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%% to trope once found: arrow pointing towards secret entrance, telekinesis on stars, MARIE in star pattern
to:
%% to trope once found: arrow pointing towards secret entrance, found and remove: telekinesis on stars, stars (prb a bug, MARIE in star pattern
Deleted line(s) 40 (click to see context) :
* OneHitKill: The wall/ceiling lasers kill instantly, making them the single force that does. Spikes, energy barriers and projectiles of some bosses have the ability to either deplete your shield to near zero or crush you in one go, but it's never instant.
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* NoticeThis: In the ice world, an arrow pattern of stars points to a secret entrance. [[note]] no, it's not sagittarius' arrow.[[/note]]
to:
* NoticeThis: In the ice world, an arrow pattern of stars points to a secret entrance. [[note]] no, it's not sagittarius' arrow.[[/note]]
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* NoticeThis: In the ice world, an arrow pattern of stars points to a secret entrance. [[note]] no, it's not sagittarius' arrow.[[/note]]
Changed line(s) 48 (click to see context) from:
* SelectiveGravity: When walking off a ledge, you are affected by gravity, but once airborne you [[PowerFloats negate this effect by magic]]. Human enemies are affected by gravity and use jetpacks. Some other enemies are affected, but most of them are flying, floating or seemingly swimming through the air, regardless of shape, size or function. Magic would explain this, if they displayed any magical ability or affinity whatsoever.
to:
* SelectiveGravity: When jumping, or walking off a ledge, you are affected by gravity, but once airborne you [[PowerFloats negate this effect by magic]]. Human enemies are affected by gravity and use jetpacks. Some other enemies are affected, but most of them are flying, floating or seemingly swimming through the air, regardless of shape, size or function. Magic would explain this, if they displayed any magical ability or affinity whatsoever.
Changed line(s) 50 (click to see context) from:
* UnexpectedGameplayChange: Just before the [[spoiler: final boss, you see your companion being lifted to it's mouth to be sacrificed to it]]. Once this happens, you die. Over and over again. Until you realise that he is moved by [[spoiler: telekinesis]], and you can counter it with your own. The ensuing fight takes place while [[spoiler: holding the telekinesis button down]] and fighting independently of it, the first and only time you need to. It requires some practice and clear-headedness which the game doesn't prepare you for in any way.
to:
* UnexpectedGameplayChange: Just before the [[spoiler: final boss, you see your companion being lifted to it's mouth to be sacrificed to it]]. Once this happens, you die. Over and over again. [[PunctuatedForEmphasis Over. And. Over. Again.]] Until you realise that he is moved by [[spoiler: telekinesis]], and you can counter it with your own. The ensuing fight takes place while [[spoiler: holding the telekinesis button down]] and fighting independently of it, the first and only time you need to. It requires some practice and clear-headedness which the game doesn't prepare you for in any way.
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Changed line(s) 50 (click to see context) from:
* UnexpectedGameplayChange: Just before the [[spoiler: final boss, you see your companion being lifted to it's mouth to be sacrificed to it]]. Once this happens, you die. Over and over again. Until you realise that he is moved by [[spoiler: telekinesis]], and you can counter it with your own. The ensuing fight takes place while holding [[spoiler: the telekinesis]] going while fighting independently of it, the first and only time you need to. It requires some practice and clear-headedness which the game doesn't prepare you for in any way.
to:
* UnexpectedGameplayChange: Just before the [[spoiler: final boss, you see your companion being lifted to it's mouth to be sacrificed to it]]. Once this happens, you die. Over and over again. Until you realise that he is moved by [[spoiler: telekinesis]], and you can counter it with your own. The ensuing fight takes place while holding [[spoiler: holding the telekinesis]] going while telekinesis button down]] and fighting independently of it, the first and only time you need to. It requires some practice and clear-headedness which the game doesn't prepare you for in any way.
