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Dull Surprise is a minor expression by the characters, not by the audience.
Changed line(s) 16 (click to see context) from:
* AdaptedOut: Almost all the characters. The only characters who really averts this are Quasimodo and Pierre. Melody and Jean Claude are modified characters.
to:
* AdaptedOut: Almost all the characters. The only characters who really averts avert this are Quasimodo and Pierre. Melody and Jean Claude are modified characters.
Deleted line(s) 34 (click to see context) :
* DullSurprise: Unless you missed Pierre explaining that Quasimodo and Jean Claude are half-brothers, TheReveal will be a huge surprise to you.
Changed line(s) 49 (click to see context) from:
* InNameOnly: The narrative is completely different. This seems more of a Beauty and the Beast story than one of the Hunchback. The [[Disney/TheHunchbackOfNotreDame Disney version]] had more to do with the source material than this. The trope also extends to the few remnants of the book, especially Quasimodo.
to:
* InNameOnly: The narrative is completely different. This seems more of a Beauty and the Beast story than one of the Hunchback. The [[Disney/TheHunchbackOfNotreDame Disney version]] had more to do with the source material than this. The trope also extends to the few remnants of the book, especially Quasimodo.Quasimodo, who is nor ugly nor a real hunchback.
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Added DiffLines:
* HeroesWantRedheads: Melody to Quasimodo, although he can barely be considered a hero.
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Taking one trope for explaining in YMMV
Deleted line(s) 62 (click to see context) :
* StandardSnippet: The opening song has some parts of the Can Can.
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Changed line(s) 25 (click to see context) from:
* BrokenAesop: The movie is supposed to teach that TrueBeautyIsOnTheInside, but Quasimodo became beautiful, so the moral is: looks don't matter as long as you're handsome. Not helping by the fact that Quasimodo doesn't even look grotesque in the first place.
to:
* BrokenAesop: The movie is supposed to teach that TrueBeautyIsOnTheInside, but Quasimodo became beautiful, so the moral is: looks don't matter as long as you're handsome. Not helping by the fact that Quasimodo doesn't even look grotesque in the first place.place and that Quasimodo never does anything noble or heroic during the whole film.
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This abomination is not worthy of spoilers.
Changed line(s) 10,12 (click to see context) from:
* AbledInTheAdaptation: Quasimodo's deafness from the books is absent. Not only that; [[spoiler:he ceases being a hunchback.]]
* AdaptationalAlternateEnding: [[spoiler:Quasimodo and Melody marry and supposedly will live happily ever after]], in contrast to the KillEmAll of the book.
* AdaptationalAttractiveness: Quasimodo cannot really be called ugly, unlike Victor Hugo's creepy one. [[spoiler:He even becomes handsome at the ending.]]
* AdaptationalAlternateEnding: [[spoiler:Quasimodo and Melody marry and supposedly will live happily ever after]], in contrast to the KillEmAll of the book.
* AdaptationalAttractiveness: Quasimodo cannot really be called ugly, unlike Victor Hugo's creepy one. [[spoiler:He even becomes handsome at the ending.]]
to:
* AbledInTheAdaptation: Quasimodo's deafness from the books is absent. Not only that; [[spoiler:he he ceases being a hunchback.]]
hunchback.
* AdaptationalAlternateEnding:[[spoiler:Quasimodo Quasimodo and Melody marry and supposedly will live happily ever after]], after, in contrast to the KillEmAll of the book.
* AdaptationalAttractiveness: Quasimodo cannot really be called ugly, unlike Victor Hugo's creepy one.[[spoiler:He He even becomes handsome at the ending.]]
* AdaptationalAlternateEnding:
* AdaptationalAttractiveness: Quasimodo cannot really be called ugly, unlike Victor Hugo's creepy one.
Changed line(s) 23 (click to see context) from:
* BeautifulAllAlong: [[spoiler: Quasimodo was handsome.]]
to:
* BeautifulAllAlong: [[spoiler: Quasimodo was handsome.]]
Changed line(s) 25 (click to see context) from:
* BrokenAesop: The movie is supposed to teach that TrueBeautyIsOnTheInside, but [[spoiler:Quasimodo became beautiful, so the moral is: looks don't matter as long as you're handsome.]] Not helping by the fact that Quasimodo doesn't even look grotesque in the first place.
to:
* BrokenAesop: The movie is supposed to teach that TrueBeautyIsOnTheInside, but [[spoiler:Quasimodo Quasimodo became beautiful, so the moral is: looks don't matter as long as you're handsome.]] handsome. Not helping by the fact that Quasimodo doesn't even look grotesque in the first place.
