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** A similar situation happens in regards to Vil and Epel. On his very first day Epel was extremely rude to other students (including Vil) and overall acted unbecoming of a Pomfiore student (even if he didn't want to be sorted there), and later he picked a fight with Vil which lead to Epel being quickly defeated. However, Vil used this incident to excessively and roughly hound Epel more than any other student in Pormfiore, force Epel to suppress personality and cultural traits of his that don't fall in line with the dorm's image, and in at least one case force Epel to take part in something he did not want to even when others straight up spelled it out to Vil.
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** A similar situation happens in regards to Vil and Epel. On his very first day Epel was extremely rude to other students (including Vil) and overall acted unbecoming of a Pomfiore student (even if he didn't want to be sorted there), and later he picked a fight with Vil which lead to Epel being quickly defeated. However, Vil used this incident to excessively and roughly hound Epel more than any other student in Pormfiore, force Epel to suppress personality and cultural traits of his that don't fall in line with the dorm's image, and in at least one case force Epel to take part in something he did not want to. Unlike the above, for the most part the story sides with Vil until things come to even when others straight up spelled it out to Vil. a boil in Ch. 5.
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** A similar situation happens in regards to Vil and Epel. On his very first day Epel was extremely rude to other students (including Vil) and overall acted unbecoming of a Pomfiore student (even if he didn't want to be sorted there), and later he picked a fight with Vil which lead to Epel being quickly defeated. However, Vil used this incident to excessively and roughly hound Epel more than any other student in Pormfiore, force Epel to suppress personality and cultural traits of his that don't fall in line with the dorm's image, and in at least one case force Epel to take part in something he did not want to even when others straight up spelled it out to Vil.
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* XRaySparks: In Chapter 9, Ace, Deuce, Jack, Grim, and Yuuta are fully shown in their skeletons after being electrocuted for touching a contract.
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Trope was cut/disambiguated due to cleanup
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* LeaningOnTheFourthWall: Much of Idia's dialogue [[LampshadeHanging Lampshades]] common VideoGameTropes and even those of GachaGames in particular, but it's taken UpToEleven in [[spoiler: Chapter 6, in which the kidnapped students, Rook, Epel, and Yuu enter a literal dungeon full of monsters that is presented like a video game InUniverse, with Ortho being the FinalBoss who controls the whole dungeon and sets traps and puzzles for the "players." For the actual players, Chapter 6 is notoriously one of the most challenging parts of the main story so far.]]
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* LeaningOnTheFourthWall: Much of Idia's dialogue [[LampshadeHanging Lampshades]] common VideoGameTropes and even those of GachaGames in particular, but it's taken UpToEleven especially in [[spoiler: Chapter 6, in which the kidnapped students, Rook, Epel, and Yuu enter a literal dungeon full of monsters that is presented like a video game InUniverse, with Ortho being the FinalBoss who controls the whole dungeon and sets traps and puzzles for the "players." For the actual players, Chapter 6 is notoriously one of the most challenging parts of the main story so far.]]
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** Lilia implies that there's some bad blood between fairies and humans in the "Wish Upon A Star" event, as well as internal conflict between the types of fairies themselves despite them being the same species. His wish is for fairies and humans to live in peace with each other. The Human-Fae racism was brought to be seen on screen in Chapter 7 via [[spoiler:Lilia's dreams where Silver, Grim, Yuu and Sebek get a first hand sight at what Lilia had went through over the centuries.]]
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** Lilia implies that there's some bad blood between fairies and humans in the "Wish Upon A Star" event, as well as internal conflict between the types of fairies themselves despite them being the same species. His wish is for fairies and humans to live in peace with each other. The Both the Human-Fae racism was and Fae-Fae conflicts were brought to be seen on screen in Chapter 7 via [[spoiler:Lilia's dreams where Silver, Grim, Yuu and Sebek get a first hand sight at what Lilia had went through over the centuries.]]
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* ImprobablePowerDiscrepancy: While the Housewardens, particularly Malleus, tend to be much more skilled and powerful than the rest of the characters, the strength of the cards are roughly balanced with each other based on the rarity, for understandable reasons.
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* DeadlyEuphemism: The game uses "Return to be with the stars" as the term for someone dying such as the case with [[spoiler:Ruggie's mother and Meleanor]].
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** Lilia implies that there's some bad blood between fairies and humans in the "Wish Upon A Star" event, as well as internal conflict between the types of fairies themselves despite them being the same species. His wish is for fairies and humans to live in peace with each other.
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** Lilia implies that there's some bad blood between fairies and humans in the "Wish Upon A Star" event, as well as internal conflict between the types of fairies themselves despite them being the same species. His wish is for fairies and humans to live in peace with each other. The Human-Fae racism was brought to be seen on screen in Chapter 7 via [[spoiler:Lilia's dreams where Silver, Grim, Yuu and Sebek get a first hand sight at what Lilia had went through over the centuries.]]
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* JerkassHasAPoint:This comes up a lot throughout the game. Many times the characters have genuine reasons to refuse an altruistic act. They just come off as much to harsh given the situation.
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* JerkassHasAPoint:This comes up a lot throughout the game. Many times the characters have genuine reasons to refuse an altruistic act. They just come off as much to too harsh given the situation.