Is there an issue? Send a MessageReason:
None
Changed line(s) 50 (click to see context) from:
* UnexpectedGameplayChange: Just before the [[spoiler: final boss, you see your companion being lifted to it's mouth to be sacrificed to it]]. Once this happens, you die. Over and over again. Until you realise that he is moved by telekinesis, and you can counter it with your own. The ensuing fight takes place while holding the telekinesis going and acting independently of it, the first and only time you need to. It requires some practice and clear-headedness which the game doesn't prepare you for in any way.
to:
* UnexpectedGameplayChange: Just before the [[spoiler: final boss, you see your companion being lifted to it's mouth to be sacrificed to it]]. Once this happens, you die. Over and over again. Until you realise that he is moved by telekinesis, [[spoiler: telekinesis]], and you can counter it with your own. The ensuing fight takes place while holding [[spoiler: the telekinesis telekinesis]] going and acting while fighting independently of it, the first and only time you need to. It requires some practice and clear-headedness which the game doesn't prepare you for in any way.
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%% see all below for ongoing discussion before launch - remove this entry once launched
to:
%% see all below for ongoing discussion before launch - remove this entry to trope once launchedfound: arrow pointing towards secret entrance, telekinesis on stars, MARIE in star pattern
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Changed line(s) 30,31 (click to see context) from:
** Just after the beginning of the game, there's an aquatic lab with enemies swimming around, fought in the end stage of the game in what is arguably the hardest part of the game, [[ThatOneLevel the underwater caverns]].
** The sigils and statue of the [[ spoiler: final boss]].
** The sigils and statue of the [[ spoiler: final boss]].
to:
** Just after the beginning of the game, there's an aquatic lab with future enemies swimming around, one of which is fought in the end stage of the game much latert in what is arguably the hardest part of the game, [[ThatOneLevel the underwater caverns]].
** The sigils and statue of the [[ spoiler: finalboss]].boss]], found throughout the game. Until you finally meet it, they are meaningless, though portentous.
** The sigils and statue of the [[ spoiler: final
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* {{Foreshadowing}}:
** Just after the beginning of the game, there's an aquatic lab with enemies swimming around, fought in the end stage of the game in what is arguably the hardest part of the game, [[ThatOneLevel the underwater caverns]].
** The sigils and statue of the [[ spoiler: final boss]].
** Just after the beginning of the game, there's an aquatic lab with enemies swimming around, fought in the end stage of the game in what is arguably the hardest part of the game, [[ThatOneLevel the underwater caverns]].
** The sigils and statue of the [[ spoiler: final boss]].
Is there an issue? Send a MessageReason:
None
Changed line(s) 47 (click to see context) from:
* UnexpectedGameplayChange: Just before the [spoiler: final boss, you see your companion being lifted to it's mouth to be sacrificed to it]]. Once this happens, you die. Over and over again. Until you realise that he is moved by telekinesis, and you can counter it with your own. The ensuing fight takes place while holding the telekinesis going and acting independently of it, the first and only time you need to. It requires some practice and clear-headedness which the game doesn't prepare you for in any way.
to:
* UnexpectedGameplayChange: Just before the [spoiler: [[spoiler: final boss, you see your companion being lifted to it's mouth to be sacrificed to it]]. Once this happens, you die. Over and over again. Until you realise that he is moved by telekinesis, and you can counter it with your own. The ensuing fight takes place while holding the telekinesis going and acting independently of it, the first and only time you need to. It requires some practice and clear-headedness which the game doesn't prepare you for in any way.
