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* AddedAlliterativeAppeal: Words and names beginning with the letter "W" are bizarrely common in relation to the paranormal phenomena throughout the series: the BigBad Wiggly, his nemesis Webby, his servant Wiley, the Waylon family who founded his religion; the Witchwood Forest, the amusement park Watcher World, the evil Witch in the Web, and the ape-man Wooly-Foot.

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* AddedAlliterativeAppeal: Words and names beginning with the letter "W" are bizarrely common in relation to concerning the paranormal phenomena throughout the series: the BigBad Wiggly, '''W'''iggly, his nemesis Webby, '''W'''ebby, his servant Wiley, '''W'''iley, the Waylon '''W'''aylon family who founded his religion; the Witchwood '''W'''itchwood Forest, the amusement park Watcher World, '''W'''atcher '''W'''orld, the evil Witch '''W'''itch in the Web, '''W'''eb, and the ape-man Wooly-Foot.'''W'''ooly-Foot.



* {{Deconstruction}}: Hatchetfield in general is one of the TownWithADarkSecret, and seems to be an answer to ''Podcast/WelcomeToNightVale''. The latter podcast talks about the unnatural oddities as normal, with radio host Cecil Baldwin reassuring listeners that everyone can handle the horror, along with their mundane lives, if they know what they're facing. As we see in ''Theatre/BlackFriday'', regular people acknowledge that these horrors shouldn't be happening; far from ConditionedToAcceptHorror, the protagonists have a LogicalLatecomer response to finding out they're trapped with an EldritchAbomination in the form of a CreepyCute doll. Case in point, Lex is worried about getting her little sister to safety, as TheCassandra Hannah is in a TroubledFetalPosition and crying [[spoiler:after watching Ethan die]], while Becky and Tom hide out from the cultists in the movie theater and wonder how their lives led to such pointless violence. They acknowledge at the end of the show that none of them signed up for being survivors of a horror scenario.

to:

* {{Deconstruction}}: Hatchetfield in general is one of the TownWithADarkSecret, and seems to be an answer to ''Podcast/WelcomeToNightVale''. The latter podcast talks about the unnatural oddities as normal, with radio host Cecil Baldwin reassuring listeners that everyone can handle the horror, along with their mundane lives, if they know what they're facing. As we see in ''Theatre/BlackFriday'', regular people acknowledge that these horrors shouldn't be happening; far from ConditionedToAcceptHorror, the protagonists have a LogicalLatecomer response to finding out they're trapped with an EldritchAbomination in the form of a CreepyCute doll. Case in point, Lex is worried about getting her little sister to safety, as TheCassandra Hannah is in a TroubledFetalPosition and crying [[spoiler:after watching Ethan die]], while Becky and Tom hide out from the cultists in the movie theater and wonder how their lives led to such pointless violence. They acknowledge at At the end of the show show, they acknowledge that none of them signed up for being survivors of a horror scenario.



* HorrorComedy: The genre of the series as a whole. [=StarKid=]'s signature crass humor, heartwarming relationships, and excellent music remain ever-present, but now exist underneath a constant atmosphere of unease and suspense. The paranormal threats appearing in each story run heavily on {{Bathos}}, as they're largely ridiculous concepts which nonetheless manage to be genuinely scary in their presentation.

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* HorrorComedy: The genre of the series as a whole. [=StarKid=]'s signature crass humor, heartwarming relationships, and excellent music remain ever-present, but now exist underneath a constant atmosphere of unease and suspense. The paranormal threats appearing in each story run heavily on {{Bathos}}, as they're largely ridiculous concepts which that nonetheless manage to be are genuinely scary in their presentation.



** ''WebVideo/NightmareTime'' Episode 1 gives us what may be a RetCon that Hatchetfield is in fact a well-known tourist destination -- to the point where the island is served by its own small airport -- and is the kind of "tiny town" that's only "tiny" because the permanent population is greatly outnumbered by transients. (We hear the pejorative word "townies" for permanent residents of such a town used a couple of times for Hatchetfielders later in the series.) "The Hatchetfield Ape-Man" reveals that the Duchess of Stockworth's family used to travel all the way from the UK to take their holidays in Hatchetfield for the beaches and the wildlife, and "Watcher World" reveals that Hatchetfield Island is home to the eponymous AmusementParkOfDoom, which seems to be a major regional attraction akin to [[https://en.wikipedia.org/wiki/Cedar_point Cedar Point]] (with "the tallest rollercoaster in the Midwest"). This is TruthInTelevision for a Michigan island community -- Mackinac Island in Lake Huron is known as the most popular tourist destination in the state, where the Michigan Governor's official summer residence is located -- but most of these towns are ''way'' too small to be a RealLife version of Hatchetfield. (Mackinac Island has a permanent population of less than 500.)

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** ''WebVideo/NightmareTime'' Episode 1 gives us what may be a RetCon that Hatchetfield is in fact a well-known tourist destination -- to the point where the island is served by its own small airport -- and is the kind of "tiny town" that's only "tiny" because transients greatly outnumber the permanent population is greatly outnumbered by transients.population. (We hear the pejorative word "townies" for permanent residents of such a town used a couple of times for Hatchetfielders later in the series.) "The Hatchetfield Ape-Man" reveals that the Duchess of Stockworth's family used to travel all the way from the UK to take their holidays in Hatchetfield for the beaches and the wildlife, and "Watcher World" reveals that Hatchetfield Island is home to the eponymous AmusementParkOfDoom, which seems to be a major regional attraction akin to [[https://en.wikipedia.org/wiki/Cedar_point Cedar Point]] (with "the tallest rollercoaster in the Midwest"). This is TruthInTelevision for a Michigan island community -- Mackinac Island in Lake Huron is known as the most popular tourist destination in the state, where the Michigan Governor's official summer residence is located -- but most of these towns are ''way'' too small to be a RealLife version of Hatchetfield. (Mackinac Island has a permanent population of less than 500.)



* LovecraftLite: Hatchetfield dips into various different genres of horror, but the overarching MythArc is very much inspired by the Franchise/CthulhuMythos. Qualifies as "Lite" because we're clearly shown beacons of hope: while the eldritch horrors are immensely powerful, it's possible to trick them, to foil their plans, and to throw off their control with ThePowerOfLove.

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* LovecraftLite: Hatchetfield dips into various different genres of horror, but the overarching MythArc is very much inspired by the Franchise/CthulhuMythos. Qualifies as "Lite" because we're clearly shown beacons of hope: while the eldritch horrors are immensely powerful, it's possible to trick them, to foil their plans, and to throw off their control with ThePowerOfLove.



* MusicalWorldHypothesis: Each work in the series utilizes its songs in a unique way:

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* MusicalWorldHypothesis: Each work in the series uniquely utilizes its songs in a unique way:songs:



* WeirdnessCensor: ''Theatre/NerdyPrudesMustDie'' indicates that, like [[Series/BuffyTheVampireSlayer Sunnydale]] and [[Film/HotFuzz Sandford]], mysterious deaths and disappearances are commonplace in Hatchetfield and the locals tend to tune them out. Most of what we see in Hatchetfield seems to be a thorough deconstruction, as our protagonists tend to have realistically horrified reactions to the slightly-comical paranormal events they find themselves in.