Changed line(s) 28 (click to see context) from:
* CainAndAbel: [[spoiler:Quasimodo and Jean Claude are brothers. The latter imprisoned the former in Notre Dame.]]
to:
* CainAndAbel: [[spoiler:Quasimodo Quasimodo and Jean Claude are brothers. The latter imprisoned the former in Notre Dame.]]
Changed line(s) 34 (click to see context) from:
* DullSurprise: [[spoiler:Unless you missed Pierre explaining that Quasimodo and Jean Claude are half-brothers, TheReveal will be a huge surprise to you.]]
to:
* DullSurprise: [[spoiler:Unless Unless you missed Pierre explaining that Quasimodo and Jean Claude are half-brothers, TheReveal will be a huge surprise to you.]]
Changed line(s) 36 (click to see context) from:
* EverybodyLives: [[spoiler: Yes, everybody lives. Including the bad guys.]]
to:
* EverybodyLives: [[spoiler: Yes, everybody lives. Including the bad guys.]]
Changed line(s) 38 (click to see context) from:
* FourthDateMarriage: [[spoiler:Exaggerated. Quasimodo and Melody marry after having known each other for only a few days]].
to:
* FourthDateMarriage: [[spoiler:Exaggerated. Exaggerated. Quasimodo and Melody marry after having known each other for only a few days]].days.
Changed line(s) 43 (click to see context) from:
* TheGrotesque: Quasimodo averts this trope. Even [[spoiler:before his appearance change]], Quasimodo isn't really ugly. [[spoiler:His hunchback status happened because his stepfather forced him to work in the cathedral.]]
to:
* TheGrotesque: Quasimodo averts this trope. Even [[spoiler:before before his appearance change]], change, Quasimodo isn't really ugly. [[spoiler:His His hunchback status happened because his stepfather forced him to work in the cathedral.]]
Changed line(s) 46 (click to see context) from:
* {{Hunk}}: Jean Claude, being an {{Expy}} of Gaston, is handsome and very muscular. [[spoiler: At the climax, Quasimodo is revealed to be a hunk himself]].
to:
* {{Hunk}}: Jean Claude, being an {{Expy}} of Gaston, is handsome and very muscular. [[spoiler: At the climax, Quasimodo is revealed to be a hunk himself]].himself.
Changed line(s) 51 (click to see context) from:
* KarmaHoudini: Jean Claude and his father aren't the best rulers ([[InformedAttribute or the audience is supposed to believe so in the case of the former]]) and [[spoiler:they get off scot-free. The former escaped and the latter stayed as a guest during the ending]].
to:
* KarmaHoudini: Jean Claude and his father aren't the best rulers ([[InformedAttribute or the audience is supposed to believe so in the case of the former]]) and [[spoiler:they they get off scot-free. The former escaped and the latter stayed as a guest during the ending]].ending.
Changed line(s) 57,58 (click to see context) from:
* PeekABangs: Half of Quasimodo's face is covered by his hair. [[spoiler:It's not hiding any deformities like the character is supposed to have.]]
* PlotHole: Melody's song implies that her magical powers are just part of her imagination, but if that was true, that would mean the instruments aren't real and [[spoiler:therefore they couldn't tell Quasimodo not to play the bell.]] If all is real, why doesn't she escape from the jail?
* PlotHole: Melody's song implies that her magical powers are just part of her imagination, but if that was true, that would mean the instruments aren't real and [[spoiler:therefore they couldn't tell Quasimodo not to play the bell.]] If all is real, why doesn't she escape from the jail?
to:
* PeekABangs: Half of Quasimodo's face is covered by his hair. [[spoiler:It's It's not hiding any deformities like the character is supposed to have.]]
have.
* PlotHole: Melody's song implies that her magical powers are just part of her imagination, but if that was true, that would mean the instruments aren't real and[[spoiler:therefore therefore they couldn't tell Quasimodo not to play the bell.]] bell. If all is real, why doesn't she escape from the jail?
* PlotHole: Melody's song implies that her magical powers are just part of her imagination, but if that was true, that would mean the instruments aren't real and
Changed line(s) 60 (click to see context) from:
* SparedByTheAdaptation: Quasimodo. [[spoiler: Well, Every One, really?]]
to:
* SparedByTheAdaptation: Quasimodo. [[spoiler: Well, Every One, really?]]really?
