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* DanceBattler Inverted - there are numerous instances of characters incorporating their respective fighting styles from their other appearances into their choreography.
to:
* DanceBattler DanceBattler: Inverted - there are numerous instances of characters incorporating their respective fighting styles from their other appearances into their choreography.
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Changed line(s) 141 (click to see context) from:
* ShipSinking: During one of Akihiko's Social events, Makoto has the opportunity to ask Akhiko and Mitsuru if they're dating; Akihiko quickly responds "Don't be stupid" before describing Mitsuru as "troublesome" and more a comrade to him than a potential love interest; being that Makoto asks this, it could also be inferred that the trope also applies to the Makoto[=/=]Mitsuru ship as well (or at the very least, that he hasn't completed her Social Link yet).
to:
* ShipSinking: During one of Akihiko's Social events, Makoto has the opportunity to ask Akhiko and Mitsuru if they're dating; Akihiko quickly responds "Don't be stupid" before describing Mitsuru as "troublesome" and more a comrade to him than a potential love interest; being that Makoto asks this, it could also be inferred that either Makoto hasn't completed Mitsuru's Social Link yet, or that the trope also applies to the Makoto[=/=]Mitsuru ship as well (or at the very least, that he hasn't completed her Social Link yet).Makoto/Mitsuru ship.
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* TimeTravel: Whilst the members of S.E.E.S. are taken from some point during ''VideoGame/Persona3'', Elizabeth makes reference to both the events of ''VideoGame/Persona4DancingAllNight'', and to Justine and Caroline, the twin Velvet Room attendants from ''VideoGame/Persona5''.
to:
* TimeTravel: Whilst the members of S.E.E.S. are taken from some point during ''VideoGame/Persona3'', Elizabeth makes reference to both the events of ''VideoGame/Persona4DancingAllNight'', and to Justine and Caroline, the twin Velvet Room attendants from ''VideoGame/Persona5''. Fuuka also reveals that she's been communicating with [[VideoGame/Persona5DancingInStarLight Alibaba/Futaba, who's also started practicing dancing]].
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Changed line(s) 141 (click to see context) from:
* ShipSinking: During one of Akihiko's Social events, Makoto has the opportunity to ask Akhiko and Mitsuru if they're dating; Akihiko quickly responds "Don't be stupid" before describing Mitsuru as "troublesome" and more a comrade to him than a potential love interest; being that Makoto asks this, it could also be inferred that the trope also applies to the Makoto[=/=]Mitsuru ship.
to:
* ShipSinking: During one of Akihiko's Social events, Makoto has the opportunity to ask Akhiko and Mitsuru if they're dating; Akihiko quickly responds "Don't be stupid" before describing Mitsuru as "troublesome" and more a comrade to him than a potential love interest; being that Makoto asks this, it could also be inferred that the trope also applies to the Makoto[=/=]Mitsuru ship.ship as well (or at the very least, that he hasn't completed her Social Link yet).
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**Shinjiro's solo theme is "The Battle for Everyone's Souls", meant for the FinalBoss. Due to his death in October, he can't fight Nyx Avatar.
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* BadBadActing: When S.E.E.S. displays skepticism at Elizabeth's attempts to goad them into dancing as part of her contest with Caroline and Justine, she cries fake tears and tries to ellicit sympathy with melodrama. No one is moved and both Aigis and Mitsuru lampshade how poor Elizabeth's acting is. The only reason anyone goes along with it is because of Makoto's partnership with Elizabeth and feelings of being indebted to her.
-->'''Aigis:''' Those are obviously CrocodileTears.\\
'''Mitsuru:''' She's attempting to appeal to our emotions, hm? However, her acting lacks any true sentiment.
-->'''Aigis:''' Those are obviously CrocodileTears.\\
'''Mitsuru:''' She's attempting to appeal to our emotions, hm? However, her acting lacks any true sentiment.
