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* BlackEyesOfEvil: The monkey in ''Bolero''.

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* BlackEyesOfEvil: The monkey ape in ''Bolero''.



** Every animal except the monkey in ''Boléro'' gets crushed by the wheels of evolution, either getting destroyed by the skyscrapers or turned into equipment to build them in the final shot.

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** Every animal except the monkey ape in ''Boléro'' gets crushed by the wheels of evolution, either getting destroyed by the skyscrapers or turned into equipment to build them in the final shot.



* EverythingsBetterWithMonkeys: [[spoiler:[[InvertedTrope Inverted]] in the second half of ''Boléro'', where a demonic monkey species slowly grows in dominance and eventually kills off the rest of the species.]]

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* EverythingsBetterWithMonkeys: [[spoiler:[[InvertedTrope Inverted]] in the second half of ''Boléro'', where a demonic monkey ape species slowly grows in dominance and eventually kills off the rest of the species.]]



* FromNobodyToNightmare: The evil monkey in ''Boléro'' starts off as a confused inhabitant of the forest, who later leaves with the rest of the animals. Bitter about it, the monkey starts off as a JerkAss whose purpose is to frighten the other animals during the march. However as it discovers the use of tools, it becomes more [[MoralEventHorizon vile as it begins murdering other animals in order to take their place in the line of evolution]] and [[ForTheEvulz begins to burn animals to death with sickening delight after discovering fire]] and by the finale (through leaping ahead of the line by a long shot) [[spoiler: all the animals have either perished in the emerging buildings or turned into construction machines in the construction of its new civilization, while a towering giant admires his work. The giant's face cracks to reveal the monkey, grinning maliciously]].

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* FromNobodyToNightmare: The evil monkey ape in ''Boléro'' starts off as a confused inhabitant of the forest, who later leaves with the rest of the animals. Bitter about it, the monkey ape starts off as a JerkAss whose purpose is to frighten the other animals during the march. However as it discovers the use of tools, it becomes more [[MoralEventHorizon vile as it begins murdering other animals in order to take their place in the line of evolution]] and [[ForTheEvulz begins to burn animals to death with sickening delight after discovering fire]] and by the finale (through leaping ahead of the line by a long shot) [[spoiler: all the animals have either perished in the emerging buildings or turned into construction machines in the construction of its new civilization, while a towering giant admires his work. The giant's face cracks to reveal the monkey, ape, grinning maliciously]].
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''Allegro Non Troppo'' (''Not Too Cheerful'') [[note]] The title derives from the term "allegro ma non troppo". Which means "Fast, but not overly so". The removal of the "ma" turns the phrase in the exclamation "Not so fast". [[/note]] is an Italian animated film functioning as a parody of Disney's ''WesternAnimation/{{Fantasia}}''. Like ''Fantasia'', ''Allegro Non Troppo'' melds classical music with animation, the sequences ranging from utterly bizarre to depressing beyond belief. Pieces played in the film are:

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''Allegro Non Troppo'' (''Not Too Cheerful'') [[note]] The title derives from the term "allegro ma non troppo". Which means "Fast, but not overly so". The removal of the "ma" turns the phrase in the exclamation "Not so fast". [[/note]] is an a 1976 Italian animated film functioning as a parody of Disney's ''WesternAnimation/{{Fantasia}}''. Like ''Fantasia'', ''Allegro Non Troppo'' melds classical music with animation, the sequences ranging from utterly bizarre to depressing beyond belief. Pieces played in the film are:
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''Allegro Non Troppo'' (''Not Too Cheerful'') [[note]] The title derives from the term "allegro ma non troppo". Which means "Fast, but not overly so". The removal of the "ma" turns the phrase in the exclamation "Not so fast". [[/note]] is an Italian animated film functioning as a parody of Disney's ''Disney/{{Fantasia}}''. Like ''Fantasia'', ''Allegro Non Troppo'' melds classical music with animation, the sequences ranging from utterly bizarre to depressing beyond belief. Pieces played in the film are:

to:

''Allegro Non Troppo'' (''Not Too Cheerful'') [[note]] The title derives from the term "allegro ma non troppo". Which means "Fast, but not overly so". The removal of the "ma" turns the phrase in the exclamation "Not so fast". [[/note]] is an Italian animated film functioning as a parody of Disney's ''Disney/{{Fantasia}}''.''WesternAnimation/{{Fantasia}}''. Like ''Fantasia'', ''Allegro Non Troppo'' melds classical music with animation, the sequences ranging from utterly bizarre to depressing beyond belief. Pieces played in the film are:



* AffectionateParody: Despite needling Disney, this movie does a great job of capturing ''Disney/{{Fantasia}}''[='=]s flavor.

