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* WickedWastefulness: After the pigs led by Napoleon make the farm a profitable enterprise for themselves, Benjamin, the donkey, spies into the farm house, and sees a pig taking bite out of an apple, and throwing over his shoulder. The apple lands close to another pig, who brushes it away onto a pile of more apples that only has one bite taken out.

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* AdaptationalNiceGuy: Benjamin is less of a grouch and a cynic in this movie, and his friendship with Boxer is played up a lot more, with several scenes showing him caring for the injured Boxer.

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* AdaptationalNiceGuy: AdaptationalNiceGuy:
**
Benjamin is less of a grouch and a cynic in this movie, and his friendship with Boxer is played up a lot more, with several scenes showing him caring for the injured Boxer. Boxer.
** In the book Old Major encourages the animals to overthrow all humans, whereas here he only stirs them up against Jones.



* AlwaysChaoticEvil: The pigs. Except for Old Major, who ''did'' want a better life for all animals (and as opposed to his book counterpart never declared all humans the enemy; his bile was only reseved for Jones)... and ''possibly'' for Snowball, who seems to at least have been well-intentioned even if he did more harm than good (and is chased off/killed before the pigs' tyranny reaches true heights). But except for those two, there's no such thing as a non-evil pig in this movie; all of them are perfectly summed up in this line:

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* AlwaysChaoticEvil: The pigs. Except for Old Major, who ''did'' want a better life for all animals (and as opposed to his book counterpart never declared all humans the enemy; his bile was only reseved reserved for Jones)... and ''possibly'' for Snowball, who seems to at least have been well-intentioned even if he did his windmill plan may have done more harm than good (and is chased off/killed before the pigs' tyranny reaches true heights). But except for those two, there's no such thing as a non-evil pig in this movie; all of them are perfectly summed up in this line:

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* CreepyGood: The crow isn't an evil character but is seen prominently in several scenes where a death occurs, making his presence seem ominous.



* {{Foreshadowing}}: When inspecting Jones's house, Boxer is seen pushing over a stack of beer crates, which tragically foreshadows his fate of being sold by the pigs for liquor.

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* {{Foreshadowing}}: {{Foreshadowing}}:
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When inspecting Jones's house, Boxer is seen pushing over a stack of beer crates, which tragically foreshadows his fate of being sold by the pigs for liquor.liquor.
** Both times the farm is attacked, Squealer is seen cowardly taking cover rather than fight. At the end when the animals rise up, he hides under the table rather than defend Napoleon and the other pigs.

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* {{Foreshadowing}}: When inspecting Jones's house, Boxer is seen pushing over a stack of beer crates, which tragiccally foreshadows how he will be solod by the pigs for liquor.

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* {{Foreshadowing}}: When inspecting Jones's house, Boxer is seen pushing over a stack of beer crates, which tragiccally tragically foreshadows how he will be solod his fate of being sold by the pigs for liquor.


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** When Snowball seems to have won the windmill debate, [[SilentSnarker he turns to Napoleon with a deadpan "Problem?" look]]. Then things turn serious when Napoleon summons the dogs to kill him.
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* {{Foreshadowing}}: When inspecting Jones's house, Boxer is seen pushing over a stack of beer crates, which tragiccally foreshadows how he will be solod by the pigs for liquor.
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* ShoutOut: Snowball tells the animals his plan for electricity will mean "a light in every stall" which is reminiscent of UsefulNotes/HerbertHoover's "a chicken in every pot" slogan.
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* AdaptationalAlternateEnding: The main diversion from the book. In the film pig delegates from other farms arrive to see Napoleon unveil the revised commandment: "All animals are equal but some animal are more equal than others". This is the final straw and that night while the pigs are toasting to their success, Benjamin briefly hallucinates that the pigs have Jones' face (as opposed to becoming humans as in the book) then leads a revolt against them with an army of animals from farms all over -- the dogs are too drunk to do their job and Napoleon is quickly stomped to death.

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* AdaptationalAlternateEnding: The main diversion from the book. In the film film, pig delegates from other farms arrive to see Napoleon unveil the revised commandment: "All animals are equal but some animal are more equal than others". This is the final straw and that night while the pigs are toasting to their success, Benjamin briefly hallucinates that the pigs have Jones' face (as opposed to becoming humans as in the book) then leads a revolt against them with an army of animals from farms all over -- the dogs are too drunk to do their job and Napoleon is quickly stomped to death.
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The film's financing was done either in full or in part by the [=CIA=] -- and no, the filmmakers themselves were not aware of this fact. In addition to providing the money they also influenced the production: making Snowball less sympathetic and of course changing the ending to something more upbeat to inspire anti-communist resistance. The CIA would provide similar influence for another Orwell adaptation, ''Literature/NineteenEightyFour'', a couple years later.

