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* HarmlessVillain: In the Carlinhos flash animation "As Carlinhas Superpodrerosas", which is a parody of ''WesternAnimation/ThePowerpuffGirls1998'', the equivalent to Mojo Jojo is called "Macaco Morto" (Dead Monkey) and looks like the original one, except he's just dead with flies around him. He does absolutely nothing except randomly fall on the mayor's table, and is easily defeated as he was already dead on the first place.
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* RapidFireComedy: The animations tend to be short and fast-paced; consequently, they feature tons of jokes one immediately after another.
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* EEqualsMcHammer: [[ParodiedTrope Parodied]] in the song from the cartoon "Monstro Jackson - Ataque de Epilepsia". At one point, the lyrics have a fake-Spanish version, featuring a random NonSequitur saying "Raiz quadrada de catorze é ''dezotcho''" (meaning "the square root of fourteen is eighteen").
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* GratuitousSpanish: "Sandalhita de Ripa" is a self-parody of "Avaiana de Pau", except the characters' dialogues are all said in intentionally wrong, over-the-top Spanish. The same fake Spanish language is used in posterior animations as well.
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* MusicalEpisode: With the short nature of the animations, some of them consist largely or entirely on just songs.
** "Videokê Olha Mãe" has Donizete singing a parody of the song "Morango do Nordeste" dedicated to her mother.
** "Monstro Jackson - Ataque de Epilepsia" features Treco singing a song about Michael Jackson having an epileptic attack in front of a priest, who gets terrified and starts to exorcise him, failing to understand he actually just has a disease. Afterwards, Whatahell sings the same song taking over Michael Jackson's role, except he has a diarrhea attack instead of an epileptic one. At last, there is a butchered-Spanish version of the first song, featuring nonsensical lyrics filled with Mexican stereotypes.
** "Videokê Olha Mãe" has Donizete singing a parody of the song "Morango do Nordeste" dedicated to her mother.
** "Monstro Jackson - Ataque de Epilepsia" features Treco singing a song about Michael Jackson having an epileptic attack in front of a priest, who gets terrified and starts to exorcise him, failing to understand he actually just has a disease. Afterwards, Whatahell sings the same song taking over Michael Jackson's role, except he has a diarrhea attack instead of an epileptic one. At last, there is a butchered-Spanish version of the first song, featuring nonsensical lyrics filled with Mexican stereotypes.
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** Maloqueiro Popai's theme is a reggae parody of WesternAnimation/PopeyeTheSailorMan's theme song. It plays almost every time he's onscreen.
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** Maloqueiro Popai's theme is a reggae parody of WesternAnimation/PopeyeTheSailorMan's [[WesternAnimation/{{Popeye}} Popeye The Sailor Man]]'s theme song. It plays almost every time he's onscreen.
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* AmusingInjuries: The whole point of ParTOBA, where Treco narrates in an amusing way, videos of people hurting themselves for stupid reasons, such as doing a stunt they are unable to. However, while some of the injuries are very painful, there are no videos included at all of people who ''died'' during the video, as it wouldn't really be funny to comically narrate someone's death.
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* AmusingInjuries: The whole point of ParTOBA, of [=ParTOBA=], where Treco narrates in an amusing way, videos of people hurting themselves for stupid reasons, such as doing a stunt they are unable to. However, while some of the injuries are very painful, there are no videos included at all of people who ''died'' during the video, as it wouldn't really be funny to comically narrate someone's death.
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* BrickJoke: "Dá Hadouken Riu" has Maloqueiro Pô Pai, Carlinhos and the little boy from Avaiana de Pau watching, on television, Treco desperately trying to convince Ryu to do a Hadouken in various ways. At one point, Cotoco appears instead of Ryu, and Treco tells him to do a Hadouken instead, which causes everyone in the room to laugh (since Cotoco has no limbs and thus, would be unable to do a Hadouken), but Maloqueiro Pô Pai claims he doesn't get it despite laughing with the rest. At another point of the cartoon, there is another joke where Treco asks Ryu if he has a Twitter account, and when the latter states he doesn't have a computer, Treco calls him "poor", causing everyone to laugh again. Then, at the end of the episode, everybody falls asleep, but Maloqueiro Pô Pai suddenly wakes up claiming he finally got the joke: he says Cotoco cannot do a Hadouken because he does not have... [[ComicallyMissingThePoint a Twitter account]].