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* AffectionateParody: Despite needling Disney, this movie does a great job of capturing ''Disney/{{Fantasia}}''[='=]s ''WesternAnimation/{{Fantasia}}''[='=]s flavor.
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* BeehiveHairdo: The bee from Vivaldi's section, appropriately enough.
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* {{Slapstick}}: When the artist finally gets back at the director, it plays like something out of a WesternAnimation/LooneyTunes movie. At the climax [[spoiler:the director falls through the floor and leaves a [[ImpactSilhouette man-shaped hole in it]]; he only crawls out at the end of the movie, [[BandageMummy fully enveloped in bandages]]]].

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* {{Slapstick}}: When the artist finally gets back at the director, it plays like something out of a WesternAnimation/LooneyTunes movie.cartoon. At the climax [[spoiler:the director falls through the floor and leaves a [[ImpactSilhouette man-shaped hole in it]]; he only crawls out at the end of the movie, [[BandageMummy fully enveloped in bandages]]]].
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* TheDogBitesBack: After taking the director's abuse throughout the movie, the artist gets back at him in a spectacularly {{Slapstick}} fashion after the ''Valse Triste'' segment.


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* RunningGag: The pencil sharpener and other objects sliding down the artist's drawing board.


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* {{Slapstick}}: When the artist finally gets back at the director, it plays like something out of a WesternAnimation/LooneyTunes movie. At the climax [[spoiler:the director falls through the floor and leaves a [[ImpactSilhouette man-shaped hole in it]]; he only crawls out at the end of the movie, [[BandageMummy fully enveloped in bandages]]]].


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* StarvingArtist: The artist is literally freed from a dungeon at the beginning of a movie and does not get to eat during the lunch break. He attempts, unsuccessfully, to steal some of the director's chicken.
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** God's early attempts at humans in ''Firebird'' -- a hand attached to a foot and a butt with arms and legs -- are grotesque to anybody who doesn't find them hilarious. Their [[AndIMustScream failed attempts at moving around]] are perhaps the most disturbing part.
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* BalefulPolymorph: Some of the creatures in ''Bolero'' are transformed into construction equipment at the end, and do not seem pleased with it at all.
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* ShoutOut: The Vivaldi sequence opens with a visual allusion to Vivaldi's most famous work, "The Four Seasons".


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* TheVoiceless: The animator and the cleaning woman.
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* DerangedAnimation:

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* DerangedAnimation:DerangedAnimation: The ''Firebird'' sequence sends the snake from the Garden of Eden into a nightmarish world of western capitalism and commercialism.



** The ''Firebird'' sequence sends the snake from the Garden of Eden into a nightmarish world of western capitalism and commercialism.
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* ''Prélude à l'après-midi d'un faune'' by Music/ClaudeDebussy--A parody of Beethoven's Pastorale from ''Fantasia'', where an elderly faun tries to get a nymph for himself, but fails every time.

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* ''Prélude à l'après-midi d'un faune'' by Music/ClaudeDebussy--A parody of Beethoven's Pastorale the ''Pastoral'' Symphony sequence from ''Fantasia'', where an elderly faun tries to get a nymph for himself, but fails every time.



* ''Boléro'' by Music/MauriceRavel--Possibly the film's most famous sequence, where a soda bottle left on a wasteland creates an evolution of bizarre creatures in a parody of The Rite of Spring from ''Fantasia''. It was frequently used as filler on HBO in the 1980s (so the next movie would start at the top of the hour).