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The film's financing was done either in full or in part by the [=CIA=] UsefulNotes/{{CIA}} -- and no, the filmmakers themselves were not aware of this fact. In addition to providing the money they also influenced the production: making Snowball less sympathetic and of course changing the ending to something more upbeat to inspire anti-communist resistance. The CIA would provide similar influence for another Orwell adaptation, ''Literature/NineteenEightyFour'', a couple years later.
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The first screen adaptation of Creator/GeorgeOrwell's [[Literature/AnimalFarm classic satire]] released in 1954 and the first full-length animated film made by Great Britain to get a theatrical release (the actual first feature was a navy training film for sailors) by Halas and Batchelor, as well as [[AnimationAgeGhetto the first one to be aimed at adult audiences]]. The film has only two credited voice actors: Gordon Heath as the narrator and Maurice Denham, who voiced all the animals and humans!

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The first screen adaptation of Creator/GeorgeOrwell's [[Literature/AnimalFarm classic satire]] released in 1954 and the first full-length animated film made by Great Britain the UsefulNotes/UnitedKingdom to get a theatrical release (the actual first feature was a navy training film for sailors) by Halas and Batchelor, as well as [[AnimationAgeGhetto the first one to be aimed at adult audiences]]. The film has only two credited voice actors: Gordon Heath as the narrator and Maurice Denham, who voiced all the animals and humans!
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* BookEnds: The film both starts and ends with the animals rebelling against their masters.
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* ThisIsUnforgivable: When word gets out about the utter disaster Animal Farm has become, what the pigs are doing and their plan to spread their totalitarian ideology across the world, the animals of the other farms, regardless of their own welfare, '''are completely infuriated'''. They rise up, joining forces to become an army the world has never seen the like of, [[CurbStompBattle and completely crush them in the ending]].

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* ThisIsUnforgivable: When word gets out about the utter disaster Animal Farm has become, what the pigs have done to Animal Farm, with the "some are doing more equal than others" commandment and their plan to spread their this totalitarian ideology across the world, the animals of the other farms, regardless of their own welfare, '''are completely infuriated'''. They rise up, joining forces to become an army the world has never seen the like of, [[CurbStompBattle and completely crush them in the ending]].
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* KidAppealCharacter: A cute baby duckling is used for comic relief in several early scenes, having been added by one of the producers who felt the film was too dark.

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* AdaptationalVillainy: In the book, a small group of pigs protested Napoleon's coup but were quickly silenced and later killed by the dogs. Here none of the pigs make any objections and are happy to go along with Napoleon's coup.

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* AdaptationalVillainy: AdaptationalVillainy:
** Jones is portrayed even more negatively here. In contrast to the book which notes he was formerly a good master, the film portrays him as a HateSink with no sympathetic traits. This was requested by the film's CIA backers, who wanted it to be made more clear why the animals would revolt against him.
** Downplayed with Snowball. While the CIA insisted he not be shown in too favorable a light, his overall character is similar to the book, with only a few minor details portraying him more negatively, such as him butting to the front of the pigs during Old Major's speech.
**
In the book, a small group of pigs protested Napoleon's coup but were quickly silenced and later killed by the dogs. Here none of the pigs make any objections and are happy to go along with Napoleon's coup.



* EstablishingCharacterMoment: Snowball and Napoleon are introduced butting to the head of a line of pigs to hear Old Major speak, but Snowball merely wants a good view while Napoleon is more aggressive in doing so, glaring at Squealer to get him to make room, and later grunts aggressively at a young lamb and its mother for bleating in fear during the speech, despite Old Major addressing them kindly.

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* EstablishingCharacterMoment: Snowball and Napoleon are introduced butting to the head of a line of pigs to hear Old Major speak, but Snowball merely wants a good view while Napoleon is more aggressive in doing so, glaring at Squealer to get him to make room, and later grunts aggressively at a young lamb and its mother for bleating in fear during the speech, despite Old Major addressing them kindly. The filmmakers even took note of this, with their production notes stating Snowball is "pushy but not ''too'' rude about it" while Napoleon is "pushy and not polite at all."