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* WeirdnessCensor: ''Theatre/NerdyPrudesMustDie'' indicates that, like [[Series/BuffyTheVampireSlayer Sunnydale]] and [[Film/HotFuzz Sandford]], mysterious deaths and disappearances are commonplace in Hatchetfield and the locals tend to tune them out. Most of what we see in Hatchetfield seems to be a thorough deconstruction, as our protagonists tend to have realistically horrified reactions to the slightly-comical slightly comical paranormal events they find themselves in.
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* SchoolRivalry: A RunningGag across every timeline in Hatchetfield is the rivalry between the Hatchetfield Nighthawks and the Clivesdale Chemists, a pair of rival high school football teams; it's treated as such SeriousBusiness that citizens of Hatchetfield will drop "Fuck Clivesdale" basically unprompted, and in ''Theatre/NerdyPrudesMustDie'', the fact that Hatchetfield might be on its way to a losing streak due to losing its star quarterback is treated as a reason to keep the town's children inside, even moreso than ''a possible SerialKiller being on the loose''.
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* GenreRoulette: As of ''WebVideo/NightmareTime'' [[WordOfGod Nick Lang]] has admitted he and Matt are throwing in everything including the kitchen sink in terms of story ideas into Hatchetfield, resulting in some entertaining MoodWhiplash; Episode Two of ''WebVideo/NightmareTime'' is using ideas that were clearly originally in the ScienceFiction genre adapted to fit a HorrorComedy franchise. The fact that the series runs on multiple AlternateTimelines means that if there's an element that doesn't seem to fit in the over Hatchetfield mythos, it can easily be said to only exist in that one timeline.

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* GenreRoulette: As of ''WebVideo/NightmareTime'' [[WordOfGod Nick Lang]] has admitted he and Matt are throwing in everything including the kitchen sink in terms of story ideas into Hatchetfield, resulting in some entertaining MoodWhiplash; Episode Two of ''WebVideo/NightmareTime'' is using ideas that were clearly originally in the ScienceFiction genre adapted to fit a HorrorComedy franchise. The fact that the series runs on multiple AlternateTimelines {{Alternate Timeline}}s means that if there's an element that doesn't seem to fit in the over Hatchetfield mythos, it can easily be said to only exist in that one timeline.
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* SupernaturalHotspotTown: Hatchetfield is home to an array of supernatural horrors which the characters contend with through the medium of musical theatre.
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[[caption-width-right:350:'''Paul:''' Could be worse. You could be dying in Clivesdale.]]

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[[caption-width-right:350:'''Paul:''' Could [[caption-width-right:350:Could be worse. You could be dying in Clivesdale.]]



'''Hatchetfield''' is a SharedUniverse of HorrorComedy stories created by the Creator/LangBrothers, set in the small fictional town of Hatchetfield, Michigan, a TownWithADarkSecret haunted, in many different realities, by all sorts of paranormal, extraterrestrial, and interdimensional phenomena. Written by the Lang brothers with music by Creator/JeffBlim, the Hatchetfield saga has been the main focus of Creator/TeamStarKid ever since they moved their operation from Chicago to Los Angeles in 2018.

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'''Hatchetfield''' is a SharedUniverse of HorrorComedy stories created by the Creator/LangBrothers, set in the small fictional town of Hatchetfield, Michigan, a TownWithADarkSecret haunted, in many different realities, by all sorts of paranormal, extraterrestrial, and interdimensional phenomena. Written by the Lang brothers with music songs by Creator/JeffBlim, the Hatchetfield saga has been the main focus of Creator/TeamStarKid ever since they moved their operation from Chicago to Los Angeles in 2018.
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* LimitedWardrobe: Every character has a default costume which they wear in all casual settings, to make sure they're visually distinct from characters played by the same actor.
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* AddedAlliterativeAppeal: Words and names beginning with the letter "W" are bizarrely common in relation to the paranormal phenomena throughout the series: the BigBad Wiggly, his nemesis Webby, and his servant Wiley; the Witchwood Forest, the amusement park Watcher World, the evil Witch in the Web, and the ape-man Wooly-Foot.

to:

* AddedAlliterativeAppeal: Words and names beginning with the letter "W" are bizarrely common in relation to the paranormal phenomena throughout the series: the BigBad Wiggly, his nemesis Webby, and his servant Wiley; Wiley, the Waylon family who founded his religion; the Witchwood Forest, the amusement park Watcher World, the evil Witch in the Web, and the ape-man Wooly-Foot.
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** ''WebVideo/NightmareTime'' gives every story a ThemeTune that plays at the beginning or end, but any time a song is performed ''during'' a story -- which happened in only one story in the first season but became more commonplace in the second -- it is 100% diegetic, with the characters very explicitly setting themselves up for a rehearsed public performance before every song begins.

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** ''WebVideo/NightmareTime'' gives every story a ThemeTune that plays at the beginning or end, but any time a song is performed ''during'' a story -- which happened in only one story in the first season but became more commonplace in the second -- it is 100% diegetic, with the characters very explicitly setting themselves up for a rehearsed public performance before every song begins. ''WebVideo/WorkinBoys'' follows suit, with all of the songs being performances from the in-universe musical Hidgens wrote and is directing.
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certainly not a Significant Green Eyed Redhead example; couldn't figure out where the original editor meant to put that


** The [[EldritchAbomination Lords in Black]] of WebVideo/{{Hatchetfield}}, present as this, manifesting directly from [[EldritchLocation The Black and White]] and can pull folks back and forth between dimensions. This happens multiple times in the anthology.

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->''Man down, down, down, down\\
Who's swinging the hatchet now, in Hatchet Town?''

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->''Man ->''Who's swinging the hatchet now?\\
Can I shit or will I drown?\\
Man
down, down, down, down\\
Who's swinging the hatchet now, in Who stepped on our hallowed ground\\
In
Hatchet Town?''

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->''You’re better on the run from this bloody letting''\\
''Suddenly this show is real upsetting''\\
''It’s looking like the Hatchet sun is setting on us''\\
''Who can we trust?''\\

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->''You’re better on ->''Man down, down, down, down\\
Who's swinging
the run from this bloody letting''\\
''Suddenly this show is real upsetting''\\
''It’s looking like the
hatchet now, in Hatchet sun is setting on us''\\
''Who can we trust?''\\
Town?''

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->'''Emma:''' Man... my whole life, my one goal was to avoid dying in Hatchetfield. But... here we are.\\
'''Paul:''' Hey, could be worse. You could be dying in Clivesdale.

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\n->'''Emma:''' Man... my whole life, my one goal was to avoid dying in Hatchetfield. But... here we are.\\\n'''Paul:''' Hey, could [[caption-width-right:350:'''Paul:''' Could be worse. You could be dying in Clivesdale.
Clivesdale.]]