Changed line(s) 66 (click to see context) from:
* UglyHeroGoodLookingVillain: Quasimodo vs. Jean Claude. [[spoiler:Subverted at the climax because Quasimodo was BeautifulAllAlong]].
to:
* UglyHeroGoodLookingVillain: Quasimodo vs. Jean Claude. [[spoiler:Subverted Subverted at the climax because Quasimodo was BeautifulAllAlong]].BeautifulAllAlong.
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Changed line(s) 41 (click to see context) from:
** Even more grating is when they try to do a pun, by showing an image of a toe, and singing “Chateau”. A Chateau is French for a manor house, and nothing to do with feet or toes.
to:
** Even more grating is when they try to do a pun, by showing an image of a toe, toes, and singing “Chateau”. A Chateau “Château”. "Château" is French for "castle" and is also used to refer to a manor house, and nothing to do with feet or toes.
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Changed line(s) 29 (click to see context) from:
* CaptainObvious: "Doing anything against the law is illegal."
to:
* CaptainObvious: At one point, Jean-Claude says "Doing anything against the law is illegal."
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Changed line(s) 5,6 (click to see context) from:
The story is about the hunchback of Notre Dame, Quasimodo, and a gypsy girl called Esmeralda... oops! The gypsy's actual name is [[AdaptationNameChange Melody]]. The troubles are caused by [[CompositeCharacter Jean Claude]], an arrogant, greedy killjoy who wants to stop Melody because he thinks she diminishes the taxes.
to:
The story is about the hunchback of Notre Dame, Quasimodo, and a gypsy girl called Esmeralda... oops! The gypsy's actual name is [[AdaptationNameChange Melody]]. The troubles are caused by [[CompositeCharacter Jean Claude]], an arrogant, greedy killjoy who wants to stop Melody because he thinks she diminishes the taxes.
Changed line(s) 12 (click to see context) from:
* AdaptationalAttractiveness: Quasimodo cannot really be called ugly, unlike Victor Hugo's creepy one. [[spoiler:He even becomes handsome at the ending!]]
to:
* AdaptationalAttractiveness: Quasimodo cannot really be called ugly, unlike Victor Hugo's creepy one. [[spoiler:He even becomes handsome at the ending!]]ending.]]
Changed line(s) 30 (click to see context) from:
* CompositeCharacter: Jean Claude is a composite character of Claude Frollo, his brother Jehan, Phoebus ... And [[Disney/BeautyAndTheBeast Gaston]].
to:
* CompositeCharacter: Jean Claude is a composite character of Claude Frollo, his brother Jehan, Phoebus ... And Phoebus and even [[Disney/BeautyAndTheBeast Gaston]].
Changed line(s) 40 (click to see context) from:
** Jean Claude often has a habit of doing this. Such cases include calling himself “Le Grande Fromage” (Which translates to "The Big Cheese". Yep.), and when he uses a Lasso, he says “Le Yee Haw!”.
to:
** Jean Claude often has a habit of doing this. Such cases include calling himself “Le Grande Fromage” (Which translates to "The Big Cheese". Yep.), Cheese"), and when he uses a Lasso, he says “Le Yee Haw!”.
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Phelous' quote is kind of out of place and borders on complaining. Yes, the film is terrible, but it is not good to push a criticism in the description.
Changed line(s) 25 (click to see context) from:
* BrokenAesop: The movie is supposed to teach that TrueBeautyIsOnTheInside, but [[spoiler:Quasimodo became beautiful, so the moral is: looks don't matter as long as you're handsome.]] Not helping by the fact that Quasimodo doesn't even look grotesque in the first place, as to paraphrase Phelous: "He looked ready to join a boy band."
to:
* BrokenAesop: The movie is supposed to teach that TrueBeautyIsOnTheInside, but [[spoiler:Quasimodo became beautiful, so the moral is: looks don't matter as long as you're handsome.]] Not helping by the fact that Quasimodo doesn't even look grotesque in the first place, as to paraphrase Phelous: "He looked ready to join a boy band."place.
Changed line(s) 37 (click to see context) from:
* FatBastard: The Baron.
to:
* FatBastard: The Baron.Baron is fat and doesn't care for the citizens.
Changed line(s) 45 (click to see context) from:
* HotWitch: Melody.
to:
* HotWitch: Melody.Melody is an actual witch and is pretty.
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It seems unintended, so I cut it.
Deleted line(s) 67 (click to see context) :
* VillainHasAPoint: Jean Claude complains that if people keeps celebrating, he won't have taxes. Needless to say, that's bad for the city.