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* ''Boléro'' by Music/MauriceRavel--Possibly the film's most famous sequence, where a soda bottle left on a wasteland creates an evolution of bizarre creatures in a parody of The Rite of Spring from ''Fantasia''.''Fantasia''[='=]s segment for ''Theatre/TheRiteOfSpring''. It was frequently used as filler on HBO in the 1980s (so the next movie would start at the top of the hour).

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''Allegro Non Troppo'' (''Not Too Cheerful'') [[note]] The title derives from the term "allegro ma non troppo". Which means "Fast, but not overly so". The removal of the "ma" turns the phrase in the exclamation "Not so fast" [[/note]] is an Italian animated film functioning as a parody of Disney's ''Disney/{{Fantasia}}''. Like ''Fantasia'', ''Allegro Non Troppo'' melds classical music with animation, the sequences ranging from utterly bizarre to depressing beyond belief. Pieces played in the film are:

to:

''Allegro Non Troppo'' (''Not Too Cheerful'') [[note]] The title derives from the term "allegro ma non troppo". Which means "Fast, but not overly so". The removal of the "ma" turns the phrase in the exclamation "Not so fast" fast". [[/note]] is an Italian animated film functioning as a parody of Disney's ''Disney/{{Fantasia}}''. Like ''Fantasia'', ''Allegro Non Troppo'' melds classical music with animation, the sequences ranging from utterly bizarre to depressing beyond belief. Pieces played in the film are:



* ''Valse Triste'' by Jean Sibelius--The film's saddest piece, in which a small cat is left in a destroyed house, remembering the good times spent there only to have reality come crashing upon it.

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* ''Valse Triste'' by Jean Sibelius--The Music/JeanSibelius--The film's saddest piece, in which a small cat is left in a destroyed house, remembering the good times spent there only to have reality come crashing upon it.



* RogerRabbitEffect: The cartoon characters occassionally wander into the live-action. When the snake from the ''Firebird'' sequence wanders into the concert hall, the terrified orchestra members scatter, leaving the Director, the Artist, and the cleaning woman alone in the theatre.

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* RogerRabbitEffect: The cartoon characters occassionally occasionally wander into the live-action. When the snake from the ''Firebird'' sequence wanders slithers into the concert hall, the terrified orchestra members scatter, leaving the Director, the Artist, and the cleaning woman alone in the theatre.



* TheShowMustGoOn: Despite the growing disorder, the Director constantly tries to keep the movie going. He even utters the name of the trope before the ''Firebird'' segment [[spoiler: when the Conductor is dropped under the stage and they have to play the music through a gramophone]].



* TearJerker: In-universe, the old ladies in the orchestra are left sobbing by the fate of the cat in the ''Valse triste'' segment.



* TheShowMustGoOn: Despite the growing disorder, the Director constantly tries to keep the movie going. He even utters the name of the trope before the ''Firebird'' segment [[spoiler: when the Conductor is dropped under the stage and they have to play the music through a gramophone]].

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''Allegro Non Troppo'' (''Not Too Cheerful'') [[note]] The title derives from the term "allegro ma non troppo". Which means "Fast, but not overly so". The removal of the "ma" turns the phrase in the exclamation "Not so fast" [[/note]] is an Italian animated film functioning as a parody of Disney's ''Disney/{{Fantasia}}''. Like ''Fantasia'', ''Allegro Non Troppo'' melds classical music with animation, the sequences ranging from [[IntoxicationEnsues utterly bizarre]] to [[TearJerker depressing beyond belief]]. Between the pieces are short, sepia-tone, live-action shots of the orchestra and the animator. Pieces played in the film are:

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''Allegro Non Troppo'' (''Not Too Cheerful'') [[note]] The title derives from the term "allegro ma non troppo". Which means "Fast, but not overly so". The removal of the "ma" turns the phrase in the exclamation "Not so fast" [[/note]] is an Italian animated film functioning as a parody of Disney's ''Disney/{{Fantasia}}''. Like ''Fantasia'', ''Allegro Non Troppo'' melds classical music with animation, the sequences ranging from [[IntoxicationEnsues utterly bizarre]] bizarre to [[TearJerker depressing beyond belief]]. Between the pieces are short, sepia-tone, live-action shots of the orchestra and the animator.belief. Pieces played in the film are:



* An epilogue starring an Igor-like creature trying to find suitable ending for the film that features the last few measures of a whirlwind of pieces, including Music/AntonioVivaldi's Flute Concerto Op.10 No.1 (''La tempesta di mare''), Music/LudwigVanBeethoven's ''Pathetique'' sonata, Music/FranzSchubert's String Quintet in C major, Music/FranzLiszt's Hungarian Rhapsody No.2 (orchestral version) and Creator/JohannesBrahms' Hungarian Dance No.5 (orchestral version) among others.