->''You’re better on the run from this bloody letting''\\
''Suddenly this show is real upsetting''\\
''It’s looking like the Hatchet sun is setting on us''\\
''Who can we trust?''\\
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* SmallTownRivalry: A RunningGag throughout the series is the town of Hatchetfield having a fierce rivalry with the town of Clivesdale, the neighboring town just across the bridge on the mainland. Hatchetfield's unofficial town motto seems to be "Fuck Clivesdale!" Guess who is stated to be the Hatchetfield Nighthawks’ football rivals happen to be in ''Theater/NerdyPrudesMustDie''? The Clivesdale Chemists.

to:

* SmallTownRivalry: A RunningGag throughout the series is the town of Hatchetfield having a fierce rivalry with the town of Clivesdale, the neighboring town just across the bridge on the mainland. Hatchetfield's unofficial town motto seems to be "Fuck Clivesdale!" Guess who is stated to be the Hatchetfield Nighthawks’ football rivals happen to be in ''Theater/NerdyPrudesMustDie''? ''Theatre/NerdyPrudesMustDie''? The Clivesdale Chemists.
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* DarkIsEvil: The Lords in '''Black'''.
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* WeirdnessCensor: ''Theatre/NerdyPrudesMustDie'' indicates that, like [[Series/BuffyTheVampireSlayer Sunnydale]] and [[Film/HotFuzz Sandford]], mysterious disappearances are commonplace in Hatchetfield and the locals tend to tune them out. Most of what we see in Hatchetfield seems to be a thorough disconstruction, as our protagonists tend to have realistically horrified reactions to the slightly-comical paranormal events they find themselves in.

to:

* WeirdnessCensor: ''Theatre/NerdyPrudesMustDie'' indicates that, like [[Series/BuffyTheVampireSlayer Sunnydale]] and [[Film/HotFuzz Sandford]], mysterious deaths and disappearances are commonplace in Hatchetfield and the locals tend to tune them out. Most of what we see in Hatchetfield seems to be a thorough disconstruction, deconstruction, as our protagonists tend to have realistically horrified reactions to the slightly-comical paranormal events they find themselves in.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* WeirdnessCensor: ''Theatre/NerdyPrudesMustDie'' indicates that, like [[Series/BuffyTheVampireSlayer Sunnydale]] and [[Film/HotFuzz Sandford]], mysterious disappearances are commonplace in Hatchetfield and the locals tend to tune them out. Most of what we see in Hatchetfield seems to be a thorough disconstruction, as our protagonists tend to have realistically horrified reactions to the slightly-comical paranormal events they find themselves in.

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* {{Deconstruction}}: Hatchetfield in general is one of the TownWithADarkSecret, and seems to be an answer to ''Welcome to Nightvale''. The latter podcast talks about the unnatural oddities as normal, with radio host Cecil Baldwin reassuring listeners that everyone can handle the horror, along with their mundane lives, if they know what they're facing. As we see in ''Theatre/BlackFriday'', regular people acknowledge that these horrors shouldn't be happening; far from ConditionedToAcceptHorror, the protagonists have a LogicalLatecomer response to finding out they're trapped with an EldritchAbomination in the form of a CreepyCute doll. Case in point, Lex is worried about getting her little sister to safety, as TheCassandra Hannah is in a TroubledFetalPosition and crying [[spoiler:after watching Ethan die]], while Becky and Tom hide out from the cultists in the movie theater and wonder how their lives led to such pointless violence. They acknowledge at the end of the show that none of them signed up for being survivors of a horror scenario.

to:

* {{Deconstruction}}: Hatchetfield in general is one of the TownWithADarkSecret, and seems to be an answer to ''Welcome to Nightvale''.''Podcast/WelcomeToNightVale''. The latter podcast talks about the unnatural oddities as normal, with radio host Cecil Baldwin reassuring listeners that everyone can handle the horror, along with their mundane lives, if they know what they're facing. As we see in ''Theatre/BlackFriday'', regular people acknowledge that these horrors shouldn't be happening; far from ConditionedToAcceptHorror, the protagonists have a LogicalLatecomer response to finding out they're trapped with an EldritchAbomination in the form of a CreepyCute doll. Case in point, Lex is worried about getting her little sister to safety, as TheCassandra Hannah is in a TroubledFetalPosition and crying [[spoiler:after watching Ethan die]], while Becky and Tom hide out from the cultists in the movie theater and wonder how their lives led to such pointless violence. They acknowledge at the end of the show that none of them signed up for being survivors of a horror scenario.



* EverytownAmerica: Hatchetfield was initially designed to be this stereotype in ''Theatre/TheGuyWhoDidntLikeMusicals, although even then it had a few traits peculiar to it, like being an island community to enable the ClosedCircle of the plot. There's been more stuff since then fleshing out the specific kind of community Hatchetfield is, mostly revolving around Hatchetfield being a resort community with a lot of tourist traffic.
* ExcellentJudgeOfCharacter: Alice would never admit it, but Bill's assessment of her choice of girlfriend is absolutely correct. He says that Deb is not worth Alice's time and that she could do better. He's fine with her being queer, but he wants her to date someone who will treat her well. Considering that Alice stayed in Hatchetfield rather than go to Clivesdale to spend an extra day with Deb, that [[spoiler:gets her killed]], she might have listened to her father. [[spoiler:The ''Nightmare Time'' timeline has Alice worrying that Deb will hook up with someone else behind her back, and is [[GutPunch heartbroken to see that her worries were true]] after checking Instagram]].

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* EverytownAmerica: Hatchetfield was initially designed to be this stereotype in ''Theatre/TheGuyWhoDidntLikeMusicals, ''Theatre/TheGuyWhoDidntLikeMusicals'', although even then it had a few traits peculiar to it, like being an island community to enable the ClosedCircle of the plot. There's been more stuff since then fleshing out the specific kind of community Hatchetfield is, mostly revolving around Hatchetfield being a resort community with a lot of tourist traffic.
* ExcellentJudgeOfCharacter: Alice would never admit it, but Bill's assessment of her choice of girlfriend is absolutely correct. He says that Deb is not worth Alice's time and that she could do better. He's fine with her being queer, but he wants her to date someone who will treat her well. Considering that Alice stayed in Hatchetfield rather than go to Clivesdale to spend an extra day with Deb, that [[spoiler:gets her killed]], she might have listened to her father. [[spoiler:The ''Nightmare Time'' timeline has Alice worrying that Deb will hook up with someone else behind her back, and is [[GutPunch heartbroken to see that her worries were true]] after checking Instagram]].
traffic.



** ''Theatre/BlackFriday'' falls firmly under the Adaptation hypothesis; the songs are a dramatic reconstruction of the characters' thoughts, speeches being made, or events such as a riot.
** ''WebVideo/NightmareTime'' generally does not employ songs in its storytelling at all, instead merely giving every story a ThemeTune or two. The only story in the series to have musical numbers within it is ''Watcher World'', whose songs are performed diegetically by the Sniggles, but with music videos for the audience's benefit.

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** ''Theatre/BlackFriday'' falls firmly under the Adaptation hypothesis; the songs are a dramatic reconstruction of the characters' thoughts, speeches being made, or events such as a riot.
riot. ''Theatre/NerdyPrudesMustDie'' follows suit, suggesting this will be the standard for all non-TGWDLM feature musicals, being the default hypothesis for most musicals.
** ''WebVideo/NightmareTime'' generally does not employ songs in its storytelling at all, instead merely giving gives every story a ThemeTune that plays at the beginning or two. The end, but any time a song is performed ''during'' a story -- which happened in only one story in the series to have musical numbers within first season but became more commonplace in the second -- it is ''Watcher World'', whose songs are performed diegetically by the Sniggles, but 100% diegetic, with music videos the characters very explicitly setting themselves up for the audience's benefit.a rehearsed public performance before every song begins.