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* CreepyCockroach: In "Medo de Barata", Mr. Donizildo gets terrified when a cockroach enters his house, and asks his wife to kill it; however, she is unable to due to her blindness.
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* LaughTrack: Multiple of the animations from the first half of the 2000s utilized a stock laughing sound effect for specific scene, usually in a ironic manner to accentuate a ridiculous scene or situation. This was later mostly dropped and replaced by a short horn sound effect that serves a similar purpose.
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* PublicDomainSoundtrack: Since 2014, the independent animations all use music and sound effects by Creator/KevinMacLeod, with many old episode remasters also incorporating them in scenes that were originally silent or had another unfitting soundtrack. In particular, the track [[https://www.youtube.com/watch?v=jz83XQ0ISgs "Exhilarate"]] plays whenever a character gets angry or otherwise is in a tense situation.
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* PublicDomainSoundtrack: Since 2014, the independent animations all use music and sound effects by Creator/KevinMacLeod, Music/KevinMacLeod, with many old episode remasters also incorporating them in scenes that were originally silent or had another unfitting soundtrack. In particular, the track [[https://www.youtube.com/watch?v=jz83XQ0ISgs "Exhilarate"]] plays whenever a character gets angry or otherwise is in a tense situation.
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* PublicDomainSoundtrack: Since 2014, the independent animations all use music and sound effects by Creator/KevinMacLeodM, with many old episode remasters also incorporating them in scenes that were originally silent or had another unfitting soundtrack. In particular, the track [[https://www.youtube.com/watch?v=jz83XQ0ISgs "Exhilarate"]] plays whenever a character gets angry or otherwise is in a tense situation.
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* PublicDomainSoundtrack: Since 2014, the independent animations all use music and sound effects by Creator/KevinMacLeodM, Creator/KevinMacLeod, with many old episode remasters also incorporating them in scenes that were originally silent or had another unfitting soundtrack. In particular, the track [[https://www.youtube.com/watch?v=jz83XQ0ISgs "Exhilarate"]] plays whenever a character gets angry or otherwise is in a tense situation.
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* EtremeOmnisexual: Tomelirolla is willing to fuck anyone and anything that is in front of him, regardless of gender or even [[BestialityIsDepraved species]].
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* EtremeOmnisexual: ExtremeOmnisexual: Tomelirolla is willing to fuck anyone and anything that is in front of him, regardless of gender or even [[BestialityIsDepraved species]].
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* BigWhat: In "Escola de Inglês Whatahell", Whatahell works as an English teacher and instructs the students to ask "What?" whenever they don't understand something. Since Mr. Donizildo does not understand any English at all, he keeps shouting an angry and confused "WHAT?" multiple times throughout the class until finally snapping out.
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* AnythingThatMoves: Tomelirolla is willing to fuck anyone and anything that is in front of him, regardless of gender or even [[BestialityIsDepraved species]].
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* EtremeOmnisexual: Tomelirolla is willing to fuck anyone and anything that is in front of him, regardless of gender or even [[BestialityIsDepraved species]].
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* SurprisinglyRealisticOutcome: Enforced in "Tomelirolla - A Reação de Chuq Nóia". After being humped by Tomelirolla, Chuq Nóia turns into Superman, flies away to reverse time like him (in the process, he even encounters the actual Superman - who is wheelchair-bound and crying - and demands him to leave), goes to the hour Tomelirolla was about to wake up on the exact day he was about to hump him, and gives him a huge GroinAttack. In the end, Elézio says that, as much as he does not doubt Chuq Nóia and Superman, he reinforces that if the Earth were to be spun backwards, it would actually explode. The ending scene features an alternate ending where the Earth explodes with everyone flying away.
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* SurprisinglyRealisticOutcome: Enforced [[InvokedTrope Invoked]] in "Tomelirolla - A Reação de Chuq Nóia". After being humped by Tomelirolla, Chuq Nóia turns into Superman, flies away to reverse time like him (in the process, he even encounters the actual Superman - who is wheelchair-bound and crying - and demands him to leave), goes to the hour Tomelirolla was about to wake up on the exact day he was about to hump him, and gives him a huge GroinAttack. In the end, Elézio says that, as much as he does not doubt Chuq Nóia and Superman, he reinforces that if the Earth were to be spun backwards, it would actually explode. The ending scene features an alternate ending where the Earth explodes with everyone flying away.