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* An epilogue starring an Igor-like creature trying to find suitable ending for the film that features the last few measures of a whirlwind of pieces, including Music/AntonioVivaldi's Flute Concerto Op.10 No.1 (''La tempesta di mare''), Music/LudwigVanBeethoven's ''Pathetique'' sonata, and ''Moonlight'' sonatas, Music/FranzSchubert's String Quintet in C major, Music/FranzLiszt's Hungarian Rhapsody No.2 (orchestral version) and Creator/JohannesBrahms' Hungarian Dance No.5 (orchestral version) among others.others.

Interspersed with the animation are black and white live-action segments narrated by the film's presenter (Maurizio Micheli) and featuring an escalating battle of wills between the orchestra conductor (Néstor Garay) and the animator (Maurizio Nichetti).[[note]] Some versions of the film omit these segments and introduce the classical pieces with plasticine titles.[[/note]]



* GainaxEnding: The finale. The animator and the cleaning woman turn into a cartoon knight and princess and fly off, leaving the Director scrambling to find an ending for the film. He calls Franceschi, an Igor-like servant, on the phone and asks him to find a suitable ending, leading to a strange parade of final scenes set to the final measures of various classical pieces. Eventually the Conductor, who was knocked through the floor after the Vivaldi piece, re-appears covered in bandages, and as he and the Director wonder how to finish the film, the view pulls back to reveal Franceschi watching them on a miniature stage... which he smashes to reveal the snake from the ''Firebird'' sequence. Cue the words "HAPPY END" falling on them, followed by the end credits!

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* GainaxEnding: The finale. The animator and the cleaning woman turn into a cartoon knight and princess and fly off, leaving the Director scrambling to find an ending for the film. He calls Franceschi, Franceschini, an Igor-like servant, on the phone and asks him to find a suitable ending, leading to a strange parade of final scenes set to the final measures of various classical pieces. Eventually the Conductor, who was knocked through the floor after the Vivaldi piece, re-appears covered in bandages, and as he and the Director wonder how to finish the film, the view pulls back to reveal Franceschi Franceschini watching them on a miniature stage... which he smashes to reveal the snake from the ''Firebird'' sequence.sequence, which bites him on the nose. Cue the words "HAPPY END" falling on them, followed by the end credits!
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* GainaxEnding: The finale. The animator and the cleaning woman turn into a cartoon knight and princess and fly off, leaving the narrator scrambling to find an ending for the film. He calls Franceschi, an Igor-like servant, on the phone and asks him to find a suitable ending, leading to a strange parade of final scenes set to the final measures of various classical pieces. Eventually the orchestra director, who was knocked through the floor after the Vivaldi piece, re-appears covered in bandages, and as he and the narrator wonder how to finish the film, the view pulls back to reveal Franceschi watching them on a miniature stage... which he smashes to reveal the snake from the ''Firebird'' sequence. Cue the words "HAPPY END" falling on them, followed by the end credits!

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* GainaxEnding: The finale. The animator and the cleaning woman turn into a cartoon knight and princess and fly off, leaving the narrator Director scrambling to find an ending for the film. He calls Franceschi, an Igor-like servant, on the phone and asks him to find a suitable ending, leading to a strange parade of final scenes set to the final measures of various classical pieces. Eventually the orchestra director, Conductor, who was knocked through the floor after the Vivaldi piece, re-appears covered in bandages, and as he and the narrator Director wonder how to finish the film, the view pulls back to reveal Franceschi watching them on a miniature stage... which he smashes to reveal the snake from the ''Firebird'' sequence. Cue the words "HAPPY END" falling on them, followed by the end credits!



