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* MorphicResonance: Cinderella's ensemble for the ball still somewhat resemble the mice, horse, and dog they originally were. Even the carriage looks unmistakably like a pumpkin.
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* FantasyKeepsake: Cinderella's magically-generated finery goes back to its mundane equivalent after midnight -- except for the glass slippers. She is grateful to keep one as proof that she got to enjoy a magical evening at the palace; the audience, of course, knows what [[TheGirlWhoFitsThisSlipper the slipper will mean]] for her future.
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* FourthDateMarriage: One date marriage. Though in the third movie, it's justified that holding a woman's hand tells the prince she's the one. He doesn't feel it when he was made to think he danced with Anastasia or when Anastasia magically looks like Cinderella.
* FriendToAllLivingThings: Aside from the cat, Lucifer, Cinderella is friends with all the animals. She even tries to find some good in Lucifer, although she fails.
* FriendToAllLivingThings: Aside from the cat, Lucifer, Cinderella is friends with all the animals. She even tries to find some good in Lucifer, although she fails.
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* FourthDateMarriage: One date marriage. Though in the third movie, it's justified that holding a woman's hand tells the prince she's the one. He doesn't feel it when he was made to think he danced with Anastasia or when Anastasia magically looks like Cinderella.
Cinderella. (And there's at least something of a TimeSkip implied between the ball and the wedding).
* FriendToAllLivingThings:Aside from the cat, Lucifer, Cinderella is friends gentle with all the animals.animals, and all but Lucifer love her back. She even tries to find some good in Lucifer, although she fails.
* FriendToAllLivingThings:
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''(Cinderella goes silent and [[DeathGlare glares at Lady Tremaine hatefully]])''
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''(Cinderella goes silent and [[DeathGlare glares at Lady Tremaine hatefully]])''hatefully]].)''
* FailedASpotCheck: Cinderella doesn't realize Gus is hiding on one of the breakfast trays as she takes them upstairs to her stepfamily; by the time Anastasia freaks out at the sight of him, it's too late.
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* LoopholeAbuse: This gem when Lady Tremaine promises Cinderella permission to attend the ball ''if'' she finishes all the work.
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* LoopholeAbuse: This gem when Lady Tremaine promises Cinderella permission to attend the ball ''if'' she finishes all the work.work (and ''if'' she can find something to wear).
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Entry #12 in the Franchise/DisneyAnimatedCanon, ''Cinderella'' was based on [[Creator/CharlesPerrault Charles Perrault's]] 1697 telling of the FairyTale "Literature/{{Cinderella}}", and marked Disney's return to single-story feature-length films in [[UsefulNotes/TheGoldenAgeOfAnimation 1950]], after the UsefulNotes/WorldWarII years where Disney was limited to making collections of shorts (e.g. ''WesternAnimation/MakeMineMusic'', ''WesternAnimation/FunAndFancyFree'') while many of their staff were drafted to the war effort. Advertisement posters touted ''Cinderella'' as the studio's best since ''WesternAnimation/{{Snow White|AndTheSevenDwarfs}}'' and for the time it definitely marked a return to the unified fantasy narratives that had popularized the studio's feature output, though the painstaking (and high-cost) animation and atmospheric techniques of the earlier films were scaled back in favor of more straightforward (if nonetheless expertly-crafted) visuals, establishing a mould that would persist for much of the following decade.
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Entry #12 in the Franchise/DisneyAnimatedCanon, ''Cinderella'' was based on [[Creator/CharlesPerrault Charles Perrault's]] 1697 telling of the FairyTale "Literature/{{Cinderella}}", and marked Disney's return to single-story feature-length films in [[UsefulNotes/TheGoldenAgeOfAnimation 1950]], after the UsefulNotes/WorldWarII years where Disney was limited to making collections of shorts (e.g. ''WesternAnimation/MakeMineMusic'', ''WesternAnimation/FunAndFancyFree'') while many of their staff were drafted to the war effort. Advertisement posters touted ''Cinderella'' as the studio's best since ''WesternAnimation/{{Snow White|AndTheSevenDwarfs}}'' and for the time it definitely marked a return to the unified fantasy narratives that had popularized the studio's feature output, though the painstaking (and high-cost) animation and atmospheric techniques of the earlier films were scaled back in favor of more straightforward (if nonetheless expertly-crafted) visuals, establishing marking a mould shift from the experimentalism of the early 1940s to a more populist mode of filmmaking that would persist for much of (mostly) define the following decade.Mouse's ensuing midcentury output.
