysLie:
**
The film's promotional image (seen above) features two FemmeFatale characters, the implication being they'd play important supporting roles to Fred's spy. In truth, only one of them has plot relevance (Tanya, the one wearing a hat-mask) while the other lady doesn't even exist in the story proper, but as a mere figment of Fred's imagination (seen briefly during the "Spy Type Guy" song number). The same image also shows three spy gadgets, but the first two only appear in the aforementioned musical number.number.
** Downplayed with the blurb "Hear Fred, Wilma, Barney and Betty sing seven bright new songs!". While there are seven lyrical songs in the film (assuming that the beginning and ending theme count as the same song), Fred and Barney are only shown directly singing one ("Team Mates"). Wilma and Betty do not get any at all.
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* CoversAlwaysLie: The film's promotional image (seen above) features two FemmeFatale characters, the implication being they'd play important supporting roles to Fred's spy. In truth, only one of them has plot relevance (Tanya, the one wearing a hat-mask) while the other lady doesn't even exist in the story proper, but as a mere figment of Fred's imagination (seen briefly during the "Spy Type Guy" song number).

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* CoversAlwaysLie: The film's promotional image (seen above) features two FemmeFatale characters, the implication being they'd play important supporting roles to Fred's spy. In truth, only one of them has plot relevance (Tanya, the one wearing a hat-mask) while the other lady doesn't even exist in the story proper, but as a mere figment of Fred's imagination (seen briefly during the "Spy Type Guy" song number). The same image also shows three spy gadgets, but the first two only appear in the aforementioned musical number.
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Per wick cleanup.


%% * GettingCrapPastThe Radar: Due to overwhelming and persistent misuse, GCPTR is on-page examples only until 01 June 2021. If you are reading this in the future, please check the trope page to make sure your example fits the current definition.
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* CoversAlwaysLie: The film's promotional image (seen above) features two FemmeFatale women, the implication being they'd play important supporting roles to Fred's spy. In truth, only one of them has plot relevance (Tanya, the one wearing a hat-mask) while the other lady doesn't even exist in the story proper, merely as a figment of Fred's imagination (seen briefly during the "Spy Type Guy" song number).

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* CoversAlwaysLie: The film's promotional image (seen above) features two FemmeFatale women, characters, the implication being they'd play important supporting roles to Fred's spy. In truth, only one of them has plot relevance (Tanya, the one wearing a hat-mask) while the other lady doesn't even exist in the story proper, merely but as a mere figment of Fred's imagination (seen briefly during the "Spy Type Guy" song number).
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* CoversAlwaysLie: The film's promotional image (seen above) features two FemmeFatale women, the implication being they'd play important supporting roles to Fred's spy. In truth, only one of them has plot relevance (Tanya, the one wearing a hat-mask) while the other lady doesn't even exist in the story proper, merely as a figment of Fred's imagination (seen briefly during the "Spy Type Guy" song number).
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''The Man Called Flintstone'' is a 1966 American animated musical comedy film produced by Creator/HannaBarbera and released by Creator/ColumbiaPictures. It was the second Hanna-Barbera feature, after ''Hey There, It's Yogi Bear!'' (1964). The film is a theatrical spin-off of the 1960-66 television series, ''WesternAnimation/TheFlintstones'', and is a SwanSong of the TV show, made immediately following the end of production on the series. The working title of the film was ''That Man Flintstone'', with the film poster featuring Fred in the same pose of the Bob Peak poster for ''Film/OurManFlint''. The film is a parody of the James Bond films. This is the only animated ''Flintstones'' film to get a theatrical release and the only feature-length film (there have been several made-for-TV movies) to feature the original 1960-66 series voice cast (almost; Betty is still voiced by Gerry Johnson in this film).[[note]]This is also the first time Henry Corden appears as Fred, although it's just for Fred's singing voice in "Teammates". He would go on to succeed Alan Reed as the official voice of Fred beginning in the late 1970s.[[/note]]

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''The Man Called Flintstone'' is a 1966 American animated musical comedy film produced by Creator/HannaBarbera and released by Creator/ColumbiaPictures. It was the second Hanna-Barbera feature, after ''Hey There, It's Yogi Bear!'' ''WesternAnimation/HeyThereItsYogiBear'' (1964). The film is a theatrical spin-off of the 1960-66 television series, ''WesternAnimation/TheFlintstones'', and is a SwanSong of the TV show, made immediately following the end of production on the series. The working title of the film was ''That Man Flintstone'', with the film poster featuring Fred in the same pose of the Bob Peak poster for ''Film/OurManFlint''. The film is a parody of the James Bond films. This is the only animated ''Flintstones'' film to get a theatrical release and the only feature-length film (there have been several made-for-TV movies) to feature the original 1960-66 series voice cast (almost; Betty is still voiced by Gerry Johnson in this film).[[note]]This is also the first time Henry Corden appears as Fred, although it's just for Fred's singing voice in "Teammates". He would go on to succeed Alan Reed as the official voice of Fred beginning in the late 1970s.[[/note]]

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* WholePlotReference: The basic plot of the movie is taken wholesale from the James Bond novel ''Literature/{{Moonraker}}''.