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** The lyrics to "Our Moment" and "Moonlight Serendipity" suggest that S.E.E.S. weren't taken from the events of ''VideoGame/Persona3'', but rather that they were taken from the present day, circa ''VideoGamePersona5'', and aged down to the age they were when they were last with Makoto; however, outside of Fuuka and Futaba briefly using the internet to communicate with one another, there isn't much evidence elsewhere in the game to support this idea.
to:
** The lyrics to "Our Moment" and "Moonlight Serendipity" suggest that S.E.E.S. weren't taken from the events of ''VideoGame/Persona3'', but rather that they were taken from the present day, circa ''VideoGamePersona5'', ''VideoGame/Persona5'', and aged down to the age they were when they were last with Makoto; however, outside of Fuuka and Futaba briefly using the internet to communicate with one another, there isn't much evidence elsewhere in the game to support this idea.
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* AmbiguousSituation: The game is deliberately unclear about when it takes place within ''VideoGame/Persona3'', but Shinjiro's absence and the characterisation of Aigis suggests that it takes place in January, the final month before the promised day.
to:
* AmbiguousSituation: AmbiguousSituation:
** The game is deliberately unclear about when it takes place within ''VideoGame/Persona3'', but Shinjiro's absence and the characterisation of Aigis suggests that it takes place inJanuary, January 2010, the final month before the promised day.day.
** The lyrics to "Our Moment" and "Moonlight Serendipity" suggest that S.E.E.S. weren't taken from the events of ''VideoGame/Persona3'', but rather that they were taken from the present day, circa ''VideoGamePersona5'', and aged down to the age they were when they were last with Makoto; however, outside of Fuuka and Futaba briefly using the internet to communicate with one another, there isn't much evidence elsewhere in the game to support this idea.
** The game is deliberately unclear about when it takes place within ''VideoGame/Persona3'', but Shinjiro's absence and the characterisation of Aigis suggests that it takes place in
** The lyrics to "Our Moment" and "Moonlight Serendipity" suggest that S.E.E.S. weren't taken from the events of ''VideoGame/Persona3'', but rather that they were taken from the present day, circa ''VideoGamePersona5'', and aged down to the age they were when they were last with Makoto; however, outside of Fuuka and Futaba briefly using the internet to communicate with one another, there isn't much evidence elsewhere in the game to support this idea.
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* OnceDoneNeverForgotten: In one of Junpei's Social events, Makoto has the option to state that he still hasn't forgiven Junpei for being a jerkass towards him after they both joined SEES.
to:
* OnceDoneNeverForgotten: In one of Junpei's Social events, Makoto has the option to state that he still hasn't forgiven Junpei for being a jerkass towards him after they both joined SEES.S.E.E.S.
* PuttingTheBandBackTogether: The opening theme of the game, "Our Moment", is an upbeat song with lyrics reflecting this trope.
Changed line(s) 137 (click to see context) from:
* ShowWithinAShow: Refrences are again made to the ''Franchise/{{Persona}}'' franchises resident tokusatsu parody, ''Phoenix Ranger Featherman''; Ken and Yukari discuss the show in a Social event, the members of SEES have ''Phoenix Ranger Featherman R'' costumes as DownloadableContent, whilst Yukari also has her ''Phoenix Ranger Featherman Victory'' costume that she wore during ''VideoGame/Persona4ArenaUltimax''.
to:
* ShowWithinAShow: Refrences References are again made to the ''Franchise/{{Persona}}'' franchises resident tokusatsu parody, ''Phoenix Ranger Featherman''; Ken and Yukari discuss the show in a Social event, the members of SEES have ''Phoenix Ranger Featherman R'' costumes as DownloadableContent, whilst Yukari also has her ''Phoenix Ranger Featherman Victory'' costume that she wore during ''VideoGame/Persona4ArenaUltimax''.