* MirrorCharacter: Snowball and Napoleon. When the first winter after the rebellion comes there are shortages due to the pigs' inexperience. But both pigs only throw themselves into their own ambitions rather than work to solve the immediate hunger problem: Snowball and his windmill, Napoleon and his plans for a coup. This was done at the request of the [=CIA=] who were worried that Snowball would come off too sympathetically to audiences.

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* MirrorCharacter: Snowball and Napoleon. When the first winter after the rebellion comes there are shortages due to the pigs' inexperience. But both pigs only throw themselves into their own ambitions rather than work to solve the immediate hunger problem: Snowball and his windmill, Napoleon and his plans for a coup. This was may have been done at in response to the request of the [=CIA=] [=CIA=]'s input, who were worried that Snowball would come off too sympathetically to audiences.



* MusicalPastiche: The music uses different instruments to represent different animals, in a similar style to ''Music/PeterAndTheWolf''.

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* MusicalPastiche: The music uses different instruments to represent different animals, in a similar style to ''Music/PeterAndTheWolf''. The music that plays when the cat arrives at Old Major's speech also sounds distinctly like the cat theme from that story.
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* EstablishingCharacterMoment: Snowball and Napoleon are introduced butting to the head of a line of pigs to hear Old Major speak, but Snowball merely wants a good view while Napoleon is more aggressive in doing so, glaring at Squealer to get him to make room, and later grunts aggressively at a young lamb and its mother for bleating in fear during the speech, despite Old Major addressing them kindly.


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* KickTheDog: Napoloeon's first scene has him growling at a young lamb simply for bleating in fear when Old Major talks about how Jones abuses them.
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* DisabledInTheAdaptation: Not only does Boxer still collapse due to overworking and his age catching up with him, but he was shot in the leg during the battle of the windmill, and said leg never heals.

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* DisabledInTheAdaptation: Not only does Boxer still collapse due to overworking and his age catching up with him, but he was is shot in the leg during the battle Battle of the windmill, Windmill, and said leg never heals.
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* DisabledInTheAdaptation: Not only does Boxer still collapse due to overworking and his age catching up with him, but he was shot in the leg during the battle of the windmill, and said leg never heals.
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* EveryoneHasStandards: The same crow who had watched Snowball being chased to his demise by the dogs turns away in disgust and horror as the dogs are summoned to execute animals that the pigs have painted as criminals.
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* BigBad: Just like in the book, Napoleon is the leader of the pigs who corrupts the ideals of the revolution.
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* AdaptedOut: Mrs. Jones, Mr. Jones’s wife, is absent here.
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* ArtStyleDissonance: The film retains all the violence and political themes of the novel, despite resembling contemporary Disney and Warner Bros. cartoons.
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* OffModel: Napoleon "benevolently" rescues a litter of ''white'' puppies (or ''cream'' depending on the film quality) from Jones' house and spends months nurturing them; he later asserts his hegemony while flanked by a team of ''black'' guard dogs. Averted in a restored version where the puppies are grey in all their scenes.
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* DeathGlare: When Squealer gives a eulogy for Boxer after the latter was sent to the knacker, he claims he was with him in his final moments. He's met with this from the rest of the farm animals, indicating that ''none of them'' are buying it.
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* PluckyComicRelief: In this version, there is a little duckling that tries its best to help the other animals but struggles due to its small size. It's mostly just there to be funny and cute.
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* WhipOfDominance: Farmer Jones uses a chain whip to stop his livestock from eating, showing he has control over the animals. The livestock had quite enough of his abuse and scare him away.
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* MusicalPastiche: The music uses different instruments to represent different animals, in a similar style to ''Music/PeterAndTheWolf''.
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* AnimalTalk: Downplayed compared to the book. The animals ''do'' talk and communicate with one another, but they don't hold conversations the way they did in the book. The pigs are by far the most talkative, and the only ones who speak perfectly; the other animals are various degrees of SpeechImpairedAnimal who either communicate with body language or animalistic sounds, or speek with a ''very'' heavy AnimalSpeciesAccent.

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* AnimalTalk: Downplayed compared to the book. The animals ''do'' talk and communicate with one another, but they don't hold conversations the way they did in the book. The pigs are by far the most talkative, and the only ones who speak perfectly; the other animals are various degrees of SpeechImpairedAnimal who either communicate with body language or animalistic sounds, or speek speak short and simple sentences with a ''very'' heavy AnimalSpeciesAccent.
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** Napoleon is constantly depicted as such, even when startled he maintains a grimace... and even when affably chuckling at the baby pigs in the front yard he looks more like he's doing a low-key EvilLaugh. Only twice in the movie is his expression completely wicened; the first tinme is whenthe windmill blows up and the second time is when [[spoiler: he realises the other animals are going to kill him]].