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* WholePlotReference: WholePlotReference:
**
The basic plot of the movie is taken wholesale from the James Bond novel ''Literature/{{Moonraker}}''.

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* BaitAndSwitch: the opening sequence sets up that Fred is being chased by Ali and Bobo, apparently beginning his role as a superspy ''in media res'', but it turns out to be secret agent Rock Slag instead, who just so happens to be identical to Fred, down to wearing Fred's typical wardrobe in the scene.

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* BaitAndSwitch: the The opening sequence sets up that Fred is being chased by Ali and Bobo, apparently beginning his role as a superspy ''in media res'', but it turns out to be secret agent Rock Slag instead, who just so happens to be identical to Fred, down to wearing Fred's typical wardrobe in the scene.


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* BoundAndGagged: During he song "Spy Type Guy", Fred has a FantasySequence where he imagines himself as a spy. At one point, he performs a MetronomicManMashing to a bad guy next to a woman who is gagged and tied up to a chair.
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* BaitAndSwitch: the opening sequence sets up that Fred is being chased by Ali and Bobo, apparently beginning his role as a superspy ''in media res'', but it turns out to be secret agent Rock Slag instead, who just so happens to be identical to Fred.

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* BaitAndSwitch: the opening sequence sets up that Fred is being chased by Ali and Bobo, apparently beginning his role as a superspy ''in media res'', but it turns out to be secret agent Rock Slag instead, who just so happens to be identical to Fred.Fred, down to wearing Fred's typical wardrobe in the scene.
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-->'''Bobo:''' We'll die like dogs.

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-->'''Bobo:''' We'll live like kings! ''(sees Fred)'' We'll die like dogs.



** This movie recycles the plots of Fred being a double for a powerful lookalike from the episodes ''The Tycoon'' and ''King for a Knight'' & the James Bond parody from the episodes ''Dr. Sinister'' and ''The Stonefinger Caper''.

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** This movie recycles the plots of Fred being a double for a powerful lookalike from the episodes ''The Tycoon'' and ''King for a Knight'' Night'' & the James Bond parody from the episodes ''Dr. Sinister'' and ''The Stonefinger Caper''.
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* BaitAndSwitch: the opening sequence sets up that Fred is being chased by Ali and Bobo, apparently beginning his role as a superspy ''in media res'', but it turns out to be secret agent Rock Slag instead, who just so happens to be identical to Fred.

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What The Hell Hero is specifically for in-universe reactions. (And besides, this is already covered on this page under Nice Job Breaking It Hero)


* FakeUltimateHero: What agent Rock Slag ultimately amounts to. For all the shilling he gets from Chief Boulder, he does nothing throughout his appearances except getting beaten up and humiliated one way or another. He never once even displays a lick of resourcefulness, unlike Fred, who ironically ends up doing Slag's job far better than he does.



* FakeUltimateHero: What agent Rock Slag ultimately amounts to. For all the shilling he gets from Chief Boulder, he does nothing throughout his appearances except getting beaten up and humiliated one way or another. He never once even displays a lick of resourcefulness, unlike Fred, who ironically ends up doing Slag's job far better than he does.



* WhatTheHellHero: Wilma and the Rubbles believe Fred is cheating on her, and left the restaurant. Where Rock Slag just arrived and opens the cab door for her, only to get beaten up by Wilma and the Rubbles thinking he's Fred trying to sweet-talk her.
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* DemotedToExtra: Bamm-Bamm has no dialogue in the movie. Pebbles is largely unimportant, but gets two musical numbers (one of them helping to motivate Fred to continue his espionage job). Dino and Hoppy only appear at the very beginning, although their appearance does kick off the entire plot, with an injury Fred receives while returning from taking them to an animal shelter while he's out of town is what results in him going to the same hospital Rock happens to be in.