Changed line(s) 139 (click to see context) from:
* SuspiciouslySpecificDenial: Ken totally doesn’t care about such childish fare as ''[[ShowWithinAShow Phoenix Ranger Featherman]]'', as he's quick to remind everyone whenever the subject comes up. Pointedly, the older members of SEES are quite happy to play along and enthusiastically call out "Phoenix Ranger Featherman!" upon equipping their respective costume from the show, Ken follows up by saying "Not that I care" in an attempt to look more mature.
to:
* SuspiciouslySpecificDenial: Ken totally doesn’t care about such childish fare as ''[[ShowWithinAShow Phoenix Ranger Featherman]]'', as he's quick to remind everyone whenever the subject comes up. Pointedly, the older members of SEES S.E.E.S. are quite happy to play along and enthusiastically call out "Phoenix Ranger Featherman!" upon equipping their respective costume from the show, Ken follows up by saying "Not that I care" in an attempt to look more mature.
Changed line(s) 141 (click to see context) from:
* TimeTravel: Whilst the members of SEES are taken from some point during ''VideoGame/Persona3'', Elizabeth makes reference to both the events of ''VideoGame/Persona4DancingAllNight'', and to Justine and Caroline, the twin Velvet Room attendants from ''VideoGame/Persona5''.
to:
* TimeTravel: Whilst the members of SEES S.E.E.S. are taken from some point during ''VideoGame/Persona3'', Elizabeth makes reference to both the events of ''VideoGame/Persona4DancingAllNight'', and to Justine and Caroline, the twin Velvet Room attendants from ''VideoGame/Persona5''.
* WeWillMeetAgain:
** The closing lines of "Our Moment" is a wistful "Wherever you are, we'll meet again".
** The theme of the lyrics to "Moonlight Serendipity" reflect this, talking about having to say goodbye but ultimately promising to meet again in the future.
** The closing lines of "Our Moment" is a wistful "Wherever you are, we'll meet again".
** The theme of the lyrics to "Moonlight Serendipity" reflect this, talking about having to say goodbye but ultimately promising to meet again in the future.
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----
to:
->''Wherever you are,''\\
''We'll meet again...''
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''Persona 3: Dancing in Moonlight'' (known as ''Persona 3: Dancing Moon Night'' in Japan), is a RhythmGame spin-off of ''VideoGame/Persona3'' in the vein of ''VideoGame/Persona4DancingAllNight'', released at the same time as ''VideoGame/Persona5DancingInStarlight'', a similarly themed dancing spin-off of ''VideoGame/Persona5''. It was released in Japan in May of 2018, with a Western release on December 4, 2018.
to:
''Persona 3: Dancing in Moonlight'' (known as ''Persona 3: Dancing Moon Night'' in Japan), is a RhythmGame spin-off of ''VideoGame/Persona3'' in the vein of ''VideoGame/Persona4DancingAllNight'', released at the same time as ''VideoGame/Persona5DancingInStarlight'', a similarly themed dancing spin-off of ''VideoGame/Persona5''. It was released in Japan in May of 2018, with a Western release on December 4, 2018.
2018 for the Platform/PSVita and Platform/PlayStation4.
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Changed line(s) 119 (click to see context) from:
* NewWorkRecycledGraphics: The stages' models are reused from the original UsefulNotes/PlayStation2 game albeit with minor geometry modifications and new textures. Compare the [[https://media.discordapp.net/attachments/796394861548011541/1058303240908832768/Persona-3-Dancing-Moon-Night_Mar122018_44.png Gekkoukan High rooftop]] in this game with [[https://media.discordapp.net/attachments/796394861548011541/1058303240560713838/cgyc2q7pewj71.png the original PS2 field model]].
to:
* NewWorkRecycledGraphics: The stages' models are reused from the original UsefulNotes/PlayStation2 Platform/PlayStation2 game albeit with minor geometry modifications and new textures. Compare the [[https://media.discordapp.net/attachments/796394861548011541/1058303240908832768/Persona-3-Dancing-Moon-Night_Mar122018_44.png Gekkoukan High rooftop]] in this game with [[https://media.discordapp.net/attachments/796394861548011541/1058303240560713838/cgyc2q7pewj71.png the original PS2 field model]].