Is there an issue? Send a MessageReason:
None
Changed line(s) 47 (click to see context) from:
* UnexpectedGameplayChange: Just before the final boss, you see your companion being lifted to it's mouth to be sacrificed to it. Once this happens, you die. Over and over again. Until you realise that he is moved by telekinesis, and you can counter it with your own. The ensuing fight takes place while holding the telekinesis going and acting independently of it, the first and only time you need to. It requires some practice and clear-headedness which the game doesn't prepare you for in any way.
to:
* UnexpectedGameplayChange: Just before the [spoiler: final boss, you see your companion being lifted to it's mouth to be sacrificed to it.it]]. Once this happens, you die. Over and over again. Until you realise that he is moved by telekinesis, and you can counter it with your own. The ensuing fight takes place while holding the telekinesis going and acting independently of it, the first and only time you need to. It requires some practice and clear-headedness which the game doesn't prepare you for in any way.
Is there an issue? Send a MessageReason:
None
Changed line(s) 28 (click to see context) from:
* EyeBeams: the sinking eyeball shoots energy pellets, the mutated cat shoots lasers, and the final boss shoots a homing projectile, incidentally the most lethal force in the game apart from the [[OneHitKill wall lasers]].
to:
* EyeBeams: the sinking eyeball shoots energy pellets, the oribiting eyeballs shoot strings of pellets, the mutated cat shoots lasers, and the final boss shoots a homing projectile, incidentally the most lethal force in the game apart from the [[OneHitKill wall lasers]].
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Changed line(s) 37 (click to see context) from:
* OneHitKill: The wall/ceiling lasers kill instantly, making them the single force that does. Spikes, energy barriers and projectiles of some bosses have the ability to either depleting your shield to near zero or crush you in one go, but it's never instant.
to:
* OneHitKill: The wall/ceiling lasers kill instantly, making them the single force that does. Spikes, energy barriers and projectiles of some bosses have the ability to either depleting deplete your shield to near zero or crush you in one go, but it's never instant.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
[[quoteright:1000:https://static.tvtropes.org/pmwiki/pub/images/the_cleaner_cat_6.jpg]]
[[caption-width-right:1000:No, away! AWAY FROM THE CAT!]]
->''"You are: [[TitleDrop The Cleaner!]]"''
-->-- '''Game intro'''
''The Cleaner'' is an IndieGame made in [=GameMaker=] 6.1 by Robert Lupinek (Darthlupi). Additional graphics were provided by Justin Leingang (Cosmind) and the musical scores were created by Chris Roper (Pug Fugly). The game was opened for [[UsefulNotes/BetaTest beta testing]] on September 23, 2005 and the finalized version was made available on August 21, 2006. Recognizable for its austere graphics reminiscent of the untextured polygons of the early 1990s, the gameplay of ''The Cleaner'' is an {{homage}} to that of ''VideoGame/StreetFighter2010''.
The game centers around multiple worlds of magic, magitek and technology, in which dimensional travel is commonplace. There are a total of thirteen worlds to travel through in set order, though the total sum of dimensional travels amounts to many more. They are set in some unspecified distant future on earth, implying that magic is [[ClarkesThirdLaw science, really]]. People found a way to open doors to other worlds and thrived in an era of new-found enlightenment, until they opened one door too many, as they opened the way for malignant aliens (or creatures from some other dimension on this planet, which should be alein enough to call them that) coming to invade, harvest whatever resource they wanted, eradicate most of humanity and enslaving what was left of them. Though the doors to those particular worlds were closed, dimensional travel stayed in operation to guard humanity by potent magicians, of which the protagonist is one.
During a routine check (and learning some basic game mechanics) he fights a human faction [[spoiler: later revealed as coerced by the invaders]]. Upon returning home, there's an attempt on his life, in which [[spoiler: his beloved is almost killed]]. He and a more mature guardian set out to resist the faction.
As the stoy progresses it becomes apparent that the ultimate goal of the invaders is to [[spoiler: activate or revive some cultist god]], [[{{Foreshadowing}} found in statues and sigils during travel]], and which [[spoiler: turns out to be the final boss]].
''The Cleaner'' was available for download on Darthlupi's personal website until it went offline on February of 2019. At present, it is available on [[https://archive.org/details/The_Cleaner Archive.org]] and on [[http://www.caiman.us/scripts/fw/f2541.html Caiman.us]]. Because newer generation OS don't support the game format, a virtual machine might be needed.