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None
Changed line(s) 46 (click to see context) from:
* {{Hunk}}: Jean Claude, being an {{Expy}} of Gaston, is handsome and manly. [[spoiler: At the climax, Quasimodo is revealed to be a hunk himself]].
to:
* {{Hunk}}: Jean Claude, being an {{Expy}} of Gaston, is handsome and manly.very muscular. [[spoiler: At the climax, Quasimodo is revealed to be a hunk himself]].
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None
Changed line(s) 25 (click to see context) from:
* BrokenAesop: The movie is supposed to teach that TrueBeautyIsOnTheInside, but [[spoiler:Quasimodo became beautiful, so the moral is: looks don't matter as long as you're handsome.]]
to:
* BrokenAesop: The movie is supposed to teach that TrueBeautyIsOnTheInside, but [[spoiler:Quasimodo became beautiful, so the moral is: looks don't matter as long as you're handsome.]]]] Not helping by the fact that Quasimodo doesn't even look grotesque in the first place, as to paraphrase Phelous: "He looked ready to join a boy band."
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None
Changed line(s) 44 (click to see context) from:
* HotGypsyWoman: Melody.
to:
* HotGypsyWoman: Melody.Melody and a few background gypsy women.
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None
Changed line(s) 10 (click to see context) from:
* AbledInTheAdaptation: Quasimodo's deafness from the books is absent.
to:
* AbledInTheAdaptation: Quasimodo's deafness from the books is absent. Not only that; [[spoiler:he ceases being a hunchback.]]
Changed line(s) 12 (click to see context) from:
* AdaptationalAttractiveness: Quasimodo, to the point of being HollywoodHomely. [[spoiler:He even becomes handsome at the ending!]]
to:
* AdaptationalAttractiveness: Quasimodo, to the point of being HollywoodHomely.Quasimodo cannot really be called ugly, unlike Victor Hugo's creepy one. [[spoiler:He even becomes handsome at the ending!]]
Changed line(s) 48 (click to see context) from:
* InNameOnly: The narrative is completely different. This seems more of a Beauty and the Beast story than one of the Hunchback. The [[Disney/TheHunchbackOfNotreDame Disney version]] had more to do with the source material than this. The trope also extends to the few remnants of the book.
to:
* InNameOnly: The narrative is completely different. This seems more of a Beauty and the Beast story than one of the Hunchback. The [[Disney/TheHunchbackOfNotreDame Disney version]] had more to do with the source material than this. The trope also extends to the few remnants of the book.book, especially Quasimodo.
Changed line(s) 63,64 (click to see context) from:
* {{Talking Animal}}s: The Bats of Notre Dame.
* TheReasonYouSuckSpeech: Quasimodo drops one to Jean Claude, saying that he is oppressive.
* TheReasonYouSuckSpeech: Quasimodo drops one to Jean Claude, saying that he is oppressive.
to:
* {{Talking Animal}}s: TalkingAnimal: The Bats of Notre Dame.
Dame can do some dialogs.
* TheReasonYouSuckSpeech: Quasimodo drops one to Jean Claude,saying that he is oppressive.calling him an oppresor.
* TheReasonYouSuckSpeech: Quasimodo drops one to Jean Claude,
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Changed line(s) 20 (click to see context) from:
** Frollo or Jean Claude or whoever has an aerosol spray can...in the Middle Ages. They also have guns, in the Middle Ages. Mmmhmm.
to:
** Frollo or Jean Claude or whoever has an aerosol spray can...in the Middle Ages. They also have guns, in the Middle Ages. Mmmhmm.
Changed line(s) 29 (click to see context) from:
* CaptainObvious: "Doing anything against the law is illegal." [[SarcasmMode Thanks for that valuable insight, Jean Claude]].
to:
* CaptainObvious: "Doing anything against the law is illegal." [[SarcasmMode Thanks for that valuable insight, Jean Claude]]."
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None
----
* AbledInTheAdaptation: Quasimodo's deafness from the books is absent.
Changed line(s) 14 (click to see context) from:
* AnachronismStew: The story supposedly happens in medieval France, but in the opening song the people are wearing clothes of the 18th and 19th centuries. The Can Can appeared in 1830 and yet the opening song is a StandardSnippet of the Can Can.
to:
* AnachronismStew: AnachronismStew:
** The story supposedly happens in medieval France, but in the opening song the people are wearing clothes of the 18th and 19th centuries. The Can Can appeared in 1830 and yet the opening song is a StandardSnippet of the Can Can.