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Changed line(s) 128,130 (click to see context) from:
** From ''VideoGame/Persona3'': "Burn My Dread" (Novoiski Remix), "Deep Breath Deep Breath" (Yuu Miyake Remix), "When the Moon Reaches for the Stars" (Hideki Naganuma Remix), "Want To Be Close" (ATOLS Remix), "A Deep Mentality" (Lotus Juice Remix), "Mass Destruction" (Tetsuya Kobayashi Remix), "Hymn of the Soul" (T.Komine Remix), "Battle Hymn of the Soul" (Daisuke Asakura Remix), "Memories of You" (ATLUS Meguro Remix)
** From ''Persona 3 FES'': "Heartful Cry" (ATLUS Konishi Remix), "Brand New Days" (Yuyoyuppe Remix)
** From ''Persona 3 Portable'': "Time" (ATLUS Kitajoh Remix), "Wiping All Out" (ATLUS Kozuka remix), "A Way of Life" (ATLUS Kitajoh Remix)
** From ''Persona 3 FES'': "Heartful Cry" (ATLUS Konishi Remix), "Brand New Days" (Yuyoyuppe Remix)
** From ''Persona 3 Portable'': "Time" (ATLUS Kitajoh Remix), "Wiping All Out" (ATLUS Kozuka remix), "A Way of Life" (ATLUS Kitajoh Remix)
to:
** From ''VideoGame/Persona3'': "Burn My Dread" (Novoiski Remix), "Deep Breath Deep Breath" (Yuu Miyake Remix), "When the Moon Reaches for the Stars" (Hideki Naganuma Remix), "Want To Be Close" (ATOLS Remix), "A Deep Mentality" (Lotus Juice Remix), "Mass Destruction" (Tetsuya Kobayashi Remix), "Hymn of the Soul" (T.Komine Remix), "Battle Hymn of the Soul" (Daisuke Asakura Remix), and "Memories of You" (ATLUS Meguro Remix)
** From ''Persona 3 FES'': "Heartful Cry" (ATLUS Konishi Remix), and "Brand New Days" (Yuyoyuppe Remix)
** From ''Persona 3 Portable'': "Time" (ATLUS Kitajoh Remix), "Wiping All Out" (ATLUS Kozuka remix), and "A Way of Life" (ATLUS Kitajoh Remix)
** From ''Persona 3 FES'': "Heartful Cry" (ATLUS Konishi Remix), and "Brand New Days" (Yuyoyuppe Remix)
** From ''Persona 3 Portable'': "Time" (ATLUS Kitajoh Remix), "Wiping All Out" (ATLUS Kozuka remix), and "A Way of Life" (ATLUS Kitajoh Remix)
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** From ''VideoGame/PersonaQShadowOfTheLabyrinth'': "Light the Fire Up in the Night" (DARK HOUR + MIDNIGHT) (sasakure.UK Remix)
to:
** From ''VideoGame/PersonaQShadowOfTheLabyrinth'': "Light the Fire Up in the Night" (DARK HOUR + MIDNIGHT)[[note]]a new version of the ''[=PQ=]'' battle theme, combining the "Dark Hour" and "Midnight" versions of the song into a singular piece[[/note]], and "Light the Fire Up in the Night" (DARK HOUR + MIDNIGHT) (sasakure.UK Remix)
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Changed line(s) 24 (click to see context) from:
* AirGuitar: When Ken dances to "Mass Destruction (Tetsuya Kobayashi Remix)", he briefly does air guitar motions on his spear. Yukari, Fuuka and Aigis will also play the air guitar with him if they are chosen as his dance partners.
to:
* AirGuitar: When Ken dances to "Mass Destruction (Tetsuya Kobayashi Remix)", he briefly does air guitar motions on his spear. Yukari, Fuuka Fuuka, and Aigis will also play the air guitar with him if they are chosen as his dance partners.
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Changed line(s) 24 (click to see context) from:
* AirGuitar: When Ken dances to "Mass Destruction (Tetsuya Kobayashi Remix)", he briefly does air guitar motions on his spear. Yukari and Aigis will also play the air guitar with him if they are chosen as his dance partners.
to:
* AirGuitar: When Ken dances to "Mass Destruction (Tetsuya Kobayashi Remix)", he briefly does air guitar motions on his spear. Yukari Yukari, Fuuka and Aigis will also play the air guitar with him if they are chosen as his dance partners.