A full playthrough is available on [=YouTube=] here: https://www.youtube.com/watch?v=h6YhWQGEYeY
----
!!''The Cleaner'' contains examples of:
%% see all below for ongoing discussion before launch - remove this entry once launched
* ArtisticLicensePhysics: Chapters are divided by short interludes in empty voids where you endure enemy attacks until your travel energy is enough to warp out. If there is something to land on, however small, you will be able to stand on it, all the while without any reason why gravity would work at all.
* BadassCape: The Cleaner wears a floor-length cape that looks particularly imposing whenever he flies through the sky, and which floats along with his movement. No one else has an attire like his except the alien invaders.
* BlindedByTheLight: The turtle blinds you (with its tongue, no less) before rushing you in the dark. It's not a hard fight as long as you don't get hit directly. If you do, it's easily lethal.
* BreathWeapon: In the fifth world themed with heat and comet impacts, the twin bosses attack with fire blazing from their mouths.
* CooperationGambit: The human enemy faction is never really explained well. The story implies that it's aliens vs. humans, and that humans working for the aliens are slaves, but they seem to act out different intentions and goals and are quite autonomously honed against you. Fighting humans and aliens simultaneously or even within one chapter is rare.
* DeathIsASlapOnTheWrist: Apart from having to redo everything from the last autosave forward, there's no penalty for death. This redo can be punishment enough near the end of the game though, especially in the long, frustrating section under water, lacking save points.
* ExcusePlot: Apart from some backstory near the end of the game, the plot is short and simple, and not mandatory to watch before playing. The game itself starts with [[spoiler: your girlfriend being attacked and wounded, and you setting out to avenge her, [[ItsPersonal quite apart from your stated duty to protect mankind]] ]]. This is not a drawback, however, thanks to the game's affective style, sound and atmosphere, ranging from active to mysterious to haunting to blood-curdling.
* EyeBeams: the sinking eyeball shoots energy pellets, the mutated cat shoots lasers, and the final boss shoots a homing projectile, incidentally the most lethal force in the game apart from the [[OneHitKill wall lasers]].
* GiantSpaceFleaFromNowhere: Most bosses are flavoured this way, but are preceded by some kind of BossCorridor, mitigating the 'from nowhere' part. In one instance however, coming from a relatively calm chapter, you are transported to a hallway and instantly chased by a demonic mutated cat, filling the whole screen, shooting lasers at you and pushing you into [[MalevolentArchitecture the spiked walls]].
* GrievousHarmWithABody: Dead human bodies are just as effective to throw at enemies as giant blocks of concrete. You can also throw these bodies hard against the wall or dump them from great heights. It's never a needed skill but [[ThereIsNoKillLikeOverkill all too satisfying]] given their extreme agressiveness.
* HadToBeSharp: The game is not NintendoHard, but demands utmost concentration and thinking on your toes, justified by the haunting setting. There's no interludes where you can just look away from the screen or play on autopilot.
* HellIsThatNoise: When your mana shield gets hit, it flashes with an awful noise, especially if you get pushed in an energy barrier, pet ping-ponged between enemies or pushed in a corner by [[PlayerExclusiveMechanic enemies not bound by clipping]] and crushing you on the spot. Once you heard it, you will probably avoid it at all cost.
* InscrutableAliens: There's really no reason for the alien invasion of the human dimension other than to destroy and enslave... until you invade their base and find that they have some bigger plan in mind. Why, exactly how, and to what end is all guesswork.
* ItsPersonal: Although protecting mankind is his stated task, the [[spoiler: attack on his girl]] is implied to be the hero's main incentive to hunt the invaders down.
* LaserHallway: Quite a few passages feature OneHitKill lasers from either the walls or the ceiling.