* LettingTheAirOutOfTheBand: At the end of the scene with the monkey (after Bolero), the Director stops the "party" and we get this effect.
* MeaningfulName: The film itself. ''Allegro, ma non troppo'' is a musical direction meaning "Fast, but not too fast." ''Allegro non troppo'' means something closer to "Not so fast!"

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* LettingTheAirOutOfTheBand: At the end of the scene with the monkey (after Bolero), ''Bolero''), the Director stops the "party" and we get this effect.
* MeaningfulName: The film itself. ''Allegro, ma non troppo'' is a musical direction meaning "Fast, but not too fast." ''Allegro non troppo'' troppo'', though sometimes used as a synonym of ''Allegro, '''ma''' non troppo'', means something closer to "Not so fast!"



* RogerRabbitEffect: The cartoon characters occassionally wander into the live-action. When the snake from the ''Firebird'' sequence wanders into the concert hall, the terrified orchestra members scatter, leaving the narrator, the animator, and the cleaning woman alone in the theatre.

to:

* RogerRabbitEffect: The cartoon characters occassionally wander into the live-action. When the snake from the ''Firebird'' sequence wanders into the concert hall, the terrified orchestra members scatter, leaving the narrator, Director, the animator, Artist, and the cleaning woman alone in the theatre.



* TheShowMustGoOn: Despite the growing disorder, the narrator constantly tries to keep the movie going. He even utters the name of the trope before the last segment [[spoiler: when the Director is dropped under the stage and they have to play the music through a gramophone]].

to:

* TheShowMustGoOn: Despite the growing disorder, the narrator Director constantly tries to keep the movie going. He even utters the name of the trope before the last ''Firebird'' segment [[spoiler: when the Director Conductor is dropped under the stage and they have to play the music through a gramophone]].

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* ''Slavonic Dance No. 7 Op. 46'' by Music/AntoninDvorak -A caveman sets out to build better dwellings than the other cavemen, who repeatedly mimic every act he does.

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* ''Slavonic Slavonic Dance No. 7 Op. 46'' 46 by Music/AntoninDvorak -A Music/AntoninDvorak--A caveman sets out to build better dwellings than the other cavemen, who repeatedly mimic every act he does.



* ''Concerto in C major for 2 Oboes, 2 Clarinets, Strings and Continuo RV 559 I. Larghetto - (Allegro)'' by Music/AntonioVivaldi--A bee tries to enjoy a meal on a flower only to have a rowdy couple thwart her attempts.

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* ''Concerto Concerto in C major for 2 Oboes, 2 Clarinets, Strings and Continuo RV 559 I. Larghetto - (Allegro)'' (Allegro) by Music/AntonioVivaldi--A bee tries to enjoy a meal on a flower only to have a rowdy couple thwart her attempts.



* An epilogue starring an Igor-like creature trying to find suitable ending for the film that features the last few measures of a whirlwind of pieces, including Music/AntonioVivaldi's Flute Concerto Op.10 No.1 (''La tempesta di mare''), Music/LudwigVanBeethoven's ''Pathetique'' sonata, Music/FranzSchubert's String Quintet in C major, Music/FranzLiszt's Hungarian Rhapsody No.2 (orchestral version) and Creator/JohannesBrahms' Hungarian Dance No.5 (orchestral version) among others.



* AffectionateParody: Despite needling Disney, this movie does a great job of capturing Fantasia's flavor.

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* AffectionateParody: Despite needling Disney, this movie does a great job of capturing Fantasia's ''Disney/{{Fantasia}}''[='=]s flavor.



* BarbieDollAnatomy: Averted. Since it's a European film, it's not afraid to show some nudity.

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* BarbieDollAnatomy: Averted. Since it's a European film, it's not afraid to show some nudity.shy about depicting anatomically correct nude women in ''Prélude à l'après-midi d'un faune'', while both Adam and Eve have visible genitals in the ''Firebird'' sequence.



* BodyHorror: Some of the evolutions of the weird creatures in ''Boléro'' qualify, as well as the ending where [[spoiler:many of the creatures becoming construction machines]].

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* BodyHorror: Some of the evolutions of the weird creatures in ''Boléro'' qualify, as well as the ending where [[spoiler:many of the creatures becoming become construction machines]].