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Remix was already on the Persona 3 Portable soundtrack.
** [[VideoGame/Persona4Arena Labrys]] is available as a partner for Elizabeth, regardless of her DLC being installed.
Changed line(s) 102 (click to see context) from:
** Throughout the intro, Makoto points his finger at his head akin to a pistol, referencing the use of an Evoker to summon a Persona in ''Persona 3''.
to:
** Throughout At various points during the intro, Makoto points his finger at his head akin to a pistol, referencing the use of an Evoker to summon a Persona in ''Persona 3''.
Changed line(s) 129 (click to see context) from:
** From ''Persona 3 Portable'': "Time" (ATLUS Kitajoh Remix), "Wiping All Out" (ATLUS Kozuka remix), "A Way of Life" (ATLUS Kitajoh Remix), "A Way of Life" (Deep inside my mind Remix)
to:
** From ''Persona 3 Portable'': "Time" (ATLUS Kitajoh Remix), "Wiping All Out" (ATLUS Kozuka remix), "A Way of Life" (ATLUS Kitajoh Remix), "A Way of Life" (Deep inside my mind Remix)
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* ShipperOnDeck: During one of Yukari's Social events, Yukari questions if she sounds like an old lady whilst talking with Fuuka and Makoto; if Makoto responds by teasing Yukari that she's always sounded like that, Fuuka responds by giggling and noting how well the two get along.
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Changed line(s) 122 (click to see context) from:
* PromotedToPlayable: After staying in the support role in ''VideoGame/Persona4Arena'', ''VideoGame/Persona4ArenaUltimax'' and ''VideoGame/PersonaQShadowOfTheLabyrinth'', this game marks the first time [[MissionControl Fuuka]] is playable in the series. Theodore is also available via DLC.
to:
* PromotedToPlayable: PromotedToPlayable:
** Afterstaying serving as MissionControl in the support role in ''VideoGame/Persona4Arena'', ''VideoGame/Persona4ArenaUltimax'' and ''VideoGame/PersonaQShadowOfTheLabyrinth'', all of her previous appearances, this game marks the first time [[MissionControl Fuuka]] Fuuka is playable in the series. series.
** Theodore is also available viaDLC.DLC, having remained an NPC (and occasional OptionalBoss) since his first appearance in ''Persona 3 Portable''.
** After
** Theodore is also available via
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Changed line(s) 135 (click to see context) from:
* SuspiciouslySpecificDenial: Ken totally doesn’t care about such childish fare as ''[[ShowWithinAShow Phoenix Ranger Featherman]]'', as he's quick to remind everyone whenever the subject comes up.
to:
* SuspiciouslySpecificDenial: Ken totally doesn’t care about such childish fare as ''[[ShowWithinAShow Phoenix Ranger Featherman]]'', as he's quick to remind everyone whenever the subject comes up. Pointedly, the older members of SEES are quite happy to play along and enthusiastically call out "Phoenix Ranger Featherman!" upon equipping their respective costume from the show, Ken follows up by saying "Not that I care" in an attempt to look more mature.
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* WhatTheHellPlayer: With the sole exception of Aigis, the cast will all complain about being put in particularly revealing or embarrassing costumes.
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Changed line(s) 125 (click to see context) from:
** From ''VideoGame/Persona3'': "Burn My Dread" (Novoiski Remix), "Deep Breath Deep Breath" (Yuu Miyake Remix), "When the Moon Reaches for the Stars" (Hideki Naganuma Remix), "Want To Be Close" (ATOLS Remix), "A Deep Mentality" (Lotus Juice Remix), "Mass Destruction" (Tetsuya Kobayashi Remix), "Hymn of the Soul" (T.Komine Remix), "Memories of You" (ATLUS Meguro Remix)
to:
** From ''VideoGame/Persona3'': "Burn My Dread" (Novoiski Remix), "Deep Breath Deep Breath" (Yuu Miyake Remix), "When the Moon Reaches for the Stars" (Hideki Naganuma Remix), "Want To Be Close" (ATOLS Remix), "A Deep Mentality" (Lotus Juice Remix), "Mass Destruction" (Tetsuya Kobayashi Remix), "Hymn of the Soul" (T.Komine Remix), "Battle Hymn of the Soul" (Daisuke Asakura Remix), "Memories of You" (ATLUS Meguro Remix)
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* RearrangeTheSong: In addition to just using the original music from prior games, a number of the songs are also remixed to create new compositions.