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* DemotedToExtra: Bamm-Bamm has no dialogue in the movie. Pebbles is largely unimportant, but gets two musical numbers (one of them helping to motivate Fred to continue his espionage job). Dino and Hoppy only appear at the very beginning, although their appearance does [[SmallRoleBigImpact kick off the entire plot, plot]], with an injury Fred receives while returning from taking them to an animal shelter while he's out of town is what results in him going to the same hospital Rock happens to be in.
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* FakeUltimateHero: What agent Rock Slag ultimately amounts to. For all the shilling he gets from Chief Boulder, he does nothing throughout his appearances except getting beaten up and humiliated one way or another. He never once even displays a lick of resourcefulness, unlike Fred, who ironically ends up doing Slag's job far better than he does.
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Cross-wicking and adding a new example

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* FailureMontage: Two songs during the movie feature these:
** An antagonistic example occurs in "The Happy Sounds of Pareé". While the Flintstones and Rubbles tour Paris, Ali and Bobo keep attempting to take out Fred with increasingly complex plots, only for it to [[HoistByHisOwnPetard backfire on themselves]].
** "Pensate Amore" takes place in a FantasySequence with Fred and Wilma in a medieval setting. All of Fred's attempts to reach Wilma at the balcony of a tower end in failure. When it looks like Wilma has given up on him, Fred walks off sad, but Wilma sends little angels that carry Fred to her.


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* GayParee: Various sights of Paris were seen during a song number, depicting it as a Stone Age version of this trope. Unusually for the series, Paris doesn't have a "prehistoric" rock-pun name, though the wood-and-stone-constructed "Eiffelrock Tower" is shown.


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* OutsideRide: As a result of having "last-class tickets" for the plane that the Flintstones also take, the Rubbles have seats on the wing of the plane. This previously happened in the original series episode "Deep in the Heart of Texarock" with Fred and Barney.
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* ThoseTwoBadGuys: Ali and Bobo.
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* GettingCrapPastTheRadar: The oddball Hungarian dub managed to rewrite the entire plot to be about drugs, many of them explicitly named, under strict communist censorship at that. Also, Fred at one point mentions Triple X may be disguised as a prostitute.

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%% * GettingCrapPastTheRadar: The oddball Hungarian dub managed GettingCrapPastThe Radar: Due to rewrite overwhelming and persistent misuse, GCPTR is on-page examples only until 01 June 2021. If you are reading this in the entire plot future, please check the trope page to be about drugs, many of them explicitly named, under strict communist censorship at that. Also, Fred at one point mentions Triple X may be disguised as a prostitute.make sure your example fits the current definition.
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'''''The Man Called Flintstone''''' is a 1966 American animated musical comedy film produced by Creator/HannaBarbera and released by Creator/ColumbiaPictures. It was the second Hanna-Barbera feature, after ''Hey There, It's Yogi Bear!'' (1964). The film is a theatrical spin-off of the 1960-66 television series, ''WesternAnimation/TheFlintstones'', and is a SwanSong of the TV show, made immediately following the end of production on the series. The working title of the film was ''That Man Flintstone'', with the film poster featuring Fred in the same pose of the Bob Peak poster for ''Film/OurManFlint''. The film is a parody of the James Bond films. This is the only animated ''Flintstones'' film to get a theatrical release and the only feature-length film (there have been several made-for-TV movies) to feature the original 1960-66 series voice cast (almost; Betty is still voiced by Gerry Johnson in this film).[[note]]This is also the first time Henry Corden appears as Fred, although it's just for Fred's singing voice in "Teammates". He would go on to succeed Alan Reed as the official voice of Fred beginning in the late 1970s.[[/note]]

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'''''The ''The Man Called Flintstone''''' Flintstone'' is a 1966 American animated musical comedy film produced by Creator/HannaBarbera and released by Creator/ColumbiaPictures. It was the second Hanna-Barbera feature, after ''Hey There, It's Yogi Bear!'' (1964). The film is a theatrical spin-off of the 1960-66 television series, ''WesternAnimation/TheFlintstones'', and is a SwanSong of the TV show, made immediately following the end of production on the series. The working title of the film was ''That Man Flintstone'', with the film poster featuring Fred in the same pose of the Bob Peak poster for ''Film/OurManFlint''. The film is a parody of the James Bond films. This is the only animated ''Flintstones'' film to get a theatrical release and the only feature-length film (there have been several made-for-TV movies) to feature the original 1960-66 series voice cast (almost; Betty is still voiced by Gerry Johnson in this film).[[note]]This is also the first time Henry Corden appears as Fred, although it's just for Fred's singing voice in "Teammates". He would go on to succeed Alan Reed as the official voice of Fred beginning in the late 1970s.[[/note]]
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* NeverSayDie: While it’s not confirmed that they die, [[spoiler:the Green Goose and his henchmen are defeated when they are trapped inside of a missile heading into space]]. Their chances aren’t great.