* DerangedAnimation: The ''Firebird'' sequence is this, without a doubt.
** "Bolero" is this with its rapidly evolving alien creatures
* DirtyOldMan: The satyr of the first piece, he's way past his prime years.
* DownerEnding: Especially ''Boléro''.

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* DerangedAnimation: DerangedAnimation:
** ''Bolero'' features an increasingly bizarre collection of animals evolving from the dregs of a bottle of Coca-Cola left behind by an astronaut.
**
The ''Firebird'' sequence is this, without sends the snake from the Garden of Eden into a doubt.nightmarish world of western capitalism and commercialism.
** "Bolero" is this with its rapidly evolving alien creatures
* DirtyOldMan: The satyr of the first piece, ''Prélude à l'après-midi d'un faune'', he's way past his prime years.
* DownerEnding: Especially ''Boléro''.DownerEnding:
** The old satyr in ''Prélude à l'après-midi d'un faune'' ends up alone and miserable.
** Every animal except the monkey in ''Boléro'' gets crushed by the wheels of evolution, either getting destroyed by the skyscrapers or turned into equipment to build them in the final shot.
** The cat in ''Valse Triste'' is revealed to be [[spoiler:a ghost, the same as the people in the now ruined apartment building]]. In the final shot, a wrecking ball takes aim at the building's last remaining wall.



* FaunsAndSatyrs

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* FaunsAndSatyrsFaunsAndSatyrs: Aptly, given its title, ''Prélude à l'après-midi d'un faune'' is used as the backdrop for a parody of the "''Pastoral'' Symphony" segment of ''Fantasia'', an Arcadian fantasy of young fauns and nymphs in love... and one elderly satyr who can't get the objects of his desire to look his way anymore.



* GainaxEnding: The finale.

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* GainaxEnding: The finale. The animator and the cleaning woman turn into a cartoon knight and princess and fly off, leaving the narrator scrambling to find an ending for the film. He calls Franceschi, an Igor-like servant, on the phone and asks him to find a suitable ending, leading to a strange parade of final scenes set to the final measures of various classical pieces. Eventually the orchestra director, who was knocked through the floor after the Vivaldi piece, re-appears covered in bandages, and as he and the narrator wonder how to finish the film, the view pulls back to reveal Franceschi watching them on a miniature stage... which he smashes to reveal the snake from the ''Firebird'' sequence. Cue the words "HAPPY END" falling on them, followed by the end credits!



* {{Mooning}}: At the end of the Slavonic Dance, all the others do this to the main character.

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* {{Mooning}}: At the end of the Slavonic Dance, all the others do this to the main character.character for trying to trick them into marching off a cliff.



* RogerRabbitEffect: The cartoon characters occassionally wander into the live-action.

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* RogerRabbitEffect: The cartoon characters occassionally wander into the live-action. When the snake from the ''Firebird'' sequence wanders into the concert hall, the terrified orchestra members scatter, leaving the narrator, the animator, and the cleaning woman alone in the theatre.



* SlidingScaleOfIdealismVsCynicism: Much more cynical than the movie it is a parody of. The english translation of this film is "Not Too Cheerful"

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* SlidingScaleOfIdealismVsCynicism: Much more cynical than the movie it is a parody of. The english English translation of this film is "Not Too Cheerful"Cheerful".



* TheShowMustGoOn: Despite the growing disorder, the Director constantly tries to keep the movie going. He even utters the name of the trope before the last segment [[spoiler: when the Director is dropped under the stage and they have to play the music through a gramophone]].

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* TheShowMustGoOn: Despite the growing disorder, the Director narrator constantly tries to keep the movie going. He even utters the name of the trope before the last segment [[spoiler: when the Director is dropped under the stage and they have to play the music through a gramophone]].
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* BeeAfraid: After having her meal constantly thwarted by an annoying human couple, the little bee has enough and stings the man.
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* ThatRussianSquatDance: The animator and the ape do this dance on the floor at one point.
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* EarthAllAlong: [[spoiler:The planet in which ''Boléro'' is set turns out to be Earth, as attested by the Egyptian Pyramids and the Christian Cross near the end]].
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* WorldsSmallestViolin: After being rejected again, the old Faun starts crying and a couple of woodland animals try to comfort him, one by playing a violin... then they fall in love and hook up with each other, leaving him alone.
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* {{Mooning}}: At the end of the Slavonic Dance, all the others do this to the main character.