* RealLifeWritesThePlot: The third stage show in the Hatchetfield trilogy, ''Nerdy Prudes Must Die!'', was put on indefinite hiatus by the UsefulNotes/COVID19Pandemic, as was the production of ''Workin' Boys'' or any other planned conventional short films and {{Web Video}}s. The Zoom-based script-reading show ''WebVideo/NightmareTime'' was conceived as a replacement, both with new stories being written for it and older ideas being recycled into ''Nightmare Time'' scripts. Creator/NickLang has brought up that this may lead to ''Nerdy Prudes Must Die!'' being scrapped, both because bits and pieces of it are being cannibalized for ''Nightmare Time'' and because of timeline issues -- thanks to DawsonCasting being averted for Hannah Foster, who's played by Kendall Nicole, an actual teenager, Hannah is aging in real time along with Kendall, meaning there's a "time limit" on telling Hatchetfield stories. As the ChosenOne whose ComingOfAgeStory is deeply tied to the Hatchetfield MythArc, Hannah's age in each story is very important for the Hatchetfield timeline -- and Creator/NickLang has said that if "time runs out" and Hannah catches up and overtakes the age of the high school characters of ''Nerdy Prudes Must Die!'' then it might be necessary to scrap the show completely. (He hasn't given details of exactly why this is necessary, but it can be inferred that the plot of ''NPMD'' probably has to take place before the Hatchetfield GrandFinale, and that the teenage characters of ''NPMD'' are tied to existing characters in such a way that they have to be older than Hannah-- and interact with Hannah -- when ''NPMD'' happens.)

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* RealLifeWritesThePlot: The third stage show in the Hatchetfield trilogy, ''Nerdy Prudes Must Die!'', was ''Theatre/NerdyPrudesMustDie'' and ''WebVideo/WorkinBoys'' were put on indefinite hiatus by hold during the UsefulNotes/COVID19Pandemic, as was the production of ''Workin' Boys'' or any other planned conventional short films and {{Web Video}}s. The Zoom-based script-reading show UsefulNotes/COVID19Pandemic. ''WebVideo/NightmareTime'' was conceived as a replacement, both with new stories being written for it and older ideas being recycled into ''Nightmare Time'' scripts. Creator/NickLang has brought up was even concerned that this may lead to ''Nerdy Prudes Must Die!'' being scrapped, both because Prudes'' would have to be scrapped if enough bits and pieces of it are being had to be cannibalized for ''Nightmare Time'' and because NPMD. The two delayed stories were released in 2023; in the meantime, even ''before'' the pandemic, [=StarKid=] had begun to understand the importance of timeline issues -- thanks to DawsonCasting not working themselves too hard, resulting in ''Workin' Boys'' being averted for Hannah Foster, who's played by Kendall Nicole, an actual teenager, Hannah is aging in real time along with Kendall, meaning there's at a "time limit" on telling Hatchetfield stories. As the ChosenOne whose ComingOfAgeStory is deeply tied to the Hatchetfield MythArc, Hannah's age in each story is very important for the Hatchetfield timeline -- and Creator/NickLang has said much more reasonable scope that if "time runs out" and Hannah catches up and overtakes the age of the high school characters of ''Nerdy Prudes Must Die!'' then it might be necessary to scrap the show completely. (He hasn't given details of exactly why this is necessary, but it can be inferred that the plot of ''NPMD'' probably has to take place before the Hatchetfield GrandFinale, and that the teenage characters of ''NPMD'' are tied to existing characters in such a way that what they have were about to be older than Hannah-- film in 2020, and interact with Hannah -- when ''NPMD'' happens.)all post-pandemic [=StarKid=] shows having understudies on call.



* SpiritualSuccessor: Despite the massive difference in tone and style, the Hatchetfield series has been said to be one for ''Theatre/TheTrailToOregon'' -- the Creator/LangBrothers describe the decision to do ''Theatre/TheGuyWhoDidntLikeMusicals'' as driven by the desire to reunite the same ProductionPosse who did ''TTO'' in 2014, saying it was the most fun and the easiest experience they'd had doing a show in the past and wanted to keep this same team going in the future. The Hatchetfield series has the same songwriter as ''The Trail to Oregon'', Creator/JeffBlim, and a similar MoodWhiplash-based comedic sensibility. There's even a explicit CallBack to a concept from ''TTO'' with Blinky's title "The Watcher with a Thousand Eyes", referencing the "horror" sequence in ''TTO'' leading into the song "Dysentery World".
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* TownWithADarkSecret: What the secret ''is'' depends on the story, but all is clearly not what it seems in Hatchetfield.

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* TownWithADarkSecret: What Depending on which story you look at, the secret ''is'' depends on the story, can be anything from Lovecraftian cults to serial killers, but all is clearly not never what it seems in Hatchetfield.
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* * The [[EldritchAbomination Lords in Black]] of WebVideo/{{Hatchetfield}}, present as this, manifesting directly from [[EldritchLocation The Black and White]] and can pull folks back and forth between dimensions. This happens multiple times in the anthology.
* SmallTownRivalry: A RunningGag throughout the series is the town of Hatchetfield having a fierce rivalry with the town of Clivesdale, the neighboring town just across the bridge on the mainland. Hatchetfield's unofficial town motto seems to be "Fuck Clivesdale!" Guess who is stated to be the Hatchetfield Nighthawks’ football rivals happen to be in WebVideo/NerdyPrudesMustDie? The Clivesdale Chemists.

to:

* * ** The [[EldritchAbomination Lords in Black]] of WebVideo/{{Hatchetfield}}, present as this, manifesting directly from [[EldritchLocation The Black and White]] and can pull folks back and forth between dimensions. This happens multiple times in the anthology.
* SmallTownRivalry: A RunningGag throughout the series is the town of Hatchetfield having a fierce rivalry with the town of Clivesdale, the neighboring town just across the bridge on the mainland. Hatchetfield's unofficial town motto seems to be "Fuck Clivesdale!" Guess who is stated to be the Hatchetfield Nighthawks’ football rivals happen to be in WebVideo/NerdyPrudesMustDie? ''Theater/NerdyPrudesMustDie''? The Clivesdale Chemists.

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* SmallTownRivalry: A RunningGag throughout the series is the town of Hatchetfield having a fierce rivalry with the town of Clivesdale, the neighboring town just across the bridge on the mainland. Hatchetfield's unofficial town motto seems to be "Fuck Clivesdale!"

to:

* * The [[EldritchAbomination Lords in Black]] of WebVideo/{{Hatchetfield}}, present as this, manifesting directly from [[EldritchLocation The Black and White]] and can pull folks back and forth between dimensions. This happens multiple times in the anthology.
* SmallTownRivalry: A RunningGag throughout the series is the town of Hatchetfield having a fierce rivalry with the town of Clivesdale, the neighboring town just across the bridge on the mainland. Hatchetfield's unofficial town motto seems to be "Fuck Clivesdale!"Clivesdale!" Guess who is stated to be the Hatchetfield Nighthawks’ football rivals happen to be in WebVideo/NerdyPrudesMustDie? The Clivesdale Chemists.
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The originally planned third installment of the series was meant to be the stage musical ''Nerdy Prudes Must Die'', but that was put on hold due to the UsefulNotes/COVID19Pandemic and replaced with ''Nightmare Time'', a series of Hatchetfield mini-stories told via Zoomcast. With the three-episode, six-story series of ''Nightmare Time'' having been revealed near the end of its run to in fact be ''Nightmare Time'' season 1, and Nick Lang having established that ''Nerdy Prudes Must Die'' is not, as many have assumed, the third installment of a trilogy, it is clear that many more Hatchetfield stories are planned for the future.