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* RecycledScript: The Man Called Flintstone recycles the plots of Fred being a double for a powerful lookalike from the episodes ''The Tycoon'' and ''King for a Knight'' & the James Bond parody from the episodes ''Dr. Sinister'' and ''The Stonefinger Caper''



** Fred being mistaken for a spy had also been the focus of one of the TV episodes.

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** This movie recycles the plots of Fred being mistaken a double for a spy had also been powerful lookalike from the focus of one of episodes ''The Tycoon'' and ''King for a Knight'' & the TV episodes.James Bond parody from the episodes ''Dr. Sinister'' and ''The Stonefinger Caper''.
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* RecycledScript: The Man Called Flintstone recycles the plots of Fred being a double for a powerful lookalike from the episodes ''The Tycoon'' and ''King for a Knight'' & the James Bond parody from the episodes ''Dr. Sinister'' and ''The Stonefinger Caper''
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Added DiffLines:

* RecycledScript: The Man Called Flintstone recycles the plots of Fred being a double for a powerful lookalike from the episodes ''The Tycoon'' and ''King for a Knight'' & the James Bond parody from the episodes ''Dr. Sinister'' and ''The Stonefinger Caper''


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* RecycledScript: The Man Called Flintstone recycles the plots of Fred being a double for a powerful lookalike from the episodes ''The Tycoon'' and ''King for a Knight'' & the James Bond parody from the episodes ''Dr. Sinister'' and ''The Stonefinger Caper''
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None

Added DiffLines:

* GettingCrapPastTheRadar: The oddball Hungarian dub managed to rewrite the entire plot to be about drugs, many of them explicitly named, under strict communist censorship at that. Also, Fred at one point mentions Triple X may be disguised as a prostitute.
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* FaceDeathWithDignity: When Fred and Barney wind up trapped in the Green Goose's missile, which is soon to take off, their morose but accept their fate and change the settings so no one else can get hurt.

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* FaceDeathWithDignity: When Fred and Barney wind up trapped in the Green Goose's missile, which is soon to take off, their they're morose but accept their fate and change the settings so no one else can will get hurt.
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* FaceDeathWithDignity: When Fred and Barney wind up trapped in the Green Goose's missile, which is soon to take off, their morose but accept their fate and change the settings so no one else can get hurt.


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* ThrowTheDogABone: After Fred's unwitting spy role keeps him out all night he returns to the hotel expecting Wilma to be ready to clobber him but discovers she fell asleep waiting for him instead. He's able to pretend that he made it back during the night, saving him some grief for one time in the film.
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%%* BigDamnMovie

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%%* BigDamnMovie* BigDamnMovie: While most standard episodes of the TV series were wacky sitcom hijinx, the film's plot is a global-spanning adventure involving Fred having to stop a criminal mastermind holding the world hostage.
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That's my understanding, anyway.


'''''The Man Called Flintstone''''' is a 1966 American animated musical comedy film produced by Creator/HannaBarbera and released by Creator/ColumbiaPictures. It was the second Hanna-Barbera feature, after ''Hey There, It's Yogi Bear!'' (1964). The film is a theatrical spin-off of the 1960-66 television series, ''WesternAnimation/TheFlintstones'', and is a SwanSong of the TV show, made immediately following the end of production on the series. The working title of the film was ''That Man Flintstone'', with the film poster featuring Fred in the same pose of the Bob Peak poster for ''Film/OurManFlint''. The film is a parody of the James Bond films. This is the only animated ''Flintstones'' film to get a theatrical release and the only feature-length film (there have been several made-for-TV movies) to feature the original 1960-66 series voice cast.

to:

'''''The Man Called Flintstone''''' is a 1966 American animated musical comedy film produced by Creator/HannaBarbera and released by Creator/ColumbiaPictures. It was the second Hanna-Barbera feature, after ''Hey There, It's Yogi Bear!'' (1964). The film is a theatrical spin-off of the 1960-66 television series, ''WesternAnimation/TheFlintstones'', and is a SwanSong of the TV show, made immediately following the end of production on the series. The working title of the film was ''That Man Flintstone'', with the film poster featuring Fred in the same pose of the Bob Peak poster for ''Film/OurManFlint''. The film is a parody of the James Bond films. This is the only animated ''Flintstones'' film to get a theatrical release and the only feature-length film (there have been several made-for-TV movies) to feature the original 1960-66 series voice cast.
cast (almost; Betty is still voiced by Gerry Johnson in this film).[[note]]This is also the first time Henry Corden appears as Fred, although it's just for Fred's singing voice in "Teammates". He would go on to succeed Alan Reed as the official voice of Fred beginning in the late 1970s.[[/note]]

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