** From ''VideoGame/Persona1'': "Voice" (ATLUS Tsuchiya Remix)
** From ''VideoGame/Persona3'': "Burn My Dread" (Novoiski Remix), "Deep Breath Deep Breath" (Yuu Miyake Remix), "When the Moon Reaches for the Stars" (Hideki Naganuma Remix), "Want To Be Close" (ATOLS Remix), "A Deep Mentality" (Lotus Juice Remix), "Mass Destruction" (Tetsuya Kobayashi Remix), "Hymn of the Soul" (T.Komine Remix), "Memories of You" (ATLUS Meguro Remix)
** From ''Persona 3 FES'': "Heartful Cry" (ATLUS Konishi Remix), "Brand New Days" (Yuyoyuppe Remix)
** From ''Persona 3 Portable'': "Time" (ATLUS Kitajoh Remix), "Wiping All Out" (ATLUS Kozuka remix), "A Way of Life" (ATLUS Kitajoh Remix), "A Way of Life" (Deep inside my mind Remix)
** From ''VideoGame/Persona4ArenaUltimax'': "Break Out Of..." (ATLUS Kitajoh Remix)
** From ''VideoGame/PersonaQShadowOfTheLabyrinth'': "Light the Fire Up in the Night" (DARK HOUR + MIDNIGHT) (sasakure.UK Remix)
** From ''VideoGame/Persona1'': "Voice" (ATLUS Tsuchiya Remix)
** From ''VideoGame/Persona3'': "Burn My Dread" (Novoiski Remix), "Deep Breath Deep Breath" (Yuu Miyake Remix), "When the Moon Reaches for the Stars" (Hideki Naganuma Remix), "Want To Be Close" (ATOLS Remix), "A Deep Mentality" (Lotus Juice Remix), "Mass Destruction" (Tetsuya Kobayashi Remix), "Hymn of the Soul" (T.Komine Remix), "Memories of You" (ATLUS Meguro Remix)
** From ''Persona 3 FES'': "Heartful Cry" (ATLUS Konishi Remix), "Brand New Days" (Yuyoyuppe Remix)
** From ''Persona 3 Portable'': "Time" (ATLUS Kitajoh Remix), "Wiping All Out" (ATLUS Kozuka remix), "A Way of Life" (ATLUS Kitajoh Remix), "A Way of Life" (Deep inside my mind Remix)
** From ''VideoGame/Persona4ArenaUltimax'': "Break Out Of..." (ATLUS Kitajoh Remix)
** From ''VideoGame/PersonaQShadowOfTheLabyrinth'': "Light the Fire Up in the Night" (DARK HOUR + MIDNIGHT) (sasakure.UK Remix)
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** In Yukari's final Social event, Makoto has the opportunity to encourage her to pursue a career in showbiz; Yukari is working as a model and actress by the time of ''[[VideoGame/Persona4ArenaUltimax Ultimax]]''.
* FanservicePack:
** Yukari and Mitsuru were already examples of MsFanservice, but their new outfits are even more revealing. The former now wears a semi-transparent blouse which bares her midriff while the latter wears a jacket with NavelDeepNeckline.
** In ''VideoGame/Persona3'', Fuuka is rather shy while wearing her swimsuit and her wardrobe consists of [[AgeInappropriateDress things more suited for a far older woman]]. Here, she is free to wear some of the more revealing outfits and the [[LegFocus camera tends to focus on her legs]], and she finally gets her own version of the [[ChainmailBikini High Cut Armor/Battle Panties]].