'''Please keep all Hatchetfield pages free of spoilers for ''Theatre/NerdyPrudesMustDie'' until the show is released to the general public.'''
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* ''WebVideo/WorkinBoys'' (2023)

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* LoadsAndLoadsOfRoles:
** Said dozens of characters have been portrayed by a mere fourteen actors -- sixteen if you count Nick Lang, who has served as a stand-in for both Emma and Wiggly and plays TheNarrator of ''WebVideo/NightmareTime'' (which included, on two occasions, taking over for certain minor characters when the assigned actor's mic was off), and Matt Dahan, who "portrays" the leader of the Hatchetfield High School band. This is especially impressive in ''Theatre/TheGuyWhoDidntLikeMusicals''; being the first [=StarKid=] production after they left Chicago, they only managed to get eight actors; they nevertheless managed to populate Hatchetfield via constant costume changes.
** Six more actors debuted in ''Theatre/BlackFriday''. ''WebVideo/NightmareTime'', as of its first season, has introduced a handful of characters to the cast without introducing any new actors. As of ''Black Friday'', Creator/DylanSaunders was the only actor in the series to have only one character, and the first season of ''Nightmare Time'' left him still the only one to have played only one ''major'' character.
** ''Nightmare Time 2'', in addition to adding Jae Hughes and Bryce Charles to the [=StarKid=] family, finally gave Saunders more major characters, and also featured Nick Lang as a prominent actor for the first time in the series, as he had to quickly take over all the roles assigned to Robert Manion, who was asked to temporarily step away from [=StarKid=] following a controversy mere weeks before the season premiered.
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-->'''Emma:''' Man... my whole life, my one goal was to avoid dying in Hatchetfield. But... here we are.\\

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-->'''Emma:''' ->'''Emma:''' Man... my whole life, my one goal was to avoid dying in Hatchetfield. But... here we are.\\
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moving out of franchise namespace

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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/hatchetfield_5.png]]

-->'''Emma:''' Man... my whole life, my one goal was to avoid dying in Hatchetfield. But... here we are.\\
'''Paul:''' Hey, could be worse. You could be dying in Clivesdale.

'''Hatchetfield''' is a SharedUniverse of HorrorComedy stories created by the Creator/LangBrothers, set in the small fictional town of Hatchetfield, Michigan, a TownWithADarkSecret haunted, in many different realities, by all sorts of paranormal, extraterrestrial, and interdimensional phenomena. Written by the Lang brothers with music by Creator/JeffBlim, the Hatchetfield saga has been the main focus of Creator/TeamStarKid ever since they moved their operation from Chicago to Los Angeles in 2018.

The saga consists of the following works:
[[index]]
* ''Theatre/TheGuyWhoDidntLikeMusicals'' (2018)
* ''Theatre/BlackFriday'' (2019)
* ''WebVideo/NightmareTime'' (2020)
** ''Nightmare Time 2'' (2021)
* ''Theatre/NerdyPrudesMustDie'' (2023)
[[/index]]

The originally planned third installment of the series was meant to be the stage musical ''Nerdy Prudes Must Die'', but that was put on hold due to the UsefulNotes/COVID19Pandemic and replaced with ''Nightmare Time'', a series of Hatchetfield mini-stories told via Zoomcast. With the three-episode, six-story series of ''Nightmare Time'' having been revealed near the end of its run to in fact be ''Nightmare Time'' season 1, and Nick Lang having established that ''Nerdy Prudes Must Die'' is not, as many have assumed, the third installment of a trilogy, it is clear that many more Hatchetfield stories are planned for the future.

Now has a full-franchise [[Characters/{{Hatchetfield}} character sheet]] and a [[Timeline/{{Hatchetfield}} timeline]].

'''Please keep all Hatchetfield pages free of spoilers for ''Theatre/NerdyPrudesMustDie'' until the show is released to the general public.'''

----
!!Tropes present across the entire Hatchetfield saga:

* AddedAlliterativeAppeal: Words and names beginning with the letter "W" are bizarrely common in relation to the paranormal phenomena throughout the series: the BigBad Wiggly, his nemesis Webby, and his servant Wiley; the Witchwood Forest, the amusement park Watcher World, the evil Witch in the Web, and the ape-man Wooly-Foot.
* AnyoneCanDie: ''Oh'', yeah. But if your favorite character bites it, don't fret -- TheMultiverse means you have a chance at seeing them again.
* {{Anthology}}: With the release of ''WebVideo/NightmareTime'' it's safe to call the Hatchetfield series an anthology series -- the same stable of actors rotate through a changing cast of characters to tell a number of stories in the same setting that [[LooseCanon only loosely]] fit into one overarching continuity.
* CerebusSyndrome: Although Starkid addressing real-world issues in their shows is in fact OlderThanTheyThink, the Hatchetfield series is nevertheless a major shift toward DarkerAndEdgier storytelling that directly addresses unfunny issues like PTSD, DomesticAbuse, the decay of relationships under the pressures of late capitalism, etc.
** This has happened over the course of the Hatchetfield series itself, with ''Theatre/TheGuyWhoDidntLikeMusicals'' originally seeming to only use Hatchetfield as a convenient backdrop for its one long meta joke about a ZombieApocalypse based on a [[MusicalWorldHypotheses diegetic Musical World Hypothesis]], only for ''Theatre/BlackFriday'' to bring the town back and start expanding the lore around it.
* CerebusRollercoaster: The signature tone of the Hatchetfield stories is one of very rapid MoodWhiplash between the two poles of the HorrorComedy genre.
* ContinuityCameo: Several characters appear in multiple installments of the series, if not always at the same level of prominence they had originally.
* ContinuityPorn: Even though every Hatchetfield story is set in a timeline where none of the previous story's paranormal events happened, everything ''else'' that happens clearly carries over from one story to another, as each story is loaded with references to [[RunningGag past jokes]], [[CallBack past events]], and [[CrypticBackgroundReference all sorts of background lore]] about the more mundane aspects of the town.
* CosmicHorrorStory: The MythArc of Hatchetfield is a classic one involving {{Eldritch Abomination}}s seeking to [[TheEndOfTheWorldAsWeKnowIt destroy the world]]. ''WebVideo/NightmareTime'' shifts the balance toward PersonalHorror, although WordOfGod is that the Creator/LangBrothers believe ''all'' horror must be PersonalHorror for the main character to really strike home (as per Creator/SamRaimi's "rules of horror").
* DarkerAndEdgier: ''Theatre/TheGuyWhoDidntLikeMusicals'' was a major shift for a Starkid show, being the first show that took character's deaths seriously and that left the audience with a DownerEnding that was as disturbing as it was funny. It's only gotten DarkerAndEdgier since.
* {{Deconstruction}}: Hatchetfield in general is one of the TownWithADarkSecret, and seems to be an answer to ''Welcome to Nightvale''. The latter podcast talks about the unnatural oddities as normal, with radio host Cecil Baldwin reassuring listeners that everyone can handle the horror, along with their mundane lives, if they know what they're facing. As we see in ''Theatre/BlackFriday'', regular people acknowledge that these horrors shouldn't be happening; far from ConditionedToAcceptHorror, the protagonists have a LogicalLatecomer response to finding out they're trapped with an EldritchAbomination in the form of a CreepyCute doll. Case in point, Lex is worried about getting her little sister to safety, as TheCassandra Hannah is in a TroubledFetalPosition and crying [[spoiler:after watching Ethan die]], while Becky and Tom hide out from the cultists in the movie theater and wonder how their lives led to such pointless violence. They acknowledge at the end of the show that none of them signed up for being survivors of a horror scenario.
* EarlyInstallmentWeirdness: Done deliberately with ''Theatre/TheGuyWhoDidntLikeMusicals'', which was a much more [[BreakingTheFourthWall meta]] and standalone idea for a HorrorComedy show than any of their others -- the Creator/LangBrothers' BatmanGambit was hoping to see if ''TGWDLM'' would be a success, and if it was to try to draw viewers into the somewhat different idea of the Hatchetfield series as a whole via intentional CerebusSyndrome.
* EldritchLocation: Hatchetfield, Michigan is a seemingly normal, small Midwestern town that attracts every supernatural horror imaginable.
* EverytownAmerica: Hatchetfield was initially designed to be this stereotype in ''Theatre/TheGuyWhoDidntLikeMusicals, although even then it had a few traits peculiar to it, like being an island community to enable the ClosedCircle of the plot. There's been more stuff since then fleshing out the specific kind of community Hatchetfield is, mostly revolving around Hatchetfield being a resort community with a lot of tourist traffic.
* ExcellentJudgeOfCharacter: Alice would never admit it, but Bill's assessment of her choice of girlfriend is absolutely correct. He says that Deb is not worth Alice's time and that she could do better. He's fine with her being queer, but he wants her to date someone who will treat her well. Considering that Alice stayed in Hatchetfield rather than go to Clivesdale to spend an extra day with Deb, that [[spoiler:gets her killed]], she might have listened to her father. [[spoiler:The ''Nightmare Time'' timeline has Alice worrying that Deb will hook up with someone else behind her back, and is [[GutPunch heartbroken to see that her worries were true]] after checking Instagram]].
* FlyoverCountry: Among other things, Hatchetfield is a love letter from the Creator/LangBrothers to the State of Michigan, where they grew up, and where Creator/TeamStarkid first came together as a group of theatre students at the University of Michigan. Hatchetfield comes in for a lot of typical FlyoverCountry jokes about being in "the middle of nowhere" and [[HatedHometown people wanting to flee]] to New York or LA (or, in Emma's case, all the way to Guatemala), and we get a few Michigan-specific references like older people in Hatchetfield still being fiercely loyal to American-made classic cars from Detroit in its heyday, running the gamut from Tom Houston's [[HerosClassicCar Ford Fox-body Mustang]] to Bill Woodward's [[TheAllegedCar AMC Pacer]].
* GenreRoulette: As of ''WebVideo/NightmareTime'' [[WordOfGod Nick Lang]] has admitted he and Matt are throwing in everything including the kitchen sink in terms of story ideas into Hatchetfield, resulting in some entertaining MoodWhiplash; Episode Two of ''WebVideo/NightmareTime'' is using ideas that were clearly originally in the ScienceFiction genre adapted to fit a HorrorComedy franchise. The fact that the series runs on multiple AlternateTimelines means that if there's an element that doesn't seem to fit in the over Hatchetfield mythos, it can easily be said to only exist in that one timeline.
* GenreShift: Starkid underwent a major one with this series, going from purely farcical comedies, usually directly parodying some other pop culture franchise, to an original HorrorComedy series meant both to be DarkerAndEdgier and [[CerebusSyndrome more grounded in the real world]].
* GrandFinale: [[WordOfGod Nick Lang]] gave a fan interview in 2021 where he spilled a lot of details about future plans for Hatchetfield, including that in an ideal world he has an eventual plan for a fully-produced feature film that will serve to wrap up Hatchetfield's MythArc.
* HeroOfAnotherStory: TheMultiverse allows characters who were in the background in one world-ending apocalyptic crisis to take center stage in another.
* HorrorComedy: The genre of the series as a whole. [=StarKid=]'s signature crass humor, heartwarming relationships, and excellent music remain ever-present, but now exist underneath a constant atmosphere of unease and suspense. The paranormal threats appearing in each story run heavily on {{Bathos}}, as they're largely ridiculous concepts which nonetheless manage to be genuinely scary in their presentation.
* InformedSmallTown: A typical example of this trope. The text repeatedly refers to "the tiny town of Hatchetfield" and says that NothingExcitingEverHappensHere, but each story has added institutions and establishments to Hatchetfield for plot convenience that, if all of them were canon, would make Hatchetfield quite a large city. This is a FranchiseOriginalSin, since ''Theatre/TheGuyWhoDidntLikeMusicals'' itself gave Hatchetfield its own TV station, its own broadsheet newspaper, its own community college, two school districts supporting two rival high schools, and a historic theatre space that's big and established enough to be a destination on ''Theatre/MammaMia'''s national tour. (Realistically, for a national tour of any Broadway show to arrive at Hatchetfield it ''must'' by definition be a regionally dominant city.) Note that Hatchetfield is supposed to be a community on an island in the Great Lakes, and the largest such island in RealLife Michigan is [[https://en.wikipedia.org/wiki/Grosse_Ile_Township,_Michigan Grosse Ile]], which has a population of about 10,000 and, although highly affluent, isn't nearly large enough to have any of the above. [[invoked]]