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* CrapsaccharineWorld:
** Story vignettes imply and also hint that though the cast live in a peaceful time, they are also facing after effects of the Human-Fae war that occur centuries in the past and even among those of the same race, such as Merfolk, Fae and Beastfolk, the differing specieses are shown to clash at times such as Ruggie still being discriminated for being a Hyena beastfolk despite history saying that Scar has brought the Hyena's to become part of the community. With the story focusing on the cast's growth and time in school, this isn't brought in full focus.
** "Playful Land" is a mobile theme park based on the [[WesternAnimation/{{Pinocchio}} Pleasure Island]] with all the horror it entails, but this time instead of parkgoers being turned into donkeys, they're turned into immobile puppets.
** Story vignettes imply and also hint that though the cast live in a peaceful time, they are also facing after effects of the Human-Fae war that occur centuries in the past and even among those of the same race, such as Merfolk, Fae and Beastfolk, the differing specieses are shown to clash at times such as Ruggie still being discriminated for being a Hyena beastfolk despite history saying that Scar has brought the Hyena's to become part of the community. With the story focusing on the cast's growth and time in school, this isn't brought in full focus.
** "Playful Land" is a mobile theme park based on the [[WesternAnimation/{{Pinocchio}} Pleasure Island]] with all the horror it entails, but this time instead of parkgoers being turned into donkeys, they're turned into immobile puppets.
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* LeaningOnTheFourthWall: Much of Idia's dialogue [[LampshadeHanging Lampshades]] common VideoGameTropes and even those of GachaGames in particular, but it's taken UpToEleven in [[spoiler: Book Six, in which the kidnapped students, Rook, Epel, and Yuu enter a literal dungeon full of monsters that is presented like a video game InUniverse, with Ortho being the FinalBoss who controls the whole dungeon and sets traps and puzzles for the "players." For the actual players, Book Six is notoriously one of the most challenging parts of the main story so far.]]
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* LeaningOnTheFourthWall: Much of Idia's dialogue [[LampshadeHanging Lampshades]] common VideoGameTropes and even those of GachaGames in particular, but it's taken UpToEleven in [[spoiler: Book Six, Chapter 6, in which the kidnapped students, Rook, Epel, and Yuu enter a literal dungeon full of monsters that is presented like a video game InUniverse, with Ortho being the FinalBoss who controls the whole dungeon and sets traps and puzzles for the "players." For the actual players, Book Six Chapter 6 is notoriously one of the most challenging parts of the main story so far.]]
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Changed line(s) 162 (click to see context) from:
* LeaningOnTheFourthWall: Much of Idia's dialogue [[LampshadeHanging Lampshades]] common VideoGameTropes and even those of GachaGames in particular, but it's taken UpToEleven in [[spoiler: Book Six, in which the kidnapped students, Rook, Epel, and Yuu enter a literal dungeon full of monsters that is presented like a video game InUniverse, with Ortho being the FinalBoss who controls the whole dungeon and sets traps and puzzles for the "players." Book Six is notoriously one of the most challenging parts of the main story so far.]]
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* LeaningOnTheFourthWall: Much of Idia's dialogue [[LampshadeHanging Lampshades]] common VideoGameTropes and even those of GachaGames in particular, but it's taken UpToEleven in [[spoiler: Book Six, in which the kidnapped students, Rook, Epel, and Yuu enter a literal dungeon full of monsters that is presented like a video game InUniverse, with Ortho being the FinalBoss who controls the whole dungeon and sets traps and puzzles for the "players." For the actual players, Book Six is notoriously one of the most challenging parts of the main story so far.]]
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Changed line(s) 162 (click to see context) from:
* LeaningOnTheFourthWall: Much of Idia's dialogue [[LampshadeHanging Lampshades]] the VideoGameTropes and even GachaGames in particular, but it's taken UpToEleven in [[spoiler: Book Six, in which the kidnapped students, Rook, Epel, and Yuu enter a literal dungeon full of monsters that is presented like a video game InUniverse, with Ortho being the FinalBoss who controls the whole dungeon and sets traps and puzzles for the "players." Book Six is notoriously one of the most challenging parts of the main story so far.]]
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* LeaningOnTheFourthWall: Much of Idia's dialogue [[LampshadeHanging Lampshades]] the common VideoGameTropes and even those of GachaGames in particular, but it's taken UpToEleven in [[spoiler: Book Six, in which the kidnapped students, Rook, Epel, and Yuu enter a literal dungeon full of monsters that is presented like a video game InUniverse, with Ortho being the FinalBoss who controls the whole dungeon and sets traps and puzzles for the "players." Book Six is notoriously one of the most challenging parts of the main story so far.]]
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* LeaningOnTheFourthWall: Much of Idia's dialogue [[LampshadeHanging Lampshades]] the VideoGameTropes and even GachaGames in particular, but it's taken UpToEleven in [[spoiler: Book Six, in which the kidnapped students, Rook, Epel, and Yuu enter a literal dungeon full of monsters that is presented like a video game InUniverse, with Ortho being the FinalBoss who controls the whole dungeon and sets traps and puzzles for the "players." Book Six is notoriously one of the most challenging parts of the main story so far.]]
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* ShowWithinAShow: ''Stage in Playful Land'' introduces "Wish upon a Star", which is the story of ''{{WesternAnimation/Pinocchio}}'' in all but name that is popular among the population of Twisted Wonderland as a famed children's story.