** In one hallway near the end, the lasers encompass the whole screen, making it impossible to dodge. There's a [[UnexpectedGameplayChange puzzle element]] to it, which is not too hard if you have a good enough memory or have a good enough musical capability, as four switches [[{{Telekinesis}} 'pressed']] correctly will avoid them activating. One mistake, and you're toast.
* OneHitKill: The wall/ceiling lasers kill instantly, making them the single force that does. Spikes, energy barriers and projectiles of some bosses have the ability to either depleting your shield to near zero or crush you in one go, but it's never instant.
* OrganicTechnology: In a cave inhabited by suposedly endogenous black creatures that change to still-pulsating spheres when you hurt them, you need to drop these into a machine to transform their LifeEnergy into enough travel energy to open a portal.
* {{Mana}}: Except for walking, every aspect of gameplay centers around magical abilities, most of which use mana energy.
* ManaShield: While you have a life meter, your primary 'hit points' are implied to be the strength of a magic protective barrier.
* MenActWomenAre: Played straight with the good guys, all male, but averted with human enemies, clearly of both genders and equally lethal, even though the three human bosses are men.
** In one chapter, as a sort of interlude, you are [[ButThouMust 'requested']] to save the offspring of an alien. The alien in question is a sort of tube with an eye and has no exterior features, but you cannot help feeling that it is its mommy. It doesn't and presumably can't act on its own.
* MindOverMatter: Other than directly shooting the machines [[ConspicuousElectricObstacle holding in place energy barriers]] to bits, telekinesis your prime way of destroying them, using loose objects, debris, or even hurling dead enemies, making telekinesis the prime puzzle aspect of gameplay.
* PowerFloats: Once airborne (and you won't spend a great amount of time walking), you are ostensibly unmoved by gravity. While human enemies need jetpacks to stay afloat and have erratic flight patterns to boot, you just... float. Justified InUniverse as you are implied to be a powerful magician, but there's [[AWizardDidIt no real explanation]].
* SelectiveGravity: When walking off a ledge, you are affected by gravity, but once airborne you [[PowerFloats negate this effect by magic]]. Human enemies are affected by gravity and use jetpacks. Some other enemies are affected, but most of them are flying, floating or seemingly swimming through the air, regardless of shape, size or function. Magic would explain this, if they displayed any magical ability or affinity whatsoever.
* TitleDrop: The end of the prologue, which you get to see before the game title, ends in "you are...". Cue the title screen with The Cleaner smack dab in the middle.
* UnexpectedGameplayChange: Just before the final boss, you see your companion being lifted to it's mouth to be sacrificed to it. Once this happens, you die. Over and over again. Until you realise that he is moved by telekinesis, and you can counter it with your own. The ensuing fight takes place while holding the telekinesis going and acting independently of it, the first and only time you need to. It requires some practice and clear-headedness which the game doesn't prepare you for in any way.
[[caption-width-right:1000:No, away! AWAY FROM THE CAT!]]
->''"You are: [[TitleDrop The Cleaner!]]"''
-->-- '''Game intro'''
''The Cleaner'' is an IndieGame made in [=GameMaker=] 6.1 by Robert Lupinek (Darthlupi). Additional graphics were provided by Justin Leingang (Cosmind) and the musical scores were created by Chris Roper (Pug Fugly). The game was opened for [[UsefulNotes/BetaTest beta testing]] on September 23, 2005 and the finalized version was made available on August 21, 2006. Recognizable for its austere graphics reminiscent of the untextured polygons of the early 1990s, the gameplay of ''The Cleaner'' is an {{homage}} to that of ''VideoGame/StreetFighter2010''.