** ''Theatre/BlackFriday'' added to this, with Hatchetfield having a large shopping mall (the Lakeside Mall) within its city limits, with an independent toy store (Toy Zone) that's important enough to receive a direct shipment of Tickle-Me Wiggly toys at the height of their popularity on Black Friday. Of course, in this case we're directly told this is intentionally arranged by Wiggly because Hatchetfield is an EldritchLocation.
** ''Theatre/BlackFriday'' also reveals Hatchetfield has enough of a population of wealthy millionaires to support its own boating society, although this much is TruthInTelevision -- boating is SeriousBusiness in the island communities of the Great Lakes and Grosse Ile has multiple boating/yachting clubs.
** ''WebVideo/NightmareTime'' Episode 1 gives us what may be a RetCon that Hatchetfield is in fact a well-known tourist destination -- to the point where the island is served by its own small airport -- and is the kind of "tiny town" that's only "tiny" because the permanent population is greatly outnumbered by transients. (We hear the pejorative word "townies" for permanent residents of such a town used a couple of times for Hatchetfielders later in the series.) "The Hatchetfield Ape-Man" reveals that the Duchess of Stockworth's family used to travel all the way from the UK to take their holidays in Hatchetfield for the beaches and the wildlife, and "Watcher World" reveals that Hatchetfield Island is home to the eponymous AmusementParkOfDoom, which seems to be a major regional attraction akin to [[https://en.wikipedia.org/wiki/Cedar_point Cedar Point]] (with "the tallest rollercoaster in the Midwest"). This is TruthInTelevision for a Michigan island community -- Mackinac Island in Lake Huron is known as the most popular tourist destination in the state, where the Michigan Governor's official summer residence is located -- but most of these towns are ''way'' too small to be a RealLife version of Hatchetfield. (Mackinac Island has a permanent population of less than 500.)
** ''WebVideo/NightmareTime'' Episode 2 expands Hatchetfield a little more, giving it a Natural History Museum suitable as a non-denominational wedding venue (yet another feature that would in RealLife probably only be found in a fairly large city). It also gives some context to CCRP's presence in Hatchetfield -- CCRP is indeed only a branch office of a [[EvilInc massive multinational evil conglomerate]] that probably wouldn't have any interest in a "tiny town" in Michigan in RealLife... but CCRP is also part of an AncientConspiracy dabbling in {{Magitek}} and is likely aware of Hatchetfield's nature as an EldritchLocation and exploiting it.
* LoadsAndLoadsOfRoles:
** Said dozens of characters have been portrayed by a mere fourteen actors -- sixteen if you count Nick Lang, who has served as a stand-in for both Emma and Wiggly and plays TheNarrator of ''WebVideo/NightmareTime'' (which included, on two occasions, taking over for certain minor characters when the assigned actor's mic was off), and Matt Dahan, who "portrays" the leader of the Hatchetfield High School band. This is especially impressive in ''Theatre/TheGuyWhoDidntLikeMusicals''; being the first [=StarKid=] production after they left Chicago, they only managed to get eight actors; they nevertheless managed to populate Hatchetfield via constant costume changes.
** Six more actors debuted in ''Theatre/BlackFriday''. ''WebVideo/NightmareTime'', as of its first season, has introduced a handful of characters to the cast without introducing any new actors. As of ''Black Friday'', Creator/DylanSaunders was the only actor in the series to have only one character, and the first season of ''Nightmare Time'' left him still the only one to have played only one ''major'' character.
** ''Nightmare Time 2'', in addition to adding Jae Hughes and Bryce Charles to the [=StarKid=] family, finally gave Saunders more major characters, and also featured Nick Lang as a prominent actor for the first time in the series, as he had to quickly take over all the roles assigned to Robert Manion, who was asked to temporarily step away from [=StarKid=] following a controversy mere weeks before the season premiered.
* LovecraftLite: Hatchetfield dips into various different genres of horror, but the overarching MythArc is very much inspired by the Franchise/CthulhuMythos. Qualifies as "Lite" because we're clearly shown beacons of hope: while the eldritch horrors are immensely powerful, it's possible to trick them, to foil their plans, and to throw off their control with ThePowerOfLove.
* TheMultiverse: Established early on in the second installment, ''Theatre/BlackFriday'', which takes place a month after the events of ''Theatre/TheGuyWhoDidntLikeMusicals'', but in a world where the paranormal events of TGWDLM didn't happen, e.g., Paul and Emma met, since that happened before the meteor hit, but then the meteor ''didn't'' arrive and the ZombieApocalypse never happened. All of ''WebVideo/NightmareTime'''s stories take place a year later and, similarly, every story takes place after the previous one but ignores all previous stories' paranormal events, which is clear since said events tend to result in a lot of character deaths, of characters who pop back up in later stories none the worse for wear. Despite this, WordOfGod from [[Creator/LangBrothers Nick Lang]] has stated unambiguously that all Hatchetfield stories are canon, but refuses to elaborate on how that's possible. The implication throughout a few stories, particularly ''Black Friday'', is that the Black and White, the extradimensional home of the Lords in Black, is connected to all possible versions of reality. The rule seems to be that paranormal events don't carry over from one story to another, but everything else does, allowing relationships such as Paul/Emma and Tom/Becky to develop as the series goes on.
* MusicalWorldHypothesis: Each work in the series utilizes its songs in a unique way:
** ''Theatre/TheGuyWhoDidntLikeMusicals'' combines several of the hypotheses. It's mostly Diegetic; all of the musical numbers are actually being performed in-universe, either by the Assimilated or by people (some assimilated, some not) who wrote, choreographed, and rehearsed the songs beforehand. The background music falls under the All In Their Heads hypothesis; the Assimilated can hear it but the non-assimilated can't, which is why the non-assimilated find the musical numbers so unsettling. Finally, the Assimilated fall under a paranormal version of the All-Maestro Cast hypothesis; being a HiveMind, they can come up with lyrics and choreography on the fly and all of them can learn it at once. Nick Lang has gone so far as to say that TGWDLM isn't a musical at all, merely a play about people who ''act'' like they're in a musical.
** ''Theatre/BlackFriday'' falls firmly under the Adaptation hypothesis; the songs are a dramatic reconstruction of the characters' thoughts, speeches being made, or events such as a riot.
** ''WebVideo/NightmareTime'' generally does not employ songs in its storytelling at all, instead merely giving every story a ThemeTune or two. The only story in the series to have musical numbers within it is ''Watcher World'', whose songs are performed diegetically by the Sniggles, but with music videos for the audience's benefit.
* MythArc: The Hatchetfield stories seem to be a mix between "standalone" horror stories and stories advancing the overall story of the "[[EldritchAbomination Lords in Black]]" and their EvilPlan to eventually devour all of Hatchetfield's timelines. WordOfGod is that the Hatchetfield MythArc has been plotted out in BroadStrokes and the creators know what the eventual GrandFinale of the series will be.
* NamesToRunAwayFromReallyFast: While no one in-universe seems to think much of it, seeing it as a normal and boring town, as time goes on, the name Hatchetfield seems more and more appropriate as a place where horror stories happen. ''WebVideo/NightmareTime'' escalates this, letting us know that the uninhabited northern half of Hatchetfield Island is known as "the Witchwood Forest" or just "the Witchwood", and that they are very much the kind of woods you [[DontGoIntoTheWoods don't go into]]. It also implies that Hatchetfield was founded by an AncientConspiracy called the Hatchetmen, so named because they first cut down the Witchwood to build the town, then replanted half of the forest [[spoiler:by chopping down ''people'' with their hatchets, people with magical gifts, and imprisoned each of their souls inside a tree to form a web protecting the town from evil.]]