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* TheShowMustGoOn: Despite the growing disorder, the Director constantly tries to keep the movie going. He even utters the name of the trope before the last segment [[spoiler: when the Director is dropped under the stage and they have to play the music through a gramophone]].

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* FanDisservice: The sex ads in the Firebird sequence.



* HilarityEnsues



* IntoxicationEnsues
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* TheCameo: Director Creator/BrunoBozzetto's character Signor Rossi appears briefly as one of the cartoonist's characters, whom he enlists to fetch the key for his shackles. [[spoiler:[[DeathByCameo He doesn't last long]], as the conductor's cigar ash falls on the paper Rossi is on and is set on fire.]]
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* SlidingScaleOfIdealismVsCynicism: Much more cynical than [[[[WesternAnimation/Fantasia]] the movie it is a parody of]]. The english translation of this film is "Not Too Cheerful"

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* SlidingScaleOfIdealismVsCynicism: Much more cynical than [[[[WesternAnimation/Fantasia]] the movie it is a parody of]].of. The english translation of this film is "Not Too Cheerful"
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* SlidingScaleOfIdealismVsCynicism: Much more cynical than [[WesternAnimation/Fantasia the movie it is a parody of]]. The english translation of this film is "Not Too Cheerful"

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* SlidingScaleOfIdealismVsCynicism: Much more cynical than [[WesternAnimation/Fantasia [[[[WesternAnimation/Fantasia]] the movie it is a parody of]]. The english translation of this film is "Not Too Cheerful"
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Added DiffLines:

* SlidingScaleOfIdealismVsCynicism: Much more cynical than [[WesternAnimation/Fantasia the movie it is a parody of]]. The english translation of this film is "Not Too Cheerful"
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* FalseTeethTomfoolery: In ''Afternoon of a Faun'', the elderly faun is trying to seduce a young nymph. When she offers him an apple, he takes a bite and hands it back to her, with his dentures still stuck in it. She runs off in disgust.

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* BodyHorror: Some of the evolutions of the weird creatures in ''Boléro'' qualify, as well as the ending where [[spoiler:many of the creatures becoming construction machines]].



* DownerEnding: Especially Bolero

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* DownerEnding: Especially Bolero''Boléro''.



* FamilyUnfriendlyDeath

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* FamilyUnfriendlyDeathFamilyUnfriendlyDeath: ''Boléro'' features a lot.



* FromNobodyToNightmare: The evil monkey starts off as a confused inhabitant of the forest, who later leaves with the rest of the animals. Bitter about it, the monkey starts off as a JerkAss whose purpose is to frighten the other animals during the march. However as it discovers the use of tools, it becomes more [[MoralEventHorizon vile as it begins murdering other animals in order to take their place in the line of evolution]] and [[ForTheEvulz begins to burn animals to death with sickening delight after discovering fire]] and by the finale (through leaping ahead of the line by a long shot) the monkey has become a monster [[spoiler: by killing all the animals in the construction of its new civilization as it admires its work, now fully evolved into a towering giant admiring its work...the creature known as Man]]

to:

* FromNobodyToNightmare: The evil monkey in ''Boléro'' starts off as a confused inhabitant of the forest, who later leaves with the rest of the animals. Bitter about it, the monkey starts off as a JerkAss whose purpose is to frighten the other animals during the march. However as it discovers the use of tools, it becomes more [[MoralEventHorizon vile as it begins murdering other animals in order to take their place in the line of evolution]] and [[ForTheEvulz begins to burn animals to death with sickening delight after discovering fire]] and by the finale (through leaping ahead of the line by a long shot) the monkey has become a monster [[spoiler: by killing all the animals have either perished in the emerging buildings or turned into construction machines in the construction of its new civilization as it admires its work, now fully evolved into civilization, while a towering giant admiring its work...admires his work. The giant's face cracks to reveal the creature known as Man]]monkey, grinning maliciously]].

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