The game centers around multiple worlds of magic, magitek and technology, in which dimensional travel is commonplace. There are a total of thirteen worlds to travel through in set order, though the total sum of dimensional travels amounts to many more. They are set in some unspecified distant future on earth, implying that magic is [[ClarkesThirdLaw science, really]]. People found a way to open doors to other worlds and thrived in an era of new-found enlightenment, until they opened one door too many, as they opened the way for malignant aliens (or creatures from some other dimension on this planet, which should be alein enough to call them that) coming to invade, harvest whatever resource they wanted, eradicate most of humanity and enslaving what was left of them. Though the doors to those particular worlds were closed, dimensional travel stayed in operation to guard humanity by potent magicians, of which the protagonist is one.
During a routine check (and learning some basic game mechanics) he fights a human faction [[spoiler: later revealed as coerced by the invaders]]. Upon returning home, there's an attempt on his life, in which [[spoiler: his beloved is almost killed]]. He and a more mature guardian set out to resist the faction.
As the stoy progresses it becomes apparent that the ultimate goal of the invaders is to [[spoiler: activate or revive some cultist god]], [[{{Foreshadowing}} found in statues and sigils during travel]], and which [[spoiler: turns out to be the final boss]].
''The Cleaner'' was available for download on Darthlupi's personal website until it went offline on February of 2019. At present, it is available on [[https://archive.org/details/The_Cleaner Archive.org]] and on [[http://www.caiman.us/scripts/fw/f2541.html Caiman.us]]. Because newer generation OS don't support the game format, a virtual machine might be needed.
A full playthrough is available on [=YouTube=] here: https://www.youtube.com/watch?v=h6YhWQGEYeY
----
!!''The Cleaner'' contains examples of:
%% see all below for ongoing discussion before launch - remove this entry once launched
* ArtisticLicensePhysics: Chapters are divided by short interludes in empty voids where you endure enemy attacks until your travel energy is enough to warp out. If there is something to land on, however small, you will be able to stand on it, all the while without any reason why gravity would work at all.
* BadassCape: The Cleaner wears a floor-length cape that looks particularly imposing whenever he flies through the sky, and which floats along with his movement. No one else has an attire like his except the alien invaders.
* BlindedByTheLight: The turtle blinds you (with its tongue, no less) before rushing you in the dark. It's not a hard fight as long as you don't get hit directly. If you do, it's easily lethal.
* BreathWeapon: In the fifth world themed with heat and comet impacts, the twin bosses attack with fire blazing from their mouths.
* CooperationGambit: The human enemy faction is never really explained well. The story implies that it's aliens vs. humans, and that humans working for the aliens are slaves, but they seem to act out different intentions and goals and are quite autonomously honed against you. Fighting humans and aliens simultaneously or even within one chapter is rare.
* DeathIsASlapOnTheWrist: Apart from having to redo everything from the last autosave forward, there's no penalty for death. This redo can be punishment enough near the end of the game though, especially in the long, frustrating section under water, lacking save points.
* ExcusePlot: Apart from some backstory near the end of the game, the plot is short and simple, and not mandatory to watch before playing. The game itself starts with [[spoiler: your girlfriend being attacked and wounded, and you setting out to avenge her, [[ItsPersonal quite apart from your stated duty to protect mankind]] ]]. This is not a drawback, however, thanks to the game's affective style, sound and atmosphere, ranging from active to mysterious to haunting to blood-curdling.
* EyeBeams: the sinking eyeball shoots energy pellets, the mutated cat shoots lasers, and the final boss shoots a homing projectile, incidentally the most lethal force in the game apart from the [[OneHitKill wall lasers]].
* GiantSpaceFleaFromNowhere: Most bosses are flavoured this way, but are preceded by some kind of BossCorridor, mitigating the 'from nowhere' part. In one instance however, coming from a relatively calm chapter, you are transported to a hallway and instantly chased by a demonic mutated cat, filling the whole screen, shooting lasers at you and pushing you into [[MalevolentArchitecture the spiked walls]].
* GrievousHarmWithABody: Dead human bodies are just as effective to throw at enemies as giant blocks of concrete. You can also throw these bodies hard against the wall or dump them from great heights. It's never a needed skill but [[ThereIsNoKillLikeOverkill all too satisfying]] given their extreme agressiveness.