** The story supposedly happens in medieval France, but in the opening song the people are wearing clothes of the 18th and 19th centuries. The Can Can appeared in 1830 and yet the opening song is a StandardSnippet of the Can Can.
Changed line(s) 35 (click to see context) from:
* GratuitousFrench: Jean Claude often has a habit of doing this. Such cases include calling himself “Le Grande Fromage” (Which translates to "The Big Cheese". Yep.), and when he uses a Lasso, he says “Le Yee Haw!”.
to:
* GratuitousFrench: GratuitousFrench:
** Jean Claude often has a habit of doing this. Such cases include calling himself “Le Grande Fromage” (Which translates to "The Big Cheese". Yep.), and when he uses a Lasso, he says “Le Yee Haw!”.
** Jean Claude often has a habit of doing this. Such cases include calling himself “Le Grande Fromage” (Which translates to "The Big Cheese". Yep.), and when he uses a Lasso, he says “Le Yee Haw!”.
Changed line(s) 51 (click to see context) from:
** '''WebVideo/{{Phelous}}:''' ''(impersonating Pierre)'' I don't suppose you know where my lisp went?
to:
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* AdaptationalAlternateEnding: [[spoiler:Quasimodo and Melody marry and supposedly will live happily ever after]], in contrast to the KillEmAll of the book.
Deleted line(s) 18 (click to see context) :
* AdaptationalAlternateEnding: [[spoiler:Quasimodo and Melody marry and supposedly will live happily ever after]], in contrast to the KillEmAll of the book.
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Changed line(s) 43 (click to see context) from:
* InNameOnly: The narrative is completely different. This seems more of a Beauty and the Beast story than one of the Hunchback. The [[Disney/TheHunchbackOfNotreDame Disney version]] had more to do with the source material than this - even the Creator/DingoPictures version was more accurate to the book than this is.
to:
* InNameOnly: The narrative is completely different. This seems more of a Beauty and the Beast story than one of the Hunchback. The [[Disney/TheHunchbackOfNotreDame Disney version]] had more to do with the source material than this - even the Creator/DingoPictures version was more accurate this. The trope also extends to the book than this is.few remnants of the book.
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None
Changed line(s) 12 (click to see context) from:
* AdaptedOut: Almost all the characters. The only character who really averts this is Quasimodo. Melody and Jean Claude are modificed characters.
to:
* AdaptedOut: Almost all the characters. The only character characters who really averts this is Quasimodo. are Quasimodo and Pierre. Melody and Jean Claude are modificed modified characters.
Changed line(s) 18 (click to see context) from:
* BeautifulAllAlong: [[spoiler: Quasimodo.]]
to:
* AdaptationalAlternateEnding: [[spoiler:Quasimodo and Melody marry and supposedly will live happily ever after]], in contrast to the KillEmAll of the book.
* BeautifulAllAlong: [[spoiler:Quasimodo.Quasimodo was handsome.]]
* BeautifulAllAlong: [[spoiler:
Changed line(s) 26 (click to see context) from:
* DastardlyWhiplash: Jean Claude.
to:
* DastardlyWhiplash: Jean Claude.Claude is a stereotypical, mustached villain.
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None
Changed line(s) 30 (click to see context) from:
* {{Expy}}: Jean Claude is a blatant one to Gaston from Disney's Beauty and the Beast.
to:
* {{Expy}}: Jean Claude is a blatant one to Gaston from Disney's Beauty and the Beast.Creator/{{Disney}}'s ''Disney/BeautyAndTheBeast''.
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Added DiffLines:
* JesusTaboo: Aside from being set around a cathedral, this adaptation largely avoids religious references.
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correcting entry
Changed line(s) 22 (click to see context) from:
* BigEater: Jean Claude, the Baron. Any time you see him, he is always eating in some manner.
to:
* BigEater: Jean Claude, Claude's father the Baron. Any time you see him, he is always eating in some manner.
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None
Changed line(s) 34 (click to see context) from:
* GratuitousFrench: Jean Claude often has a habit of doing this. Such cases include calling himself “Le Grande Fromage” (Which, when translated, means "The Big Cheese"), and when he uses a Lasso, he says “Le Yee Haw!”.
to:
* GratuitousFrench: Jean Claude often has a habit of doing this. Such cases include calling himself “Le Grande Fromage” (Which, when translated, means (Which translates to "The Big Cheese"), Cheese". Yep.), and when he uses a Lasso, he says “Le Yee Haw!”.