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* SurprisinglyRealisticOutcome: Enforced in "Tomelirolla - A Reação de Chuq Nóia". After being humped by Tomelirolla, Chuq Nóia turns into Superman, flies away to reverse time like him (in the process, he even encounters the actual Superman - who is wheelchair-bound and crying - and demands him to leave), goes to the hour Tomelirolla was about to wake up on the exact day he was about to hump him, and gives him a huge GroinAttack. In the end, Elézio says that, as much as he does not doubt Chuq Nóia and Superman, he reinforces that if the Earth were to be spun backwards, it would actually explode. The ending scene features an alternate ending where the Earth explodes with everyone flying away.
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* ShapedLikeItself: Elézio explains the power of Chuq Nóia as being simply because "Chuq Norris is Chuq Norris ''because'' he is Chuq Norris".
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* ShapedLikeItself: ShapedLikeItself:
** Elézio explains the power of Chuq Nóia as being simply because "Chuq Norris is Chuq Norris ''because'' he is ChuqNorris".Norris".
** In "O Dia Que A Terra Parou", while Mr. Donizildo is angry at the yellow traffic light, he exclaims "Amarelo pra mim é yellow!". "Amarelo" means "yellow", so he is basically saying "Yellow for me is yellow!"
** Elézio explains the power of Chuq Nóia as being simply because "Chuq Norris is Chuq Norris ''because'' he is Chuq
** In "O Dia Que A Terra Parou", while Mr. Donizildo is angry at the yellow traffic light, he exclaims "Amarelo pra mim é yellow!". "Amarelo" means "yellow", so he is basically saying "Yellow for me is yellow!"
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* AdaptationalEarlyAppearance: After the reboot to "Irmãos Piologo", the pre-existing animations started being reposted on the new channel in a random order instead of the original release order (favouring the more popular and recent ones), meaning the characters debuted on that channel on a completely different order, with some classic character debuting there in the new animations and others not appearing at all as of now.
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* VocalDissonance: Besides most of the female and child characters' voices being digitally pitched up, there are alsoseveral animations (especially the early ones) where grown men have pitched-up voices that don't match them, an example being O Treta.
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** Many of the original ''Mundo Canibal'' animations from 2003 onwards were remastered in HD with subtitles for the Piologo brothers' official Website/YouTube channel. In most of them, whenever the name "Mundo Canibal" is mentioned, [[OrwellianRetcon it's redubbed/altered to "Irmãos Piologo"]]. While "Donkey Korno" and "Halloween do Boby Psicótico" received the same remaster treatment as "Avaiana de Pau" did, the other SD animations stayed in that same resolution but with black bars with the Piologo brothers' logo at the borders to fill up the remaining space. Sometimes, they can censor scenes or change soundtracks as well.
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** Many of the original ''Mundo Canibal'' animations from 2003 onwards were remastered in HD with subtitles for the Piologo brothers' official Website/YouTube channel. In most of them, whenever the name "Mundo Canibal" is mentioned, [[OrwellianRetcon it's redubbed/altered to "Irmãos Piologo"]]. While "Donkey Korno" and "Halloween do Boby Psicótico" received the same remaster treatment as "Avaiana de Pau" did, did (except the original audio and character movements were kept intact), the other SD animations stayed in that same resolution but with black bars with the Piologo brothers' logo at the borders to fill up the remaining space. Sometimes, they can censor scenes or change soundtracks as well.
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* TheOner: Happens in some occasions, the most notorious being Tomelirolla's solo animations; they tend to feature him humping a progressively larger group of people while passing through a long scenery, meaning the camera was kept in a single take for an extended period of time. In a 2009 blog post, Ricardo Piologo stated that Tomelirolla's animations were the hardest to produce for this exact reason, and that, although they appeared to be only one long take, he actually made discreet, seamless cuts whenever possible to animate the rest of the take, as it would be even harder for him to actually animate one long take.
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* PsychoStrings: A parody of the {{Film/Psycho}} theme plays in several animations during tense moments, such as in "Avaiana de Pano" (while showing the baby being abused by his babysitter), "O Dia Que a Terra Parou" (in the intro and later when Donizildo's anger stops time), and "Babyquicha, a Filha da Bonequicha" (during most of the time, usually while the girl is playing with the CreepyDoll Babyquicha). The actual music from the original movie plays briefly on the original version of "DVD dos Toscos", as it was made in the late 90s or early 2000s when the Piologo Brothers' animations still used other people's music.