* HadToBeSharp: The game is not NintendoHard, but demands utmost concentration and thinking on your toes, justified by the haunting setting. There's no interludes where you can just look away from the screen or play on autopilot.
* HellIsThatNoise: When your mana shield gets hit, it flashes with an awful noise, especially if you get pushed in an energy barrier, pet ping-ponged between enemies or pushed in a corner by [[PlayerExclusiveMechanic enemies not bound by clipping]] and crushing you on the spot. Once you heard it, you will probably avoid it at all cost.
* InscrutableAliens: There's really no reason for the alien invasion of the human dimension other than to destroy and enslave... until you invade their base and find that they have some bigger plan in mind. Why, exactly how, and to what end is all guesswork.
* ItsPersonal: Although protecting mankind is his stated task, the [[spoiler: attack on his girl]] is implied to be the hero's main incentive to hunt the invaders down.
* LaserHallway: Quite a few passages feature OneHitKill lasers from either the walls or the ceiling.
** In one hallway near the end, the lasers encompass the whole screen, making it impossible to dodge. There's a [[UnexpectedGameplayChange puzzle element]] to it, which is not too hard if you have a good enough memory or have a good enough musical capability, as four switches [[{{Telekinesis}} 'pressed']] correctly will avoid them activating. One mistake, and you're toast.
* OneHitKill: The wall/ceiling lasers kill instantly, making them the single force that does. Spikes, energy barriers and projectiles of some bosses have the ability to either depleting your shield to near zero or crush you in one go, but it's never instant.
* OrganicTechnology: In a cave inhabited by suposedly endogenous black creatures that change to still-pulsating spheres when you hurt them, you need to drop these into a machine to transform their LifeEnergy into enough travel energy to open a portal.
* {{Mana}}: Except for walking, every aspect of gameplay centers around magical abilities, most of which use mana energy.
* ManaShield: While you have a life meter, your primary 'hit points' are implied to be the strength of a magic protective barrier.
* MenActWomenAre: Played straight with the good guys, all male, but averted with human enemies, clearly of both genders and equally lethal, even though the three human bosses are men.
** In one chapter, as a sort of interlude, you are [[ButThouMust 'requested']] to save the offspring of an alien. The alien in question is a sort of tube with an eye and has no exterior features, but you cannot help feeling that it is its mommy. It doesn't and presumably can't act on its own.
* MindOverMatter: Other than directly shooting the machines [[ConspicuousElectricObstacle holding in place energy barriers]] to bits, telekinesis your prime way of destroying them, using loose objects, debris, or even hurling dead enemies, making telekinesis the prime puzzle aspect of gameplay.
* PowerFloats: Once airborne (and you won't spend a great amount of time walking), you are ostensibly unmoved by gravity. While human enemies need jetpacks to stay afloat and have erratic flight patterns to boot, you just... float. Justified InUniverse as you are implied to be a powerful magician, but there's [[AWizardDidIt no real explanation]].
* SelectiveGravity: When walking off a ledge, you are affected by gravity, but once airborne you [[PowerFloats negate this effect by magic]]. Human enemies are affected by gravity and use jetpacks. Some other enemies are affected, but most of them are flying, floating or seemingly swimming through the air, regardless of shape, size or function. Magic would explain this, if they displayed any magical ability or affinity whatsoever.
* TitleDrop: The end of the prologue, which you get to see before the game title, ends in "you are...". Cue the title screen with The Cleaner smack dab in the middle.
* UnexpectedGameplayChange: Just before the final boss, you see your companion being lifted to it's mouth to be sacrificed to it. Once this happens, you die. Over and over again. Until you realise that he is moved by telekinesis, and you can counter it with your own. The ensuing fight takes place while holding the telekinesis going and acting independently of it, the first and only time you need to. It requires some practice and clear-headedness which the game doesn't prepare you for in any way.