** Yukari and Mitsuru were already examples of MsFanservice, but their new outfits are even more revealing. The former now wears a semi-transparent blouse which bares her midriff while the latter wears a jacket with NavelDeepNeckline.
** In ''VideoGame/Persona3'', Fuuka is rather shy while wearing her swimsuit and her wardrobe consists of [[AgeInappropriateDress things more suited for a far older woman]]. Here, she is free to wear some of the more revealing outfits and the [[LegFocus camera tends to focus on her legs]], and she finally gets her own version of the [[ChainmailBikini High Cut Armor/Battle Panties]].
Deleted line(s) 79,81 (click to see context) :
* HotterAndSexier: All the girls sans Aigis (due to obvious reasons):
** Yukari and Mitsuru were already examples of MsFanservice, but their new outfits are even more revealing. The former now wears a semi-transparent blouse which bares her midriff while the latter wears a jacket with NavelDeepNeckline.
** In the main game, Fuuka is rather shy while wearing her swimsuit and her wardrobe consists of [[AgeInappropriateDress things more suited for a far older woman]]. Here, she is free to wear some of the more revealing outfits and the [[LegFocus camera tends to focus on her legs]].
** Yukari and Mitsuru were already examples of MsFanservice, but their new outfits are even more revealing. The former now wears a semi-transparent blouse which bares her midriff while the latter wears a jacket with NavelDeepNeckline.
** In the main game, Fuuka is rather shy while wearing her swimsuit and her wardrobe consists of [[AgeInappropriateDress things more suited for a far older woman]]. Here, she is free to wear some of the more revealing outfits and the [[LegFocus camera tends to focus on her legs]].
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Added DiffLines:
* {{Leitmotif}}: "Memories of the School" plays during the final Social Events for Yukari and Aigis, highlighting their close relationships with Makoto.
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* ArtShift:
** This marks the first time the ''VideoGame/Persona3'' cast have been rendered in the cel-shaded style of ''VideoGame/Persona5''.
** "Voice (Atlus Tsuchiya Remix)" features a music video that uses the character models from ''VideoGame/PersonaQShadowOfTheLabyrinth''.
** This marks the first time the ''VideoGame/Persona3'' cast have been rendered in the cel-shaded style of ''VideoGame/Persona5''.
** "Voice (Atlus Tsuchiya Remix)" features a music video that uses the character models from ''VideoGame/PersonaQShadowOfTheLabyrinth''.
Changed line(s) 94 (click to see context) from:
* ModestyShorts: To avoid any upskirt shots during their dance, the girls wear shorts underneath their skirts.
to:
* ModestyShorts: To avoid any upskirt shots during their dance, dances, the girls wear shorts underneath their skirts.
Changed line(s) 100 (click to see context) from:
** Ken's outfit is a combination of his jacket with Koromaru's wings, something which is also worn by the latter in ''VideoGame/Persona4ArenaUltimax''.
to:
** Ken's dance outfit is a combination of his jacket with Koromaru's wings, something which is also worn by the latter in ''VideoGame/Persona4ArenaUltimax''.
Changed line(s) 126 (click to see context) from:
* TokenWholesome: As in the original game, since Aigis is a robot, she's the only female character exempt from any {{Stripperific}} costumes.
to:
* TokenWholesome: TokenWholesome:
** As in the original game, since Aigis is a robot, she's the only female character exempt from any {{Stripperific}}costumes.costumes.
** Whilst all of the guys get crossdressing outfits, Ken's is the girls' Gekkoukan uniform; Comparatively, Makoto, Junpei and Akihiko are dressed as a maid, cheerleader and a sexy police office.
** As in the original game, since Aigis is a robot, she's the only female character exempt from any {{Stripperific}}
** Whilst all of the guys get crossdressing outfits, Ken's is the girls' Gekkoukan uniform; Comparatively, Makoto, Junpei and Akihiko are dressed as a maid, cheerleader and a sexy police office.