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* PsychoStrings: A parody of the {{Film/Psycho}} theme plays in several animations during tense moments, such as in "Avaiana de Pano" (while showing the baby being abused by his babysitter), "O Dia Que a Terra Parou" (in the intro and later when Donizildo's anger stops time), "Tomelirolla - A Reação de Chuq Nóia" (when the flashback of Tomelirolla humping Chuq Nóia is interrupted by Professor Elézio who's about to explain how screwed Tomelirolla is) and "Babyquicha, a Filha da Bonequicha" (during most of the time, usually while the girl is playing with the CreepyDoll Babyquicha). The actual music from the original movie plays briefly on the original version of "DVD dos Toscos", as it was made in the late 90s or early 2000s when the Piologo Brothers' animations still used other people's music.
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* PsychoStrings: A parody of the {{Film/Psycho}} theme plays in several animations during tense moments, such as in "Avaiana de Pano" (while showing the baby being abused by his babysitter), "O Dia Que a Terra Parou" (in the intro and later when Donizildo's anger stops time), and "Babyquicha, a Filha da Bonequicha" (during most of the time, usually while the girl is playing with the CreepyDoll Babyquicha). The actual music from the original movie plays briefly on the original version of "DVD dos Toscos", as it was made in the late 90s or early 2000s when the Piologo Brothers' animations still used other people's music.
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* NippleAndDimed: In newer animations, female characters whose breasts are exposed tend to have them covered by stars; the same censor happens to the images of a nipple in "Avaiana de Pano" when it was reuploaded in 2018 (although the same nipple image appears in "Novos Produtos Podre Shop" and wasn't censored in the remaster). On the other hand, male characters such as Tomelirolla can have their nipples completely exposed on-screen with no issue. This is most likely due to Website/YouTube's policies regarding female frontal nudity.
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* UnPerson: Phelippe G. Neto, who voiced several characters such as Sr. Donizildo, Donizete and Whatahell, had his name blurred out or erased from the credits of most of his participations in 2020. In 2023, all animations where he played a relevant role were permanently removed from the official channel as well for unknown reasons.
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** In the credits of "Zumbinho", Rodrigo and Ricardo's regular caricatures are replaced by zombie versions of them both.
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* CreditsGag: Since 2004, the roles in the credits all end with the suffix "-êro", such as "Produtor" (producer) being written as "Produtêro", voice credits being listed as "Vozêro", "Animador" being listed as "Animêro", and so on. There have also been multiple instances where the credits' names or the crew's caricatures included in them were altered:
** In "E Agora, José?", the crew's names had the name "José" added before their respective actual names, and their caricatures were edited to have horn-like hairstyles. In "José Is Back", their caricatures are now edited to have actual horns on their heads.
** "Família Bomba" has each credit being displayed after a bomb explosion.
** In "Sandalhita de Ripa", every word in the credits - names, surnames and roles - is edited to end in the suffixes "-ito" or "-ita", with the caricatures wearing stereotypical Mexican hats and mustaches.
** In "Morróida no Drude", the Piologo brothers' names include the word "Morróida" between them, as if it was a middle name. Interestingly, this only happens in the remastered version, as the original version only included the word between Rodrigo's first and last names (most likely because the animation itself was inspired on facts involving him specifically).
** An example outside of the animations: in the back of the 2006 DVD, the fictional character Abilidebob is credited as director.
** In "E Agora, José?", the crew's names had the name "José" added before their respective actual names, and their caricatures were edited to have horn-like hairstyles. In "José Is Back", their caricatures are now edited to have actual horns on their heads.
** "Família Bomba" has each credit being displayed after a bomb explosion.
** In "Sandalhita de Ripa", every word in the credits - names, surnames and roles - is edited to end in the suffixes "-ito" or "-ita", with the caricatures wearing stereotypical Mexican hats and mustaches.
** In "Morróida no Drude", the Piologo brothers' names include the word "Morróida" between them, as if it was a middle name. Interestingly, this only happens in the remastered version, as the original version only included the word between Rodrigo's first and last names (most likely because the animation itself was inspired on facts involving him specifically).
** An example outside of the animations: in the back of the 2006 DVD, the fictional character Abilidebob is credited as director.