* NegativeContinuity: See TheMultiverse -- AnyoneCanDie in any given Hatchetfield story and then show up alive and well in a different one, and even though the overall backstory of the town of Hatchetfield and its recurring characters seems stable, some relatively major details have unexpectedly shifted with each new "reboot".
* NothingExcitingEverHappensHere: As usual in the horror genre, most Hatchetfield residents have this opinion only for it to turn out to be disastrously incorrect if they have the bad luck to be the protagonist of a Hatchetfield story, thanks to Hatchetfield being a TownWithADarkSecret most of them aren't privy to.
* OfficialCouple: Paul and Emma from ''Theatre/TheGuyWhoDidntLikeMusicals'' are unequivocally this for the Hatchetfield universe -- not only are they the main canon ship of the show they're in, they've been strongly favored by fans as an {{OTP}} since the show came out, with the {{Official Couple}}s from ''Theatre/BlackFriday'' (Tom/Becky and Lex/Ethan) vying for second place. The fact that TGWDLM puts them through some major OfficialCoupleOrdealSyndrome (their one chance at a first kiss is [[AlmostKiss interrupted]] before the show comes to an end) only intensifies this, which is why ''WebVideo/NightmareTime'' announcing "Forever & Always" would be a story [[WeddingEpisode about their wedding]] was such a massive crowd-pleasing moment.
* PersonalHorror: This started as a joke in the Hatchetfield series (with Paul Matthews' PersonalHorror being his hatred of musical theatre only to wake up and find himself the protagonist of a musical), but even in ''Theatre/TheGuyWhoDidntLikeMusicals'' it became a surprisingly serious theme once you [[RunningGag thought about the implications]]. We got a lot more of it in ''Theatre/BlackFriday'', particularly in the tragic life and times of Tom Houston, and exploring PersonalHorror is more or less the mission statement of ''WebVideo/NightmareTime''. (See TraumaCongaLine on the "rules of horror".)
* RealLifeWritesThePlot: The third stage show in the Hatchetfield trilogy, ''Nerdy Prudes Must Die!'', was put on indefinite hiatus by the UsefulNotes/COVID19Pandemic, as was the production of ''Workin' Boys'' or any other planned conventional short films and {{Web Video}}s. The Zoom-based script-reading show ''WebVideo/NightmareTime'' was conceived as a replacement, both with new stories being written for it and older ideas being recycled into ''Nightmare Time'' scripts. Creator/NickLang has brought up that this may lead to ''Nerdy Prudes Must Die!'' being scrapped, both because bits and pieces of it are being cannibalized for ''Nightmare Time'' and because of timeline issues -- thanks to DawsonCasting being averted for Hannah Foster, who's played by Kendall Nicole, an actual teenager, Hannah is aging in real time along with Kendall, meaning there's a "time limit" on telling Hatchetfield stories. As the ChosenOne whose ComingOfAgeStory is deeply tied to the Hatchetfield MythArc, Hannah's age in each story is very important for the Hatchetfield timeline -- and Creator/NickLang has said that if "time runs out" and Hannah catches up and overtakes the age of the high school characters of ''Nerdy Prudes Must Die!'' then it might be necessary to scrap the show completely. (He hasn't given details of exactly why this is necessary, but it can be inferred that the plot of ''NPMD'' probably has to take place before the Hatchetfield GrandFinale, and that the teenage characters of ''NPMD'' are tied to existing characters in such a way that they have to be older than Hannah-- and interact with Hannah -- when ''NPMD'' happens.)
** There have been issues in the past that affected the writing of the shows, like Angela Giarratana being added to the "Starkid family" when Mariah Rose Faith bowed out of ''Theatre/BlackFriday'' when she was cast on the ''Theatre/MeanGirls'' national tour -- followed by the UsefulNotes/COVID19Pandemic cutting said tour short, meaning Mariah and Angela could appear together in the cast of ''Nightmare Time'' (leading to characters being written for both, like Alice and Snigglette being {{Foil}}s for each other in "Watcher World").
** Creator/NickLang has also generally alluded to the idea that if ''NPMD'' does go up as the final Hatchetfield stage show, it will probably be toned-down in scale from ''Theatre/BlackFriday'', because ''Black Friday'' was an intensely TroubledProduction due to illness among the cast thanks to the strain the show put on their stamina and the small dressing rooms for such a big cast helping infection easily spread. Nick has said that the UsefulNotes/COVID19Pandemic was a "wakeup call" to Creator/TeamStarkid -- and, hopefully, to the performing arts industry in general -- to take actors' physical needs and safety more seriously.
* SignificantDoubleCasting: Like most previous [=StarKid=] works, the series has far more characters than it has actors to play them. Hatchetfield likes to play with the audience's expectations, as NarrowedItDownToTheGuyIRecognize is so seldom a valid tactic, that it's genuinely a complete shock whenever it's revealed that two characters played by the same actor are actually the same person. An early example is the reveal in ''Theatre/TheGuyWhoDidntLikeMusicals'' that a helicopter pilot played by Mariah Rose Faith is actually Zoey; notably, two different ''WebVideo/NightmareTime'' stories have revealed that [[spoiler:a character played by Creator/JoeyRichter was in fact Ted Spankoffski all along.]]
* SignificantGreenEyedRedhead: Ever since Kim Whalen joined the Hatchetfield cast with ''Theatre/BlackFriday'' people have pointed out her characters in particular tend to be {{Love Interest}}s, with this trope possibly playing into why.
* SmallTownRivalry: A RunningGag throughout the series is the town of Hatchetfield having a fierce rivalry with the town of Clivesdale, the neighboring town just across the bridge on the mainland. Hatchetfield's unofficial town motto seems to be "Fuck Clivesdale!"
* SpiritualSuccessor: Despite the massive difference in tone and style, the Hatchetfield series has been said to be one for ''Theatre/TheTrailToOregon'' -- the Creator/LangBrothers describe the decision to do ''Theatre/TheGuyWhoDidntLikeMusicals'' as driven by the desire to reunite the same ProductionPosse who did ''TTO'' in 2014, saying it was the most fun and the easiest experience they'd had doing a show in the past and wanted to keep this same team going in the future. The Hatchetfield series has the same songwriter as ''The Trail to Oregon'', Creator/JeffBlim, and a similar MoodWhiplash-based comedic sensibility. There's even a explicit CallBack to a concept from ''TTO'' with Blinky's title "The Watcher with a Thousand Eyes", referencing the "horror" sequence in ''TTO'' leading into the song "Dysentery World".
* TownWithADarkSecret: What the secret ''is'' depends on the story, but all is clearly not what it seems in Hatchetfield.
* TraumaCongaLine: According to creator [[Creator/LangBrothers Nick Lang]], Hatchetfield's stories all attempt to follow Creator/SamRaimi's "rules of horror" as told to Creator/StephenKing: [[TrialByOrdeal The innocent must be tested]], [[PayEvilUntoEvil the guilty must be punished]], and [[MiseryBuildsCharacter you must taste blood to be a man]]. {{Downer Ending}}s are more common for someone with the misfortune to find themselves a Hatchetfield protagonist than {{Happy Ending}}s, and any happy endings that do happen are well and truly [[EarnYourHappyEnding earned]].
* WhereTheHellIsSpringfield: We know a lot more about Hatchetfield's location than most other examples of EverytownAmerica -- it's an island in the Great Lakes that's part of the State of Michigan -- but [[WordOfGod Nick Lang]] has been asked where ''specifically'' Hatchetfield is, since there's a ''huge'' range of locations this could describe, and he's refused to pin it down. The geography of Michigan, the state with the second longest coastline in the US, means it has jurisdiction over islands in four out of five of the Great Lakes, which creates a pretty wide range of climate, culture and economic status Hatchetfield could have. (The only island in Michigan that comes close to having enough population to be a RealLife version of Hatchetfield is Grosse Ile, which is technically not in one of the Great Lakes but in the Detroit River, which along with Lake St. Clair connects Lake Huron and Lake Erie. Manitoulin Island in Lake Huron is significantly physically larger and is an even better fit, but is part of the Canadian province of Ontario.)

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