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** Napoleon is constantly depicted as such, even when startled he maintains a grimace... and even when affably chuckling at the baby pigs in the front yard he looks more like he's doing a low-key EvilLaugh. Only twice in the movie is his expression completely wicened; the first tinme time is whenthe when the windmill blows up and the second time is when [[spoiler: he realises the other animals are going to kill him]].
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* In fact, it's a pretty common trait among the pigs. Squealer's the one pig who ''isn't'' a PerpetualFrowner; he displays the fullest range of emotions of all the animals... though even he's quick to frown and it's pretty clear that his nobler emotions are all faked (see CrocodileTears above).

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* ** In fact, it's a pretty common trait among the pigs. Squealer's the one pig who ''isn't'' a PerpetualFrowner; he displays the fullest range of emotions of all the animals... though even he's quick to frown and it's pretty clear that his nobler emotions are all faked (see CrocodileTears above).

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* AdaptationalNiceGuy: Benjamin is less of a grouch and a cynic in this movie, and his friendship with Boxer is played up a lot more, with several scenes showing him caring for the injured Boxer.



* AlwaysChaoticEvil: ''All'' of the pigs summed up in this line:

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* AlwaysChaoticEvil: ''All'' of The pigs. Except for Old Major, who ''did'' want a better life for all animals (and as opposed to his book counterpart never declared all humans the pigs enemy; his bile was only reseved for Jones)... and ''possibly'' for Snowball, who seems to at least have been well-intentioned even if he did more harm than good (and is chased off/killed before the pigs' tyranny reaches true heights). But except for those two, there's no such thing as a non-evil pig in this movie; all of them are perfectly summed up in this line:



* ArcWords: "Work More and Eat Less"
* AscendedExtra: Benjamin the donkey is essentially the main character.

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* AnimalSpeciesAccent: The animals talk far less than they did in the book, and when they do they have ''heavy'' animal accents. Only the pigs talk completely normally.
* AnimalTalk: Downplayed compared to the book. The animals ''do'' talk and communicate with one another, but they don't hold conversations the way they did in the book. The pigs are by far the most talkative, and the only ones who speak perfectly; the other animals are various degrees of SpeechImpairedAnimal who either communicate with body language or animalistic sounds, or speek with a ''very'' heavy AnimalSpeciesAccent.
* ArcWords: "Work More and Eat Less"
Less."
* AscendedExtra: Benjamin the donkey is plays a much larger role here than he did in the book; [[spoiler: and essentially becomes the main character.hero the book lacks when he leads the other animals in a final revolt against the pigs]].



** Snowball is killed by the dogs.

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** We don't see it outright, but Snowball is ''heavily'' implied to have been killed by the dogs.dogs during his escape.



* PerpetualFrowner: Napoleon is constantly depicted as such, even when startled he maintains a grimace. That said, he does chuckle while watching baby pigs playing in the front yard. The only time his expression is completely widened is when [[spoiler: he realises the other animals are going to kill him]].

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* PerpetualFrowner: PerpetualFrowner:
**
Napoleon is constantly depicted as such, even when startled he maintains a grimace. That said, he does chuckle while watching grimace... and even when affably chuckling at the baby pigs playing in the front yard. The only time yard he looks more like he's doing a low-key EvilLaugh. Only twice in the movie is his expression is completely widened wicened; the first tinme is whenthe windmill blows up and the second time is when [[spoiler: he realises the other animals are going to kill him]].him]].
** Snowball too, is almost always frowning, even when he's speaking about good things; maybe in order to stop him from seeming too sympathetic. He's a lot more likely than Napoleon to soften his expression, though; on occasion he can look downright cheerful -- but those instances are still fairly rare.
* In fact, it's a pretty common trait among the pigs. Squealer's the one pig who ''isn't'' a PerpetualFrowner; he displays the fullest range of emotions of all the animals... though even he's quick to frown and it's pretty clear that his nobler emotions are all faked (see CrocodileTears above).



* TheVoiceless: Mr. Jones doesn't say much more than a few incoherently mumbled words, while his pigs spend the whole film talking to each other.

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* TheVoiceless: TheVoiceless:
**
Mr. Jones doesn't say much more than a few incoherently mumbled words, while his pigs spend the whole film talking to each other.
** Most of the animals count too; the pigs get the majority of the dialogue and the rest of the animals, like Boxer and Benjamin, rely on animal sounds, body language, and the ever-present narrator to convey their messages to the audience.

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