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None
Changed line(s) 34,35 (click to see context) from:
* GratuitousFrench: Jean Claude often has a habit of doing this. Such cases include calling himself; “Le Grande Fromge”, and when he uses a Lasso, he says “Le Yee Haw!”.
** Even more grating is when they try to do a pn, by showing an Image of a toe, when they sing; “Chateau”. A Chateau is a French Manor House, and nothing to do with feet or toes!?
** Even more grating is when they try to do a pn, by showing an Image of a toe, when they sing; “Chateau”. A Chateau is a French Manor House, and nothing to do with feet or toes!?
to:
* GratuitousFrench: Jean Claude often has a habit of doing this. Such cases include calling himself; himself “Le Grande Fromge”, Fromage” (Which, when translated, means "The Big Cheese"), and when he uses a Lasso, he says “Le Yee Haw!”.
** Even more grating is when they try to do apn, pun, by showing an Image image of a toe, when they sing; and singing “Chateau”. A Chateau is a French Manor House, for a manor house, and nothing to do with feet or toes!?toes.
** Even more grating is when they try to do a
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None
Changed line(s) 24 (click to see context) from:
* CaptainObvious: "Doing anything against the law is illegal." [[SarcasmMode Thanks for that valuable insight, Frollo]].
to:
* CaptainObvious: "Doing anything against the law is illegal." [[SarcasmMode Thanks for that valuable insight, Frollo]].Jean Claude]].
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None
Added DiffLines:
* NeckLift: Jean Claude has a habit of doing this to Pierre. Considering their size difference, it's not that hard.
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Changed line(s) 10 (click to see context) from:
* AdaptationalVillainy: In the book, Pierre was an unfortunate poet. Here, he's working for the BigBad.
to:
* AdaptationalVillainy: In the book, Pierre was an unfortunate poet. Here, he's working for the BigBad. [[MinionWithAnFInEvil He's not that bad of a guy, though]].
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* AdaptationalComicRelief: Pierre is turned into Jean Claude's comic relief sidekick.
* AdaptationalVillainy: In the book, Pierre was an unfortunate poet. Here, he's working for the BigBad.
* AdaptationalVillainy: In the book, Pierre was an unfortunate poet. Here, he's working for the BigBad.
Changed line(s) 29 (click to see context) from:
* EverybodyLives: [[spoiler: Yes, everybody lives.]]
to:
* EverybodyLives: [[spoiler: Yes, everybody lives. Including the bad guys.]]
Changed line(s) 45 (click to see context) from:
* OohMeAccentsSlipping: Or rather, lisp slipping in this case. In one scene, Pierre(who speaks with a lisp) briefly talks without one during a conversation with Jean Claude.
to:
* OohMeAccentsSlipping: Or rather, lisp slipping in this case. In one scene, Pierre(who Pierre (who speaks with a lisp) briefly talks without one during a conversation with Jean Claude.
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None
* GratuitousFrench: Jean Claude often has a habit of doing this. Such cases include calling himself; “Le Grande Fromge”, and when he uses a Lasso, he says “Le Yee Haw!”.
** Even more grating is when they try to do a pn, by showing an Image of a toe, when they sing; “Chateau”. A Chateau is a French Manor House, and nothing to do with feet or toes!?
** Even more grating is when they try to do a pn, by showing an Image of a toe, when they sing; “Chateau”. A Chateau is a French Manor House, and nothing to do with feet or toes!?
Deleted line(s) 37,39 (click to see context) :
* GratuitousFrench: Jean Claude often has a habit of doing this. Such cases include calling himself; “Le Grande Fromge”, and when he uses a Lasso, he says “Le Yee Haw!”
** Even more grating is when they try to do a pn, by showing an Image of a toe, when they sing; “Chateau”. A Chateau is a French Manor House, and nothing to do with feet or toes!
** Even more grating is when they try to do a pn, by showing an Image of a toe, when they sing; “Chateau”. A Chateau is a French Manor House, and nothing to do with feet or toes!
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None
Added DiffLines:
* GratuitousFrench: Jean Claude often has a habit of doing this. Such cases include calling himself; “Le Grande Fromge”, and when he uses a Lasso, he says “Le Yee Haw!”
** Even more grating is when they try to do a pn, by showing an Image of a toe, when they sing; “Chateau”. A Chateau is a French Manor House, and nothing to do with feet or toes!
** Even more grating is when they try to do a pn, by showing an Image of a toe, when they sing; “Chateau”. A Chateau is a French Manor House, and nothing to do with feet or toes!